##@£%%*«,, ,,«*%%£@##
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##@£%%*«,, ,,«*%%£@##
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##@£%%*«,, @@@@ ##### ,,«*%%£@##
#@@£%%*«,, tape dream ,,«*%%£@@#
£%%**,,,,, #### @@@@@ ,,,,,**%%£
@@£%%**«,, ,,«**%%£@@
#@@£%%*«,, for storing music on. also data but ,,«*%%£@@#
##@£%%*«,, at this point in time that's not ,,«*%%£@##
#@@£%%*«,, really important i think. ,,«*%%£@@#
££%*«««,,, ,,,«««*%££
##@£%%*«,, ,,«*%%£@##
#@@£%%*«,, ******** types of tape ******** ,,«*%%£@@#
##@£%%*«,, ,,«*%%£@##
@£££%%*«,, class i - "bad" iron ,,«*%%£££@
#@@£%%*«,, class ii - good chromium ,,«*%%£@@#
@£%%%«,,,, class iii - bad iron part two ,,,,«%%%£@
#@@£%%*«,, class iv - dangerous metals ,,«*%%£@@#
@@@£%%*«,, ,,«*%%£@@@
@££%%«,,,, rumors exist about a secret class v tape ,,,,«%%££@
£%%%*,,,,, that is actually useful. ,,,,,*%%%£
##@@%%*«,, ,,«*%%@@##
@%%*«,,,,, ** bias ** ,,,,,«*%%@
#@@£%%*«,, ,,«*%%£@@#
£%«,,,,,,, class i uses one hundred and twenty ,,,,,,,«%£
##@£%%*«,, micro-something while the others all ,,«*%%£@##
£%%%%%*«,, use seventy of the same unit. ,,«*%%%%%£
@%%%*,,,,, ,,,,,*%%%@
@@@£%%*«,, ,,«*%%£@@@
£££%««,,,, %%%%%%%%% aha and %%%%%%%%% ,,,,««%£££
#@@£%%*«,, ,,«*%%£@@#
@@££%%*«,, class iv is apparently too strong to ,,«*%%££@@
#@@£%%*«,, be used on class i players. it will ,,«*%%£@@#
#@@£%%*«,, sound too lound and it cannot be ,,«*%%£@@#
@£%«,,,,,, completely erased. this is very well. ,,,,,,«%£@
@@%*,,,,,, maybe some wonderful blending effects ,,,,,,*%@@
##@@£%*«,, could be achieved? ,,«*%£@@##
@@@£%%*«,, ,,«*%%£@@@
@@£%%*«,,, they also gnaw at the tape heads a bit ,,,«*%%£@@
££%«,,,,,, better than earlier tape types. ,,,,,,«%££
@@@£%%*«,, ,,«*%%£@@@
@£%*«««,,, ,,,«««*%£@
##@@£%*«,, ******** artifacts ******** ,,«*%£@@##
£%%%%%*«,, ,,«*%%%%%£
£%*,,,,,,, good tapes are decent and have a good ,,,,,,,*%£
@@@£%%*«,, high frequency presence, bad tapes are ,,«*%%£@@@
##@£%%*«,, lofi if not outright bad. idk, i kinda ,,«*%%£@##
##@@%%*«,, like it. ,,«*%%@@##
#@@£%%*«,, ,,«*%%£@@#
#@@£%%*«,, bias loss: if you forget the bias who ,,«*%%£@@#
@£££%%*«,, knows whats even on there anymore ,,«*%%£££@
#@@£%%*«,, ,,«*%%£@@#
@@@£%%*«,, flutter: kinda quick pitch variations. ,,«*%%£@@@
##@@£%%«,, beautiful, wonderful, extraordinary. ,,«%%£@@##
££%«,,,,,, ,,,,,,«%££
#@@£%%*«,, wow: a slower flutter, usually several ,,«*%%£@@#
@@@£%%*«,, seconds long. what up. both of these ,,«*%%£@@@
£%%*««,,,, increase when tape speed decreases. ,,,,««*%%£
#@@£%%*«,, ,,«*%%£@@#
£%*«,,,,,, print through: tapes rub sound on each ,,,,,,«*%£
##@£%%*«,, other if theyre alone for too long ,,«*%%£@##
##@@£%*«,, ,,«*%£@@##
@%*«,,,,,, ,,,,,,«*%@
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#@@£%%*«,, ,,«*%%£@@#
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