,,&.,,,&§, .,,,,,@,..
@,,,#¤.¨.¨ ,¤#@£.¨¨§§
..¤..¨¨@ .,££¨,¤,.£
,...##¨.¤& ,.¨¨¨,,..¨
¤#@,¨..¨¨¤ ¤&@@£@¤¤£¤
¤#,.£#@#., statuette §§¤¤§@¤@
&,¨.,¤#.,§ ##£#¤£¤#
,,¤&¨¨.,.¨ $§%$$%£%%&£&¤£@§~~-~«-~~$%*£%§££$&$$@@§£ ¤§&¤§¤@£
,,,,,#¤#¤, &@$@§%&£* .£#@&¤§¤¤¨
#¤¤¤¨¨#¤., ..§#@£,¨
.@@.,¨¨..@ forests around my childhood home. thick ¨¨.¤@&&.¨¨
.,¨.§@#£¨. pine arcades that were planted and £@..@§.¨££
,£§..#¤,.¨ forgotten. wild boars roaming #¨,,.,¨¨,.
¨,.,,,¨.¤§ underneath, sniffing at the ground. it .¨&¤£&@@£&
.##¤#£@... is dark and moist, the canopy having ,¨.£@@§¤#¨
,,¤#@&¨.¤& already soaked up all the sun. £&.¨@§#¤¨.
@¨¨&&.,,¨. .¨.¨,#&.¨&
¨¨.¨,¨§&@& there's a river passing by, from east ¤£@£¨,.,¨.
§§#§¤.¨@#. to west, getting broader and deeper and .#¤,.£&¤§@
§£¤¤,¨...¨ slower as it goes. equisetum grow just ,¨.¨,.#£&£
#&§..£#££# where the pine hands start to let ¨@#&£¨¨#@§
£@,¨,.§&@£ through light, horsemint on the rocky ¨,¤@,.,¨¤#
£.¨&§¨.&@¨ river bed. ¤,¨,,§§,¨¤
,..¨,.¨.¨, .¨#@..¨¨.¨
@£§#@#&¨ / &.,¨¨§§&&@
§¤#&¤¤#§., ¨¨@@¨,£@@@
§@##&,., the riverbanks reek of magic. tonight £¨,....&@¤
¤¤@¤£#¨,&¤ they had been a swampworld with sylvan ¨.&&££,¨££
§#&¤¤.¨.,# water, stone rings and floating moss. ¨,¨¤#,¨¨,@
£¤&¤,,§#.¨ you could've found me wallowing around @@,.¨,£#¨¨
.#@,.,¨,.& on the southern shores until i got ¨..¤¤.¨,,,
,¨¨¨£@¤#.¨ bitten. ¤#,¨,,¤&£§
.£&.¨#§.,£ @,¨§@¨.#@,
,¨,¨..¨,.. but now i'm further back, on solid .,,,,¨..¨.
££§£§¤&@#¤ ground, in shoulder-high grass, with an @§¤£##£¤#£
¤£&¤&§&& orange tin radio and a translucent §¤£&¤§§§£&
£&£&£###¤§ umbrella which i'm sitting on. @§##¤§&£
£@¤¤§#¤£&@ §§£¤£¤@£&@
##&¤§#@#&£ * @#£§¤&§£@§
#¤&¤££&£ #¤#@&§@§£#
£&&£#@§¤¤§ somethings moving in the grass. it's @#@£¤@¤§£&
§¤§¤#&&§ invisible to my eyes but i can feel §£¤¤¤@&§£@
£§#¤&£#@ through the ground just how large it is. &£§&¤#@#¤#
@§@££§&@&@ §#§¤####
£¤§¤¤@¤@@& the soil is muddy. i slip when trying @£¤##¤@##§
¤¤#¤&@£#£@ to get up, still looking at the £#&&¤¤¤¤
£§&@#&£¤§@ direction of sound rather than at my @§£§&&&@&§
@###£#§§#¤ hands, who are busy putting things in #§§&@@@#£¤
&¤§##§&@£§ my pockets. &@#&£§&§££
§§#£§&@£ @¤@£§#
#@£@&¤¤@§§ then i run east toward my home. &¤§#§§@&§@
##§#@##§¤& &@@§££¤££¤
###£§#£§#£ = ¤¤#&@@@@
@&§§§&&@§& ££#@@§¤§
£§§#&£@¤§@ i am not followed, and slow down in the §###¤£#@
¤#§£@¤@@&¤ clearing where you at first can spot ¤§££#&&&@£
&§££££¤#§@ the house, not yet really in the #@¤£¤£§£¤§
£#§@£&¤§ backyard. from my pockets i retrieve my #¤@##¤@@&&
#£¤&&¤##£§ radio (now dented) but also a small &§¤£@¤§&§#
£¤@@#@@&§& clay figure i've never seen before. it ##££££¤@¤£
§¤§¤#£¤£@§ must have been laying in the wet dirt, ¤£¤@§§£¤¤#
@¤#&@£@& and i must've picked it up with my §§&£@#£§@@
££§#¤&¤&§@ other belongings. &£§¤&£@£§§
¤#@¤&@§£ ¤&&£¤##§&@
@§¤§¤§#&§£ it's a statuette of a girl laying naked &§££§¤¤&&§
££&¤@@#£@§ on her stomach, feet in the air, §£&@¤&&&
§¤&§#§@##¤ roughly seven centimeters long. it's @£§§¤¤#@
££@@££¤#@& freshly made, not yet completely dried. &£#@¤@#&§#
@§&§@§##££ ¤#¤¤&£¤£#¤
#@§£@@@#¤¤ my mom is here now. i ask her for some §§@&@@§¤&@
@£#¤@&@¤## particle board for it to dry on, but #@£#¤§§§#¤
@£§§£§££§# she is worried and wants me to #¤@&&§§@
£#&§§££@ throw it away. ¤§£&@£#¤
@@#¤#&£¤&& &§§¤££¤¤#§
&&§@¤§§¤§§ @£&&£#&£&@
@£§¤£¤&@¤¤ &££¤£¤&&&¤
@§&§£#@§ ¤&¤#§#&¤£@
#¤§#&§§&¤@ ¤&§£@@§&¤&
&&&&§£@&@& §&¤#&£@§££