,....==^ #&^==....,
¨-~^*%#@@# #@@#%*^~-¨
,¨..-~†*£¤ ¤£*†~-..¨,
,,,¨,,=^†@ @†^=,,¨,,,
,,¨,¨~/£§# #§£/~¨,¨,,
¨,=*§*#### statuette ####*§*=,¨
,,.,.»=;%# #%;=».,.,,
.~=/§##@ %**$§§$$%&§%£$$&~»~-~«»-§@&§$§$£¤£$&§£$* @###&§/=~.
,~-^*%¤### §*%§$$£££ ###¤%*^-~,
,.^^-=†£§# #§£†=-^^.,
,~«**@£#@£ forests around my childhood home. thick £@#£@**«~,
,..,^~\†## pine arcades that were planted and ##†\~^,..,
¨,«/†@£### forgotten. wild boars roaming ###£@†/«,¨
,~-/%$#### underneath, sniffing at the ground. it ####$%/-~,
,:^.--«:%£ is dark and moist, the canopy having £%:«--.^:,
¨¨¨..:***@ already soaked up all the sun. @***:..¨¨¨
¨,»==¤#@## ##@#¤==»,¨
,¨,,»/$%*¶ there's a river passing by, from east ¶*%$/»,,¨,
¨...,,=^^§ to west, getting broader and deeper and §^^=,,...¨
¨^«†%@@@## slower as it goes. equisetum grow just ##@@@%†«^¨
.¨¨,.«†*%£ where the pine hands start to let £%*†«.,¨¨.
¨^«**&§£## through light, horsemint on the rocky ##£§&**«^¨
¨.¨¨¨,»\%¤ river bed. ¤%\»,¨¨¨.¨
,,.,,,:==& &==:,,,.,,
,..¨,-«$†£ \ £†$«-,¨..,
,¨¨.^~*^=¤ ¤=^*~^.¨¨,
,~«=^¤&@## the riverbanks reek of magic. tonight ##@&¤^=«~,
,.¨..¨=-*¤ they had been a swampworld with sylvan ¤*-=¨..¨.,
,..-»:†@ water, stone rings and floating moss. @#&†:»-..,
¨....,~†¤# you could've found me wallowing around #¤†~,....¨
.¨,..-=$@# on the southern shores until i got #@$=-..,¨.
,¨...~===§ bitten. §===~...¨,
.:~\§$£#@@ @@#£$§\~:.
,¨,...-**@ but now i'm further back, on solid @**-...,¨,
.,¨¨,~^=££ ground, in shoulder-high grass, with an ££=^~,¨¨,.
..¨-~%$¤@# orange tin radio and a translucent #@¤$%~-¨..
¨~»\%%#@## umbrella which i'm sitting on. ##@#%%\»~¨
,~«;%&£@## ##@£&%;«~,
,,¨¨,,.^£& † &£^.,,¨¨,,
¨:»=*&@### ###@&*=»:¨
.,,,»^^†%£ somethings moving in the grass. it's £%†^^»,,,.
,,~\§%@¶#@ invisible to my eyes but i can feel @#¶@%§\~,,
.^«:^%#¶@# through the ground just how large it is. #@¶#%^:«^.
,.-†%$¤¶#@ @#¶¤$%†-.,
,,;*$@@### the soil is muddy. i slip when trying ###@@$*;,,
..,¨¨»=@ to get up, still looking at the @#&=»¨¨,..
,¨¨¨¨¨,~$# direction of sound rather than at my #$~,¨¨¨¨¨,
¨,.¨~*$£@@ hands, who are busy putting things in @@£$*~¨.,¨
,^~;†%¤@## my pockets. ##@¤%†;~^,
¨.»=%$#### ####$%=».¨
¨^=^%@£#@# then i run east toward my home. #@#£@%^=^¨
¨.~.^,»%£# #£%»,^.~.¨
,,~^†$@### * ###@$†^~,,
,...¨-~\&£ £&\~-¨...,
,.^-~:$£%# i am not followed, and slow down in the #%£$:~-^.,
,.~==%§@@# clearing where you at first can spot #@@§%==~.,
¨^«^§*£&££ the house, not yet really in the ££&£*§^«^¨
..,¨,~-†*@ backyard. from my pockets i retrieve my @*†-~,¨,..
..,¨«=\¤## radio (now dented) but also a small ##¤\=«¨,..
,.«^%$£### clay figure i've never seen before. it ###£$%^«.,
.--:†@###@ must have been laying in the wet dirt, @###@†:--.
,,=/†@§¶## and i must've picked it up with my ##¶§@†/=,,
¨,,,:=%% other belongings. #&%%=:,,,¨
,,,¨-~†¤¶£ £¶¤†~-¨,,,
.:~:§*£¶## it's a statuette of a girl laying naked ##¶£*§:~:.
,¨.~~%$§§¤ on her stomach, feet in the air, ¤§§$%~~.¨,
..~\%§££&@ roughly seven centimeters long. it's @&££§%\~..
,»††&&¶### freshly made, not yet completely dried. ###¶&&††»,
,:~\$&£#@# #@#£&$\~:,
¨....~~%#@ my mom is here now. i ask her for some @#%~~....¨
¨.,~~%%££# particle board for it to dry on, but #££%%~~,.¨
,,.^/*$%¤# she is worried and wants me to #¤%$*/^.,,
¨~=:*§@### throw it away. ###@§*:=~¨
.,=*^%%£@@ @@£%%^*=,.
,¨.-/;:@*@ @*@:;/-.¨,
.,=*§$¤¶#@ @#¶¤$§*=,.
.~==*£§### ###§£*==~.
¨.,«:;£§£# #£§£;:«,.¨
¨.~*%%##@# #@##%%*~.¨