¨~-^§%§###                                          ###§%§^-~¨
¨¨~-^§%§##                                          ##§%§^-~¨¨
¨¨¨~-^§%§#                                          #§%§^-~¨¨¨
¨¨¨¨~-^§%§                                          §%§^-~¨¨¨¨
¨¨¨~-^§%§#                                          #§%§^-~¨¨¨
¨¨~-^§%§## delay  delay  d¨la#  § §a¨  ~ ¨#   -   ~ ##§%§^-~¨¨
¨~-^§%§###                                          ###§%§^-~¨
¨¨~-^§%§##                                          ##§%§^-~¨¨
¨¨¨~-^§%§#                                          #§%§^-~¨¨¨
¨¨¨¨~-^§%§                                          §%§^-~¨¨¨¨
¨¨¨~-^§%§# "delay" means repetiton or likewise,     #§%§^-~¨¨¨
¨¨~-^§%§## but it's mainly useless without          ##§%§^-~¨¨
¨~-^§%§### feedback,                                ###§%§^-~¨
¨¨~-^§%§## to allow the delay to eat of it's own    ##§%§^-~¨¨
¨¨¨~-^§%§# tail, like one of those eaty serpents.   #§%§^-~¨¨¨
¨¨¨¨~-^§%§ thus: it's the serpent effect!           §%§^-~¨¨¨¨
¨¨¨~-^§%§#                                          #§%§^-~¨¨¨
¨¨~-^§%§## it's to be revered as a creator of       ##§%§^-~¨¨
¨~-^§%§### ambience and of space, if you treat it   ###§%§^-~¨
¨¨~-^§%§## right. a somewhat more solid and         ##§%§^-~¨¨
¨¨¨~-^§%§# slippery sibling of reverb.              #§%§^-~¨¨¨
¨¨¨¨~-^§%§                                          §%§^-~¨¨¨¨
¨¨¨~-^§%§#                                          #§%§^-~¨¨¨
¨¨~-^§%§##                                          ##§%§^-~¨¨
¨~-^§%§###                                          ###§%§^-~¨
¨¨~-^§%§##                                          ##§%§^-~¨¨