,-~*%%¤@## ##@¤%%*~-,
,.¨,-=*%#@ @#%*=-,¨.,
¨,~»;$$#¶# #¶#$$;»~,¨
,~=:%¤@£@# #@£@¤%:=~,
.,-*=%@¶## ##¶@%=*-,.
¨..¨~$¤@¤£ statuette £¤@¤$~¨..¨
¨¨¨.-;&%§& &§%&;-.¨¨¨
¨.«;§%£§&@ £&$%§$%£@$&%££%¤~=-«~--~%%¤¤§¤£&%@@%*¤&* @&§£%§;«.¨
.^=;££¶### @£§%£$§$@ ###¶££;=^.
¨,..«\\$ #&$\\«..,¨
,^~~†;$& forests around my childhood home. thick #&&$;†~~^,
¨:=:=§§#@# pine arcades that were planted and #@#§§=:=:¨
,~-*†$#@ forgotten. wild boars roaming @##&$†*-~,
..~/†%&&£# underneath, sniffing at the ground. it #£&&%†/~..
.....-~^§@ is dark and moist, the canopy having @§^~-.....
¨,.~~%%@£# already soaked up all the sun. #£@%%~~.,¨
.,~/*$¤@## ##@¤$*/~,.
,,~=^@#@ there's a river passing by, from east @##&@^=~,,
¨:~†*§†%#@ to west, getting broader and deeper and @#%†§*†~:¨
..^=;=%££& slower as it goes. equisetum grow just &££%=;=^..
,,,...~;$@ where the pine hands start to let @$;~...,,,
..-;^%#@## through light, horsemint on the rocky ##@#%^;-..
¨,«=%%@@@¶ river bed. ¶@@@%%=«,¨
¨:»*$£@@## ##@@£$*»:¨
,-»†*££### / ###££*†»-,
.-==^§¤##@ @##¤§^==-.
,,.«»/%=@& the riverbanks reek of magic. tonight &@=%/»«.,,
¨..»»»%%§¤ they had been a swampworld with sylvan ¤§%%»»»..¨
,,-:^~/£¶@ water, stone rings and floating moss. @¶£/~^:-,,
¨.,,.:\$£# you could've found me wallowing around #£$\:.,,.¨
,,~*=&¤### on the southern shores until i got ###¤&=*~,,
¨.~:**¤### bitten. ###¤**:~.¨
,^»\*%££#@ @#££%*\»^,
.,~^$@#@## but now i'm further back, on solid ##@#@$^~,.
.,=^§§£@@# ground, in shoulder-high grass, with an #@@£§§^=,.
.,»\§@§### orange tin radio and a translucent ###§@§\»,.
¨,¨,.,-/%& umbrella which i'm sitting on. &%/-,.,¨,¨
.,,,.¨-$$@ @$$-¨.,,,.
,-»:^$£@ / @#&£$^:»-,
¨.,.,~=**§ §**=~,.,.¨
¨.,¨¨.=$&@ somethings moving in the grass. it's @&$=.¨¨,.¨
.¨¨,¨«%*§@ invisible to my eyes but i can feel @§*%«¨,¨¨.
...-~=*$#£ through the ground just how large it is. £#$*=~-...
¨.~-==%&£@ @£&%==-~.¨
.,«†%£&@#£ the soil is muddy. i slip when trying £#@&£%†«,.
,-»\%$£¶## to get up, still looking at the ##¶£$%\»-,
,,~\%*@@## direction of sound rather than at my ##@@*%\~,,
.~«=%*@@## hands, who are busy putting things in ##@@*%=«~.
¨¨.,¨.,=@# my pockets. #@=,.¨,.¨¨
,.,«;*^§¤@ @¤§^*;«,.,
,,=^§§&@@# then i run east toward my home. #@@&§§^=,,
,,=:%%*$¤£ £¤$*%%:=,,
.-~=*%&@@# * #@@&%*=~-.
¨¨...:~=*£ £*=~:...¨¨
.:«/**## i am not followed, and slow down in the ###&**/«:.
¨,«;$%## clearing where you at first can spot ###&%$;«,¨
,:-/^¤¤@#@ the house, not yet really in the @#@¤¤^/-:,
¨,~^=%#£## backyard. from my pockets i retrieve my ##£#%=^~,¨
..»**$§£@# radio (now dented) but also a small #@£§$**»..
,.»:%$@¤£# clay figure i've never seen before. it #£¤@$%:».,
¨¨¨.~-\**# must have been laying in the wet dirt, #**\-~.¨¨¨
¨,~†=$@@@@ and i must've picked it up with my @@@@$=†~,¨
,-»/=@## other belongings. ###&@=/»-,
..¨~^:*££@ @££*:^~¨..
,.¨-^$§@£@ it's a statuette of a girl laying naked @£@§$^-¨.,
,^=\*%@### on her stomach, feet in the air, ###@%*\=^,
.~/†§§£@## roughly seven centimeters long. it's ##@£§§†/~.
.,~\%$§#@¤ freshly made, not yet completely dried. ¤@#§$%\~,.
,.-\§%#¶## ##¶#%§\-.,
.:=\$$@£@# my mom is here now. i ask her for some #@£@$$\=:.
,~~^†§¤£@# particle board for it to dry on, but #@£¤§†^~~,
¨,~/*@§### she is worried and wants me to ###§@*/~,¨
,.¨^,~%# throw it away. #%~,^¨.,
¨^«:%*§£## ##£§*%:«^¨
.,~;=$@@## ##@@$=;~,.
¨.¨,¨,^*£@ @£*^,¨,¨.¨
¨-»\=¤$%$& &$%$¤=\»-¨
¨~»;^$£#@# #@#£$^;»~¨
,,¨¨.~/*@# #@*/~.¨¨,,