.-=;^&## ###&&^;=-.
..-=;^&# ##&&^;=-..
...-=;^& #&&^;=-...
..-=;^&# ##&&^;=-..
.-=;^&## ###&&^;=-.
..-=;^&# ....^^## VäXJö ##^^.... ##&&^;=-..
...-=;^& #&&^;=-...
..-=;^&# THE APARTMENT SMELLS OF OLD COFFEE AND ##&&^;=-..
.-=;^&## SWEETENERS. I DON'T KNOW HOW I LET IT ###&&^;=-.
..-=;^&# GET LIKE THIS. IT'S NOT INTENTIONAL. ##&&^;=-..
...-=;^& #&&^;=-...
..-=;^&# I WEAR YELLOW TINTED GLASSES. THE ROOM ##&&^;=-..
.-=;^&## CHANGES SHAPE A LOT. RIGHT NOW THERE'S ###&&^;=-.
..-=;^&# A BLUE SOFA WITH YELLOW SEAMS. I ##&&^;=-..
...-=;^& EXPERIMENT WITH DIFFERENT COLORED #&&^;=-...
..-=;^&# LIGHTS. I'M LEARNING THINGS. ##&&^;=-..
.-=;^&## ###&&^;=-.
..-=;^&# MY THOUGHTS ARE REVOLVING AROUND TIME, ##&&^;=-..
...-=;^& AND THE PERCEPTION OF IT. CAN I MAKE IT #&&^;=-...
..-=;^&# RIGID? IF I REALLY WANT TO, CAN I MAKE ##&&^;=-..
.-=;^&## IT FEEL LIKE THERE IS ENOUGH OF IT? ###&&^;=-.
..-=;^&# ALSO, AND MAYBE, ULTIMATELY, MORE ##&&^;=-..
...-=;^& IMPORTANT - CAN I MAKE IT FEEL LIKE IT #&&^;=-...
..-=;^&# DOESN'T MATTER? ##&&^;=-..
.-=;^&## ###&&^;=-.
..-=;^&# ##&&^;=-..
...-=;^& #&&^;=-...
..-=;^&# ##&&^;=-..
.-=;^&## ###&&^;=-.