,^~\=£§### ###§£=\~^,
,,.~;§@# ##&@§;~.,,
,,..=:%£@# #@£%:=..,,
..,»/†£@## ##@£†/»,..
,.-:%£¤### ###¤£%:-.,
.,,~\%§# statuette ##&§%\~,,.
,,.,-†$%£@ @£%$†-,.,,
.,:~=$¤@@# £@*@£@$§§§*$£*¤@~~-«===-$$@$$%&&*£§££@£* #@@¤$=~:,.
¨-=^*¤¤@## ¤¤%@%§%@£ ##@¤¤*^=-¨
..:-=†£¤## ##¤£†=-:..
,,¨.~^^&§@ forests around my childhood home. thick @§&^^~.¨,,
,¨,~^**£## pine arcades that were planted and ##£**^~,¨,
,,-\†¤## forgotten. wild boars roaming ###&¤†\-,,
¨¨,~:§£#@# underneath, sniffing at the ground. it #@#£§:~,¨¨
,¨.:~\§*§# is dark and moist, the canopy having #§*§\~:.¨,
,.~~/*%¤@# already soaked up all the sun. #@¤%*/~~.,
.,=*%§## ###&§%*=,.
¨.:=:=£@## there's a river passing by, from east ##@£=:=:.¨
.¨¨:=;*%£# to west, getting broader and deeper and #£%*;=:¨¨.
,,:»/%&# slower as it goes. equisetum grow just ##&&%/»:,,
..-=§%#### where the pine hands start to let ####%§=-..
,,.~*^%@## through light, horsemint on the rocky ##@%^*~.,,
..,:==*&&@ river bed. @&&*==:,..
,¨,«:%£@## ##@£%:«,¨,
,,-=%$&@## = ##@&$%=-,,
,¨,~=*£#@# #@#£*=~,¨,
.¨,.~:†@¤@ the riverbanks reek of magic. tonight @¤@†:~.,¨.
¨.:»=*£### they had been a swampworld with sylvan ###£*=»:.¨
¨,»/†£&@## water, stone rings and floating moss. ##@&£†/»,¨
¨¨^~/^&¤## you could've found me wallowing around ##¤&^/~^¨¨
¨.¨,»*^%§# on the southern shores until i got #§%^*»,¨.¨
,.~«:^£§@# bitten. #@§£^:«~.,
¨,«^†$#@## ##@#$†^«,¨
...=/*$£## but now i'm further back, on solid ##£$*/=...
¨¨.:«\*¤#@ ground, in shoulder-high grass, with an @#¤*\«:.¨¨
,.~~/^§### orange tin radio and a translucent ###§^/~~.,
¨~~^$%¤@## umbrella which i'm sitting on. ##@¤%$^~~¨
..~~=§£¤## ##¤£§=~~..
.¨,.~*$$&@ † @&$$*~.,¨.
¨.-~;*&@@# #@@&*;~-.¨
,,~††£¤### somethings moving in the grass. it's ###¤£††~,,
¨,-~^§§@## invisible to my eyes but i can feel ##@§§^~-,¨
,.,~«\%$§# through the ground just how large it is. #§$%\«~,.,
¨¨-~***#@# #@#***~-¨¨
¨-=\*$#@## the soil is muddy. i slip when trying ##@#$*\=-¨
¨¨~~^§@# to get up, still looking at the ##&@§^~~¨¨
.,¨^=;=§@# direction of sound rather than at my #@§=;=^¨,.
¨.,~;†$¤## hands, who are busy putting things in ##¤$†;~,.¨
.:~\$&@@## my pockets. ##@@&$\~:.
¨..=\%$£@# #@£$%\=..¨
¨,¨,-:%£¤# then i run east toward my home. #¤£%:-,¨,¨
,.,-^$$§## ##§$$^-,.,
.^»†%%## ^ ###&%%†»^.
,¨~=:%$£## ##£$%:=~¨,
.,.:~\=£ i am not followed, and slow down in the #&£=\~:.,.
¨¨--=%$@## clearing where you at first can spot ##@$%=--¨¨
¨-~/$££@## the house, not yet really in the ##@££$/~-¨
,.^-==@# backyard. from my pockets i retrieve my ##&@==-^.,
,¨,:»;$£@@ radio (now dented) but also a small @@£$;»:,¨,
¨,,=\$@¤## clay figure i've never seen before. it ##¤@$\=,,¨
¨~=†*@@### must have been laying in the wet dirt, ###@@*†=~¨
¨.:»=%$£## and i must've picked it up with my ##£$%=»:.¨
¨.,~«;^£## other belongings. ##£^;«~,.¨
,.,~;%%¤## ##¤%%;~,.,
¨-==*¤¤@## it's a statuette of a girl laying naked ##@¤¤*==-¨
¨.-«:§@£@# on her stomach, feet in the air, #@£@§:«-.¨
¨¨¨,«;$¤#@ roughly seven centimeters long. it's @#¤$;«,¨¨¨
¨.,~/^%### freshly made, not yet completely dried. ###%^/~,.¨
,~-\§$#### ####$§\-~,
,..-^*£@@# my mom is here now. i ask her for some #@@£*^-..,
,,,:»/^¤ particle board for it to dry on, but #&¤^/»:,,,
..-«^*%¤## she is worried and wants me to ##¤%*^«-..
.,«^%§@### throw it away. ###@§%^«,.
¨.:«=$&@## ##@&$=«:.¨
.¨,,==*% #&%*==,,¨.
¨.^~^=£&@# #@&£=^~^.¨
.:=/%@## ###&@%/=:.
.¨~«^†## ###&†^«~¨.
.¨¨,~/$¤¤@ @¤¤$/~,¨¨.