,,,,-~;**£                                          £**;~-,,,,
,,,,,-~;**                                          **;~-,,,,,
,,,,-~;**£                                          £**;~-,,,,
,,,-~;**£#                                          #£**;~-,,,
,,-~;**£##                                          ##£**;~-,,
,-~;**£###         ,,,,**@# växjö #@**,,,,          ###£**;~-,
,,-~;**£##                                          ##£**;~-,,
,,,-~;**£# the  apartment smells of old coffee  and #£**;~-,,,
,,,,-~;**£ sweeteners. i  don't  know how i  let it £**;~-,,,,
,,,,,-~;** get  like  this. it's  not  intentional. **;~-,,,,,
,,,,-~;**£                                          £**;~-,,,,
,,,-~;**£# i wear yellow tinted glasses.  the  room #£**;~-,,,
,,-~;**£## changes shape a lot. right  now  there's ##£**;~-,,
,-~;**£### a   blue  sofa  with  yellow   seams.  i ###£**;~-,
,,-~;**£##     experiment with different colored    ##£**;~-,,
,,,-~;**£#       lights. i'm learning things.       #£**;~-,,,
,,,,-~;**£                                          £**;~-,,,,
,,,,,-~;** my  thoughts are revolving around  time, **;~-,,,,,
,,,,-~;**£ and the perception of it. can i make  it £**;~-,,,,
,,,-~;**£# rigid? if i really want to, can  i  make #£**;~-,,,
,,-~;**£## it feel  like  there  is  enough of  it? ##£**;~-,,
,-~;**£###     also, and maybe, ultimately, more    ###£**;~-,
,,-~;**£## important - can i make  it feel  like it ##£**;~-,,
,,,-~;**£#              doesn't matter?             #£**;~-,,,
,,,,-~;**£                                          £**;~-,,,,
,,,,,-~;**                                          **;~-,,,,,
,,,,-~;**£                                          £**;~-,,,,
,,,-~;**£#                                          #£**;~-,,,
,,-~;**£##                                          ##£**;~-,,