#######.#.                                          .#..#.#..#
#######.#.                                          .#.##.#.#.
.######.#.                                          .#..#.#.#.
#.#####.#.                                          .#.##.#.#.
#..####.#.                                          .#..#.#.#.
#.#.###.#.             @ DREAM PALACE @             .#.##.#.#.
#.#..##.#.             , ----- ------ ,             .#..#.#.#.
#.#.#.#.#.             @ ..... ...... @             .#.##.#.#.
#.#.#.#.#.             / ..... ...... /             .#..#.#.#.
#.#.#.#.#.             , ..... ...... ,             .#.##.#.#.
#.#.#.#.#.             , ..... ...... ,             .#..#.#.#.
#.#.#.#.#.             . ..... ...... .             .#.##.#.#.
#.#.#.#.#.                                          .#..#.#.#.
#.#.#.#.#.                                          .#.##.#.#.
#.#.#.#.#. NOT ACTUALLY  A PALACE. A COTTAGE IN THE .#..#.#.#.
#.#.#.#.#.  WOODS (TEMPERATE CLIMATE, RAINS EVERY   .#.##.#.#.
#.#.#.#.#. OTHER  DAY,  SPRINGS   AND  STREAMS  AND .#..#.#.#.
#.#.#.#.#.   MYSTERIOUS IRON AND STONE ARTIFACTS,   .#.##.#.#.
#.#.#.#.#.    BIRDLAND-ISH ETERNAL SPRING (LATE     .#..#.#.#.
#.#.#.#.#.                 SPRING))                 .#.##.#.#.
#.#.#.#.#.                                          .#..#.#.#.
#.#.#.#.#.                     ~                    .#.##.#.#.
#.#.#.#.#.                                          .#..#.#.#.
#.#.#.#.#. I  WAKE UP EVERY MORNING AT SIX AM. IT'S .#.##.#.#.
#.#.#.#.#. DARK, AND THE  STARS  ARE OUT,  BUT  THE .#..#.#.#.
#.#.#.#.#. SUN IS ABOUT  TO RISE.  ITS  A LONG DAY, .#.##.#.#.
#.#.#.#.#. BEFORE  IT  FADES TO  NIGHT  AGAIN,  AND .#..#.#.#.
#.#.#.#.#. THEN  IT STAYS  SO UNTIL I FALL  ASLEEP. .#.##.#.#.
#.#.#.#.#. IT  DOESN'T  RISE  UNLESS  I'VE  HAD  MY .#..#.#.#.
#.#.#.#.#.                 DREAMS.                  .#.##.#.#.
#.#.#.#.#.                                          .#..#.#.#.
#.#.#.#.#.                    ^                     .#.##.#.#.
#.#.#.#.#.                                          .#..#.#.#.
#.#.#.#.#. IN THIS COTTAGE THERE'S A  LOT  OF RADIO .#.##.#.#.
#.#.#.#.#.   EQUIPMENT, SOUND STUFF, SYNTHS, TAPE   .#..#.#.#.
#.#.#.#.#. PLAYERS. PEN  AND PAPER, BOOKS, CAMERAS, .#.##.#.#.
#.#.#.#.#. MIRRORS, PRISMS,  AND  VARIOUS THINGS TO .#..#.#.#.
#.#.#.#.#. DO  ART WITH. THE FRIDGE  IS FILLED WITH .#.##.#.#.
#.#.#.#.#. DIFFERET FOODS, ALL OF  THEM INTRIGUING, .#..#.#.#.
#.#.#.#.#.             SLIGHTLY WEIRD.              .#.##.#.#.
#.#.#.#.#.                                          .#..#.#.#.
#.#.#.#.#.                     #                    .#.##.#.#.
#.#.#.#.#.                                          .#..#.#.#.
#.#.#.#.#. I  HAVE FRIENDS  - THERE'S A CAT,  AND A .#.##.#.#.
#.#.#.#.#. DOG   (WHO  IS  RIDICOLOUSLY  LARGE  AND .#..#.#.#.
