.-=^=%@#@# #@#@%=^=-.
¨..¨¨=†^#£ £#^†=¨¨..¨
,.¨-:»%%=& &=%%»:-¨.,
¨,=\*£#### ####£*\=,¨
,,.,--%†*@ @*†%--,.,,
¨..¨~=§$§@ statuette @§$§=~¨..¨
.,.,¨=%=¤# #¤=%=¨,.,.
.^~\†%££## $%%%@£%&$¤*£*£$£«===~~--¤£*&£@£&@$%£%@%@ ##££%†\~^.
,:~;^£#@## $%$@£$¤%¤ ##@#£^;~:,
,~»;^@§£## ##£§@^;»~,
..,¨,-;:*# forests around my childhood home. thick #*:;-,¨,..
,:^~^*%£$@ pine arcades that were planted and @$£%*^~^:,
.~~;†§£### forgotten. wild boars roaming ###£§†;~~.
,.~†^$@£## underneath, sniffing at the ground. it ##£@$^†~.,
.¨,.¨~~%§@ is dark and moist, the canopy having @§%~~¨.,¨.
¨,===*£### already soaked up all the sun. ###£*===,¨
¨^~/§*#¶## ##¶#*§/~^¨
,~«:%§¤@## there's a river passing by, from east ##@¤§%:«~,
,¨,..~/£§@ to west, getting broader and deeper and @§£/~..,¨,
..,.,,=¤#¤ slower as it goes. equisetum grow just ¤#¤=,,.,..
,,¨~~%$%*¤ where the pine hands start to let ¤*%$%~~¨,,
.^~;†*^=@§ through light, horsemint on the rocky §@=^*†;~^.
,~~†=¤§£@# river bed. #@£§¤=†~~,
¨^~=*£&£## ##£&£*=~^¨
.¨,..-†=$# / #$=†-..,¨.
,-»:=†@£#@ @#£@†=:»-,
¨^-^†$@£## the riverbanks reek of magic. tonight ##£@$†^-^¨
.¨¨,,^/§§£ they had been a swampworld with sylvan £§§/^,,¨¨.
.,.~»†## water, stone rings and floating moss. ###&†»~.,.
.¨¨.¨.»*## you could've found me wallowing around ##*».¨.¨¨.
,-»;%@¤#@# on the southern shores until i got #@#¤@%;»-,
¨^»;**## bitten. ###&**;»^¨
¨¨¨,~\;%## ##%;\~,¨¨¨
.=;=££#@## but now i'm further back, on solid ##@#££=;=.
,,~,†^=^$§ ground, in shoulder-high grass, with an §$^=^†,~,,
¨~~^*@§§£# orange tin radio and a translucent #£§§@*^~~¨
¨,~\%¤£¶## umbrella which i'm sitting on. ##¶£¤%\~,¨
¨:~=**@### ###@**=~:¨
,»†%§&¶@## ^ ##@¶&§%†»,
,-«***§%¤£ £¤%§***«-,
.,.¨,-;%£¤ somethings moving in the grass. it's ¤£%;-,¨.,.
¨~==*##### invisible to my eyes but i can feel #####*==~¨
¨.==^£@@## through the ground just how large it is. ##@@£^==.¨
,.,.»:=@$@ @$@=:».,.,
.^~//=£%@# the soil is muddy. i slip when trying #@%£=//~^.
.,-;*£¤@## to get up, still looking at the ##@¤£*;-,.
¨^»^%^%£$# direction of sound rather than at my #$£%^%^»^¨
~=\*%¤@### hands, who are busy putting things in ###@¤%*\=~
¨,¨¨¨¨=*$£ my pockets. £$*=¨¨¨¨,¨
.:~\^*@*#@ @#*@*^\~:.
¨.-\*%#¶@# then i run east toward my home. #@¶#%*\-.¨
..¨¨.,«/$£ £$/«,.¨¨..
¨:=;$§@#@# : #@#@§$;=:¨
.^~;$%£&&@ @&&£%$;~^.
,~»:$@#@## i am not followed, and slow down in the ##@#@$:»~,
.¨,.~*^*§& clearing where you at first can spot &§*^*~.,¨.
,,»*=£§##@ the house, not yet really in the @##§£=*»,,
¨^~††%§¤## backyard. from my pockets i retrieve my ##¤§%††~^¨
,.:~,=§*%£ radio (now dented) but also a small £%*§=,~:.,
,-~^*$£#@# clay figure i've never seen before. it #@#£$*^~-,
.¨¨,^-$§@# must have been laying in the wet dirt, #@§$-^,¨¨.
¨.-†*&@# and i must've picked it up with my #@#&&*†-.¨
.¨¨-^^== other belongings. #&==^^-¨¨.
,^»\/*§@&§ §&@§*/\»^,
.,¨..^^-*¤ it's a statuette of a girl laying naked ¤*-^^..¨,.
¨.~:*@## on her stomach, feet in the air, ###&@*:~.¨
.,«^*%@¶## roughly seven centimeters long. it's ##¶@%*^«,.
..=^^%## freshly made, not yet completely dried. ###&%^^=..
,,;$$£#### ####£$$;,,
¨:~\^£¤£@# my mom is here now. i ask her for some #@£¤£^\~:¨
,^»\$%§¶## particle board for it to dry on, but ##¶§%$\»^,
¨¨¨,.,,~*# she is worried and wants me to #*~,,.,¨¨¨
¨~~\^%£@@# throw it away. #@@£%^\~~¨
.,-/$¤§@## ##@§¤$/-,.
.¨,¨,=»*@@ @@*»=,¨,¨.
.:~†§§#@£# #£@#§§†~:.
.,¨,,^^/%# #%/^^,,¨,.
.,~*†%¤### ###¤%†*~,.
,,=:*£&£@# #@£&£*:=,,