,¤,¨.¨@@£, ..¨,.¨,.,¨
¨¨¨£¤,¨@¨¨ ,#¤¤@@¤£@¤
¨§¨.¨,,¨¨. ¨¨#££¤¤#¤,
.¨.&@#££&£ ¨¨,££&§&,,
¤#..¤@£&&@ §£..¤#¤.¨#
¤¨¨¨.§¤¤£@ statuette #.¨..@,¨,,
,,£¤..§@¤, ,¨¤&,¨.£§,
@¨.,,,,§.. &§$&@¤£$£%$§$¤%%~-««»-~~$¤*£%*¤£*%&$&%%¤ .,¨..¤¨,.¨
,¨#§¨¨.§ &$$£¤§%&@ @§.¨.#@.
&..@£,.&¨, &¤£¨.@,..,
¨.¨,,,¨..@ forests around my childhood home. thick &&¨,.¨.£§,
@£&&§¤£#., pine arcades that were planted and ¨,.£&&¨...
,¤§@§,¨@ forgotten. wild boars roaming &§¨.#..§@,
,,&§#§¨¨,, underneath, sniffing at the ground. it §¨¨.¨.,¨,¨
£.,££¨,@&¨ is dark and moist, the canopy having ..§#&¤#@
,,¨¨¨,..¨, already soaked up all the sun. ,.¨£§#@@¤&
,§&¤&£§##¨ £&..&§§¤§,
.,¤&@#§@,¨ there's a river passing by, from east &¨.¨.&¤@¨.
§.,£&¤¤,,, to west, getting broader and deeper and ,¨#&.¨¤..&
,,,,#¤.,¤§ slower as it goes. equisetum grow just #.¨,,,,¨¨¨
§¤#¨...¨¨¨ where the pine hands start to let ¨.#¤#&£@
&¤¨,&@#¤¤@ through light, horsemint on the rocky @¨¨#¤&&&¤¤
£.,,¨@§¤£@ river bed. ,..,£&§£&@
¨.££¨¨£¤£@ @@£..¤@##£
,¨¨¨..¨#§, = £¤¨,,,@§£¨
£&££§&¨,.. ¤.¨&@¨,#,¨
¨£#@§.¨£¤. the riverbanks reek of magic. tonight ,,,¨¨.¨.,¨
¨.£&.¨,.¨¨ they had been a swampworld with sylvan @§@@@#¤£#@
.,.¨.###§& water, stone rings and floating moss. #@&£&§#£§,
&¤&@,.#¤&£ you could've found me wallowing around ¨¤£§&£@&¨,
.&¤....§ on the southern shores until i got .,¤¤£@#¨¨¨
,,..§#,.#§ bitten. ¨.¨##§..#&
,&&¨¨..¨,¨ ##,¨@¨¨.,.
,¨¨.@§@§£& but now i'm further back, on solid .,..,¨§¤@&
.¤@..¤&&§¤ ground, in shoulder-high grass, with an §§§#£¨,&&¨
.,¨,,¨¤@¤# orange tin radio and a translucent ,¤@&,¨,.¨.
#@¤£§..&£¨ umbrella which i'm sitting on. ,¨£¨¨¤&&§¤
§&&@,,¨,., ,.,¨.¨§£¤£
£&£..§&¤@# † #@#£§¨,&£#
@@.,¨.#¤£¤ .#¤¤,.,¨¤¤
@,,&@¨¨#@, somethings moving in the grass. it's ¨,§¨.&£..¤
,¨...¨¨.,. invisible to my eyes but i can feel ..¨,.,.¨¨¨
&¤£#@&@¤§£ through the ground just how large it is. &@£#&£@#£&
£§#&¤@£@¤¤ @£&@@@&§££
&£@&¤#¤§#¤ the soil is muddy. i slip when trying £&&§@#&@£¤
££@¤£#&&¤£ to get up, still looking at the §§@¤&&@¤&&
§§&&¤@§# direction of sound rather than at my @@£@@££#&§
#¤#£¤¤@£ hands, who are busy putting things in #@&£¤@£¤&¤
@££&¤@##§£ my pockets. &@&&¤¤¤§¤@
#&¤£@¤£¤&@ #¤##&@#£#&
¤¤¤#@#&¤ then i run east toward my home. £&§§#§§@
£@§§§@&&£# @&£#§££@&¤
£&¤&@@£### \ #@#£§££@@§
£&&¤£&@§¤# £@#¤£&§§§¤
§@#¤¤@£§££ i am not followed, and slow down in the #§§@#§#&&§
££§¤#&@@¤£ clearing where you at first can spot ¤¤@#&£#£
§¤§§&§§££@ the house, not yet really in the ¤@#£&§£¤@@
&¤&¤££@@@& backyard. from my pockets i retrieve my ¤¤¤£#¤@£¤&
£@§@@¤¤£## radio (now dented) but also a small £@£@@§&££&
¤¤£¤£&¤¤££ clay figure i've never seen before. it £&&§@&@@
¤¤£#@&@# must have been laying in the wet dirt, #£#§@£#¤&§
&££#£¤&§## and i must've picked it up with my £&¤££¤@§&&
£¤¤&&¤&¤@# other belongings. @¤£¤¤@§£¤#
@&¤&£¤@@§¤ §¤§@&¤@¤&&
£##§##@@¤# it's a statuette of a girl laying naked §£@§¤&§££¤
&&@@£&&£#¤ on her stomach, feet in the air, &¤&£&@£@@¤
&¤@&&&&§¤§ roughly seven centimeters long. it's #&&¤£@@£##
&&§¤&@&@&§ freshly made, not yet completely dried. §§£##¤¤&£¤
§§@#¤¤§§@§ @§@##£¤@£@
£¤@@¤§ my mom is here now. i ask her for some @£@&@@&§
#¤§#@§@#§§ particle board for it to dry on, but &§&¤&&§£
§##£§£&& she is worried and wants me to &@@¤@£&@¤#
£@§@@&&§#@ throw it away. ¤¤#££&§##&
§@#§§&§&@£ §¤#§&§§@¤&
£##&@@£#&¤ &@£&£&&@@§
§§&£@¤&¤@& ¤§@£#&@§¤§
&§¤#&¤§¤#& §¤§@££¤#
#£#&¤¤¤# §@££&§@@
#&@#§#§@ ¤@¤£§##§#§