,,,=†*£@£#                                          #£@£*†=,,,
,,=†*£@£##                                          ##£@£*†=,,
,,,=†*£@£#                                          #£@£*†=,,,
,,,,=†*£@£                                          £@£*†=,,,,
,,,=†*£@£#                                          #£@£*†=,,,
,,=†*£@£## the last song on side  b  (and  to  some ##£@£*†=,,
,,,=†*£@£# extent the first  song on  side a) talks #£@£*†=,,,
,,,,=†*£@£ for  the  whole  album,  not  just their £@£*†=,,,,
,,,=†*£@£# side.  the   last  song  on  side  b  is #£@£*†=,,,
,,=†*£@£##       probably the most important        ##£@£*†=,,
,,,=†*£@£#   opportunity, the most charged slot.    #£@£*†=,,,
,,,,=†*£@£                                          £@£*†=,,,,
,,,=†*£@£#                  ,£#£,                   #£@£*†=,,,
,,=†*£@£##                                          ##£@£*†=,,
,,,=†*£@£# the album is a  singularity, an  anomaly #£@£*†=,,,
,,,,=†*£@£ in  spacetime,  a  creature  that  knows £@£*†=,,,,
,,,=†*£@£#       exactly how beautiful it is.       #£@£*†=,,,
,,=†*£@£##                     ,                    ##£@£*†=,,
,,,=†*£@£# and the  thing is:  it  sees  itself  in #£@£*†=,,,
,,,,=†*£@£ three  d.  it  knows  that  it's  dying. £@£*†=,,,,
,,,=†*£@£#                                          #£@£*†=,,,
,,=†*£@£## **££**££**££**££**£@@£**££**££**££**££** ##£@£*†=,,
,,,=†*£@£#                                          #£@£*†=,,,
,,,,=†*£@£           , dolphins and cats ,          £@£*†=,,,,
,,,=†*£@£#                 bring us                 #£@£*†=,,,
,,=†*£@£##           , flowers and honey ,          ##£@£*†=,,
,,,=†*£@£#                                          #£@£*†=,,,
,,,,=†*£@£          , dolphins and cats ,           £@£*†=,,,,
,,,=†*£@£#                 bring us                 #£@£*†=,,,
,,=†*£@£##           , fairies and bees ,           ##£@£*†=,,
,,,=†*£@£#                                          #£@£*†=,,,
,,,,=†*£@£            our boat is afloat            £@£*†=,,,,
,,,=†*£@£#          on a surface of lilies          #£@£*†=,,,
,,=†*£@£##           , dolphins and cats ,          ##£@£*†=,,
,,,=†*£@£#               drag us down               #£@£*†=,,,
,,,,=†*£@£            ,=* underneath *=,            £@£*†=,,,,
,,,=†*£@£#                                          #£@£*†=,,,
,,=†*£@£## **££**££**££**££**£@@£**££**££**££**££** ##£@£*†=,,
,,,=†*£@£#                                          #£@£*†=,,,
,,,,=†*£@£ side  a is foresty,  and  side  b  might £@£*†=,,,,
,,,=†*£@£# be lizardy.  but the last song  is  full #£@£*†=,,,
,,=†*£@£##                of space.                 ##£@£*†=,,
,,,=†*£@£#                                          #£@£*†=,,,
,,,,=†*£@£                                          £@£*†=,,,,
,,,=†*£@£#                                          #£@£*†=,,,
,,=†*£@£##                                          ##£@£*†=,,
,,,=†*£@£#                                          #£@£*†=,,,