#@$=.,,,,, ,,,,,.=$@#
#@¤¤$==-., ,.-==$¤¤@#
#¤¤$=..,,, ,,,..=$¤¤#
##@¤$==-., ,.-==$¤@##
##@¤$==-., ,.-==$¤@##
¤$===-,,,, TRAIN DREAM ,,,,-===$¤
@$=.,,,,,, ######,,,,.-..,,##################### ,,,,,,.=$@
#¤$==-.,,, === ,,,.-==$¤#
##@¤$==-., - ,.-==$¤@##
@@¤¤$==-., - ,.-==$¤¤@@
##@¤$==-., ,.-==$¤@##
@@¤==-.,,, (SITUATION) ,,,.-==¤@@
#¤¤¤$==-., ,.-==$¤¤¤#
¤$$$$==-., YOU FIND YOURSELF IN A RIFT - A ,.-==$$$$¤
##@¤$==-., CLEARING, NARROW BUT IMMEASURABLY LONG. ,.-==$¤@##
¤$$$==..., TO YOUR SIDES ARE WALLS MADE OF TREES, ,...==$$$¤
¤==-,,,,,, THICK AND READY TO SWALLOW YOU. THE SUN ,,,,,,-==¤
##@¤$==-., IS NOWHERE TO BE SEEN, BUT NONTHELESS ,.-==$¤@##
#¤$=--,,,, IT IS VERY BRIGHT - THE AIR FEELS LIGHT ,,,,--=$¤#
##@¤$==-., BLUE, ALMOST WHITE. ,.-==$¤@##
@¤==.,,,,, ,,,,,.==¤@
@¤$$=.,,,, ALONG THE SPAN OF THE CLEARING LAY TWO ,,,,.=$$¤@
#@@¤$==-., PARALLEL SILVERY LINES, DARK HARD ,.-==$¤@@#
##@¤$==-., METAL. SOMEHOW YOU CAN SEE HOW HEAVY ,.-==$¤@##
##@¤$==-., THEY ARE. ,.-==$¤@##
¤=-,,,,,,, ,,,,,,,-=¤
@$$=-.,,,, THEY EMIT A HIGH PITCHED WHINE... ,,,,.-=$$@
#¤$=-.,,,, ,,,,.-=$¤#
##@¤$==-., - ,.-==$¤@##
##@¤$==-., ,,=,, ,.-==$¤@##
¤¤¤$=.,,,, - ,,,,.=$¤¤¤
¤¤$$$==-., ,.-==$$$¤¤
##@¤$==-., (SITUATION) ,.-==$¤@##
##@¤$==-., ,.-==$¤@##
##@¤$==-., YOURE AT THE TRAIN STATION, ON A ,.-==$¤@##
@¤$==--.., CATWALK ABOVE THE RAILS. YOUR TRAIN IS ,..--==$¤@
#@¤$$==-., LATE, OR YOU ARE LATE TO THE TRAIN. ,.-==$$¤@#
@@@¤$==-., IT'S A SUMMER AFTERNOON AND THE STATION ,.-==$¤@@@
#¤=-.,,,,, IS BUSY, FULL OF RELAXED CONFIDENCE. ,,,,,.-=¤#
###@¤==-., ,.-==¤@###
@@@¤$==-., YOU'RE IN HIGH SPIRITS, ALTHOUGH A BIT ,.-==$¤@@@
@@$==--,,, STRESSED ABOUT THE TIME, WHILE MOVING ,,,--==$@@
#¤$===.,,, UP THE STAIRS TO YOUR PLATFORM. THE ,,,.===$¤#
¤$=-,,,,,, STATION IS IN SEVERAL LEVELS, ALL ,,,,,,-=$¤
###@¤==-., PLACED WITHIN EACHOTHER BY SOME ,.-==¤@###
¤==.,,,,,, INTELLIGENT DESIGNER, AND FULL OF ,,,,,,.==¤
###@¤==-., STAIRS, ELEVATORS, SHORTCUTS, ,.-==¤@###
##@¤$==-., BAZAARS... YOU SIGHT YOUR TRAIN THROUGH ,.-==$¤@##
##@¤$==-., SOME GLASS WINDOWS. IT'S... NOT WHERE ,.-==$¤@##
##@¤$==-., IT'S SUPPOSED TO BE? ,.-==$¤@##
#¤$===-,,, ,,,-===$¤#
##@¤$==-., - ,.-==$¤@##
¤¤=-,,,,,, ..$.. ,,,,,,-=¤¤
###¤$==-., - ,.-==$¤###
@@@¤$==-., ,.-==$¤@@@
#@$$===-., (SITUATION) ,.-===$$@#
¤$==...,,, ,,,...==$¤
###@¤$==-. YOU'RE FINALLY ENTERING THE CITY. WHILE .-==$¤@###
#@¤====-., IT IS INDEED A VERY HIGH SPEED TRAIN ,.-====¤@#
@$=-,,,,,, YOU'RE TRAVELING IN, THE JOURNEY HAS ,,,,,,-=$@
##@¤$==-., BEEN LONG. BUT IT'S ABOUT TO END! ,.-==$¤@##
#@$==-..., ,...-==$@#
##@¤$==-., SOCIETY IS GROWING DENSER AROUND YOU, ,.-==$¤@##
@$===-.,,, THROUGH THE WINDOWS YOU SEE FIRST SMALL ,,,.-===$@
@¤$==-.,,, SHACKS, BUILT OF METAL AND STONE, THEN ,,,.-==$¤@
¤$$=-,,,,, PROPER HOUSES WITH MORTAR TO KEEP THEM ,,,,,-=$$¤
¤===-...., TOGETHER... WHO IN TURN MAKE WAY FOR ,....-===¤
##@¤$==-., THE INDUSTRIAL BUILDINGS, THE URBAN ,.-==$¤@##
@@$==-,,,, MAZE, PROTECTIVE WALLS, JUNGLE ,,,,-==$@@
@¤$$==-.,, NETWORK... ,,.-==$$¤@
¤$=.,,,,,, ,,,,,,.=$¤
##@¤$==-., THE TRACKS LEAVE THE GROUND, WHICH IS ,.-==$¤@##
##@¤$==-., NEEDED FOR OTHER PURPOSES. YOU ARE ,.-==$¤@##
#@@¤$==-., CARRIED GENTLY, CURVING UPWARDS UNTIL ,.-==$¤@@#
@@$$$==-., YOU'RE MOVING UPWARD ALONG THE WALL OF ,.-==$$$@@
##@¤$==-., A BUILDING. IT'S MADE OF SLABBY STONE, ,.-==$¤@##
@¤$$=.,,,, WITH GREAT GLASSLESS WINDOW HOLES ,,,,.=$$¤@
¤===-..,,, LOOKING OUT THE WAY YOU CAME. IT IS ,,,..-===¤
##@¤$==-., PITCH BLACK INSIDE. ,.-==$¤@##
##@¤$==-., ,.-==$¤@##
##@¤$==-., ,.-==$¤@##
@¤¤¤$==-., ,.-==$¤¤¤@
¤$==..,,,, ,,,,..==$¤
##@¤$==-., ,.-==$¤@##