........., ,.........
........,- -,........
.......,-\ \-,.......
......,-\* *\-,......
.....,-\*@ @*\-,.....
....,-\*@@ ....**## VäXJö ##**.... @@*\-,....
...,-\*@@£ £@@*\-,...
..,-\*@@£# THE APARTMENT SMELLS OF OLD COFFEE AND #£@@*\-,..
.,-\*@@£## SWEETENERS. I DON'T KNOW HOW I LET IT ##£@@*\-,.
..,-\*@@£# GET LIKE THIS. IT'S NOT INTENTIONAL. #£@@*\-,..
...,-\*@@£ £@@*\-,...
....,-\*@@ I WEAR YELLOW TINTED GLASSES. THE ROOM @@*\-,....
.....,-\*@ CHANGES SHAPE A LOT. RIGHT NOW THERE'S @*\-,.....
......,-\* A BLUE SOFA WITH YELLOW SEAMS. I *\-,......
.......,-\ EXPERIMENT WITH DIFFERENT COLORED \-,.......
........,- LIGHTS. I'M LEARNING THINGS. -,........
........., ,.........
.......... MY THOUGHTS ARE REVOLVING AROUND TIME, ..........
.......... AND THE PERCEPTION OF IT. CAN I MAKE IT ..........
.......... RIGID? IF I REALLY WANT TO, CAN I MAKE ..........
........., IT FEEL LIKE THERE IS ENOUGH OF IT? ,.........
........,- ALSO, AND MAYBE, ULTIMATELY, MORE -,........
.......,-\ IMPORTANT - CAN I MAKE IT FEEL LIKE IT \-,.......
......,-\* DOESN'T MATTER? *\-,......
.....,-\*@ @*\-,.....
....,-\*@@ @@*\-,....
...,-\*@@£ £@@*\-,...
..,-\*@@£# #£@@*\-,..
.,-\*@@£## ##£@@*\-,.