.@@.@@.@.@ .@.@.@@.@.
@.@..@.@.@ @@.@..@.@.
@.@.@@.@.@ .@.@.@@.@.
@.@..@.@.@ @@.@..@.@.
@.@.@@.@.@ .@.@.@@.@.
@.@..@.@.@ .: ~~~~~~~ ~~~~~~~ ~~~~~~~ :. @@.@..@.@.
@.@.@@.@.@ NICK WILDE IS A RED FOX AND A CONMAN. .@.@.@@.@.
@.@..@.@.@ .: ~~~~~~~ ~~~~~~~ ~~~~~~~ :. @@.@..@.@.
@.@.@@.@.@ .@.@.@@.@.
@.@..@.@.@ HE'S NOT ABOVE PETTY CRIME, BUT HE @@.@..@.@.
@.@.@@.@.@ KNOWS THAT IF HE PUTS IN A BIT OF WORK, .@.@.@@.@.
@.@..@.@.@ HE WILL FIND MUCH MORE LUCRATIVE @@.@..@.@.
@.@.@@.@.@ REWARDS. .@.@.@@.@.
@.@..@.@.@ @@.@..@.@.
@.@.@@.@.@ AND THUS HE'S CURRENTLY WORKING .@.@.@@.@.
@.@..@.@.@ ALONGSIDE HATSUNE MIKU FOR A COMPANY @@.@..@.@.
@.@.@@.@.@ THAT MAKES SYNTHETIC MEAL REPLACEMENTS. .@.@.@@.@.
@.@..@.@.@ HE'S GOT A VAGUE OUTLINE OF A PLAN, TO @@.@..@.@.
@.@.@@.@.@ SCATTER WITH SOME PRODUCT, OR EVEN .@.@.@@.@.
@.@..@.@.@ BETTER, SOME FORMULA? THESE THINGS ARE @@.@..@.@.
@.@.@@.@.@ WORTH A LOT TO A COMPETITOR. .@.@.@@.@.
@.@..@.@.@ @@.@..@.@.
@.@.@@.@.@ HE'S BEEN LUCKY; THE PLACE IS .@.@.@@.@.
@.@..@.@.@ SURPRISINGLY UNGUARDED. ONCE HE'S GOT @@.@..@.@.
@.@.@@.@.@ HIS PAWS ON SOMETHING WORTHWHILE, IT'LL .@.@.@@.@.
@.@..@.@.@ BE EASY TO JUST WALTZ OUT. UNTIL THEN, @@.@..@.@.
@.@.@@.@.@ KEEP DOING THE WORK... .@.@.@@.@.
@.@..@.@.@ @@.@..@.@.
@.@.@@.@.@ COME TO THINK OF IT, THE PLACE IS .@.@.@@.@.
@.@..@.@.@ ALMOST EERILY EMPTY. THERE ARE FEW @@.@..@.@.
@.@.@@.@.@ COWORKERS. (IN FACT THE COMPANY IS .@.@.@@.@.
@.@..@.@.@ AI-RUN AND ONLY A FEW KEY ROLES ARE @@.@..@.@.
@.@.@@.@.@ FILLED BY ACTUAL PEOPLE. .@.@.@@.@.
@.@..@.@.@ @@.@..@.@.
@.@.@@.@.@ NONE OF THE EMPLOYEES KNOW THIS.) .@.@.@@.@.
@.@..@.@.@ @@.@..@.@.
@.@.@@.@.@ ~~~ ~~~ .@.@.@@.@.
@.@..@.@.@ ~~~ ~~~ ~~~ @@.@..@.@.
@.@.@@.@.@ ~~~ ~~~ .@.@.@@.@.
@.@..@.@.@ @@.@..@.@.
@.@.@@.@.@ NICK AND MIKU ARE BOTH STATIONED IN .@.@.@@.@.
@.@..@.@.@ EARLY PROCESSING, HOUSED IN A STATE OF @@.@..@.@.
@.@.@@.@.@ THE ART FACTORY CLOSE TO THE DOCKS. .@.@.@@.@.
@.@..@.@.@ THEY CREATE THE EARLY BUILDING BLOCKS @@.@..@.@.
@.@.@@.@.@ THAT ARE LATER COMBINED INTO THE MEALS .@.@.@@.@.
@.@..@.@.@ THAT'S SOLD TO CUSTOMERS. @@.@..@.@.
@.@.@@.@.@ .@.@.@@.@.
@.@..@.@.@ THE BASES ARE MOSTLY SLUDGES @@.@..@.@.
@.@.@@.@.@ OR PASTES, SUCH AS: .@.@.@@.@.
