.#.....#.# #..##.#.#.
.##....### .#.#.#####
##.#...#.. ######....
#.###..##. ......#...
###..#.#.# #.....##..
#..#.##### TRAIN DREAM .#....#.#.
##.###.... ######....,=,,..##################### .##...####
..##..#... *** .#.#..#...
..#.#.##.. = #####.##..
..#####.#. = #....##.#.
..#....### ##...#.###
#.##...#.. (SITUATION) #.#..###..
###.#..##. .###.#..#.
#..###.#.# YOU FIND YOURSELF IN A RIFT - A ##..###.##
.#.#..#### CLEARING, NARROW BUT IMMEASURABLY LONG. #.#.#..##.
.####.#... TO YOUR SIDES ARE WALLS MADE OF TREES, .#####.#.#
##...###.. THICK AND READY TO SWALLOW YOU. THE SUN ##....####
..#..#..#. IS NOWHERE TO BE SEEN, BUT NONTHELESS ..#...#...
..##.##.## IT IS VERY BRIGHT - THE AIR FEELS LIGHT #.##..##..
..#.##.##. BLUE, ALMOST WHITE. .##.#.#.#.
..###.##.# ##.#######
#.#..##.## ALONG THE SPAN OF THE CLEARING LAY TWO ..##......
####.#.##. PARALLEL SILVERY LINES, DARK HARD #.#.#.....
#...####.# METAL. SOMEHOW YOU CAN SEE HOW HEAVY ######....
##..#...## THEY ARE. #.....#...
#.#.##..#. ##....##..
#####.#.## THEY EMIT A HIGH PITCHED WHINE... #.#...#.#.
#....####. .###..####
.#...#...# = ##..#.#...
.##..##..# ..*.. ..#.####..
.#.#.#.#.# = ..###...#.
.######### #.#..#..##
##........ (SITUATION) .###.##.#.
#.#....... .#..##.###
.###...... YOURE AT THE TRAIN STATION, ON A ###.#.##..
.#..#..... CATWALK ABOVE THE RAILS. YOUR TRAIN IS ...####.#.
.##.##.... LATE, OR YOU ARE LATE TO THE TRAIN. #..#...###
##.##.#... IT'S A SUMMER AFTERNOON AND THE STATION .#.##..#..
#.##.###.. IS BUSY, FULL OF RELAXED CONFIDENCE. .###.#.##.
###.##..#. .#..####.#
...##.#.## YOU'RE IN HIGH SPIRITS, ALTHOUGH A BIT ###.#...##
#..#.####. STRESSED ABOUT THE TIME, WHILE MOVING ...###..#.
##.###...# UP THE STAIRS TO YOUR PLATFORM. THE #..#..#.##
..##..#..# STATION IS IN SEVERAL LEVELS, ALL .#.##.###.
..#.#.##.# PLACED WITHIN EACHOTHER BY SOME ####.##..#
#.#####.## INTELLIGENT DESIGNER, AND FULL OF #...##.#.#
.##....##. STAIRS, ELEVATORS, SHORTCUTS, ##..#.####
##.#...#.# BAZAARS... YOU SIGHT YOUR TRAIN THROUGH ..#.###...
#.###..### SOME GLASS WINDOWS. IT'S... NOT WHERE ..###..#..
###..#.#.. IT'S SUPPOSED TO BE? ..#..#.##.
#..#.####. #.##.###.#
.#.###...# = ###.##..##
####..#..# ,,£,, #..##.#.#.
#...#.##.# = .#.#.#####
.#..###.## .#####....
.##.#..##. (SITUATION) ##....#...
.#.###.#.# ..#...##..
.###..#### YOU'RE FINALLY ENTERING THE CITY. WHILE #.##..#.#.
.#..#.#... IT IS INDEED A VERY HIGH SPEED TRAIN ###.#.####
###.####.. YOU'RE TRAVELING IN, THE JOURNEY HAS #..####...
#..##...#. BEEN LONG. BUT IT'S ABOUT TO END! ##.#...#..
##.#.#..## #.###..##.
#.#####.#. SOCIETY IS GROWING DENSER AROUND YOU, .##..#.#.#
.##....### THROUGH THE WINDOWS YOU SEE FIRST SMALL .#.#.#####
##.#...#.. SHACKS, BUILT OF METAL AND STONE, THEN ######....
#.###..##. PROPER HOUSES WITH MORTAR TO KEEP THEM ......#...
###..#.#.# TOGETHER... WHO IN TURN MAKE WAY FOR #.....##..
#..#.##### THE INDUSTRIAL BUILDINGS, THE URBAN .#....#.#.
##.###.... MAZE, PROTECTIVE WALLS, JUNGLE .##...####
..##..#... NETWORK... .#.#..#...
..#.#.##.. #####.##..
..#####.#. THE TRACKS LEAVE THE GROUND, WHICH IS #....##.#.
..#....### NEEDED FOR OTHER PURPOSES. YOU ARE ##...#.###
#.##...#.. CARRIED GENTLY, CURVING UPWARDS UNTIL #.#..###..
###.#..##. YOU'RE MOVING UPWARD ALONG THE WALL OF .###.#..#.
#..###.#.# A BUILDING. IT'S MADE OF SLABBY STONE, ##..###.##
.#.#..#### WITH GREAT GLASSLESS WINDOW HOLES #.#.#..##.
.####.#... LOOKING OUT THE WAY YOU CAME. IT IS .#####.#.#
##...###.. PITCH BLACK INSIDE. ##....####
..#..#..#. ..#...#...
..##.##.## #.##..##..
..#.##.##. .##.#.#.#.
..###.##.# ##.#######
#.#..##.## ..##......