,--^@§@@## ##@@§@^--,
¨:-/%§¶### ###¶§%/-:¨
¨-~:%@&@@# #@@&@%:~-¨
,^-**$#@ @##&$**-^,
,~«†%&§@## ##@§&%†«~,
,,¨..»*§&¤ statuette ¤&§*»..¨,,
¨:»:%$££@# #@££$%:»:¨
.-==%£&£## ¤££%$%*%**¤£%%$$»--«=~~~$%%%£%¤%§$&£%£&@ ##£&£%==-.
,,«:†%@£## $%£¤¤*$$% ##£@%†:«,,
.~~\%@&@## ##@&@%\~~.
,¨,.»\^%#@ forests around my childhood home. thick @#%^\».,¨,
¨¨,,,~«/%¶ pine arcades that were planted and ¶%/«~,,,¨¨
,¨¨¨^=&§¶# forgotten. wild boars roaming #¶§&=^¨¨¨,
.~»^*£#@## underneath, sniffing at the ground. it ##@#£*^»~.
.,»^=§## is dark and moist, the canopy having ###&§=^»,.
¨~=;%$§### already soaked up all the sun. ###§$%;=~¨
.¨.¨..=^§§ §§^=..¨.¨.
¨¨.,«»%¤§@ there's a river passing by, from east @§¤%»«,.¨¨
,^-;†%§@## to west, getting broader and deeper and ##@§%†;-^,
.,«^^¤#¶## slower as it goes. equisetum grow just ##¶#¤^^«,.
..=;*£#### where the pine hands start to let ####£*;=..
.^~==££### through light, horsemint on the rocky ###££==~^.
.,,.-;\§@# river bed. #@§\;-.,,.
,.~:^@## ###&@^:~.,
¨,,¨.,~\$§ ; §$\~,.¨,,¨
.^~;§*†*## ##*†*§;~^.
¨^-\†@£@## the riverbanks reek of magic. tonight ##@£@†\-^¨
,^=\^$£@## they had been a swampworld with sylvan ##@£$^\=^,
..~:=@&¶## water, stone rings and floating moss. ##¶&@=:~..
.,«†%¤£¶## you could've found me wallowing around ##¶£¤%†«,.
,~~=%$&@## on the southern shores until i got ##@&$%=~~,
¨,~\§&@### bitten. ###@&§\~,¨
,~»†*%§### ###§%*†»~,
¨,¨,-,~*¤# but now i'm further back, on solid #¤*~,-,¨,¨
.~»*§&¤#@@ ground, in shoulder-high grass, with an @@#¤&§*»~.
.~-^%$¤@## orange tin radio and a translucent ##@¤$%^-~.
,--«*\\=£@ umbrella which i'm sitting on. @£=\\*«--,
.,~;$@£@## ##@£@$;~,.
¨.«:*$@£## : ##£@$*:«.¨
,.«:†$#@@# #@@#$†:«.,
¨¨-,:=:^¤# somethings moving in the grass. it's #¤^:=:,-¨¨
,¨¨¨¨~**%¤ invisible to my eyes but i can feel ¤%**~¨¨¨¨,
,.^-=^§@§@ through the ground just how large it is. @§@§^=-^.,
.:,^/:^#@# #@#^:/^,:.
,~~;§%¶### the soil is muddy. i slip when trying ###¶%§;~~,
,.¨..,,*%& to get up, still looking at the &%*,,..¨.,
,.¨¨..,\^# direction of sound rather than at my #^\,..¨¨.,
,^~/*§*§%¤ hands, who are busy putting things in ¤%§*§*/~^,
¨,~^**^%&£ my pockets. £&%^**^~,¨
.-«/%@@### ###@@%/«-.
¨¨-~^~^&¤£ then i run east toward my home. £¤&^~^~-¨¨
..»:*$§#@# #@#§$*:»..
,-«/†££### = ###££†/«-,
¨-~^=*£@## ##@£*=^~-¨
.,»:§@£@#¶ i am not followed, and slow down in the ¶#@£@§:»,.
.^=;†£¤### clearing where you at first can spot ###¤£†;=^.
¨-»^%¤&@## the house, not yet really in the ##@&¤%^»-¨
¨^==*§¤@## backyard. from my pockets i retrieve my ##@¤§*==^¨
,.~\^$§¶## radio (now dented) but also a small ##¶§$^\~.,
,¨^::^=£¶@ clay figure i've never seen before. it @¶£=^::^¨,
¨:»\†%§§§£ must have been laying in the wet dirt, £§§§%†\»:¨
.,~:»»~%¤# and i must've picked it up with my #¤%~»»:~,.
,.¨,¨¨~†*& other belongings. &*†~¨¨,¨.,
¨^,~*/=*#£ £#*=/*~,^¨
.,~*%##### it's a statuette of a girl laying naked #####%*~,.
.,--«~§£@# on her stomach, feet in the air, #@£§~«--,.
¨¨:»~*$£@# roughly seven centimeters long. it's #@£$*~»:¨¨
¨.,¨~;&%## freshly made, not yet completely dried. ##%&;~¨,.¨
,^=/=*@@§# #§@@*=/=^,
¨,..,.-%$£ my mom is here now. i ask her for some £$%-.,..,¨
¨,.¨¨,~%§& particle board for it to dry on, but &§%~,¨¨.,¨
¨,»^=%£### she is worried and wants me to ###£%=^»,¨
.¨.,.¨~~*& throw it away. &*~~¨.,.¨.
,¨¨,^^^$@£ £@$^^^,¨¨,
.,¨¨.-*@¶# #¶@*-.¨¨,.
.^~\*£@¶£# #£¶@£*\~^.
¨^«†%££@@# #@@££%†«^¨
~~=†%@@### ###@@%†=~~
¨,»;%¤$@£¶ ¶£@$¤%;»,¨