.,¨,¨-†$§@ @§$†-¨,¨,.
,,«*%@## ###&@%*«,,
¨¨:^.:;†%& &%†;:.^:¨¨
,.-^§##@ @###&§^-.,
.:-^%£&@## ##@&£%^-:.
¨^«;†=£@¤# statuette #¤@£=†;«^¨
¨¨.~;=$£¶# #¶£$=;~.¨¨
,~-==$$§@@ @&£$¤£$%£$§£¤*&£-=~»«~~=%££££$&&&£$¤¤%@¤ @@§$$==-~,
..,,..:†@£ @&%%££¤%$ £@†:..,,..
,-~**§@@@@ @@@@§**~-,
¨:»;†$£### forests around my childhood home. thick ###£$†;»:¨
.~~-^:§¤## pine arcades that were planted and ##¤§:^-~~.
,¨,=:/§%@@ forgotten. wild boars roaming @@%§/:=,¨,
¨^~^†*@### underneath, sniffing at the ground. it ###@*†^~^¨
¨.,¨¨~^§## is dark and moist, the canopy having ##§^~¨¨,.¨
....»§*$¤@ already soaked up all the sun. @¤$*§»....
¨~»/†$¤£## ##£¤$†/»~¨
¨,»*^/%§## there's a river passing by, from east ##§%/^*»,¨
.¨,~^†*§ to west, getting broader and deeper and #&§*†^~,¨.
¨:»*†¤&¶@# slower as it goes. equisetum grow just #@¶&¤†*»:¨
,-~*†@&¶## where the pine hands start to let ##¶&@†*~-,
..»†$$&@## through light, horsemint on the rocky ##@&$$†»..
..-\^¤@@## river bed. ##@@¤^\-..
¨,~;$££### ###££$;~,¨
,,~^$$§¶## * ##¶§$$^~,,
¨¨,.-;=†&¶ ¶&†=;-.,¨¨
,,,~=~«*¤@ the riverbanks reek of magic. tonight @¤*«~=~,,,
^~:%¤##### they had been a swampworld with sylvan #####¤%:~^
,^-==&&@## water, stone rings and floating moss. ##@&&==-^,
¨^~/%£#¶@# you could've found me wallowing around #@¶#£%/~^¨
,,¨.^=$¤#@ on the southern shores until i got @#¤$=^.¨,,
.~~=%$&¤@# bitten. #@¤&$%=~~.
,.¨,¨,~$@& &@$~,¨,¨.,
,,«†*§§%*£ but now i'm further back, on solid £*%§§*†«,,
,~==%%££#@ ground, in shoulder-high grass, with an @#££%%==~,
,¨..^-%%## orange tin radio and a translucent ##%%-^..¨,
¨,.¨..:«^¤ umbrella which i'm sitting on. ¤^«:..¨.,¨
.,«††@&£@@ @@£&@††«,.
.,-=§£§@## \ ##@§£§=-,.
¨¨,.:~-*¤# #¤*-~:.,¨¨
¨..,--~*%@ somethings moving in the grass. it's @%*~--,..¨
,,~*^§££@# invisible to my eyes but i can feel #@££§^*~,,
.,.¨~~$### through the ground just how large it is. ###$~~¨.,.
.~=\@&@@## ##@@&@\=~.
,-»\$$@¤¤£ the soil is muddy. i slip when trying £¤¤@$$\»-,
,~†%$§@### to get up, still looking at the ###@§$%†~,
¨:-;^&@#@@ direction of sound rather than at my @@#@&^;-:¨
¨..-=*$#@¤ hands, who are busy putting things in ¤@#$*=-..¨
¨,...«-:$§ my pockets. §$:-«...,¨
.-=:^*#¶## ##¶#*^:=-.
¨,»†=£@¶@# then i run east toward my home. #@¶@£=†»,¨
,.=*§£## ##£#&§*=.,
,~~^*$§£## † ##£§$*^~~,
.,-=*£¤#@# #@#¤£*=-,.
¨¨¨¨~~*%£# i am not followed, and slow down in the #£%*~~¨¨¨¨
¨^»;§@## clearing where you at first can spot ##@#&§;»^¨
,.-†*@## the house, not yet really in the ##@#&*†-.,
.:~†%*#@#@ backyard. from my pockets i retrieve my @#@#*%†~:.
.:-=†§&&&@ radio (now dented) but also a small @&&&§†=-:.
.,=†§$## clay figure i've never seen before. it ###&$§†=,.
¨~=/$%¤¶@# must have been laying in the wet dirt, #@¶¤%$/=~¨
,¨.¨.,~;$& and i must've picked it up with my &$;~,.¨.¨,
¨.==;:*#@@ other belongings. @@#*:;==.¨
.¨,¨,¨~*£§ §£*~¨,¨,¨.
,^«*$*@@## it's a statuette of a girl laying naked ##@@*$*«^,
.^»†*$#@## on her stomach, feet in the air, ##@#$*†»^.
¨,-==$£@£# roughly seven centimeters long. it's #£@£$==-,¨
,:~†*$&@## freshly made, not yet completely dried. ##@&$*†~:,
.-~;†$§@@# #@@§$†;~-.
¨~-=%£§#@# my mom is here now. i ask her for some #@#§£%=-~¨
,¨.¨¨,=-^§ particle board for it to dry on, but §^-=,¨¨.¨,
.,~=§££@## she is worried and wants me to ##@££§=~,.
.~~»~~-*£# throw it away. #£*-~~»~~.
.--=§¤##@# #@##¤§=--.
,^»*%£&£## ##£&£%*»^,
,¨¨,,:$#&@ @$:,,¨¨,
¨-~;=¤@# #@#&¤=;~-¨
¨..¨,==§£# #£§==,¨..¨
¨,¨.,,,«*& &*«,,,.¨,¨