.,..~††=&£ £&=††~..,.
¨¨,.,,†=¤# #¤=†,,.,¨¨
¨,.,.»~%¤£ £¤%~».,.,¨
,:»:%£@@@# #@@@£%:»:,
.-=*%*@@## ##@@*%*=-.
.,.¨:*=$$£ statuette £$$=*:¨.,.
,.~=*$§#£@ @£#§$*=~.,
..¨,«/*§£# £&££$%$@£$£§*$$@~~~»»»~~@*$£%&%*%&$$*§£% #£§*/«,¨..
¨¨.^*^%$@# £@§&%£¤** #@$%^*^.¨¨
.:=*†%#£## ##£#%†*=:.
.,~\*@§¤@@ forests around my childhood home. thick @@¤§@*\~,.
¨.~\=%&£@@ pine arcades that were planted and @@£&%=\~.¨
¨~»:†££#¶@ forgotten. wild boars roaming @¶#££†:»~¨
,,¨.~~=£$¶ underneath, sniffing at the ground. it ¶$£=~~.¨,,
.¨,.,:***# is dark and moist, the canopy having #***:,.,¨.
¨^»:†%@@## already soaked up all the sun. ##@@%†:»^¨
¨.~;^££### ###££^;~.¨
¨^»†=@@# there's a river passing by, from east #@@#&=†»^¨
¨,.¨¨~/@¤@ to west, getting broader and deeper and @¤@/~¨¨.,¨
...,,~;*@& slower as it goes. equisetum grow just &@*;~,,...
,,=;££#@## where the pine hands start to let ##@#££;=,,
,-=:%&## through light, horsemint on the rocky ###&&%:=-,
.,..:\$#§# river bed. #§#$\:..,.
.~«»^$%§#¤ ¤#§%$^»«~.
,,~/**@#@@ * @@#@**/~,,
.^~:$$¤£@# #@£¤$$:~^.
.,»†*### the riverbanks reek of magic. tonight ####&*†»,.
.-«**¤£@## they had been a swampworld with sylvan ##@£¤**«-.
.,,¨,.=^%§ water, stone rings and floating moss. §%^=.,¨,,.
,--=*£§£## you could've found me wallowing around ##£§£*=--,
..=;$¤§### on the southern shores until i got ###§¤$;=..
¨-=^†&§### bitten. ###§&†^=-¨
¨..¨,;&§## ##§&;,¨..¨
,.=^%£¤@## but now i'm further back, on solid ##@¤£%^=.,
¨~=;$££@@# ground, in shoulder-high grass, with an #@@££$;=~¨
¨¨,..«*§£# orange tin radio and a translucent #£§*«..,¨¨
.:=†%£@#@# umbrella which i'm sitting on. #@#@£%†=:.
¨.-\*£@@## ##@@£*\-.¨
.,-\†$@### \ ###@$†\-,.
,,,,:;†=§£ £§=†;:,,,,
,:=^^¤£@@@ somethings moving in the grass. it's @@@£¤^^=:,
,:,~†§*#¤# invisible to my eyes but i can feel #¤#*§†~,:,
,:-;§$*§#@ through the ground just how large it is. @#§*$§;-:,
¨.¨.,==$¤& &¤$==,.¨.¨
.:»*§£#### the soil is muddy. i slip when trying ####£§*»:.
,,¨~-=;%%# to get up, still looking at the #%%;=-~¨,,
¨^»†§&¤¶## direction of sound rather than at my ##¶¤&§†»^¨
..=\=£§@## hands, who are busy putting things in ##@§£=\=..
.~=/*$§£@& my pockets. &@£§$*/=~.
.,,.,,/*£# #£*/,,.,,.
¨~~*§@£### then i run east toward my home. ###£@§*~~¨
.,«==%¤@#@ @#@¤%==«,.
,~~==*£¶@@ † @@¶£*==~~,
,,«*$$¤£## ##£¤$$*«,,
¨,~=@¤@### i am not followed, and slow down in the ###@¤@=~,¨
,,=/†§£§@@ clearing where you at first can spot @@§£§†/=,,
.~»†$¤¤@@# the house, not yet really in the #@@¤¤$†»~.
¨¨.,.,^-*¤ backyard. from my pockets i retrieve my ¤*-^,.,.¨¨
.:»\=\*£¶@ radio (now dented) but also a small @¶£*\=\»:.
¨,¨¨,«†&$¶ clay figure i've never seen before. it ¶$&†«,¨¨,¨
.~~^†¤§### must have been laying in the wet dirt, ###§¤†^~~.
...¨.:%§#@ and i must've picked it up with my @#§%:.¨...
....:~~\$£ other belongings. £$\~~:....
.,-~-/:$## ##$:/-~-,.
¨^»/*$§@## it's a statuette of a girl laying naked ##@§$*/»^¨
,~~*%£&&§# on her stomach, feet in the air, #§&&£%*~~,
,,.~»^%¤£@ roughly seven centimeters long. it's @£¤%^»~.,,
,-=/†*§##@ freshly made, not yet completely dried. @##§*†/=-,
,..¨,./$%¤ ¤%$/.,¨..,
¨,«:^$&£## my mom is here now. i ask her for some ##£&$^:«,¨
,.~/$%£@## particle board for it to dry on, but ##@£%$/~.,
¨.»-===£%# she is worried and wants me to #%£===-».¨
¨,¨¨«-»^%# throw it away. #%^»-«¨¨,¨
,...,.,/†¤ ¤†/,.,...,
.^~:*§§£## ##£§§*:~^.
,:-\§*$££@ @££$*§\-:,
,.~*=¤&£## ##£&¤=*~.,
,,»:%§#@## ##@#§%:»,,
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