.,~=*£&@## ##@&£*=~,.
.¨.~†^*§@@ @@§*^†~.¨.
,-=;%&## ###&&%;=-,
,,:«†%$#£# #£#$%†«:,,
¨:~†*£§£@# #@£§£*†~:¨
.¨.-/§£@#@ statuette @#@£§/-.¨.
¨,«*^*¤£@# #@£¤*^*«,¨
,.^-*§£¤@# &***$§&@$%@$$%%$~»»««~~~%$¤¤§&&£@£@$§£*¤ #@¤£§*-^.,
,-=\*%&@@# $%$§£$£¤& #@@&%*\=-,
,,:~/*&@£# #£@&*/~:,,
¨^»^*%## forests around my childhood home. thick ###&%*^»^¨
..,==$£#£@ pine arcades that were planted and @£#£$==,..
.:-;$%¤@@# forgotten. wild boars roaming #@@¤%$;-:.
..^=†=¤§@# underneath, sniffing at the ground. it #@§¤=†=^..
,-=\%@§£## is dark and moist, the canopy having ##£§@%\=-,
¨¨,«:†@##@ already soaked up all the sun. @##@†:«,¨¨
,,~=*%§¶## ##¶§%*=~,,
,¨^~^^&@ there's a river passing by, from east @#&&^^~^¨,
¨-«^^$§@## to west, getting broader and deeper and ##@§$^^«-¨
¨.:»/%%&¶# slower as it goes. equisetum grow just #¶&%%/»:.¨
¨-«*$&@### where the pine hands start to let ###@&$*«-¨
.¨:«:%&@£# through light, horsemint on the rocky #£@&%:«:¨.
,.=*†%£@## river bed. ##@£%†*=.,
,¨~»\$$¤## ##¤$$\»~¨,
¨,-;=*@#@# ; #@#@*=;-,¨
¨.~~;*%#¶# #¶#%*;~~.¨
,~«:†£#¶@# the riverbanks reek of magic. tonight #@¶#£†:«~,
.¨:~/$%@ they had been a swampworld with sylvan @#&%$/~:¨.
,-~†§£¤#@# water, stone rings and floating moss. #@#¤£§†~-,
..,»/=£#¶@ you could've found me wallowing around @¶#£=/»,..
¨~-\*¤#@@# on the southern shores until i got #@@#¤*\-~¨
.,^~/^£#@@ bitten. @@#£^/~^,.
,-=†%¤¤£## ##£¤¤%†=-,
.,:-\$£#@@ but now i'm further back, on solid @@#£$\-:,.
,,»*†*#@## ground, in shoulder-high grass, with an ##@#*†*»,,
..,~*=£&@# orange tin radio and a translucent #@&£=*~,..
¨,=:†$£### umbrella which i'm sitting on. ###£$†:=,¨
¨,:~^=@@ @@#&=^~:,¨
.^«^*£&£## * ##£&£*^«^.
,.~«\§%# ##&%§\«~.,
¨,~^%$&@## somethings moving in the grass. it's ##@&$%^~,¨
¨,.~/%$### invisible to my eyes but i can feel ###$%/~.,¨
.:~/*$£### through the ground just how large it is. ###£$*/~:.
,¨^-†*££@# #@££*†-^¨,
,:~*^$&¶## the soil is muddy. i slip when trying ##¶&$^*~:,
¨.~~\*$@@# to get up, still looking at the #@@$*\~~.¨
.:~:§¤£@@# direction of sound rather than at my #@@£¤§:~:.
,¨-=:§@# hands, who are busy putting things in #@#&§:=-¨,
.:-:†%¤#@# my pockets. #@#¤%†:-:.
..:~\=¤@@# #@@¤=\~:..
.-»;%&@@@# then i run east toward my home. #@@@&%;»-.
¨.:-;^$@@@ @@@$^;-:.¨
,.-:*&££## ^ ##££&*:-.,
..,~†$%§#@ @#§%$†~,..
.^»^$£## i am not followed, and slow down in the ###&£$^»^.
.¨,«/$%£## clearing where you at first can spot ##£%$/«,¨.
¨~~;=%@¶@# the house, not yet really in the #@¶@%=;~~¨
¨.:-\^$### backyard. from my pockets i retrieve my ###$^\-:.¨
,-~†^@#£## radio (now dented) but also a small ##£#@^†~-,
,.-~^^£#@@ clay figure i've never seen before. it @@#£^^~-.,
,.~††¤£¶## must have been laying in the wet dirt, ##¶£¤††~.,
,¨.~\^$@£@ and i must've picked it up with my @£@$^\~.¨,
¨^==*%§### other belongings. ###§%*==^¨
.¨-~†%%#£# #£#%%†~-¨.
¨,~*=§¤£@# it's a statuette of a girl laying naked #@£¤§=*~,¨
,,--:%$¤¶@ on her stomach, feet in the air, @¶¤$%:--,,
.,«†*$#### roughly seven centimeters long. it's ####$*†«,.
,.~~\*§@¶@ freshly made, not yet completely dried. @¶@§*\~~.,
,--;=$@@## ##@@$=;--,
.,:~/*$£## my mom is here now. i ask her for some ##£$*/~:,.
¨.»=†&&¶## particle board for it to dry on, but ##¶&&†=».¨
¨,:=†=£@## she is worried and wants me to ##@£=†=:,¨
,.=;†$@@## throw it away. ##@@$†;=.,
,,-~†=*&@@ @@&*=†~-,,
¨,«\%¤§@## ##@§¤%\«,¨
..-=;=§§@# #@§§=;=-..
.:«^%*¤¶## ##¶¤*%^«:.
¨,-~\*$£## ##£$*\~-,¨
¨^~^=§#@## ##@#§=^~^¨