,,»/=$¤&@# #@&¤$=/»,,
,,.~~%$¤¤# #¤¤$%~~.,,
¨.~,-\†**@ @**†\-,~.¨
¨~~:$&§¶## ##¶§&$:~~¨
,-=\†*§¶## ##¶§*†\=-,
¨:-^^&¤£## statuette ##£¤&^^-:¨
,,,:^;%@¤@ @¤@%;^:,,,
¨.,¨,¨»=§§ %£$&§*@%%¤§§$£$£»=--«-»=&%*$&£%$$%%*$*§£ §§=»¨,¨,.¨
¨.~-/=*$@¤ *%£%@&£¤$ ¤@$*=/-~.¨
,:=;^%£@## ##@£%^;=:,
,¨¨««:¤%££ forests around my childhood home. thick ££%¤:««¨¨,
,^~:*£*@¤£ pine arcades that were planted and £¤@*£*:~^,
¨:~;^£@@@# forgotten. wild boars roaming #@@@£^;~:¨
...¨.,^§%¤ underneath, sniffing at the ground. it ¤%§^,.¨...
¨.~^§%#### is dark and moist, the canopy having ####%§^~.¨
.^~=§$#@## already soaked up all the sun. ##@#$§=~^.
.,«:†§#¶## ##¶#§†:«,.
,,:-^/\&$@ there's a river passing by, from east @$&\/^-:,,
,.~;%#@### to west, getting broader and deeper and ###@#%;~.,
¨.,,,,.«%# slower as it goes. equisetum grow just #%«.,,,,.¨
..¨,,~:/*@ where the pine hands start to let @*/:~,,¨..
.:==*@#@ through light, horsemint on the rocky @##&@*==:.
,,=*§£@&£@ river bed. @£&@£§*=,,
¨.~*^%&$%£ £%$&%^*~.¨
,.:,-=~*&§ \ §&*~=-,:.,
¨~-/**%%£@ @£%%**/-~¨
.,...,*$%@ the riverbanks reek of magic. tonight @%$*,...,.
¨,=/%¤@@@@ they had been a swampworld with sylvan @@@@¤%/=,¨
.,¨,^^&@¶# water, stone rings and floating moss. #¶@&^^,¨,.
,¨..^†%§## you could've found me wallowing around ##§%†^..¨,
,¨,~=/*£&@ on the southern shores until i got @&£*/=~,¨,
.:~†%$%%¶# bitten. #¶%%$%†~:.
¨:-\*%¤### ###¤%*\-:¨
¨^~**@@@@# but now i'm further back, on solid #@@@@**~^¨
¨,.,¨-~:^¤ ground, in shoulder-high grass, with an ¤^:~-¨,.,¨
¨:~*£¤@@## orange tin radio and a translucent ##@@¤£*~:¨
¨.¨^^*=£*@ umbrella which i'm sitting on. @*£=*^^¨.¨
,.-^^§£¶## ##¶£§^^-.,
¨¨,¨.=$@££ \ ££@$=.¨,¨¨
¨,«^§&££@@ @@££&§^«,¨
¨,.¨¨¨.:§£ somethings moving in the grass. it's £§:.¨¨¨.,¨
.,,..~,=£@ invisible to my eyes but i can feel @£=,~..,,.
.,-/*%@#@# through the ground just how large it is. #@#@%*/-,.
¨.=:%£@@## ##@@£%:=.¨
.:~:*$¤@## the soil is muddy. i slip when trying ##@¤$*:~:.
,,-:%##### to get up, still looking at the #####%:-,,
¨¨.-~»%&&@ direction of sound rather than at my @&&%»~-.¨¨
,-~/$&&£## hands, who are busy putting things in ##£&&$/~-,
,¨¨.,=:%£# my pockets. #£%:=,.¨¨,
.:-\%&£#@# #@#£&%\-:.
...¨==†¤*# then i run east toward my home. #*¤†==¨...
¨¨.,-†%#¤@ @¤#%†-,.¨¨
.-~*§&$&@£ / £@&$&§*~-.
¨.~/^*## ##*^/~.¨
.,.¨¨,~;$@ i am not followed, and slow down in the @$;~,¨¨.,.
¨¨,¨-=*^$& clearing where you at first can spot &$^*=-¨,¨¨
,.==$%£¶#@ the house, not yet really in the @#¶£%$==.,
,--\*§&@## backyard. from my pockets i retrieve my ##@&§*\--,
¨..,.¨-†%§ radio (now dented) but also a small §%†-¨.,..¨
..~*%§§@£@ clay figure i've never seen before. it @£@§§%*~..
.,«^%@¤### must have been laying in the wet dirt, ###¤@%^«,.
.-«=§%@@## and i must've picked it up with my ##@@%§=«-.
,-»%%&@### other belongings. ###@&%%»-,
.¨.,~»*§&¶ ¶&§*»~,.¨.
,,»*%### it's a statuette of a girl laying naked ####&%*»,,
.,.¨,†:*£# on her stomach, feet in the air, #£*:†,¨.,.
,=^^£¤@### roughly seven centimeters long. it's ###@¤£^^=,
¨,¨,=/^&£# freshly made, not yet completely dried. #£&^/=,¨,¨
,^~†$$&£## ##£&$$†~^,
,¨,~::¤§£# my mom is here now. i ask her for some #£§¤::~,¨,
¨~~\§*#### particle board for it to dry on, but ####*§\~~¨
..»*†%££@# she is worried and wants me to #@££%†*»..
¨~»†%%£@## throw it away. ##@£%%†»~¨
,~-;^*#£## ##£#*^;-~,
,¨¨-*\§*&£ £&*§\*-¨¨,
¨,-\¤¤#### ####¤¤\-,¨
,,»†:\%$&§ §&$%\:†»,,
.~-†§¤£@## ##@£¤§†-~.
.-»;†%£§¤# #¤§£%†;»-.