,.,,,~»^§§ §§^»~,,,.,
.,~\%¤@### ###@¤%\~,.
,,~~~=$@## ##@$=~~~,,
¨.,.,:»††& &††»:,.,.¨
¨.~\*&£@## ##@£&*\~.¨
.,=**£@@## statuette ##@@£**=,.
¨,~†=%## ###&%=†~,¨
.¨,¨^=§#&£ *££££%$£$£$@%@£¤-»=~-«»=$$¤£*£&§&%@*§*£& £§=^¨,¨.
,--:†@£#@¶ §¤%%§*¤¤£ ¶@#£@†:--,
¨¨,.,¨»^@# #@^»¨,.,¨¨
.¨^^~/^§#@ forests around my childhood home. thick @#§^/~^^¨.
¨.«:$@££## pine arcades that were planted and ##££@$:«.¨
¨:-=*@¤£## forgotten. wild boars roaming ##£¤@*=-:¨
,¨¨¨..~-§@ underneath, sniffing at the ground. it @§-~..¨¨¨,
,~~:$¤§### is dark and moist, the canopy having ###§¤$:~~,
,.»/=%#¶@# already soaked up all the sun. #@¶#%=/».,
¨^-:%£##¤£ £¤##£%:-^¨
..,¨^\*%#§ there's a river passing by, from east §#%*\^¨,..
.¨,~=;§%## to west, getting broader and deeper and ##%§;=~,¨.
.,=\=¤£@## slower as it goes. equisetum grow just ##@£¤=\=,.
.¨,,..,=$# where the pine hands start to let #$=,..,,¨.
.:=:=£#### through light, horsemint on the rocky ####£=:=:.
¨:-:†¤@# river bed. #@#&¤†:-:¨
.:~/=$£@#@ @#@£$=/~:.
¨.¨:--/@@# \ #@@/--:¨.¨
¨,==%§@### ###@§%==,¨
¨,¨-»$¤%#@ the riverbanks reek of magic. tonight @#%¤$»-¨,¨
¨.=;†§#### they had been a swampworld with sylvan ####§†;=.¨
,..¨»=^*%# water, stone rings and floating moss. #%*^=»¨..,
,..¨.,~§£# you could've found me wallowing around #£§~,.¨..,
¨¨,.,.=*&& on the southern shores until i got &&*=.,.,¨¨
¨.==%$¤&@@ bitten. @@&¤$%==.¨
,--^=¤£### ###£¤=^--,
¨¨,=»«†† but now i'm further back, on solid #&††«»=,¨¨
¨,=:%$@§@# ground, in shoulder-high grass, with an #@§@$%:=,¨
¨.~†^£¤¶@# orange tin radio and a translucent #@¶¤£^†~.¨
,-~=*:\%§# umbrella which i'm sitting on. #§%\:*=~-,
..~†%### ####&%†~..
.~~*$$@@## = ##@@$$*~~.
.¨..-=†&¤# #¤&†=-..¨.
,^=\**§@## somethings moving in the grass. it's ##@§**\=^,
¨-«;†£@@## invisible to my eyes but i can feel ##@@£†;«-¨
¨:»;†%&@@@ through the ground just how large it is. @@@&%†;»:¨
¨,=:^£@### ###@£^:=,¨
,,-\$$#¶## the soil is muddy. i slip when trying ##¶#$$\-,,
.,~;$$£### to get up, still looking at the ###£$$;~,.
¨¨,.~=*†*# direction of sound rather than at my #*†*=~.,¨¨
.,.¨-^«†%§ hands, who are busy putting things in §%†«^-¨.,.
.^-=*$$¤£# my pockets. #£¤$$*=-^.
,¨..,^\@§# #§@\^,..¨,
.:~†%$£$@@ then i run east toward my home. @@$£$%†~:.
¨:«;%§¤#@# #@#¤§%;«:¨
¨-»\§%#### = ####%§\»-¨
.,=\%¤£### ###£¤%\=,.
,,»†*%§¶## i am not followed, and slow down in the ##¶§%*†»,,
¨.¨~^^;%#£ clearing where you at first can spot £#%;^^~¨.¨
¨¨¨¨«*;%§£ the house, not yet really in the £§%;*«¨¨¨¨
...¨¨~«*&& backyard. from my pockets i retrieve my &&*«~¨¨...
,,~;%@#@@@ radio (now dented) but also a small @@@#@%;~,,
¨:~*%*£@@# clay figure i've never seen before. it #@@£*%*~:¨
,..~,,~†£# must have been laying in the wet dirt, #£†~,,~..,
.:~\§@§¶## and i must've picked it up with my ##¶§@§\~:.
..~^$%¶### other belongings. ###¶%$^~..
¨,~:=#£### ###£#=:~,¨
,.«/*$£§@# it's a statuette of a girl laying naked #@§£$*/«.,
,,~;%*$¤@@ on her stomach, feet in the air, @@¤$*%;~,,
.:~\=£@@@# roughly seven centimeters long. it's #@@@£=\~:.
,:=†^§#@## freshly made, not yet completely dried. ##@#§^†=:,
,..,,^~§%# #%§~^,,..,
¨^=††¤@### my mom is here now. i ask her for some ###@¤††=^¨
,--;=$£#¤¤ particle board for it to dry on, but ¤¤#£$=;--,
¨,.¨¨~«$ she is worried and wants me to #&$«~¨¨.,¨
.~«=%*@@## throw it away. ##@@*%=«~.
..»:†&@#@# #@#@&†:»..
¨-~^%%§### ###§%%^~-¨
¨~~/*§§§@@ @@§§§*/~~¨
,¨¨¨~.=*§@ @§*=.~¨¨¨,
¨^,^.;$$§§ §§$$;.^,^¨
,¨,.«~%%§# #§%%~«.,¨,