@@#&¤§:«,, ,,«:§¤@@
#¤§:«,,,,, ,,,,,«:§¤#
&§§««,,,,, ,,,,,««§§&
&§§:::«,,, ,,,«:::§§&
##@&¤§:«,, ,,«:§¤&@##
###&¤§:«,, #&#&#&#&#&#&#&#&#&#& ,,«:§¤##
##&§:«,,,, & BUILDINGS, TOWERS IN THE "GOLDEN & ,,,,«:§#
@#¤§:«,,,, & BAY" (EVERYTHING MADE OF SANDSTONE). & ,,,,«:§¤#@
&¤¤§:,,,,, # FIVE PARTICULAR HOUSES FOURTY # ,,,,,:§¤¤&
#&¤¤¤§:«,, # STORIES TALL, HUNDRED METERS APART, # ,,«:§¤¤¤
##@&¤§:«,, & IN A SLIGHT ARC INWARDS. & ,,«:§¤&@##
@@#&¤§:«,, & & ,,«:§¤@@
&§§«,,,,,, # BETWEEN TWO MOUNTAINS; TO THE RIGHT # ,,,,,,«§§&
##&§:,,,,, # AND LEFT THE CITY CLIMBS QUICKLY. # ,,,,,:§#
#&§«,,,,,, & THE RIGHT PLATEAU HOSTS A LUSH AND & ,,,,,,«§
#@#&¤§:«,, & SHADED GARDEN WHICH MORPHS INTO A & ,,«:§¤@#
##@#¤§:«,, # TERRACE OVERLOOKING THE SEA AND # ,,«:§¤#@##
###&¤§:«,, # THE BUILDINGS. # ,,«:§¤##
#@#&¤§:«,, & & ,,«:§¤@#
###&¤§:«,, & TO THE LEFT THE HOUSES CLIMB & ,,«:§¤##
#@#&¤§:«,, # SIMILARLY BUT A LOT OF TUNNELS AND # ,,«:§¤@#
##@#¤§:«,, # HALLS HAVE BEEN DUG FROM THE # ,,«:§¤#@##
##@&¤§:«,, & MOUNTAIN. SOME HOUSES STAND & ,,«:§¤&@##
##¤¤:,,,,, & COMPLETELY "INSIDE". BECAUSE OF CAVE & ,,,,,:¤¤##
&¤::«,,,,, # CONDITIONS THE LOWER FLOORS HERE # ,,,,,«::¤&
#@#&¤§:«,, # ARE COVERED IN DARK ALGAE THAT THE # ,,«:§¤@#
#@#&¤§:«,, & CITY LONG AGO STOPPED TRYING TO & ,,«:§¤@#
@&§::«,,,, & REMOVE. ESTABLISHMENTS USE NEON & ,,,,«::§&@
##@#&¤:«,, # SIGNS AS AN ACCENT TO THE DARK. # ,,«:¤@##
#@#&¤§:«,, # THERE'S A CASINO. # ,,«:§¤@#
@&&&¤§:«,, & THERE'S AN INTERNET CAFE. & ,,«:§¤&&&@
#&¤§«,,,,, & & ,,,,,«§¤
@#&¤§:««,, # MOST PEOPLE LIVING HERE HAVE LONG # ,,««:§¤@
#@#&¤§:«,, # SNOUTS AND BIG EARS. ALL SPACE IS # ,,«:§¤@#
##@#&§:«,, & SHARED (FEW ROOMS HAVE LOCKS OR & ,,«:§@##
##¤§«,,,,, & EVEN DOORS). INTERIOR DESIGN IS & ,,,,,«§¤##
@&¤¤¤§:«,, # MOSTLY ART NOUVEAU AND MADE # ,,«:§¤¤¤&@
&¤§«,,,,,, # OUT OF COPPER. # ,,,,,,«§¤&
@##&¤§:«,, &#&#&#&#&###&#&#&#&#&& ,,«:§¤#@
#@#&¤§:«,, ,,«:§¤@#
##@&¤§:«,, ,,«:§¤&@##
@&§«««,,,, ,,,,«««§&@
&&¤¤§«««,, ,,«««§¤¤&&
#@#&¤§:«,, ,,«:§¤@#