..»/*¤#### ####¤*/»..
,.--^†¤### ###¤†^--.,
¨,=;*@£### ###£@*;=,¨
.,~~\*&@## ##@&*\~~,.
¨-=†*&¶### ###¶&*†=-¨
,¨-=*=£### statuette ###£=*=-¨,
¨.~=$§¶### ###¶§$=~.¨
¨¨-«^§$@## ¤¤$%@*$§&%*¤$££%-»~=~~~~££§¤$$*£*%$$§**¤ ##@$§^«-¨¨
..»*%$#@## @§£$£%%@$ ##@#$%*»..
..,-=†&¶@# #@¶&†=-,..
..~*%£#### forests around my childhood home. thick ####£%*~..
,,-«†*£### pine arcades that were planted and ###£*†«-,,
.-«*^%#### forgotten. wild boars roaming ####%^*«-.
.¨~=*%@#@# underneath, sniffing at the ground. it #@#@%*=~¨.
¨.-\**#@## is dark and moist, the canopy having ##@#**\-.¨
.¨-=\^%@## already soaked up all the sun. ##@%^\=-¨.
¨~-\§%@@## ##@@%§\-~¨
,,^~:%&@## there's a river passing by, from east ##@&%:~^,,
,,»:*£¶@## to west, getting broader and deeper and ##@¶£*:»,,
.,,~;*¤@## slower as it goes. equisetum grow just ##@¤*;~,,.
,,~^%@¶### where the pine hands start to let ###¶@%^~,,
.,~-\=£@## through light, horsemint on the rocky ##@£=\-~,.
,:~^%¤#### river bed. ####¤%^~:,
.¨:»\=## ###&=\»:¨.
,-~;$*#### † ####*$;~-,
.,-~:†§@## ##@§†:~-,.
,^-†=¤£@## the riverbanks reek of magic. tonight ##@£¤=†-^,
..--\=§@## they had been a swampworld with sylvan ##@§=\--..
,--;†¤¶### water, stone rings and floating moss. ###¶¤†;--,
,.,~†$£¶## you could've found me wallowing around ##¶£$†~,.,
,~»;†£@### on the southern shores until i got ###@£†;»~,
.,.-^%%¶## bitten. ##¶%%^-.,.
¨,»†%¤@### ###@¤%†»,¨
,,~~\^$£@# but now i'm further back, on solid #@£$^\~~,,
.:=†*%@### ground, in shoulder-high grass, with an ###@%*†=:.
,¨:~/%&¶## orange tin radio and a translucent ##¶&%/~:¨,
¨-«*$*#### umbrella which i'm sitting on. ####*$*«-¨
,¨,=^†$£## ##£$†^=,¨,
.,=;=%¶### / ###¶%=;=,.
.,^«^†¤@## ##@¤†^«^,.
,~~^$$£### somethings moving in the grass. it's ###£$$^~~,
¨¨~~:%*@## invisible to my eyes but i can feel ##@*%:~~¨¨
,,»;$£¶@## through the ground just how large it is. ##@¶£$;»,,
..,~†*@@## ##@@*†~,..
.^~†=$¶@## the soil is muddy. i slip when trying ##@¶$=†~^.
.¨:=;$£¶## to get up, still looking at the ##¶£$;=:¨.
.:-^*¤@### direction of sound rather than at my ###@¤*^-:.
,¨~»;=&@## hands, who are busy putting things in ##@&=;»~¨,
¨~-:§%@### my pockets. ###@%§:-~¨
.,,~=$£@## ##@£$=~,,.
¨,~/§%#@## then i run east toward my home. ##@#%§/~,¨
¨.:»^*$@## ##@$*^»:.¨
,.«;*£@### † ###@£*;«.,
¨,,~/*¤@## ##@¤*/~,,¨
¨^~†%*@### i am not followed, and slow down in the ###@*%†~^¨
.,^-†%%¶## clearing where you at first can spot ##¶%%†-^,.
¨,»;%¤#### the house, not yet really in the ####¤%;»,¨
,.^-=%§¶@# backyard. from my pockets i retrieve my #@¶§%=-^.,
,-=†%§¶### radio (now dented) but also a small ###¶§%†=-,
.,,~\$$### clay figure i've never seen before. it ###$$\~,,.
¨.-/^### must have been laying in the wet dirt, ####&^/-.¨
,.:-*%%£## and i must've picked it up with my ##£%%*-:.,
¨-»/*£@@## other belongings. ##@@£*/»-¨
,.~~^*§### ###§*^~~.,
¨-=;*&£### it's a statuette of a girl laying naked ###£&*;=-¨
¨,,~;^*### on her stomach, feet in the air, ###*^;~,,¨
¨^~^†### roughly seven centimeters long. it's ####&†^~^¨
¨¨,»^§$#@# freshly made, not yet completely dried. #@#$§^»,¨¨
.^~:=§#### ####§=:~^.
,,,~†%*@## my mom is here now. i ask her for some ##@*%†~,,,
,.~:^&@### particle board for it to dry on, but ###@&^:~.,
¨..»:†*@@# she is worried and wants me to #@@*†:»..¨
,-»^%$£@## throw it away. ##@£$%^»-,
,.^~^%%#@# #@#%%^~^.,
.,~=^%£### ###£%^=~,.
¨..-^†§£@# #@£§†^-..¨
,:-*§¤@### ###@¤§*-:,
,¨.~^=@### ###@=^~.¨,
,^»=$$#@## ##@#$$=»^,