..,:~\§@£@ @£@§\~:,..
¨.¨,,=†££¶ ¶££†=,,¨.¨
¨.,,«*§@¶# #¶@§*«,,.¨
,¨:»;£@@## ##@@£;»:¨,
..«†&£@@## ##@@£&†«..
¨,-=†@@£## statuette ##£@@†=-,¨
.¨¨^=/%### ###%/=^¨¨.
,¨¨.,=:££@ &££%£$%&&§§@@£%%=-=~-»»=%*§£%%*$£*%$%¤&% @££:=,.¨¨,
¨¨.^~\$&¶# $@$£¤%§§$ #¶&$\~^.¨¨
¨,,~:%¤### ###¤%:~,,¨
¨^«^@&#### forests around my childhood home. thick ####&@^«^¨
.¨,»=*§£@# pine arcades that were planted and #@£§*=»,¨.
¨.,,~/&#@@ forgotten. wild boars roaming @@#&/~,,.¨
.,..-~:@¤@ underneath, sniffing at the ground. it @¤@:~-..,.
¨¨¨,«:%§£@ is dark and moist, the canopy having @£§%:«,¨¨¨
.¨~«;@&### already soaked up all the sun. ###&@;«~¨.
.,=^%£#### ####£%^=,.
,.:=:@@@## there's a river passing by, from east ##@@@:=:.,
¨.¨~~*%§#@ to west, getting broader and deeper and @#§%*~~¨.¨
.¨,¨,~;$&¶ slower as it goes. equisetum grow just ¶&$;~,¨,¨.
,..~»*££#@ where the pine hands start to let @#££*»~..,
¨¨:-;£##@# through light, horsemint on the rocky #@##£;-:¨¨
,,»\§¤#@## river bed. ##@#¤§\»,,
.,,«^£##@# #@##£^«,,.
..¨.~:£#£# ^ #£#£:~.¨..
¨,¨..~†&#@ @#&†~..¨,¨
¨.,~=:§#@@ the riverbanks reek of magic. tonight @@#§:=~,.¨
¨¨:~;£¤@@# they had been a swampworld with sylvan #@@¤£;~:¨¨
,.==%¤#### water, stone rings and floating moss. ####¤%==.,
,¨:~^£#### you could've found me wallowing around ####£^~:¨,
¨.¨^~/$@## on the southern shores until i got ##@$/~^¨.¨
¨¨¨.~«^%#@ bitten. @#%^«~.¨¨¨
¨¨.:=/%@#@ @#@%/=:.¨¨
.,,»*£#¶## but now i'm further back, on solid ##¶#£*»,,.
¨,=*&&¶### ground, in shoulder-high grass, with an ###¶&&*=,¨
¨¨:=/¤##@# orange tin radio and a translucent #@##¤/=:¨¨
,¨¨^«=%@¶@ umbrella which i'm sitting on. @¶@%=«^¨¨,
,.¨,:»;@&¶ ¶&@;»:,¨.,
¨,.-~/£#@# \ #@#£/~-.,¨
¨¨:~†$#### ####$†~:¨¨
¨:«\%¤@### somethings moving in the grass. it's ###@¤%\«:¨
,,,-:£#### invisible to my eyes but i can feel ####£:-,,,
,,..-†%### through the ground just how large it is. ###%†-..,,
¨,..^~**@@ @@**~^..,¨
¨¨¨,»*@&@# the soil is muddy. i slip when trying #@&@*»,¨¨¨
¨¨~-^&§### to get up, still looking at the ###§&^-~¨¨
.,«^$@#@## direction of sound rather than at my ##@#@$^«,.
¨,~»/£§### hands, who are busy putting things in ###§£/»~,¨
¨,,,»=&@## my pockets. ##@&=»,,,¨
¨..,^»†%#¶ ¶#%†»^,..¨
...:~†$@@@ then i run east toward my home. @@@$†~:...
.,^~:£@### ###@£:~^,.
.,-^*¤£### * ###£¤*^-,.
,,--\*@¶## ##¶@*\--,,
¨.,^«=£££# i am not followed, and slow down in the #£££=«^,.¨
,¨,.,»^&¤¶ clearing where you at first can spot ¶¤&^»,.,¨,
.¨.-~=&£## the house, not yet really in the ##£&=~-.¨.
¨,~=†&¤### backyard. from my pockets i retrieve my ###¤&†=~,¨
¨.-\%£#@## radio (now dented) but also a small ##@#£%\-.¨
¨,:=^£@¶## clay figure i've never seen before. it ##¶@£^=:,¨
,¨,.«\£§@# must have been laying in the wet dirt, #@§£\«.,¨,
,.,..«;§¤@ and i must've picked it up with my @¤§;«..,.,
¨..^~=¤¤## other belongings. ##¤¤=~^..¨
,,.~\£@### ###@£\~.,,
.:~:£##### it's a statuette of a girl laying naked #####£:~:.
¨¨--†£#@## on her stomach, feet in the air, ##@#£†--¨¨
,..^~†&#@@ roughly seven centimeters long. it's @@#&†~^..,
.¨,,--:£@# freshly made, not yet completely dried. #@£:--,,¨.
,...=†£&@# #@&£†=...,
.¨-~†$#@@# my mom is here now. i ask her for some #@@#$†~-¨.
.^-;$§@### particle board for it to dry on, but ###@§$;-^.
,¨:~:$£@## she is worried and wants me to ##@£$:~:¨,
¨.,,«=¤¤£# throw it away. #£¤¤=«,,.¨
,..¨.~;*#¶ ¶#*;~.¨..,
¨¨,:=*§#@# #@#§*=:,¨¨
,.^«:*¤@@# #@@¤*:«^.,
.~»\£##### #####£\»~.
,¨~=:$§#@# #@#§$:=~¨,
.,¨,»^%¤¶# #¶¤%^»,¨,.