..¨¨,,..,¨ ,¨&@,.,¨¨.
§£¤¤¤#¤& ¤¨,.,#@£#¤
§####£#£#§ .,§£¨.§¤&£
£¤£¤£@§&&, ¨¨,.,..§&&
§¤&£§§@#., ¤&£&¤£,¨##
£&@§¤#¤.., statuette .&£,.,,£
@@§@@¤.¨£@ ..¤&¨¨£@,.
,@§£#.¨,.. $££$$$&@£*§£§&%$«»~»=-=~$£@@£$@§§%$§&§§% §,.¨¨.....
,.@@.¨£&&& §¤*%&&$@* ,¨&@@¤§&§§
,¨¨,,,,@§, ,.¨@&§§@§.
#¤§¤§§¨,¨¨ forests around my childhood home. thick ¤§¨,&@¤&..
,£¤#£¨.££. pine arcades that were planted and @¨.¨¨#£.,¨
.¨&£¨¨¨.., forgotten. wild boars roaming ¨,¤&.¨.,&£
.¨.¨¨§&££. underneath, sniffing at the ground. it £.,,.&§.¨,
@§@#,.&¤¨¨ is dark and moist, the canopy having ¨¨££.¨¨.
#@&,.,,.,¨ already soaked up all the sun. ,¨.,¨#§¨.@
@#.,¤@#@@§ #¤#§,¨¨,¨,
,¨..¨§#§@, there's a river passing by, from east £¤@,,£#§&¨
£@¤§¨¨£¤¨, to west, getting broader and deeper and £¤.¨.,#@¨¨
.@£..¨,... slower as it goes. equisetum grow just @..£&¨¨,,¨
....§@&@¤§ where the pine hands start to let ,¨¨...&&£@
¨£¤,,¤@@§. through light, horsemint on the rocky ,£&@&..£¤,
,¨.,¨.#@,. river bed. .,@&.¨.,..
@¤#&&¨,,.¤ .¨...¤£¤&&
§&@§¨¨&&,. = ¤£&¤.¨#@£&
&...¨.., .@¤,,,.@&&
£¤¨,#£###@ the riverbanks reek of magic. tonight ¨,¨.&§,.¤@
§¨,,¨¤£#@. they had been a swampworld with sylvan .@#.,¨¨.,#
¨.@@.,@¤,¨ water, stone rings and floating moss. ¨.¨,¤¤@#¨.
£,¨,¨..,¨§ you could've found me wallowing around &£#,,¤@¨.@
,,£#¤¤@§.¨ on the southern shores until i got @#,,,.,¨.,
#.,#¤¤&..§ bitten. @.¨¤§&¤§#&
.,,,§§,,.. ¨¨¨¨&&¤§&£
,&§,¨¨¨&£. but now i'm further back, on solid .#§..§#&@.
,.¨.@@,..¨ ground, in shoulder-high grass, with an .¨.¨,.¤§..
¤&@¨¨..¤&& orange tin radio and a translucent ¨&§#&,,¨.§
#¤,¨¤§,,## umbrella which i'm sitting on. ,.@&¨,¤&¨,
.¨,¨,.,,¨, ,,¨,¨,,.,¨
£&£§&@ \ &¤£@¤¤£#
#@@@&@¤##¤ ¤&¤#§£¤§@@
¤¤@£##¤&§@ somethings moving in the grass. it's @¤£¤&@§&¤@
¤&@&£§§¤§@ invisible to my eyes but i can feel @§§#@&£&@§
@#&@¤¤£@#@ through the ground just how large it is. @£@££@£¤¤§
§&@£&¤&§§# ¤§&§£&§¤¤#
§&£@£@#£££ the soil is muddy. i slip when trying §§£§@#§¤@£
£§@&&§@§&& to get up, still looking at the @§@§&££££§
¤@¤#§§¤@#& direction of sound rather than at my ¤§#£@¤@&£#
£##¤@@¤#&§ hands, who are busy putting things in #¤#&¤@&&¤£
¤&£&§§#¤ my pockets. §@§##£§&@@
¤§¤#§§&£@& #@#§&§
#@&@£#£@¤§ then i run east toward my home. #¤§§£#§¤
§@£@£@@#£@ #¤#@@#§£§&
@§£¤@@§&@@ ^ #@¤§#¤#¤#@
§£§@§¤###& £&£&£#@££@
@¤&§&§£#@@ i am not followed, and slow down in the §¤#&§§§£
¤@#§¤¤@§£§ clearing where you at first can spot ¤¤@£¤#¤&££
§&§#£&&¤§£ the house, not yet really in the &@##@&
£¤#¤#¤¤&£¤ backyard. from my pockets i retrieve my &@&@§#§&
&¤£#£¤@¤&@ radio (now dented) but also a small @§&&§¤##&§
£&£&§@§¤ clay figure i've never seen before. it &£¤#&&¤@@£
¤£##¤@&@&@ must have been laying in the wet dirt, ¤&@@¤&¤@£@
§§§£@§££¤@ and i must've picked it up with my ¤@@§£§§£@@
¤¤§¤&£§£¤£ other belongings. @§£@&£&§
¤§£££@£& ¤@#¤&§&§
§¤&&§#&£&& it's a statuette of a girl laying naked £@§¤@&£&@¤
§£#&§&££@& on her stomach, feet in the air, #§#¤¤@§#§£
§§§@¤&¤¤#¤ roughly seven centimeters long. it's @§§£¤§£#
¤¤#¤#£## freshly made, not yet completely dried. @@¤§§§@¤&§
@@#¤£@¤¤£@ @£&§¤£§@&@
&¤&¤&£#¤§¤ my mom is here now. i ask her for some ¤§&¤#&&&§#
&£@¤¤@@&@# particle board for it to dry on, but &£@@¤££@£@
&¤§§£#&§&@ she is worried and wants me to ¤#@#§£&£&£
£@¤§#¤¤§§§ throw it away. ££@##¤@§@§
@¤@&£§@§££ #¤£§§#££
¤££¤&¤¤¤&¤ £&¤§&£¤#£@
¤§¤§¤§§& ¤££§§#@§§§
¤@¤#£§&&@£ &@##£&&£
&§§@¤§££¤£ @&§£§&¤£¤§
&&§££@§£¤& &@¤£#§§&¤&