.@@.@@@..@ ..@@.@..@@
.@@.@.@@.. ..@@..@.@@
.@@...@@@. @.@@@...@@
.@@@..@.@@ ..@.@@..@@
.@.@@...@@ ....@@@.@@
...@@@..@. THE LAST SONG ON SIDE B (AND TO SOME ....@.@.@@
@..@.@@... EXTENT THE FIRST SONG ON SIDE A) TALKS ........@@
@@...@@@.. FOR THE WHOLE ALBUM, NOT JUST THEIR ........@.
@@@..@.@@. SIDE. THE LAST SONG ON SIDE B IS ..........
@.@@...@@@ PROBABLY THE MOST IMPORTANT @.........
..@@@..@.@ OPPORTUNITY, THE MOST CHARGED SLOT. .@........
..@.@@...@ ..@.......
....@@@..@ .@#@. @..@......
....@.@@.. .@..@.....
......@@@. THE ALBUM IS A SINGULARITY, AN ANOMALY ..@..@....
......@.@@ IN SPACETIME, A CREATURE THAT KNOWS @..@..@...
........@@ EXACTLY HOW BEAUTIFUL IT IS. .@..@..@..
........@. . ..@..@..@.
.......... AND THE THING IS: IT SEES ITSELF IN @..@..@..@
@......... THREE D. IT KNOWS THAT IT'S DYING. .@..@..@..
.@........ ..@..@..@.
..@....... **&&**&&**&&**&&**&@@&**&&**&&**&&**&&** @..@..@..@
@..@...... @@..@..@..
.@..@..... , DOLPHINS AND CATS , @@@..@..@.
..@..@.... BRING US @.@@..@..@
@..@..@... . FLOWERS AND HONEY . ..@@@..@..
.@..@..@.. ..@.@@..@.
..@..@..@. , DOLPHINS AND CATS , @...@@@..@
@..@..@..@ BRING US .@..@.@@..
.@..@..@.. . FAIRIES AND BEES . ..@...@@@.
..@..@..@. @..@..@.@@
@..@..@..@ OUR BOAT IS AFLOAT .@..@...@@
@@..@..@.. ON A SURFACE OF LILIES ..@..@..@.
@@@..@..@. , DOLPHINS AND CATS , ...@..@...
@.@@..@..@ DRAG US DOWN ....@..@..
..@@@..@.. .=* UNDERNEATH *=. .....@..@.
..@.@@..@. ......@..@
@...@@@..@ **&&**&&**&&**&&**&@@&**&&**&&**&&**&&** .......@..
.@..@.@@.. ........@.
..@...@@@. SIDE A IS FORESTY, AND SIDE B MIGHT .........@
@..@..@.@@ BE LIZARDY. BUT THE LAST SONG IS FULL ..........
.@..@...@@ OF SPACE. ..........
..@..@..@. ..........
...@..@... @.........
....@..@.. .@........
.....@..@. ..@.......
......@..@ @..@......