¨-~*=¤¤#@# #@#¤¤=*~-¨
,¨.,¨:*$¶# #¶$*:¨,.¨,
,,~†*¤##@# #@##¤*†~,,
,~«†*§@@@# #@@@§*†«~,
¨~~*†¤#£## ##£#¤†*~~¨
..^~~;\=*@ statuette @*=\;~~^..
.¨,..,-»§@ @§»-,..,¨.
¨,«\†&## $%&¤&§%&$&%@¤§££~=~=~~=-£%$$¤§¤££&£%$§£§ ###&&†\«,¨
,:=;^§¤@@# £@@£¤%£&$ #@@¤§^;=:,
¨¨,.-*=^¤@ @¤^=*-.,¨¨
.:«/$^§*£@ forests around my childhood home. thick @£*§^$/«:.
¨,»^*@§¶## pine arcades that were planted and ##¶§@*^»,¨
,.^»^^:%@£ forgotten. wild boars roaming £@%:^^»^.,
,~/%£#¶@## underneath, sniffing at the ground. it ##@¶#£%/~,
¨,-†=&¤£## is dark and moist, the canopy having ##£¤&=†-,¨
.,~=†*&§@@ already soaked up all the sun. @@§&*†=~,.
¨.¨.,,^£@# #@£^,,.¨.¨
,¨,,~^/:££ there's a river passing by, from east ££:/^~,,¨,
,~~/$£¤@## to west, getting broader and deeper and ##@¤£$/~~,
-==$$@#@## slower as it goes. equisetum grow just ##@#@$$==-
.,=^%&@£## where the pine hands start to let ##£@&%^=,.
.,.~/;%=%# through light, horsemint on the rocky #%=%;/~.,.
¨,~;**## river bed. ###&**;~,¨
..¨,,:^$@# #@$^:,,¨..
,:-†§££¶## * ##¶££§†-:,
¨¨¨,:=*=¤¤ ¤¤=*=:,¨¨¨
,~-/*@#£@# the riverbanks reek of magic. tonight #@£#@*/-~,
,,.,,,.*$§ they had been a swampworld with sylvan §$*.,,,.,,
,~~^†££### water, stone rings and floating moss. ###££†^~~,
¨,~†=§§¶## you could've found me wallowing around ##¶§§=†~,¨
¨¨...^-=%@ on the southern shores until i got @%=-^...¨¨
.,.-=/£¤§# bitten. #§¤£/=-.,.
.¨¨^-~^**£ £**^~-^¨¨.
¨-»\*@@£## but now i'm further back, on solid ##£@@*\»-¨
¨-~:-=*%¤# ground, in shoulder-high grass, with an #¤%*=-:~-¨
,,~=*¤#£@# orange tin radio and a translucent #@£#¤*=~,,
¨,.¨,,=†£# umbrella which i'm sitting on. #£†=,,¨.,¨
¨¨,,.¨«*§# #§*«¨.,,¨¨
,,-†^§£@## * ##@£§^†-,,
¨.¨,-~~*%# #%*~~-,¨.¨
¨¨¨¨,.=^%# somethings moving in the grass. it's #%^=.,¨¨¨¨
,.~^^£##@# invisible to my eyes but i can feel #@##£^^~.,
¨^==^$#### through the ground just how large it is. ####$^==^¨
¨.~=*¤@### ###@¤*=~.¨
.:~\%£&@## the soil is muddy. i slip when trying ##@&£%\~:.
,.=\*†*@§# to get up, still looking at the #§@*†*\=.,
,-~/\§*@ direction of sound rather than at my #&@*§\/~-,
.:-†$@£@## hands, who are busy putting things in ##@£@$†-:.
.-=\*&&@ my pockets. @&&*\=-.
.¨.=-%%%£# #£%%%-=.¨.
¨¨.,«*=£&£ then i run east toward my home. £&£=*«,.¨¨
,¨.,=\*&$¶ ¶$&*\=,.¨,
,.¨^.~=% : #&%=~.^¨.,
..,.-/&%§£ £§%&/-.,..
.:~*=£@@## i am not followed, and slow down in the ##@@£=*~:.
.^~:§**§## clearing where you at first can spot ##§**§:~^.
.^-;%$£#@# the house, not yet really in the #@#£$%;-^.
,~-^**#@@# backyard. from my pockets i retrieve my #@@#**^-~,
.^~^=*@@## radio (now dented) but also a small ##@@*=^~^.
,.,,,*††%@ clay figure i've never seen before. it @%††*,,,.,
.^«=†£¤@## must have been laying in the wet dirt, ##@¤£†=«^.
¨¨.^=^=$£# and i must've picked it up with my #£$=^=^.¨¨
.,,,----=# other belongings. #=----,,,.
¨:»:%@¶### ###¶@%:»:¨
¨^«\*¤¤#@# it's a statuette of a girl laying naked #@#¤¤*\«^¨
..~^%$§#£@ on her stomach, feet in the air, @£#§$%^~..
,,~:†*@§§@ roughly seven centimeters long. it's @§§@*†:~,,
.,--,,;%£@ freshly made, not yet completely dried. @£%;,,--,.
..~/^==£@@ @@£==^/~..
,.»\%&¤§@# my mom is here now. i ask her for some #@§¤&%\».,
.,»†*%#¶## particle board for it to dry on, but ##¶#%*†»,.
,:»;%%@£@# she is worried and wants me to #@£@%%;»:,
,-~\$%£@## throw it away. ##@£%$\~-,
,^«;^&¤### ###¤&^;«^,
¨¨,.¨~†$$¶ ¶$$†~¨.,¨¨
,:»/^*£### ###£*^/»:,
...¨¨-^~†¤ ¤†~^-¨¨...
¨^-\%$£$*£ £*$£$%\-^¨
¨:~**£¤¶@# #@¶¤£**~:¨