,^=**¤#### ####¤**=^,
.,,-\^$£@# #@£$^\-,,.
,-»;*£¤### ###¤£*;»-,
,¨.«^=%# ##&%=^«.¨,
¨.»=*%£@## ##@£%*=».¨
,¨,-;§$¤£# statuette #£¤$§;-,¨,
,.»\*$@### ###@$*\».,
¨,:~==$£## ¤*@*£%$¤@@$§@&$$««~-~=~~*§%%*§§£§$¤*$%%& ##£$==~:,¨
¨-~^*$§### $$%%£*££& ###§$*^~-¨
.¨,-=*££@# #@££*=-,¨.
.~«††¤@@## forests around my childhood home. thick ##@@¤††«~.
¨,,~:%£@@# pine arcades that were planted and #@@£%:~,,¨
¨,~†%££### forgotten. wild boars roaming ###££%†~,¨
.,-~**¤¤@# underneath, sniffing at the ground. it #@¤¤**~-,.
,^~**¤££## is dark and moist, the canopy having ##££¤**~^,
,.,=*%¤£¶# already soaked up all the sun. #¶£¤%*=,.,
.--\§&£### ###£&§\--.
,¨:«/^%¤¶# there's a river passing by, from east #¶¤%^/«:¨,
.-=†*£§@## to west, getting broader and deeper and ##@§£*†=-.
,¨,-†%£¤@# slower as it goes. equisetum grow just #@¤£%†-,¨,
.^«†*¤¤### where the pine hands start to let ###¤¤*†«^.
¨.,«;§&&@# through light, horsemint on the rocky #@&&§;«,.¨
.:~*§$#### river bed. ####$§*~:.
,.,~^$$§@# #@§$$^~,.,
.^=*=%¤### = ###¤%=*=^.
.,:»;§£@@# #@@£§;»:,.
¨--\^$§¶## the riverbanks reek of magic. tonight ##¶§$^\--¨
...=^†£¤## they had been a swampworld with sylvan ##¤£†^=...
,:-**$§### water, stone rings and floating moss. ###§$**-:,
¨,^«†%$§¶# you could've found me wallowing around #¶§$%†«^,¨
¨.~=†§¤### on the southern shores until i got ###¤§†=~.¨
¨,~«:%@&£# bitten. #£&@%:«~,¨
,,==§§£¶## ##¶£§§==,,
,¨-=†^@¤@# but now i'm further back, on solid #@¤@^†=-¨,
,,~:=££¶## ground, in shoulder-high grass, with an ##¶££=:~,,
,¨-«^%¤§¶# orange tin radio and a translucent #¶§¤%^«-¨,
¨:«^%¤&@## umbrella which i'm sitting on. ##@&¤%^«:¨
,,~«;=%@## ##@%=;«~,,
.~-/%¤&@## = ##@&¤%/-~.
.,.=;^§£## ##£§^;=.,.
¨:=\$££@## somethings moving in the grass. it's ##@££$\=:¨
¨..«^§&¤## invisible to my eyes but i can feel ##¤&§^«..¨
.^~^†$¤### through the ground just how large it is. ###¤$†^~^.
.,~~^*£¤## ##¤£*^~~,.
,~-/^$¤¶## the soil is muddy. i slip when trying ##¶¤$^/-~,
..-«;%£### to get up, still looking at the ###£%;«-..
¨,=†%£¤### direction of sound rather than at my ###¤£%†=,¨
..-=*†&£@# hands, who are busy putting things in #@£&†*=-..
,^~/†$#### my pockets. ####$†/~^,
,,,=;†%@@# #@@%†;=,,,
¨~-=§£@### then i run east toward my home. ###@£§=-~¨
..^-*=&§@# #@§&=*-^..
¨~-\$*@### : ###@*$\-~¨
..-~\%§@¶# #¶@§%\~-..
¨,~*†§#£## i am not followed, and slow down in the ##£#§†*~,¨
,¨.=\*%@£# clearing where you at first can spot #£@%*\=.¨,
¨,~==%#¶## the house, not yet really in the ##¶#%==~,¨
,.:«\†@£@# backyard. from my pockets i retrieve my #@£@†\«:.,
,,«\%£#@## radio (now dented) but also a small ##@#£%\«,,
,.:-=§$¤@# clay figure i've never seen before. it #@¤$§=-:.,
¨.»\^&&¶## must have been laying in the wet dirt, ##¶&&^\».¨
..,~†=£§@# and i must've picked it up with my #@§£=†~,..
,.~/%$#### other belongings. ####$%/~.,
,.-=\$%§## ##§%$\=-.,
.^«==¤&¶## it's a statuette of a girl laying naked ##¶&¤==«^.
¨.:«†^$&¶# on her stomach, feet in the air, #¶&$^†«:.¨
¨.»\*$¤¶## roughly seven centimeters long. it's ##¶¤$*\».¨
¨,^»\*$@## freshly made, not yet completely dried. ##@$*\»^,¨
,-==^&## ###&&^==-,
,¨^~/†@@@# my mom is here now. i ask her for some #@@@†/~^¨,
,.-;^$£### particle board for it to dry on, but ###£$^;-.,
,¨.~=**£@# she is worried and wants me to #@£**=~.¨,
,,-\^&@### throw it away. ###@&^\-,,
¨¨:~/†£§## ##§£†/~:¨¨
¨,~;*%@@## ##@@%*;~,¨
.¨,~†%&¤## ##¤&%†~,¨.
,.-\^£§£## ##£§£^\-.,
¨..~/$$£¶# #¶£$$/~..¨
¨-«/^$¤¶## ##¶¤$^/«-¨