.-«†$$#### ####$$†«-.
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.^«\**§¶## ##¶§**\«^.
,.-«;**§@@ @@§**;«-.,
,.=*$£¤£@# #@£¤£$*=.,
¨,.«†§%§¶@ statuette @¶§%§†«.,¨
¨~~*†¤¤### ###¤¤†*~~¨
.¨-»^$## £%§¤%£$@*£$¤$&%§«»»=~-~~£§%&¤§§§@$&@&&§& ###&$^»-¨.
¨:«:†£## &££*@$$§¤ ###&£†:«:¨
¨,-=;†*£¶# #¶£*†;=-,¨
.:~/$£§@## forests around my childhood home. thick ##@§£$/~:.
¨.^~*$£¤@# pine arcades that were planted and #@¤£$*~^.¨
,,~\^*&£@# forgotten. wild boars roaming #@£&*^\~,,
,.^~†=%#£# underneath, sniffing at the ground. it #£#%=†~^.,
.~~/%¶## is dark and moist, the canopy having ##¶#&%/~~.
¨.:~:=$§@# already soaked up all the sun. #@§$=:~:.¨
,-»/§¤&¶## ##¶&¤§/»-,
.¨-~^†%@@# there's a river passing by, from east #@@%†^~-¨.
,,=/%$@### to west, getting broader and deeper and ###@$%/=,,
.¨~~^*££¶# slower as it goes. equisetum grow just #¶££*^~~¨.
,:~††$§@## where the pine hands start to let ##@§$††~:,
.,~»*%£¤#@ through light, horsemint on the rocky @#¤£%*»~,.
¨~»††§¤¶## river bed. ##¶¤§††»~¨
,.^-^*$§@# #@§$*^-^.,
,.»^*@## / ###&@*^».,
¨,,»†%£§## ##§£%†»,,¨
.-»††%£¶@# the riverbanks reek of magic. tonight #@¶£%††»-.
,¨^«==¤@£@ they had been a swampworld with sylvan @£@¤==«^¨,
.,~:^&@@## water, stone rings and floating moss. ##@@&^:~,.
¨.~-\$§§@# you could've found me wallowing around #@§§$\-~.¨
¨^~\=%§£@# on the southern shores until i got #@£§%=\~^¨
,.~-\*£@#@ bitten. @#@£*\-~.,
.~~/*$¤£## ##£¤$*/~~.
.¨:-^%@@@@ but now i'm further back, on solid @@@@%^-:¨.
..=:=%#¶## ground, in shoulder-high grass, with an ##¶#%=:=..
¨.,~:%§#@@ orange tin radio and a translucent @@#§%:~,.¨
,,-:$§£@## umbrella which i'm sitting on. ##@£§$:-,,
,,-«;§@§¶# #¶§@§;«-,,
¨,~\*¤§@## * ##@§¤*\~,¨
.,-=:§¤@¶# #¶@¤§:=-,.
.,»;*&§£## somethings moving in the grass. it's ##£§&*;»,.
¨¨.»=%££@# invisible to my eyes but i can feel #@££%=».¨¨
¨.=*§*&@## through the ground just how large it is. ##@&*§*=.¨
,,--=%*@£# #£@*%=--,,
,^=:^¤§### the soil is muddy. i slip when trying ###§¤^:=^,
,¨^=:%§### to get up, still looking at the ###§%:=^¨,
,-«\%&@£@# direction of sound rather than at my #@£@&%\«-,
,.,~:*@@@# hands, who are busy putting things in #@@@*:~,.,
,,~^%%#### my pockets. ####%%^~,,
¨,-~:*$#¶# #¶#$*:~-,¨
¨-=\*¤£¶@# then i run east toward my home. #@¶£¤*\=-¨
..-=^*¤¤@# #@¤¤*^=-..
,.»†%$¤@## : ##@¤$%†».,
,.:=\†@@ @#&@†\=:.,
,~=†=£#### i am not followed, and slow down in the ####£=†=~,
,..«;*£§## clearing where you at first can spot ##§£*;«..,
.~~=$%## the house, not yet really in the ###&%$=~~.
,.:«†%%@## backyard. from my pockets i retrieve my ##@%%†«:.,
,^~:§%££@# radio (now dented) but also a small #@££%§:~^,
,¨~=^†£@## clay figure i've never seen before. it ##@£†^=~¨,
¨.=/$$££## must have been laying in the wet dirt, ##££$$/=.¨
,..»;%£@¶# and i must've picked it up with my #¶@£%;»..,
,,~;*¤§£@# other belongings. #@£§¤*;~,,
¨.~-*^£# ##&£^*-~.¨
¨~~†%£@@## it's a statuette of a girl laying naked ##@@£%†~~¨
.,,~†=£¤## on her stomach, feet in the air, ##¤£=†~,,.
¨~~=*@§¶@# roughly seven centimeters long. it's #@¶§@*=~~¨
...«:*£### freshly made, not yet completely dried. ###£*:«...
,.~†*@#@@# #@@#@*†~.,
¨,,«\§*£@@ my mom is here now. i ask her for some @@£*§\«,,¨
,-=***§### particle board for it to dry on, but ###§***=-,
,¨.«\†£#@# she is worried and wants me to #@#£†\«.¨,
,^~=†%§@## throw it away. ##@§%†=~^,
,.~«==§¤## ##¤§==«~.,
,~~=**¤### ###¤**=~~,
¨.,~=$%§## ##§%$=~,.¨
¨.-;*§¤### ###¤§*;-.¨
,..~\%$£@@ @@£$%\~..,
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