##¶@@^/~,¨ ¨,~/^@@¶##
¶¶@^^^/~,¨ ¨,~/^^^@¶¶
##¶@@^/~,¨ ¨,~/^@@¶##
##¶@@^/~,¨ ¨,~/^@@¶##
##¶@@^/~,¨ ¨,~/^@@¶##
@@@^/,¨¨¨¨ the last song on side b (and to some ¨¨¨¨,/^@@@
##¶@@^/~,¨ extent the first song on side a) talks ¨,~/^@@¶##
###¶@@^~,¨ for the whole album, not just their ¨,~^@@¶###
##¶@@^/~,¨ side. the last song on side b is ¨,~/^@@¶##
#@@@@^/~,¨ probably the most important ¨,~/^@@@@#
¶¶@@@^/~,¨ opportunity, the most charged slot. ¨,~/^@@@¶¶
#@@//~¨¨¨¨ ¨¨¨¨~//@@#
##¶@@^/~,¨ ¨¶#¶¨ ¨,~/^@@¶##
#¶@@@^/~,¨ ¨,~/^@@@¶#
##¶@@^/~,¨ the album is a singularity, an anomaly ¨,~/^@@¶##
##¶@@^/~,¨ in spacetime, a creature that knows ¨,~/^@@¶##
##¶@@^/~,¨ exactly how beautiful it is. ¨,~/^@@¶##
¶¶¶@@^/~,¨ ¨ ¨,~/^@@¶¶¶
##¶@@^/~,¨ and the thing is: it sees itself in ¨,~/^@@¶##
@@@@@^/~,¨ three d. it knows that it's dying. ¨,~/^@@@@@
¶@^^^^/~,¨ ¨,~/^^^^@¶
##¶@@^/~,¨ ^^@@^^@@^^@@^^@@^^@@@@^^@@^^@@^^@@^^@@^^ ¨,~/^@@¶##
###@@^/~,¨ ¨,~/^@@###
###¶@^/~,¨ , dolphins and cats , ¨,~/^@¶###
##¶@@^/~,¨ bring us ¨,~/^@@¶##
##¶@@^/~,¨ ¨ flowers and honey ¨ ¨,~/^@@¶##
@@^^/~,¨¨¨ ¨¨¨,~/^^@@
##¶@@^/~,¨ , dolphins and cats , ¨,~/^@@¶##
@@@@^^/~,¨ bring us ¨,~/^^@@@@
##¶@@^/~,¨ ¨ fairies and bees ¨ ¨,~/^@@¶##
##¶@@^/~,¨ ¨,~/^@@¶##
#¶@@@^/~,¨ our boat is afloat ¨,~/^@@@¶#
##¶@@^/~,¨ on a surface of lilies ¨,~/^@@¶##
#¶@//,,¨¨¨ , dolphins and cats , ¨¨¨,,//@¶#
#¶@//~~,¨¨ drag us down ¨¨,~~//@¶#
##¶@@^/~,¨ ¨~^ underneath ^~¨ ¨,~/^@@¶##
##¶@@^/~,¨ ¨,~/^@@¶##
¶¶@/,¨¨¨¨¨ ^^@@^^@@^^@@^^@@^^@@@@^^@@^^@@^^@@^^@@^^ ¨¨¨¨¨,/@¶¶
#@@/~,¨¨¨¨ ¨¨¨¨,~/@@#
#@^^//~¨¨¨ side a is foresty, and side b might ¨¨¨~//^^@#
##¶@@^/~,¨ be lizardy. but the last song is full ¨,~/^@@¶##
##¶@@^/~,¨ of space. ¨,~/^@@¶##
¶@@/,¨¨¨¨¨ ¨¨¨¨¨,/@@¶
@@/~¨¨¨¨¨¨ ¨¨¨¨¨¨~/@@
##¶@@^/~,¨ ¨,~/^@@¶##
##¶@@^/~,¨ ¨,~/^@@¶##
##¶@@^/~,¨ ¨,~/^@@¶##