,.«%*£@### ###@£*%«.,
,,.«%*£@## ##@£*%«.,,
,,,.«%*£@# #@£*%«.,,,
,,,,.«%*£@ @£*%«.,,,,
,,,.«%*£@# #@£*%«.,,,
,,.«%*£@## %%%%%%%%%% ##@£*%«.,,
,.«%*£@### ###@£*%«.,
,,.«%*£@## lyra eight ##@£*%«.,,
,,,.«%*£@# #@£*%«.,,,
,,,,.«%*£@ ,, @£*%«.,,,,
,,,.«%*£@# . . #@£*%«.,,,
,,.«%*£@## « « ##@£*%«.,,
,.«%*£@### \ \ ###@£*%«.,
,,.«%*£@## % % ##@£*%«.,,
,,,.«%*£@# #@£*%«.,,,
,,,,.«%*£@ cave sculpter @£*%«.,,,,
,,,.«%*£@# dream to chord translator #@£*%«.,,,
,,.«%*£@## ##@£*%«.,,
,.«%*£@### eight voiced bleeding fortune teller ###@£*%«.,
,,.«%*£@## ##@£*%«.,,
,,,.«%*£@# dual self-modulating delay line #@£*%«.,,,
,,,,.«%*£@ switch for "total feedback" @£*%«.,,,,
,,,.«%*£@# #@£*%«.,,,
,,.«%*£@## lick the contact pads ##@£*%«.,,
,.«%*£@### ###@£*%«.,
,,.«%*£@## % % ##@£*%«.,,
,,,.«%*£@# \ \ #@£*%«.,,,
,,,,.«%*£@ « « @£*%«.,,,,
,,,.«%*£@# . . #@£*%«.,,,
,,.«%*£@## ,, ##@£*%«.,,
,.«%*£@### ###@£*%«.,
,,.«%*£@## gearlist , another synth ##@£*%«.,,
,,,.«%*£@# #@£*%«.,,,
,,,,.«%*£@ %%%%%%%%%%%%%%%%%%%%%%%%% @£*%«.,,,,
,,,.«%*£@# #@£*%«.,,,
,,.«%*£@## ##@£*%«.,,
,.«%*£@### ###@£*%«.,
,,.«%*£@## ##@£*%«.,,
,,,.«%*£@# #@£*%«.,,,