§.¨¨.¨.¤§. .,...¨.¤@@
¨,&¤@&..., ¨&¤#,,#§
..,&£¨¨§## ..#¤§,¨¨¨.
£¤,¨¨...¤# ,¨¨£,¨@@#§
@¨,£§£#,¨& ##.,,.,&@@
,.¨.#@¨,¨¨ statuette @.,¤&¤,.£¤
,&¤,.,¨§&& ,¨,,£,,.¨.
,,,,££..@¤ %**£$$£%§*£%¤¤£$«=~»»«~»$@$$@%%£*££%$*£§ .£#,¨,§&&¤
.&&.¨,...# $%$*¤%£*£ ,,..£¨,§@,
.,,¨#@#¤,. ,@§.,,¨,¨¨
#§#¨¨££¨,# forests around my childhood home. thick .,,¨¤#§§&@
§@...,,.¨¨ pine arcades that were planted and ,£#,,§&&§§
@¨¨§@@&@§, forgotten. wild boars roaming ....¨,&@§@
¨,.¨¤¤&¤¨, underneath, sniffing at the ground. it #£¤&&,.£§@
.§&¨,£@¨¨& is dark and moist, the canopy having ¤&¨.¨¨#.
¨.¨,...¨,¨ already soaked up all the sun. £§#..§£,¨¨
@@§§@¤@£¤¤ ££.,¨..,£#
¤&¤£&@¤£ there's a river passing by, from east ¨¨¨§#§&¨,&
§§#£¤£§¤§. to west, getting broader and deeper and &£¨.¤£.,,,
.#£@@##§.¨ slower as it goes. equisetum grow just §,...¨,§¤¨
..¤@@¨.. where the pine hands start to let ,¨&§§#¨.¨.
£¨,¤@§.¨§# through light, horsemint on the rocky ..¨££,,¤&¤
¨.¨,@..,.§ river bed. @§.,,,¨¨#£
.&&¨,¨@@.¨ ¨¨¨&&,..
.¨,.§,¨¨,¤ : &&¨¨£§..§§
¨,.,§@., #,...¨,,,¨
¨.,.&,¨,.@ the riverbanks reek of magic. tonight ¨.#§§##£¤&
¨.,.¤#¨. they had been a swampworld with sylvan ¨¨¨&£@§&¤.
.,..§,.¨¨, water, stone rings and floating moss. &£.¨§&&¤,,
£,.¨&§&£ you could've found me wallowing around #¨,,.£@,.#
@@..¤,¨&£, on the southern shores until i got .,&§¨,¨..,
.¨,,,,.,,¨ bitten. .¨¨..##@¤¨
¤§§&§##&£. £§@£¨,@¤,.
.¤#&&£§§.¨ but now i'm further back, on solid £§£,,¨,,¨,
,,&&&&§,¨¤ ground, in shoulder-high grass, with an #¤,¨#@§¤£@
.,,§§#.,¨, orange tin radio and a translucent &,,,.§#§£¨
@&..@¨¨@£. umbrella which i'm sitting on. ¨.¤¤¨,#&..
.,,.¨¨¨¨.¨ ...¨,.¨,¨.
£&£@@&¤§ ^ #££§&§§¤@&
£##@@£@@ ¤§##@§§#
¤#&¤#&§¤#§ somethings moving in the grass. it's #@##§@#¤&§
@@@#¤§#§ invisible to my eyes but i can feel §¤£@@¤&§§@
#§£#¤@@££§ through the ground just how large it is. ¤@&&¤£¤§§#
#@¤¤@¤£# £§£§#&@#§@
#£@&@#£#§¤ the soil is muddy. i slip when trying ¤£¤££§§@#¤
@£@#§§&¤@§ to get up, still looking at the &§#§§@@§££
¤&@##¤£&@§ direction of sound rather than at my §£¤##£&£¤§
#&§@@¤@&¤£ hands, who are busy putting things in @£¤§§&&&
#¤@@##¤#£§ my pockets. ##&§£#@§
#@##£#¤£§@ #@§¤¤£#§&¤
#£#§£§&¤ then i run east toward my home. §&¤£@#¤¤&£
£@&£§@#¤§# #§¤##¤¤¤
@@#¤¤@¤¤£# = §££@##&£#&
#¤§##¤¤£§# @#¤§@@¤#
#£&@¤£§#¤# i am not followed, and slow down in the #£¤&£¤£¤¤§
@&§&§¤£&§& clearing where you at first can spot &§&@#@££
§§&&&&£¤¤@ the house, not yet really in the &&¤£££¤&@§
&£#&£@@§£& backyard. from my pockets i retrieve my ##£#£&@£§§
£#&&£&@&@£ radio (now dented) but also a small @¤£§&¤¤¤
@&§§£§&£ clay figure i've never seen before. it §&@£@@&¤&§
¤##&£§@&§§ must have been laying in the wet dirt, £#@¤@§£&
§¤#&§§@¤ and i must've picked it up with my §#@#¤&§##§
£#£#§§¤#¤£ other belongings. #&@£§@¤###
£§¤&¤&¤#§# &@§¤&@#£&§
#£§@§£§¤¤& it's a statuette of a girl laying naked @&§¤&§¤&§§
§##&@#¤# on her stomach, feet in the air, @&@£##£@£§
&££¤§£§#&§ roughly seven centimeters long. it's §&¤¤£¤¤&§@
#§&£#£¤¤ freshly made, not yet completely dried. &@¤###@#
§#&§@&£§#£ £@¤@@¤@£§§
¤@#¤@¤#¤ my mom is here now. i ask her for some ¤§£££@¤#&@
¤@##£@&¤@£ particle board for it to dry on, but @£#¤@¤##£&
&§@§§#§@£# she is worried and wants me to §@#¤¤@#&
§£#@¤@#@ throw it away. £§#@@§##§£
¤£@#@@£¤@# §§@##££¤
&§##@@£& §#¤¤¤§#@§£
@@§#§§§#£# ¤§#§@#&¤@¤
£¤¤§£§§¤§# @£§£&@@§#£
@#¤&@¤££ &§#@&¤¤§§£
§@§@&££§¤# £¤&££#@£¤&