......~=&@ @&=~......
.,~;=¤¤¤&@ @&¤¤¤=;~,.
.,~;=¤## ###&¤=;~,.
.,~;=¤## ###&¤=;~,.
.,,~~;;¤¤& &¤¤;;~~,,.
...,~==@ #&#&#&#&#&#&#&#&#&#& @#&==~,...
.,~;=¤@# & BUILDINGS, TOWERS IN THE "GOLDEN & #@#&¤=;~,.
....,~~;=& & BAY" (EVERYTHING MADE OF SANDSTONE). & &=;~~,....
.,~;=¤## # FIVE PARTICULAR HOUSES FOURTY # ###&¤=;~,.
.,~;=¤@# # STORIES TALL, HUNDRED METERS APART, # #@#&¤=;~,.
.....~~==& & IN A SLIGHT ARC INWARDS. & &==~~.....
...~~=¤¤¤# & & #¤¤¤=~~...
.,~;=¤#@## # BETWEEN TWO MOUNTAINS; TO THE RIGHT # ##@#¤=;~,.
.,~;=¤## # AND LEFT THE CITY CLIMBS QUICKLY. # ###&¤=;~,.
..,~;;==¤# & THE RIGHT PLATEAU HOSTS A LUSH AND & #¤==;;~,..
.,~;=¤@# & SHADED GARDEN WHICH MORPHS INTO A & #@#&¤=;~,.
....,,~=&& # TERRACE OVERLOOKING THE SEA AND # &&=~,,....
.,~;=¤@# # THE BUILDINGS. # #@#&¤=;~,.
.,~;==¤@ & & @#&¤==;~,.
.,~;=¤&@ & TO THE LEFT THE HOUSES CLIMB & @#&&¤=;~,.
.,~;=¤@@ # SIMILARLY BUT A LOT OF TUNNELS AND # @@#&¤=;~,.
....,,;;¤& # HALLS HAVE BEEN DUG FROM THE # &¤;;,,....
.,~;=¤@# & MOUNTAIN. SOME HOUSES STAND & #@#&¤=;~,.
.,~;=¤@@ & COMPLETELY "INSIDE". BECAUSE OF CAVE & @@#&¤=;~,.
.,~;=¤&@## # CONDITIONS THE LOWER FLOORS HERE # ##@&¤=;~,.
.,~;=¤@# # ARE COVERED IN DARK ALGAE THAT THE # #@#&¤=;~,.
.,~;=¤&# & CITY LONG AGO STOPPED TRYING TO & ##&&¤=;~,.
.,~;=@## & REMOVE. ESTABLISHMENTS USE NEON & ##@#&=;~,.
.,~;===¤#@ # SIGNS AS AN ACCENT TO THE DARK. # @#¤===;~,.
..,~~==&&& # THERE'S A CASINO. # &&&==~~,..
.,~;=¤@# & THERE'S AN INTERNET CAFE. & #@#&¤=;~,.
......~=&@ & & @&=~......
....~;==&@ # MOST PEOPLE LIVING HERE HAVE LONG # @&==;~....
.,~;===¤&& # SNOUTS AND BIG EARS. ALL SPACE IS # &&¤===;~,.
.,~;=¤@# & SHARED (FEW ROOMS HAVE LOCKS OR & #@#&¤=;~,.
.,~;;===¤& & EVEN DOORS). INTERIOR DESIGN IS & &¤===;;~,.
......~=&& # MOSTLY ART NOUVEAU AND MADE # &&=~......
.,~;;;=¤## # OUT OF COPPER. # ##¤=;;;~,.
.,~;=¤@# &#&#&#&#&###&#&#&#&#&& #@#&¤=;~,.
.,~;=¤@# #@#&¤=;~,.
...,~~==&& &&==~~,...
.,~;=¤@# #@#&¤=;~,.
.,~;=¤@# #@#&¤=;~,.
....~~;;=& &=;;~~....