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¨¨¨¨¨,«\*@                                          @*\«,¨¨¨¨¨
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¨¨¨¨¨¨¨,«\                                          \«,¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨,«                                          «,¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨, delay  delay  d¨la@  @ *a¨  , ¨£   «   , ,¨¨¨¨¨¨¨¨¨
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¨¨¨¨¨¨¨¨¨¨                                          ¨¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨¨ "delay" means repetiton or likewise,     ¨¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨¨ but it's mainly useless without          ¨¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨¨ feedback,                                ¨¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨, to allow the delay to eat of it's own    ,¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨,« tail, like one of those eaty serpents.   «,¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨,«\ thus: it's the serpent effect!           \«,¨¨¨¨¨¨¨
¨¨¨¨¨¨,«\*                                          *\«,¨¨¨¨¨¨
¨¨¨¨¨,«\*@ it's to be revered as a creator of       @*\«,¨¨¨¨¨
¨¨¨¨,«\*@£ ambience and of space, if you treat it   £@*\«,¨¨¨¨
¨¨¨,«\*@£@ right. a somewhat more solid and         @£@*\«,¨¨¨
¨¨,«\*@£@# slippery sibling of reverb.              #@£@*\«,¨¨
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