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~undefined . ETHEREAL VOID CONVENIENCE STORE ¨ undefined~
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~undefined TWENTY-FOUR/SEVEN? SO CLOSE-MINDED. SO undefined~
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~undefined - INFINITY/INFINITY DINER = undefined~
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~undefined DIRECTIONS? I MEAN, I DON'T THINK YOU undefined~
~undefined GET IT. undefined~
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~undefined (WE ALSO SELL CONDOMS) undefined~
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#@#%%^/»^. IT'S VERY DARK IN HERE. DARK AND BIG, A .^»/^%%#@#
##@§¤§;»,¨ FEW COLORED LIGHTS SCATTERED IN AN ¨,»;§¤§@##
@£*~,..¨¨, ENORMOUS HALL. COINCIDENTALLY, THIS IS ,¨¨..,~*£@
#§=-,¨..¨, WHERE I WORK. ,¨..¨,-=§#
£=†/»,¨.¨. .¨.¨,»/†=£
##@#$=;=,. I MUST HAVE EATEN A DRUG, OR MAYBE IT'S .,=;=$#@##
###@$*:~,, JUST THE NATURE OF THE PLACE, BUT IT ,,~:*$@###
§^=¨¨...,, FEELS LIKE I HAVE EATEN A DRUG. TOO ,,...¨¨=^§
£%^«=~,.¨. CONFIDENT, TOO MALLEABLE. I FEEL GOOD, .¨.,~=«^%£
###&£%:«~¨ TOO GOOD TO BE BORED, WHICH I GUESS IS ¨~«:%£##
#¤£:=«».,, THE POINT. ,,.»«=:£¤#
##@§@=\»,, ,,»\=@§@##
¤¤;-,.,.,. I DOZE OFF, DAYDREAM... OR MAYBE I FALL .,.,.,-;¤¤
¤%%/*~¨¨.. ASLEEP FOR REAL. I DREAM OF WORK, AND ..¨¨~*/%%¤
&*»,¨...¨¨ WAKE UP AT WORK, SO THE LINE IS BLURRY. ¨¨...¨,»*&
###@%%/-,. .,-/%%@###
##¶¤%§\»., SOMEONE NEW HAS COME WHEN I WAS OUT. ,.»\§%¤¶##
@£¤#§=;=-¨ THEIR BLACK SILLHOUETTE CONTRASTS WITH ¨-=;=§#¤£@
#¶@@¤§=«,¨ THE HAZY NEBULOSAS MIRRORED IN THE ¨,«=§¤@@¶#
###£¤%:~.. OBSIDIAN FLOOR. I TAKE THEIR MONEY, ..~:%¤£###
§^-~,¨¨,¨¨ WHICH I DON'T UNDERSTAND, BUT THE ¨¨,¨¨,~-^§
#£%£%§/«~. MACHINE ACCEPTS IT. .~«/§%£%£#
@#@*†~»=^. .^=»~†*@#@
###@§^:-:¨ FROM OUTSIDE THERE'S A BUNCH OF WHINING ¨:-:^§@###
#¤&@$*=~:, TONES, LIKE A CHORD. THE BEVERAGE ,:~=*$@&¤#
####¤@§†=, FRIDGE ADDS A SHARP, DARK DRONE. THE ,=†§@¤####
¤=-^¨,.,., DINING AREA IS VAST AND PEOPLE ARE ,.,.,¨^-=¤
####@*:~-¨ CLUTTERED LIKE CHARCOAL ISLANDS, THEIR ¨-~:*@####
##@§¤§\-:¨ VOICES IN ANOTHER LANGUAGE. OR IN ¨:-\§¤§@##
##@£§%\~^. ANOTHER MEDIUM, AND I'M ONLY ABLE TO .^~\%§£@##
#£%=,..¨., PERCIEVE THE WAKE OF THEIR WORDS. ,.¨..,=%£#
§%$:,.,..¨ ¨..,.,:$%§
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