,^~:%§#@## ##@#§%:~^,
.:~^-§^*$£ £$*^§-^~:.
¨-~;*£## ###&£*;~-¨
,,,,,=**¤§ §¤**=,,,,,
..«^*£§#@# #@#§£*^«..
..~=†£¤¶## statuette ##¶¤£†=~..
,.«††$@@## ##@@$††«.,
¨,¨..;££ %@$@£$$¤££$££§£§=»»-=~=-$££%$%%%¤£§$£¤¤¤ #&££;..¨,¨
,.~:$$¤£## %£%§$§@£§ ##£¤$$:~.,
.~~^%£#¶## ##¶#£%^~~.
,~~†*$£#@# forests around my childhood home. thick #@#£$*†~~,
,-=$£§#### pine arcades that were planted and ####§£$=-,
¨,~/*%@@## forgotten. wild boars roaming ##@@%*/~,¨
¨,¨.,¨~/†# underneath, sniffing at the ground. it #†/~¨,.¨,¨
,,,:--:=@@ is dark and moist, the canopy having @@=:--:,,,
.,=--*%†@¤ already soaked up all the sun. ¤@†%*--=,.
,,~=^@## ##@#&^=~,,
¨,~/*£#@## there's a river passing by, from east ##@#£*/~,¨
.^=\*£#@## to west, getting broader and deeper and ##@#£*\=^.
.~=;§%¤#@# slower as it goes. equisetum grow just #@#¤%§;=~.
.~-;%%¤### where the pine hands start to let ###¤%%;-~.
...,¨¨,~$@ through light, horsemint on the rocky @$~,¨¨,...
,:=\^§&£## river bed. ##£&§^\=:,
,-«^^£@@¶@ @¶@@£^^«-,
,¨,,,\=¤¤@ \ @¤¤=\,,,¨,
.^«~~:%@#@ @#@%:~~«^.
¨,«/$$@#@# the riverbanks reek of magic. tonight #@#@$$/«,¨
¨:»/^£§### they had been a swampworld with sylvan ###§£^/»:¨
,-=^%@@### water, stone rings and floating moss. ###@@%^=-,
.^«\%*££## you could've found me wallowing around ##££*%\«^.
.,~:§$@#@# on the southern shores until i got #@#@$§:~,.
¨.-/†$&¶¶£ bitten. £¶¶&$†/-.¨
¨,,,~;;§¤# #¤§;;~,,,¨
¨~«†$@@# but now i'm further back, on solid #@@#&$†«~¨
,-~*†$§### ground, in shoulder-high grass, with an ###§$†*~-,
¨.»*%@&@## orange tin radio and a translucent ##@&@%*».¨
,..-\†$¤§# umbrella which i'm sitting on. #§¤$†\-..,
,:«††*:%@# #@%:*††«:,
.-~/^¤#@## : ##@#¤^/~-.
¨¨,,¨..;¤@ @¤;..¨,,¨¨
¨.¨¨»~=*$£ somethings moving in the grass. it's £$*=~»¨¨.¨
,.¨...†§*@ invisible to my eyes but i can feel @*§†...¨.,
¨,»^*§@§## through the ground just how large it is. ##§@§*^»,¨
..=:§¤§@## ##@§¤§:=..
¨~~\%%§#@# the soil is muddy. i slip when trying #@#§%%\~~¨
¨.-*%£#### to get up, still looking at the ####£%*-.¨
.,:$%@#@## direction of sound rather than at my ##@#@%$:,.
.~«/*¤##@# hands, who are busy putting things in #@##¤*/«~.
,~=*§§#### my pockets. ####§§*=~,
,¨,.^.^@#£ £#@^.^.,¨,
.--:%£&¶## then i run east toward my home. ##¶&£%:--.
¨¨.,:«\*@£ £@*\«:,.¨¨
,¨¨,-,~:££ = ££:~,-,¨¨,
¨,¨..=/$£# #£$/=..¨,¨
,.¨,.:;%¤# i am not followed, and slow down in the #¤%;:.,¨.,
¨¨,.¨~=^¤# clearing where you at first can spot #¤^=~¨.,¨¨
¨,=^%§## the house, not yet really in the ###&§%^=,¨
,~---*%^£@ backyard. from my pockets i retrieve my @£^%*---~,
.,.,~:^\£§ radio (now dented) but also a small §£\^:~,.,.
¨,~†$¤¤¶## clay figure i've never seen before. it ##¶¤¤$†~,¨
¨.«†%§@@@# must have been laying in the wet dirt, #@@@§%†«.¨
..¨.,,»^§¶ and i must've picked it up with my ¶§^»,,.¨..
¨--^§*#@@@ other belongings. @@@#*§^--¨
,,»†§*§@## ##@§*§†»,,
,.«\*&£$£# it's a statuette of a girl laying naked #£$£&*\«.,
,^-††§§#¶@ on her stomach, feet in the air, @¶#§§††-^,
,,~\$*§£@# roughly seven centimeters long. it's #@£§*$\~,,
¨,-;^%§¶## freshly made, not yet completely dried. ##¶§%^;-,¨
¨~»\†&@### ###@&†\»~¨
¨,~:*@#£@# my mom is here now. i ask her for some #@£#@*:~,¨
.--;=%&¶## particle board for it to dry on, but ##¶&%=;--.
,..¨,..^ she is worried and wants me to #&^..,¨..,
.--^§§§@@£ throw it away. £@@§§§^--.
,,.¨,/\%#§ §#%\/,¨.,,
,:~†=£&@## ##@&£=†~:,
.,¨¨-†:=$# #$=:†-¨¨,.
,,==*%&£@# #@£&%*==,,
¨~«:=§#@## ##@#§=:«~¨
¨,,.¨¨,/£& &£/,¨¨.,,¨