.@@@@.@@@@ .@...@@..@
@@...@@... @@@..@.@.@
..@..@.@.. ...@.@@@@@
@.@@.@@@@. @..@@@....
@@@.@@...@ .@.@..@...
@..@@.@..@ TRAIN DREAM .@@@@.@@..
@@.@.@@@.@ ######....,»,,..##################### .@...@@.@.
@.@@@@..@@ \\\ .@@..@.@@@
.@@...@.@. » .@.@.@@@..
.@.@..@@@@ » .@@@@@..@.
.@@@@.@... @@....@.@@
@@...@@@.. (SITUATION) ..@...@@@.
@.@..@..@. ..@@..@..@
.@@@.@@.@@ YOU FIND YOURSELF IN A RIFT - A @.@.@.@@.@
@@..@@.@@. CLEARING, NARROW BUT IMMEASURABLY LONG. @@@@@@@.@@
..@.@.@@.@ TO YOUR SIDES ARE WALLS MADE OF TREES, @......@@.
..@@@@@.@@ THICK AND READY TO SWALLOW YOU. THE SUN @@.....@.@
@.@....@@. IS NOWHERE TO BE SEEN, BUT NONTHELESS @.@....@@@
.@@@...@.@ IT IS VERY BRIGHT - THE AIR FEELS LIGHT @@@@...@..
.@..@..@@@ BLUE, ALMOST WHITE. @...@..@@.
.@@.@@.@.. .@..@@.@.@
@@.@@.@@@. ALONG THE SPAN OF THE CLEARING LAY TWO .@@.@.@@@@
..@@.@@..@ PARALLEL SILVERY LINES, DARK HARD .@.@@@@...
..@.@@.@.@ METAL. SOMEHOW YOU CAN SEE HOW HEAVY .@@@...@..
..@@@.@@@@ THEY ARE. .@..@..@@.
..@..@@... .@@.@@.@.@
@.@@.@.@.. THEY EMIT A HIGH PITCHED WHINE... @@.@@.@@@@
.@@.@@@@@. @.@@.@@...
.@.@@....@ » .@@.@@.@..
.@@@.@...@ ..†.. .@.@@.@@@.
.@..@@@..@ » .@@@.@@..@
@@@.@..@.@ .@..@@.@.@
...@@@.@@@ (SITUATION) .@@.@.@@@@
@..@..@@.. .@.@@@@...
@@.@@.@.@. YOURE AT THE TRAIN STATION, ON A @@@@...@..
@.@@.@@@@@ CATWALK ABOVE THE RAILS. YOUR TRAIN IS ....@..@@.
@@@.@@.... LATE, OR YOU ARE LATE TO THE TRAIN. ....@@.@.@
...@@.@... IT'S A SUMMER AFTERNOON AND THE STATION @...@.@@@@
@..@.@@@.. IS BUSY, FULL OF RELAXED CONFIDENCE. .@..@@@...
@@.@@@..@. .@@.@..@..
@.@@..@.@@ YOU'RE IN HIGH SPIRITS, ALTHOUGH A BIT @@.@@@.@@.
@@@.@.@@@. STRESSED ABOUT THE TIME, WHILE MOVING ..@@..@@.@
...@@@@..@ UP THE STAIRS TO YOUR PLATFORM. THE ..@.@.@.@@
@..@...@.@ STATION IS IN SEVERAL LEVELS, ALL ..@@@@@@@.
@@.@@..@@@ PLACED WITHIN EACHOTHER BY SOME ..@......@
..@@.@.@.. INTELLIGENT DESIGNER, AND FULL OF @.@@.....@
@.@.@@@@@. STAIRS, ELEVATORS, SHORTCUTS, @@@.@....@
.@@@@....@ BAZAARS... YOU SIGHT YOUR TRAIN THROUGH @..@@@...@
@@...@...@ SOME GLASS WINDOWS. IT'S... NOT WHERE .@.@..@..@
..@..@@..@ IT'S SUPPOSED TO BE? .@@@@.@@.@
@.@@.@.@.@ .@...@@.@@
.@@.@@@@@@ » .@@..@.@@.
.@.@@..... ,,%,, @@.@.@@@.@
@@@@.@.... » ..@@@@..@@
....@@@... ..@...@.@.
....@..@.. (SITUATION) @.@@..@@@@
@...@@.@@. @@@.@.@...
@@..@.@@.@ YOU'RE FINALLY ENTERING THE CITY. WHILE ...@@@@@..
@.@.@@@.@@ IT IS INDEED A VERY HIGH SPEED TRAIN @..@....@.
@@@@@..@@. YOU'RE TRAVELING IN, THE JOURNEY HAS @@.@@...@@
.....@.@.@ BEEN LONG. BUT IT'S ABOUT TO END! ..@@.@..@.
.....@@@@@ ..@.@@@.@@
@....@.... SOCIETY IS GROWING DENSER AROUND YOU, @.@@@..@@.
@@...@@... THROUGH THE WINDOWS YOU SEE FIRST SMALL @@@..@.@.@
..@..@.@.. SHACKS, BUILT OF METAL AND STONE, THEN ...@.@@@@@
@.@@.@@@@. PROPER HOUSES WITH MORTAR TO KEEP THEM @..@@@....
@@@.@@...@ TOGETHER... WHO IN TURN MAKE WAY FOR .@.@..@...
@..@@.@..@ THE INDUSTRIAL BUILDINGS, THE URBAN .@@@@.@@..
@@.@.@@@.@ MAZE, PROTECTIVE WALLS, JUNGLE .@...@@.@.
@.@@@@..@@ NETWORK... .@@..@.@@@
.@@...@.@. .@.@.@@@..
.@.@..@@@@ THE TRACKS LEAVE THE GROUND, WHICH IS .@@@@@..@.
.@@@@.@... NEEDED FOR OTHER PURPOSES. YOU ARE @@....@.@@
@@...@@@.. CARRIED GENTLY, CURVING UPWARDS UNTIL ..@...@@@.
@.@..@..@. YOU'RE MOVING UPWARD ALONG THE WALL OF ..@@..@..@
.@@@.@@.@@ A BUILDING. IT'S MADE OF SLABBY STONE, @.@.@.@@.@
@@..@@.@@. WITH GREAT GLASSLESS WINDOW HOLES @@@@@@@.@@
..@.@.@@.@ LOOKING OUT THE WAY YOU CAME. IT IS @......@@.
..@@@@@.@@ PITCH BLACK INSIDE. @@.....@.@
@.@....@@. @.@....@@@
.@@@...@.@ @@@@...@..
.@..@..@@@ @...@..@@.
.@@.@@.@.. .@..@@.@.@
@@.@@.@@@. .@@.@.@@@@