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,,,,-»;^*£                                          £*^;»-,,,,
,,,-»;^*£¶                                          ¶£*^;»-,,,
,,-»;^*£¶#         ,,,,^^## växjö ##^^,,,,          #¶£*^;»-,,
,-»;^*£¶##                                          ##¶£*^;»-,
,,-»;^*£¶# the apartment smells  of old coffee  and #¶£*^;»-,,
,,,-»;^*£¶ sweeteners. i don't know how  i  let  it ¶£*^;»-,,,
,,,,-»;^*£ get like  this.  it's  not  intentional. £*^;»-,,,,
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,,,,,,-»;^ i  wear yellow  tinted glasses. the room ^;»-,,,,,,
,,,,,,,-»; changes  shape a lot. right  now there's ;»-,,,,,,,
,,,,,,,,-» a  blue  sofa  with  yellow   seams.   i »-,,,,,,,,
,,,,,,,-»;    experiment with different colored     ;»-,,,,,,,
,,,,,,-»;^       lights. i'm learning things.       ^;»-,,,,,,
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,,,,-»;^*£ my  thoughts are  revolving around time, £*^;»-,,,,
,,,-»;^*£¶ and the perception of it.  can i make it ¶£*^;»-,,,
,,-»;^*£¶# rigid?  if  i really want to, can i make #¶£*^;»-,,
,-»;^*£¶## it  feel like  there  is  enough  of it? ##¶£*^;»-,
,,-»;^*£¶#    also, and maybe, ultimately, more     #¶£*^;»-,,
,,,-»;^*£¶ important -  can i make it  feel like it ¶£*^;»-,,,
,,,,-»;^*£              doesn't matter?             £*^;»-,,,,
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