#.#.#.#.#. WANTS TO  BE THE BIG SPOON). I LISTEN TO .#.##.#.#.
#.#.#.#.#. THE SHORTWAVE RADIO,  AND TRANSMIT A BIT .#..#.#.#.
#.#.#.#.#. MYSELF,  SONGS  AND  POETRY,  AND  FOUND .#.##.#.#.
#.#.#.#.#. SOUNDS FROM THE FOREST. THE  OTHERS TELL .#..#.#.#.
#.#.#.#.#. OF THEIR LIVES, PLAY THE GUITAR FOR  ME, .#.##.#.#.
#.#.#.#.#. AND TELL  TALES  OF  THE  OLD  WORLD.  I .#..#.#.#.
#.#.#.#.#.      CONSIDER THEM FRIENDS AS WELL.      .#.##.#.#.
#.#.#.#.#.                                          .#..#.#.#.
#.#.#.#.#.                     @                    .#.##.#.#.
#.#.#.#.#.                                          .#..#.#.#.
#.#.#.#.#. MOST IMPORTANTLY, THERE'S A  TWO  SQUARE .#.##.#.#.
#.#.#.#.#. METER  AREA ON  THE  FLOOR  WHERE  I CAN .#..#.#.#.
#.#.#.#.#. "SAVE"  THINGS. WHATEVER  I  PUT IN HERE .#.##.#.#.
#.#.#.#.#. WILL  NOT  BE  AFFECTED BY  THE  NIGHTLY .#..#.#.#.
#.#.#.#.#.    RESET. EVERYTHING ELSE, HOWEVER, IS   .#.##.#.#.
#.#.#.#.#.    COMPLETELY RESET OVERNIGHT: SYNTH     .#..#.#.#.
#.#.#.#.#.   PATCHES REMOVED, FOOD UNEATEN, WOUNDS  .#.##.#.#.
#.#.#.#.#. HEALED,  AND WHEREVER  AND  WHENEVER I'D .#..#.#.#.
#.#.#.#.#. FALL  ASLEEP I'D  ALWAYS WAKE  UP  FULLY .#.##.#.#.
#.#.#.#.#. RESTED  IN  MY  BED.  SOMETIMES  THERE'S .#..#.#.#.
#.#.#.#.#. ACCIDENTS   WHERE   I   LOSE  STUFF   BY .#.##.#.#.
#.#.#.#.#. FORGETTING TO  PUT  THEM IN THE  SQUARE. .#..#.#.#.
#.#.#.#.#.                                          .#.##.#.#.
#.#.#.#.#.                     .                    .#..#.#.#.
#.#.#.#.#.                                          .#.##.#.#.
#.#.#.#.#. AT  NIGHT,  I  HAVE   DEMI-LUCID  DREAMS .#..#.#.#.
#.#.#.#.#. WHERE THE SPIRITS  OF THE  FOREST AROUND .#.##.#.#.
#.#.#.#.#. THE COTTAGE TRIES TO  COMMUNICATE. HERE, .#..#.#.#.
#.#.#.#.#. IT'S  NOT  ENDLESS  BUT  CONNECTED  TO A .#.##.#.#.
#.#.#.#.#. LARGE  SPRAWLING  CITY,  WHERE  MY RADIO .#..#.#.#.
#.#.#.#.#. FRIENDS LIVE. WE  GO EXPLORING  TOGETHER .#.##.#.#.
#.#.#.#.#. -  THINGS ARE DEEP AND DARK - BUT UNLIKE .#..#.#.#.
#.#.#.#.#. ME, THEY NEVER REMEMBER DURING THE  DAY. .#.##.#.#.
#.#.#.#.#. THIS  IS  A  MYSTERY  WE OFTEN  DISCUSS. .#..#.#.#.
#.#.#.#.#.                                          .#.##.#.#.
#.#.#.#.#.                                          .#..#.#.#.
#.#.#.#.#.                                          .#.##.#.#.
#.#.#.#.#.                                          .#..#.#.#.
#.#.#.#.#.                                          .#.##.#.#.
#.#.#.#.#.                                          .#..#.#.#.