,:-^§£¤£@# #@£¤£§^-:,
,,:-^§£¤£@ @£¤£§^-:,,
,:-^§£¤£@# #@£¤£§^-:,
,,:-^§£¤£@ @£¤£§^-:,,
,:-^§£¤£@# #@£¤£§^-:,
,,:-^§£¤£@ delay delay d,la@ ¤ §a, : ,£ - : @£¤£§^-:,,
,:-^§£¤£@# #@£¤£§^-:,
,,:-^§£¤£@ @£¤£§^-:,,
,:-^§£¤£@# #@£¤£§^-:,
,,:-^§£¤£@ @£¤£§^-:,,
,:-^§£¤£@# "delay" means repetiton or likewise, #@£¤£§^-:,
,,:-^§£¤£@ but it's mainly useless without @£¤£§^-:,,
,:-^§£¤£@# feedback, #@£¤£§^-:,
,,:-^§£¤£@ to allow the delay to eat of it's own @£¤£§^-:,,
,:-^§£¤£@# tail, like one of those eaty serpents. #@£¤£§^-:,
,,:-^§£¤£@ thus: it's the serpent effect! @£¤£§^-:,,
,:-^§£¤£@# #@£¤£§^-:,
,,:-^§£¤£@ it's to be revered as a creator of @£¤£§^-:,,
,:-^§£¤£@# ambience and of space, if you treat it #@£¤£§^-:,
,,:-^§£¤£@ right. a somewhat more solid and @£¤£§^-:,,
,:-^§£¤£@# slippery sibling of reverb. #@£¤£§^-:,
,,:-^§£¤£@ @£¤£§^-:,,
,:-^§£¤£@# #@£¤£§^-:,
,,:-^§£¤£@ @£¤£§^-:,,
,:-^§£¤£@# #@£¤£§^-:,
,,:-^§£¤£@ @£¤£§^-:,,