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#.#.##.#.# #.#..#.##.
#.#..#.#.# #.#.##..#.
#.#.##.#.# #.#..#.##.
#.#..#.#.# § DREAM PALACE § #.#.##..#.
#.#.##.#.# . ----- ------ . #.#..#.##.
#.#..#.#.# § ..... ...... § #.#.##..#.
#.#.##.#.# \ ..... ...... \ #.#..#.##.
#.#..#.#.# . ..... ...... . #.#.##..#.
#.#.##.#.# . ..... ...... . #.#..#.##.
#.#..#.#.# . ..... ...... . #.#.##..#.
#.#.##.#.# #.#..#.##.
#.#..#.#.# #.#.##..#.
#.#.##.#.# NOT ACTUALLY A PALACE. A COTTAGE IN THE #.#..#.##.
#.#..#.#.# WOODS (TEMPERATE CLIMATE, RAINS EVERY #.#.##..#.
#.#.##.#.# OTHER DAY, SPRINGS AND STREAMS AND #.#..#.##.
#.#..#.#.# MYSTERIOUS IRON AND STONE ARTIFACTS, #.#.##..#.
#.#.##.#.# BIRDLAND-ISH ETERNAL SPRING (LATE #.#..#.##.
#.#..#.#.# SPRING)) #.#.##..#.
#.#.##.#.# #.#..#.##.
#.#..#.#.# » #.#.##..#.
#.#.##.#.# #.#..#.##.
#.#..#.#.# I WAKE UP EVERY MORNING AT SIX AM. IT'S #.#.##..#.
#.#.##.#.# DARK, AND THE STARS ARE OUT, BUT THE #.#..#.##.
#.#..#.#.# SUN IS ABOUT TO RISE. ITS A LONG DAY, #.#.##..#.
#.#.##.#.# BEFORE IT FADES TO NIGHT AGAIN, AND #.#..#.##.
#.#..#.#.# THEN IT STAYS SO UNTIL I FALL ASLEEP. #.#.##..#.
#.#.##.#.# IT DOESN'T RISE UNLESS I'VE HAD MY #.#..#.##.
#.#..#.#.# DREAMS. #.#.##..#.
#.#.##.#.# #.#..#.##.
#.#..#.#.# § #.#.##..#.
#.#.##.#.# #.#..#.##.
#.#..#.#.# IN THIS COTTAGE THERE'S A LOT OF RADIO #.#.##..#.
#.#.##.#.# EQUIPMENT, SOUND STUFF, SYNTHS, TAPE #.#..#.##.
#.#..#.#.# PLAYERS. PEN AND PAPER, BOOKS, CAMERAS, #.#.##..#.
#.#.##.#.# MIRRORS, PRISMS, AND VARIOUS THINGS TO #.#..#.##.
#.#..#.#.# DO ART WITH. THE FRIDGE IS FILLED WITH #.#.##..#.
#.#.##.#.# DIFFERET FOODS, ALL OF THEM INTRIGUING, #.#..#.##.
#.#..#.#.# SLIGHTLY WEIRD. #.#.##..#.
#.#.##.#.# #.#..#.##.
#.#..#.#.# # #.#.##..#.
#.#.##.#.# #.#..#.##.
#.#..#.#.# I HAVE FRIENDS - THERE'S A CAT, AND A #.#.##..#.
#.#.##.#.# DOG (WHO IS RIDICOLOUSLY LARGE AND #.#..#.##.
#.#..#.#.# WANTS TO BE THE BIG SPOON). I LISTEN TO #.#.##..#.
#.#.##.#.# THE SHORTWAVE RADIO, AND TRANSMIT A BIT #.#..#.##.
#.#..#.#.# MYSELF, SONGS AND POETRY, AND FOUND #.#.##..#.
#.#.##.#.# SOUNDS FROM THE FOREST. THE OTHERS TELL #.#..#.##.
#.#..#.#.# OF THEIR LIVES, PLAY THE GUITAR FOR ME, #.#.##..#.
#.#.##.#.# AND TELL TALES OF THE OLD WORLD. I #.#..#.##.
#.#..#.#.# CONSIDER THEM FRIENDS AS WELL. #.#.##..#.
#.#.##.#.# #.#..#.##.
#.#..#.#.# # #.#.##..#.
#.#.##.#.# #.#..#.##.
#.#..#.#.# MOST IMPORTANTLY, THERE'S A TWO SQUARE #.#.##..#.
#.#.##.#.# METER AREA ON THE FLOOR WHERE I CAN #.#..#.##.
#.#..#.#.# "SAVE" THINGS. WHATEVER I PUT IN HERE #.#.##..#.
#.#.##.#.# WILL NOT BE AFFECTED BY THE NIGHTLY #.#..#.##.
#.#..#.#.# RESET. EVERYTHING ELSE, HOWEVER, IS #.#.##..#.
#.#.##.#.# COMPLETELY RESET OVERNIGHT: SYNTH #.#..#.##.
#.#..#.#.# PATCHES REMOVED, FOOD UNEATEN, WOUNDS #.#.##..#.
#.#.##.#.# HEALED, AND WHEREVER AND WHENEVER I'D #.#..#.##.
#.#..#.#.# FALL ASLEEP I'D ALWAYS WAKE UP FULLY #.#.##..#.
#.#.##.#.# RESTED IN MY BED. SOMETIMES THERE'S #.#..#.##.
#.#..#.#.# ACCIDENTS WHERE I LOSE STUFF BY #.#.##..#.
#.#.##.#.# FORGETTING TO PUT THEM IN THE SQUARE. #.#..#.##.
#.#..#.#.# #.#.##..#.
#.#.##.#.# . #.#..#.##.
#.#..#.#.# #.#.##..#.
#.#.##.#.# AT NIGHT, I HAVE DEMI-LUCID DREAMS #.#..#.##.
#.#..#.#.# WHERE THE SPIRITS OF THE FOREST AROUND #.#.##..#.
#.#.##.#.# THE COTTAGE TRIES TO COMMUNICATE. HERE, #.#..#.##.
#.#..#.#.# IT'S NOT ENDLESS BUT CONNECTED TO A #.#.##..#.
#.#.##.#.# LARGE SPRAWLING CITY, WHERE MY RADIO #.#..#.##.
#.#..#.#.# FRIENDS LIVE. WE GO EXPLORING TOGETHER #.#.##..#.
#.#.##.#.# - THINGS ARE DEEP AND DARK - BUT UNLIKE #.#..#.##.
#.#..#.#.# ME, THEY NEVER REMEMBER DURING THE DAY. #.#.##..#.
#.#.##.#.# THIS IS A MYSTERY WE OFTEN DISCUSS. #.#..#.##.
#.#..#.#.# #.#.##..#.
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