.¨,¨¤¤,,¨§ ..¨¨¨,¨¤,.
§¤£,,.,@,. ,&¤¤¤£.¨,§
@@,,@&.¨,# ,.¤#§.¨&¨,
,.¨,...#,¨ ¨¨,@.,,,,.
@&&§#§,¨.# §¤..¨§###£
&£¤¤&,,¤.. statuette @..¤¨,#&££
@@¤&¨.,¨¨. ,,¨.¨,.§@@
&§@,,@£& %%$§$¤£%¤¤§*&$&£«=«~~»=~§££§%*@£$$§%&£$£ ,#¤&¤#.¨£#
§&.¨..¤§@¤ ££%%¤%$%$ ,.¤££,.,,@
@¨,&&.¨§#¤ ,.,£¨.#¤,¨
¨..,.,¨,#£ forests around my childhood home. thick #&,¨,.,¨,.
¤#£§§,¨# pine arcades that were planted and .¨,¤£##¤§#
§£@@.,,¨ forgotten. wild boars roaming £§,,£¤¤¤£&
¤@&££¨.£&, underneath, sniffing at the ground. it ,,¨¨¨§@§¤£
@#§&.,¨,¨, is dark and moist, the canopy having £§§§.¨@£§&
#¤#¨,£@@¤¨ already soaked up all the sun. .§&,¨.,£&§
¤§.¨¨.¨, .,¨,§@.¨&§
§¨¨§#,,,.. there's a river passing by, from east &¨,¨..,¤
,.,¨.¨£¤¤@ to west, getting broader and deeper and ¤#.,¤£@§.¨
#&¤#&,,§¤@ slower as it goes. equisetum grow just .,,..##¨.¤
&¤£¤,.,.§£ where the pine hands start to let #¤§¤,¨.¨¨.
¨@£¨.#&.., through light, horsemint on the rocky ,¤§..@£¤#¨
,¨¨,¨,¨.§@ river bed. ¨¨,¨¨.¤¤¨¨
¤¤&@@,,¤ .§£§#¨.¨¨#
§§¤#..¨, \ ¨.£#.,¤&..
.£#£@,¨¤£¤ .,¨.,,.¨,.
..£§.¨.¨&£ the riverbanks reek of magic. tonight @££§#¤@###
,...¨§&..# they had been a swampworld with sylvan ,#¤¤@¤&§#,
&@£¤¨,.¨., water, stone rings and floating moss. ¨¨&&¤££¤,¨
¨¤¤,.&¤££, you could've found me wallowing around ,,.@#§§¨¨.
,..¨¨,#§,. on the southern shores until i got §£.¨@#.,£&
,£#@@.¨,¨. bitten. £¨,.¨¨.¨¨.
¨,£#¨,&§#@ .¨#§§#££#&
.¨,¨¨¨.&§¨ but now i'm further back, on solid £.¨¤§§@@&.
#£££¤&,¨.. ground, in shoulder-high grass, with an ..¨¨¤§§&¨.
.&@,.@#, orange tin radio and a translucent ¨&¤¨,&£,¨,
.¨@§.,¨,,, umbrella which i'm sitting on. ...¨,¨.¨£@
.,.,,§@# #¤¤#&§¤,¨,
£@£#..¤£## * &§@§§£.¨££
@@@..,,& ,§£§¤.,¨¨#
£@,¨&¤,.¤# somethings moving in the grass. it's ,.&&.,§@¨¨
,..,.,¨,,. invisible to my eyes but i can feel .,.¨.¨¨¨,¨
¤££@§££&@# through the ground just how large it is. @££¤#£&¤#@
##§§£¤&@§£ §##£&§£&§&
&§#¤§&@¤£# the soil is muddy. i slip when trying ¤§£§&@¤#¤¤
@£¤&¤¤&&£¤ to get up, still looking at the @##&£¤¤£¤¤
&§&§@¤@@¤@ direction of sound rather than at my §¤&&§#¤#&@
@§§§§£¤&§§ hands, who are busy putting things in @§&§£§¤@&¤
£§§£¤£§¤&& my pockets. @&§£§@¤#¤¤
¤¤§¤§&¤@@£ &§#£¤@¤§£¤
##&&£@@@¤@ then i run east toward my home. ¤@£¤#§#@
¤#&&&§¤§#& ¤@£&@§§¤@#
@&¤&£¤&¤#& / #¤#¤£&@£&¤
¤§§§#§§&&& #§#@#&&&¤§
£&£#£@§§&£ i am not followed, and slow down in the §##&&£¤&¤§
&&£&&§#¤ clearing where you at first can spot §@##¤&&¤##
§#££§¤§&&& the house, not yet really in the §£££&£¤#§£
¤@¤#¤§##§¤ backyard. from my pockets i retrieve my &@§£§£¤#
§£@&§££¤¤& radio (now dented) but also a small &&&§@£@@##
¤£§#¤§§§&& clay figure i've never seen before. it @£&&¤§£@&&
£@¤#§#§#¤£ must have been laying in the wet dirt, ##¤@£&&£#&
@£§#§&@£ and i must've picked it up with my &@§&§#£@
§¤§§§£&¤@£ other belongings. ¤§&££§@¤@@
@¤£¤&&&@£@ £&&§&@@£
@£#¤#&£#§£ it's a statuette of a girl laying naked ##@#§&#§
£&&¤£@§#@# on her stomach, feet in the air, #&@@@#&¤£@
§¤¤¤££## roughly seven centimeters long. it's &@£&&£#&&&
¤@@¤#@§£#@ freshly made, not yet completely dried. ¤§£&@§§&
£§&§@@¤@¤@ £§¤#¤&§§@§
#&@#@£§@@§ my mom is here now. i ask her for some &¤§@@£&@§@
#@¤£@§@#@@ particle board for it to dry on, but #¤¤§&¤#£
§@§@#§#& she is worried and wants me to ¤§§¤&£
&@¤¤¤@@¤## throw it away. @£¤&¤§£@
&&£#¤£&£&@ £¤§@££&£&¤
#££#§@§£&§ #£@#§@§#£&
¤&¤&&&@@@¤ #£&£#££¤#§
@@@@£#&£@@ &£@£§¤&&
§§#@££#£¤@ &¤§##££#
¤@£##£¤@£§ £§@#&£&@@@