¨~-==§¤¶#@ @#¶¤§==-~¨
,¨¨¨.,~*## ##*~,.¨¨¨,
..«\*$&@## ##@&$*\«..
,,~*$¤§¶## ##¶§¤$*~,,
¨,«=†$§### ###§$†=«,¨
¨«;†@##### statuette #####@†;«¨
,.¨^***#§# #§#***^¨.,
,¨¨¨-=~=$& $@¤$%*£%£§§§*%@%~~«~=«~~$%&¤@§¤§*$@&£%$£ &$=~=-¨¨¨,
.,¨-\/†:£@ $%¤£%*%%* @£:†/\-¨,.
¨,«~=†%$£¶ ¶£$%†=~«,¨
¨.,.~~$£## forests around my childhood home. thick ##£$~~.,.¨
¨,«^%£@@## pine arcades that were planted and ##@@£%^«,¨
¨~«/†$£#@# forgotten. wild boars roaming #@#£$†/«~¨
¨,-:^%#### underneath, sniffing at the ground. it ####%^:-,¨
.,~^=¤#### is dark and moist, the canopy having ####¤=^~,.
¨,¨,=*=&@# already soaked up all the sun. #@&=*=,¨,¨
¨~«*$¤@### ###@¤$*«~¨
¨,~^=*@@$£ there's a river passing by, from east £$@@*=^~,¨
.^===£## to west, getting broader and deeper and ###&£===^.
,~«\$£¤§%@ slower as it goes. equisetum grow just @%§¤£$\«~,
.^~:%§@@@# where the pine hands start to let #@@@§%:~^.
.,.:-^$^*# through light, horsemint on the rocky #*^$^-:.,.
¨:=*%%£### river bed. ###£%%*=:¨
.~«^=$#### ####$=^«~.
¨:~/*%##@# † #@##%*/~:¨
,,~;%£#@## ##@#£%;~,,
¨¨.~:=\=$@ the riverbanks reek of magic. tonight @$=\=:~.¨¨
.^»;^$£¶#@ they had been a swampworld with sylvan @#¶£$^;»^.
.--==$#@@# water, stone rings and floating moss. #@@#$==--.
¨-«^%%§@## you could've found me wallowing around ##@§%%^«-¨
¨:-;*@&£@£ on the southern shores until i got £@£&@*;-:¨
¨.,.†\$†*£ bitten. £*†$\†.,.¨
,,=*$#@### ###@#$*=,,
,,,,,~††#@ but now i'm further back, on solid @#††~,,,,,
.,~^*$£@## ground, in shoulder-high grass, with an ##@£$*^~,.
,-=†§%&¶## orange tin radio and a translucent ##¶&%§†=-,
.¨¨¨,~*$§# umbrella which i'm sitting on. #§$*~,¨¨¨.
,:^%£### ###£#&%^:,
,,«\^££@## † ##@££^\«,,
..=/*&§¶## ##¶§&*/=..
.,~=†¤¤¶## somethings moving in the grass. it's ##¶¤¤†=~,.
.,¨.,.^†$@ invisible to my eyes but i can feel @$†^.,.¨,.
¨,¨,.:†\§# through the ground just how large it is. #§\†:.,¨,¨
.:«†**§£## ##£§**†«:.
.:«*†£@#¶# the soil is muddy. i slip when trying #¶#@£†*«:.
,^»†=¤#¶@# to get up, still looking at the #@¶#¤=†»^,
.,¨¨»«^*^# direction of sound rather than at my #^*^«»¨¨,.
.,,.:~\§## hands, who are busy putting things in ##§\~:.,,.
,^-;=*£@@# my pockets. #@@£*=;-^,
,,,.,~**¤¶ ¶¤**~,.,,,
¨¨,¨^-*%&@ then i run east toward my home. @&%*-^¨,¨¨
,:=*$§&£## ##£&§$*=:,
,,¨,.=^† † #&†^=.,¨,,
.~~:^$%#§@ @§#%$^:~~.
.,«^$$£@## i am not followed, and slow down in the ##@£$$^«,.
¨^~=;/;$&@ clearing where you at first can spot @&$;/;=~^¨
¨,=*=¤#@## the house, not yet really in the ##@#¤=*=,¨
,~-†%&@### backyard. from my pockets i retrieve my ###@&%†-~,
¨¨¨-;**£@@ radio (now dented) but also a small @@£**;-¨¨¨
,¨.¨,=*&¤£ clay figure i've never seen before. it £¤&*=,¨.¨,
¨,~;†@§¶## must have been laying in the wet dirt, ##¶§@†;~,¨
,,~;*$@# and i must've picked it up with my #@#&$*;~,,
¨-=†%£@@## other belongings. ##@@£%†=-¨
,-»\*### ####&*\»-,
.^»;=*%§## it's a statuette of a girl laying naked ##§%*=;»^.
¨.«†*%§@## on her stomach, feet in the air, ##@§%*†«.¨
,¨,^^=~$@@ roughly seven centimeters long. it's @@$~=^^,¨,
¨:==%&£@## freshly made, not yet completely dried. ##@£&%==:¨
.^~=*#@### ###@#*=~^.
¨.-†§%§@## my mom is here now. i ask her for some ##@§%§†-.¨
,~-;†*£@## particle board for it to dry on, but ##@£*†;-~,
,:»†=%§@## she is worried and wants me to ##@§%=†»:,
,¨,:.=$%&@ throw it away. @&%$=.:,¨,
,,-**&££## ##££&**-,,
.,~;%$£### ###£$%;~,.
...~~$%£#@ @#£%$~~...
..~/*£§@@# #@@§£*/~..
,,»:$$#@## ##@#$$:»,,
.^«:%&§#@# #@#§&%:«^.