£¤%**««-,,                                          ,,-««**%¤£
@@£¤%*\«-,                                          ,-«\*%¤£@@
#@£¤%*\«-,                                          ,-«\*%¤£@#
@£¤%*\\«-,                                          ,-«\\*%¤£@
#@£¤%*\«-,                                          ,-«\*%¤£@#
@¤*«,,,,,,          ,,,,**@# VäXJö #@**,,,,         ,,,,,,«*¤@
#@£¤%*\«-,                                          ,-«\*%¤£@#
¤*\«-,,,,, THE APARTMENT SMELLS  OF OLD  COFFEE AND ,,,,,-«\*¤
@£¤%*«,,,, SWEETENERS. I DON'T  KNOW HOW  I LET  IT ,,,,«*%¤£@
#@£¤%*\«-, GET LIKE  THIS.  IT'S  NOT  INTENTIONAL. ,-«\*%¤£@#
@££¤%*\«-,                                          ,-«\*%¤££@
@£%%**\«-, I WEAR  YELLOW TINTED GLASSES. THE  ROOM ,-«\**%%£@
##@¤%*\«-, CHANGES SHAPE A LOT.  RIGHT  NOW THERE'S ,-«\*%¤@##
##@£¤*\«-, A   BLUE  SOFA   WITH  YELLOW  SEAMS.  I ,-«\*¤£@##
¤*\\\\\«-,    EXPERIMENT WITH DIFFERENT COLORED     ,-«\\\\\*¤
@¤**««-,,,       LIGHTS. I'M LEARNING THINGS.       ,,,-««**¤@
##@£%*\«-,                                          ,-«\*%£@##
#@£¤%*\«-, MY  THOUGHTS  ARE REVOLVING AROUND TIME, ,-«\*%¤£@#
@£¤¤%*\«-, AND THE PERCEPTION OF IT. CAN I MAKE  IT ,-«\*%¤¤£@
£¤¤¤%*\«-, RIGID? IF  I REALLY WANT  TO, CAN I MAKE ,-«\*%¤¤¤£
@@£¤%*\«-, IT FEEL  LIKE THERE  IS  ENOUGH  OF  IT? ,-«\*%¤£@@
#@£¤%*\«-,    ALSO, AND MAYBE, ULTIMATELY, MORE     ,-«\*%¤£@#
££%\\\««-, IMPORTANT  - CAN I MAKE  IT FEEL LIKE IT ,-««\\\%££
#@£¤%*\«-,              DOESN'T MATTER?             ,-«\*%¤£@#
##@¤%*\«-,                                          ,-«\*%¤@##
#@£¤%*\«-,                                          ,-«\*%¤£@#
#@£¤%*\«-,                                          ,-«\*%¤£@#
¤*«««-,,,,                                          ,,,,-«««*¤
#@£¤%*\«-,                                          ,-«\*%¤£@#