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~undefined TWENTY-FOUR/SEVEN? SO CLOSE-MINDED. SO undefined~
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~undefined « INFINITY/INFINITY DINER » undefined~
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~undefined DIRECTIONS? I MEAN, I DON'T THINK YOU undefined~
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##@#%†;=,¨ IT'S VERY DARK IN HERE. DARK AND BIG, A ¨,=;†%#@##
#§%\~,,,¨, FEW COLORED LIGHTS SCATTERED IN AN ,¨,,,~\%§#
#¶@#£§==~. ENORMOUS HALL. COINCIDENTALLY, THIS IS .~==§£#@¶#
§%=«:.,,,¨ WHERE I WORK. ¨,,,.:«=%§
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#@@£@^†~-. I MUST HAVE EATEN A DRUG, OR MAYBE IT'S .-~†^@£@@#
#@@¤£§;»-¨ JUST THE NATURE OF THE PLACE, BUT IT ¨-»;§£¤@@#
###¤$%=~-. FEELS LIKE I HAVE EATEN A DRUG. TOO .-~=%$¤###
##£&$§\~-, CONFIDENT, TOO MALLEABLE. I FEEL GOOD, ,-~\§$&£##
#£¤^$*~..¨ TOO GOOD TO BE BORED, WHICH I GUESS IS ¨..~*$^¤£#
¶&¤=-^^.¨. THE POINT. .¨.^^-=¤&¶
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£§*%/=-,^, I DOZE OFF, DAYDREAM... OR MAYBE I FALL ,^,-=/%*§£
£&§†/=*«:¨ ASLEEP FOR REAL. I DREAM OF WORK, AND ¨:«*=/†§&£
#***«¨¨¨,. WAKE UP AT WORK, SO THE LINE IS BLURRY. .,¨¨¨«***#
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##¶¤§**=~, SOMEONE NEW HAS COME WHEN I WAS OUT. ,~=**§¤¶##
@&@^~.¨,¨, THEIR BLACK SILLHOUETTE CONTRASTS WITH ,¨,¨.~^@&@
#@##$†=«~¨ THE HAZY NEBULOSAS MIRRORED IN THE ¨~«=†$##@#
#@#§§*/-.¨ OBSIDIAN FLOOR. I TAKE THEIR MONEY, ¨.-/*§§#@#
###¤£$^=,. WHICH I DON'T UNDERSTAND, BUT THE .,=^$£¤###
##@¤$^^-,. MACHINE ACCEPTS IT. .,-^^$¤@##
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#@%^:~,,,, FROM OUTSIDE THERE'S A BUNCH OF WHINING ,,,,~:^%@#
##£@£$;«.¨ TONES, LIKE A CHORD. THE BEVERAGE ¨.«;$£@£##
##§^§«:..¨ FRIDGE ADDS A SHARP, DARK DRONE. THE ¨..:«§^§##
##¶§%§;-,. DINING AREA IS VAST AND PEOPLE ARE .,-;§%§¶##
§§\^/-~¨ CLUTTERED LIKE CHARCOAL ISLANDS, THEIR ¨~-/^\§#&§
@@^-¨,¨¨.¨ VOICES IN ANOTHER LANGUAGE. OR IN ¨.¨¨,¨-^@@
#&*«¨.,,¨, ANOTHER MEDIUM, AND I'M ONLY ABLE TO ,¨,,.¨«*
¤*«-.,,¨.. PERCIEVE THE WAKE OF THEIR WORDS. ..¨,,.-«*¤
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