@.@..@.@.@ @@.@..@.@.
@.@.@@.@.@ :~ PLANT MATTER .@.@.@@.@.
@.@..@.@.@ :~ BLOOD COLONY @@.@..@.@.
@.@.@@.@.@ (MADE WITH A TYPE OF BACTERIA) .@.@.@@.@.
@.@..@.@.@ :~ WILD FLESH @@.@..@.@.
@.@.@@.@.@ (FREE ROAMING ANIMALS) .@.@.@@.@.
@.@..@.@.@ :~ ORGANS @@.@..@.@.
@.@.@@.@.@ (TAKEN FROM A LIVING HUMAN THAT .@.@.@@.@.
@.@..@.@.@ IS WILLING TO SELL) @@.@..@.@.
@.@.@@.@.@ :~ MINERALS .@.@.@@.@.
@.@..@.@.@ :~ BLOOD COLONY TWO @@.@..@.@.
@.@.@@.@.@ :~ INSECTS .@.@.@@.@.
@.@..@.@.@ (WHICH ARE MAINLY USED FOR THEIR @@.@..@.@.
@.@.@@.@.@ BRAIN, WHICH IS USED TO EXTRACT .@.@.@@.@.
@.@..@.@.@ RECEPTORS THAT DETECT PHEROMONES) @@.@..@.@.
@.@.@@.@.@ .@.@.@@.@.
@.@..@.@.@ ~~~ ~~~ @@.@..@.@.
@.@.@@.@.@ ~~~ ~~~ ~~~ .@.@.@@.@.
@.@..@.@.@ ~~~ ~~~ @@.@..@.@.
@.@.@@.@.@ .@.@.@@.@.
@.@..@.@.@ MIKU IS IN CHARGE OF THE BLOOD @@.@..@.@.
@.@.@@.@.@ COLONIES. THERE'S LARGE VATS OF THE .@.@.@@.@.
@.@..@.@.@ ORIGINAL CULTURE WHICH IS FED BLOOD @@.@..@.@.
@.@.@@.@.@ MEAL, BONE MEAL, WHAT DOESN'T QUALIFY .@.@.@@.@.
@.@..@.@.@ TO GO IN THE "WILD FLESH" PASTE, AND @@.@..@.@.
@.@.@@.@.@ SOME PROCESSING CHEMICALS. ALL THESE .@.@.@@.@.
@.@..@.@.@ INGREDIENTS HAVE AN EFFECT ON THE BLOOD @@.@..@.@.
@.@.@@.@.@ WHICH IN TURN AFFECTS MIKU. .@.@.@@.@.
@.@..@.@.@ @@.@..@.@.
@.@.@@.@.@ THERE IS A LARGE TANK BEHIND THE .@.@.@@.@.
@.@..@.@.@ FACTORY THAT CONTAINS A VAST NUMBER OF @@.@..@.@.
@.@.@@.@.@ AUXILLIARY BLOOD COLONIES. MIKU WATCHES .@.@.@@.@.
@.@..@.@.@ OVER THESE AS WELL. THEIR PURPOSE IS @@.@..@.@.
@.@.@@.@.@ UNCLEAR. .@.@.@@.@.
@.@..@.@.@ @@.@..@.@.
@.@.@@.@.@ THE FACTORY IS SURROUNDED BY THE BLOOD .@.@.@@.@.
@.@..@.@.@ MEAL FARMS. THERE IS A CONSTANT @@.@..@.@.
@.@.@@.@.@ EXCHANGE OF BLOOD AND BLOOD MEAL. THIS .@.@.@@.@.
@.@..@.@.@ PROVIDES TWO OF THE MAJOR MATERIALS FOR @@.@..@.@.
@.@.@@.@.@ BOTH THE COLONIES AND MIKU. .@.@.@@.@.
@.@..@.@.@ @@.@..@.@.
@.@.@@.@.@ ~~~ ~~~ .@.@.@@.@.
@.@..@.@.@ ~~~ ~~~ ~~~ @@.@..@.@.
@.@.@@.@.@ ~~~ ~~~ .@.@.@@.@.
@.@..@.@.@ @@.@..@.@.
@.@.@@.@.@ NICK IS UNCOMFORTABLE AROUND .@.@.@@.@.
@.@..@.@.@ THE "WILD FLESH" VATS. @@.@..@.@.
@.@.@@.@.@ .@.@.@@.@.
@.@..@.@.@ @@.@..@.@.
@.@.@@.@.@ .@.@.@@.@.
@.@..@.@.@ @@.@..@.@.
@.@.@@.@.@ .@.@.@@.@.