.@@@....@. ...@..@.@.
.@..@...@@ ...@@.@@@@
@@@.@@..@. @..@.@@...
@..@@.@.@@ .@.@@@.@..
@@.@.@@@@. @@@@..@@@.
@.@@@@...@ ....††## VäXJö ##††.... @...@.@..@
.@@...@..@ .@..@@@@.@
@@.@..@@.@ THE APARTMENT SMELLS OF OLD COFFEE AND @@@.@...@@
..@@@.@.@@ SWEETENERS. I DON'T KNOW HOW I LET IT ...@@@..@.
..@..@@@@. GET LIKE THIS. IT'S NOT INTENTIONAL. @..@..@.@@
@.@@.@...@ @@.@@.@@@.
@@@.@@@..@ I WEAR YELLOW TINTED GLASSES. THE ROOM @.@@.@@..@
...@@..@.@ CHANGES SHAPE A LOT. RIGHT NOW THERE'S .@@.@@.@.@
@..@.@.@@@ A BLUE SOFA WITH YELLOW SEAMS. I @@.@@.@@@@
.@.@@@@@.. EXPERIMENT WITH DIFFERENT COLORED ..@@.@@...
.@@@....@. LIGHTS. I'M LEARNING THINGS. ..@.@@.@..
.@..@...@@ @.@@@.@@@.
.@@.@@..@. MY THOUGHTS ARE REVOLVING AROUND TIME, .@@..@@..@
@@.@@.@.@@ AND THE PERCEPTION OF IT. CAN I MAKE IT @@.@.@.@.@
..@@.@@@@. RIGID? IF I REALLY WANT TO, CAN I MAKE @.@@@@@@@@
@.@.@@...@ IT FEEL LIKE THERE IS ENOUGH OF IT? @@@.......
@@@@@.@..@ ALSO, AND MAYBE, ULTIMATELY, MORE ...@......
@....@@@.@ IMPORTANT - CAN I MAKE IT FEEL LIKE IT @..@@.....
@@...@..@@ DOESN'T MATTER? @@.@.@....
@.@..@@.@. ..@@@@@...
@@@@.@.@@@ @.@....@..
@...@@@@.. @@@@...@@.
@@..@...@. @...@..@.@
..@.@@..@@ .@..@@.@@@