#@&&%:~~.. ..~~:%&&@#
##@&&%:~~. .~~:%&&@##
#@&&%:~~.. ..~~:%&&@#
@&&%:~~... ...~~:%&&@
#@&&%:~~.. ..~~:%&&@#
##@&&%:~~. # .~~:%&&@##
#@&&%:~~.. .lizardry ..~~:%&&@#
@&&%:~~... ~ @ #@ ### ################## ...~~:%&&@
#@&&%:~~.. ## the art of c~nnecting ..~~:%&&@#
##@&&%:~~. . with the old mind .~~:%&&@##
#@&&%:~~.. ..~~:%&&@#
@&&%:~~... my mind is being skewed. mi ...~~:%&&@
#@&&%:~~.. skeleton is stringy and old and alien ..~~:%&&@#
##@&&%:~~. the situation is literally .~~:%&&@##
#@&&%:~~.. pressed out through my eyes, it's ..~~:%&&@#
@&&%:~~... echoing like ...~~:%&&@
#@&&%:~~.. the sunset of the eternal ..~~:%&&@#
##@&&%:~~. ocean .~~:%&&@##
#@&&%:~~.. persistently against my emulsion ..~~:%&&@#
@&&%:~~... ...~~:%&&@
#@&&%:~~.. it's ungraspable to me, what other ..~~:%&&@#
##@&&%:~~. humans are doing and abstracting, .~~:%&&@##
#@&&%:~~.. and above all else, what time they use? ..~~:%&&@#
@&&%:~~... how long a time has passed, for them? ...~~:%&&@
#@&&%:~~.. . ..~~:%&&@#
##@&&%:~~. . ... . ................ @@@@@@@ .~~:%&&@##
#@&&%:~~.. continuously i'm crowding through ..~~:%&&@#
@&&%:~~... . the fourth wall ~outwards is what . ...~~:%&&@
#@&&%:~~.. .. i'm thinking but it's wrong.. a new ..~~:%&&@#
##@&&%:~~. . . narrator is introduced, occasionally .~~:%&&@##
#@&&%:~~.. ~ ~ aware of the previous one, deeper . ..~~:%&&@#
@&&%:~~... ~ ~ down in the dragons throat. ...~~:%&&@
#@&&%:~~.. ~ ..~~:%&&@#
##@&&%:~~. ~ .~~:%&&@##
#@&&%:~~.. ..~~:%&&@#
@&&%:~~... ...~~:%&&@
#@&&%:~~.. ..~~:%&&@#
##@&&%:~~. .~~:%&&@##
#@&&%:~~.. ..~~:%&&@#
@&&%:~~... ...~~:%&&@