¨¨¨¨¨,/$&# #&$/,¨¨¨¨¨
¨,~/^$&### ###&$^/~,¨
¨¨,~/^$&&# #&&$^/~,¨¨
¨,~/^$&### ###&$^/~,¨
¨,~/^$$&## ##&$$^/~,¨
¨,~/^$$$## TRAIN DREAM ##$$$^/~,¨
¨¨¨¨,,~^&& ######¨¨¨¨,~,,¨¨##################### &&^~,,¨¨¨¨
¨,~/^$&&## /// ##&&$^/~,¨
¨¨,~~~~^&# ~ #&^~~~~,¨¨
¨¨¨~~/^$$# ~ #$$^/~~¨¨¨
¨¨¨¨~//$## ##$//~¨¨¨¨
¨,~/^$$&&& (SITUATION) &&&$$^/~,¨
¨¨¨¨¨¨~^$# #$^~¨¨¨¨¨¨
¨¨¨¨¨¨,/$# YOU FIND YOURSELF IN A RIFT - A #$/,¨¨¨¨¨¨
¨,~/^^^&&# CLEARING, NARROW BUT IMMEASURABLY LONG. #&&^^^/~,¨
¨,~/^$&### TO YOUR SIDES ARE WALLS MADE OF TREES, ###&$^/~,¨
¨¨¨¨,,~^&& THICK AND READY TO SWALLOW YOU. THE SUN &&^~,,¨¨¨¨
¨¨,,,//$$# IS NOWHERE TO BE SEEN, BUT NONTHELESS #$$//,,,¨¨
¨,~/^$#### IT IS VERY BRIGHT - THE AIR FEELS LIGHT ####$^/~,¨
¨,~/^$&### BLUE, ALMOST WHITE. ###&$^/~,¨
¨,~/^$&### ###&$^/~,¨
¨,~/^$&### ALONG THE SPAN OF THE CLEARING LAY TWO ###&$^/~,¨
¨,~/^$&### PARALLEL SILVERY LINES, DARK HARD ###&$^/~,¨
¨¨¨¨¨¨~^$& METAL. SOMEHOW YOU CAN SEE HOW HEAVY &$^~¨¨¨¨¨¨
¨,~/^$&&## THEY ARE. ##&&$^/~,¨
¨,~/^$&### ###&$^/~,¨
¨,~/^$&### THEY EMIT A HIGH PITCHED WHINE... ###&$^/~,¨
¨,~/^$&### ###&$^/~,¨
¨¨¨¨~//$## ~ ##$//~¨¨¨¨
¨,~/^$&### ¨¨^¨¨ ###&$^/~,¨
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¨¨¨,~~^^&& &&^^~~,¨¨¨
¨¨¨¨~/^&&# (SITUATION) #&&^/~¨¨¨¨
¨,~/^$&### ###&$^/~,¨
¨,~/^$&### YOURE AT THE TRAIN STATION, ON A ###&$^/~,¨
¨,~/^$&### CATWALK ABOVE THE RAILS. YOUR TRAIN IS ###&$^/~,¨
¨,~/^$&### LATE, OR YOU ARE LATE TO THE TRAIN. ###&$^/~,¨
¨¨¨¨~^$&## IT'S A SUMMER AFTERNOON AND THE STATION ##&$^~¨¨¨¨
¨,~/^^^^^& IS BUSY, FULL OF RELAXED CONFIDENCE. &^^^^^/~,¨
¨,~/^$&### ###&$^/~,¨
¨¨¨¨¨,/^$& YOU'RE IN HIGH SPIRITS, ALTHOUGH A BIT &$^/,¨¨¨¨¨
¨,~/^$&### STRESSED ABOUT THE TIME, WHILE MOVING ###&$^/~,¨
¨,~/^$&### UP THE STAIRS TO YOUR PLATFORM. THE ###&$^/~,¨
¨,~/^$&### STATION IS IN SEVERAL LEVELS, ALL ###&$^/~,¨
¨¨¨¨¨¨¨~^& PLACED WITHIN EACHOTHER BY SOME &^~¨¨¨¨¨¨¨
¨,~/^$&### INTELLIGENT DESIGNER, AND FULL OF ###&$^/~,¨
¨,~/^^$&&& STAIRS, ELEVATORS, SHORTCUTS, &&&$^^/~,¨
¨¨¨¨¨¨,/$# BAZAARS... YOU SIGHT YOUR TRAIN THROUGH #$/,¨¨¨¨¨¨
¨,~/^$&### SOME GLASS WINDOWS. IT'S... NOT WHERE ###&$^/~,¨
¨¨¨¨¨¨~^$& IT'S SUPPOSED TO BE? &$^~¨¨¨¨¨¨
¨¨¨¨¨¨,~^& &^~,¨¨¨¨¨¨
¨,~////$$# ~ #$$////~,¨
¨,~/^$&### ,,$,, ###&$^/~,¨
¨,~/^$&### ~ ###&$^/~,¨
¨,~/^$&&## ##&&$^/~,¨
¨,~/^$&### (SITUATION) ###&$^/~,¨
¨,~/^$&### ###&$^/~,¨
¨¨¨,~~/^&# YOU'RE FINALLY ENTERING THE CITY. WHILE #&^/~~,¨¨¨
¨¨¨¨,/^&&# IT IS INDEED A VERY HIGH SPEED TRAIN #&&^/,¨¨¨¨
¨,~/^$#### YOU'RE TRAVELING IN, THE JOURNEY HAS ####$^/~,¨
¨,~~~/^$$& BEEN LONG. BUT IT'S ABOUT TO END! &$$^/~~~,¨
¨,~/^$&### ###&$^/~,¨
¨,~/^$&### SOCIETY IS GROWING DENSER AROUND YOU, ###&$^/~,¨
¨,~/^$&### THROUGH THE WINDOWS YOU SEE FIRST SMALL ###&$^/~,¨
¨,~/^$&### SHACKS, BUILT OF METAL AND STONE, THEN ###&$^/~,¨
¨¨¨¨,~/$&& PROPER HOUSES WITH MORTAR TO KEEP THEM &&$/~,¨¨¨¨
¨,~/^$&### TOGETHER... WHO IN TURN MAKE WAY FOR ###&$^/~,¨
¨¨,~~/^&## THE INDUSTRIAL BUILDINGS, THE URBAN ##&^/~~,¨¨
¨¨¨¨¨~~^&# MAZE, PROTECTIVE WALLS, JUNGLE #&^~~¨¨¨¨¨
¨,~~//$&&# NETWORK... #&&$//~~,¨
¨,~/$&#### ####&$/~,¨
¨,~/^$&&&# THE TRACKS LEAVE THE GROUND, WHICH IS #&&&$^/~,¨
¨¨¨,~/^&&# NEEDED FOR OTHER PURPOSES. YOU ARE #&&^/~,¨¨¨
¨¨¨¨¨,~^&& CARRIED GENTLY, CURVING UPWARDS UNTIL &&^~,¨¨¨¨¨
¨¨¨¨,,/$$& YOU'RE MOVING UPWARD ALONG THE WALL OF &$$/,,¨¨¨¨
¨,~/^^$$&# A BUILDING. IT'S MADE OF SLABBY STONE, #&$$^^/~,¨
¨,~/^$&### WITH GREAT GLASSLESS WINDOW HOLES ###&$^/~,¨
¨,~/^$&### LOOKING OUT THE WAY YOU CAME. IT IS ###&$^/~,¨
¨,~//^^$## PITCH BLACK INSIDE. ##$^^//~,¨
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¨¨¨,,/^$$# #$$^/,,¨¨¨
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