#..#.#.#.# ##.#.##.#.
#.##.#.#.# .#.#..#.#.
#..#.#.#.# .#.#.##.#.
#.##.#.#.# .#.#..#.#.
#..#.#.#.# .#.#.##.#.
#.##.#.#.# £ DREAM PALACE £ .#.#..#.#.
#..#.#.#.# - ----- ------ - .#.#.##.#.
#.##.#.#.# £ ..... ...... £ .#.#..#.#.
#..#.#.#.# ; ..... ...... ; .#.#.##.#.
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#.##.#.#.# . ..... ...... . .#.#..#.#.
#..#.#.#.# .#.#.##.#.
#.##.#.#.# .#.#..#.#.
#..#.#.#.# NOT ACTUALLY A PALACE. A COTTAGE IN THE .#.#.##.#.
#.##.#.#.# WOODS (TEMPERATE CLIMATE, RAINS EVERY .#.#..#.#.
#..#.#.#.# OTHER DAY, SPRINGS AND STREAMS AND .#.#.##.#.
#.##.#.#.# MYSTERIOUS IRON AND STONE ARTIFACTS, .#.#..#.#.
#..#.#.#.# BIRDLAND-ISH ETERNAL SPRING (LATE .#.#.##.#.
#.##.#.#.# SPRING)) .#.#..#.#.
#..#.#.#.# .#.#.##.#.
#.##.#.#.# » .#.#..#.#.
#..#.#.#.# .#.#.##.#.
#.##.#.#.# I WAKE UP EVERY MORNING AT SIX AM. IT'S .#.#..#.#.
#..#.#.#.# DARK, AND THE STARS ARE OUT, BUT THE .#.#.##.#.
#.##.#.#.# SUN IS ABOUT TO RISE. ITS A LONG DAY, .#.#..#.#.
#..#.#.#.# BEFORE IT FADES TO NIGHT AGAIN, AND .#.#.##.#.
#.##.#.#.# THEN IT STAYS SO UNTIL I FALL ASLEEP. .#.#..#.#.
#..#.#.#.# IT DOESN'T RISE UNLESS I'VE HAD MY .#.#.##.#.
#.##.#.#.# DREAMS. .#.#..#.#.
#..#.#.#.# .#.#.##.#.
#.##.#.#.# = .#.#..#.#.
#..#.#.#.# .#.#.##.#.
#.##.#.#.# IN THIS COTTAGE THERE'S A LOT OF RADIO .#.#..#.#.
#..#.#.#.# EQUIPMENT, SOUND STUFF, SYNTHS, TAPE .#.#.##.#.
#.##.#.#.# PLAYERS. PEN AND PAPER, BOOKS, CAMERAS, .#.#..#.#.
#..#.#.#.# MIRRORS, PRISMS, AND VARIOUS THINGS TO .#.#.##.#.
#.##.#.#.# DO ART WITH. THE FRIDGE IS FILLED WITH .#.#..#.#.
#..#.#.#.# DIFFERET FOODS, ALL OF THEM INTRIGUING, .#.#.##.#.
#.##.#.#.# SLIGHTLY WEIRD. .#.#..#.#.
#..#.#.#.# .#.#.##.#.
#.##.#.#.# # .#.#..#.#.
#..#.#.#.# .#.#.##.#.
#.##.#.#.# I HAVE FRIENDS - THERE'S A CAT, AND A .#.#..#.#.
#..#.#.#.# DOG (WHO IS RIDICOLOUSLY LARGE AND .#.#.##.#.
#.##.#.#.# WANTS TO BE THE BIG SPOON). I LISTEN TO .#.#..#.#.
#..#.#.#.# THE SHORTWAVE RADIO, AND TRANSMIT A BIT .#.#.##.#.
#.##.#.#.# MYSELF, SONGS AND POETRY, AND FOUND .#.#..#.#.
#..#.#.#.# SOUNDS FROM THE FOREST. THE OTHERS TELL .#.#.##.#.
#.##.#.#.# OF THEIR LIVES, PLAY THE GUITAR FOR ME, .#.#..#.#.
#..#.#.#.# AND TELL TALES OF THE OLD WORLD. I .#.#.##.#.
#.##.#.#.# CONSIDER THEM FRIENDS AS WELL. .#.#..#.#.
#..#.#.#.# .#.#.##.#.
#.##.#.#.# ¶ .#.#..#.#.
#..#.#.#.# .#.#.##.#.
#.##.#.#.# MOST IMPORTANTLY, THERE'S A TWO SQUARE .#.#..#.#.
#..#.#.#.# METER AREA ON THE FLOOR WHERE I CAN .#.#.##.#.
#.##.#.#.# "SAVE" THINGS. WHATEVER I PUT IN HERE .#.#..#.#.
#..#.#.#.# WILL NOT BE AFFECTED BY THE NIGHTLY .#.#.##.#.
#.##.#.#.# RESET. EVERYTHING ELSE, HOWEVER, IS .#.#..#.#.
#..#.#.#.# COMPLETELY RESET OVERNIGHT: SYNTH .#.#.##.#.
#.##.#.#.# PATCHES REMOVED, FOOD UNEATEN, WOUNDS .#.#..#.#.
#..#.#.#.# HEALED, AND WHEREVER AND WHENEVER I'D .#.#.##.#.
#.##.#.#.# FALL ASLEEP I'D ALWAYS WAKE UP FULLY .#.#..#.#.
#..#.#.#.# RESTED IN MY BED. SOMETIMES THERE'S .#.#.##.#.
#.##.#.#.# ACCIDENTS WHERE I LOSE STUFF BY .#.#..#.#.
#..#.#.#.# FORGETTING TO PUT THEM IN THE SQUARE. .#.#.##.#.
#.##.#.#.# .#.#..#.#.
#..#.#.#.# . .#.#.##.#.
#.##.#.#.# .#.#..#.#.
#..#.#.#.# AT NIGHT, I HAVE DEMI-LUCID DREAMS .#.#.##.#.
#.##.#.#.# WHERE THE SPIRITS OF THE FOREST AROUND .#.#..#.#.
#..#.#.#.# THE COTTAGE TRIES TO COMMUNICATE. HERE, .#.#.##.#.
#.##.#.#.# IT'S NOT ENDLESS BUT CONNECTED TO A .#.#..#.#.
#..#.#.#.# LARGE SPRAWLING CITY, WHERE MY RADIO .#.#.##.#.
#.##.#.#.# FRIENDS LIVE. WE GO EXPLORING TOGETHER .#.#..#.#.
#..#.#.#.# - THINGS ARE DEEP AND DARK - BUT UNLIKE .#.#.##.#.
#.##.#.#.# ME, THEY NEVER REMEMBER DURING THE DAY. .#.#..#.#.
#..#.#.#.# THIS IS A MYSTERY WE OFTEN DISCUSS. .#.#.##.#.
#.##.#.#.# .#.#..#.#.
#..#.#.#.# .#.#.##.#.
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