¨¨,.¨¨,,,¨ .,,.¨.¨.@§
¨&§§#@&¤¤@ &¤&§@§£.,,
,¨@##¤££¤@ ¤¤#£¤&¨,£&
¨¨.§#§¤§#£ §@#&¤,¨.¨¨
@§..@§¤##@ ¤@#£,.@£&£
#¨..¨@£@£# statuette ¤£#.¨.,£#@
.¨@#.,#§§. £&.,&@,,&&
¨.,¨,,¨¤.. $$%$&£&$%$§%¤$%£=»-»-~»-§&&&%§%&¤£§¤§*%@ £...,.¨..¨
§@&££@,,.& %*£$%%*£@ ,.#¤#@§§
§&§£#..¤,¨ ¨.,#@¤££¤&
#££@..¨¨.& forests around my childhood home. thick @#.,£@£¤#&
&&@,.§&£,, pine arcades that were planted and §¨¨¨,§@@
@£,.¨¨&.,. forgotten. wild boars roaming .,£§..#£&&
§,¨£¤.¨,£§ underneath, sniffing at the ground. it ¨,.,¨,,#§£
..,¨¨.¤,¨# is dark and moist, the canopy having ¤£&£¨,@¤
.£§¤#¨..,. already soaked up all the sun. #&£&§...,¨
,.@¤¨¨#£@¤ £££&.,@@§£
..,¨,¨,&@# there's a river passing by, from east ¤#£,,..&@.
@¤£¤¤£., to west, getting broader and deeper and £@,,&£,¨¨.
,§&£§,,,,@ slower as it goes. equisetum grow just ,...¨¨,&§,
..£&¨¨#&.. where the pine hands start to let ¤£§#¤§¨.,.
&...¨¨..¨& through light, horsemint on the rocky ¤§&¤£,¨§@#
,,@&¤&£&., river bed. £@,¨¨.#&
,..&§@@¨¨¨ ¤@§,,§¤...
£§¨.¤&¨,§@ / §#,.¨¨..@#
§.,¨¨.,.,# #.¨&@¤@¨.£
..@§@§&&¨¨ the riverbanks reek of magic. tonight ,,,.§#¨,..
¤,¨@@£@,., they had been a swampworld with sylvan #§&....¤#&
¨,¨¨.,@& water, stone rings and floating moss. ¨¨¤&.¨£§
.£#¨,¨.,¨¨ you could've found me wallowing around .,.,,,,..,
.,¨,@£§§#§ on the southern shores until i got ##£§§&&@¤#
.££,.§#@ bitten. #§@&£@§#§¨
....¨,&¤#¤ ###&&£@¤..
£#&§@¨.@@# but now i'm further back, on solid ¨£@##¨,§
@¤#&,..,§# ground, in shoulder-high grass, with an ¨.@@¤&.,,.
,£#..&@.,£ orange tin radio and a translucent @¨¨£@..£#,
,,¨.¨,.... umbrella which i'm sitting on. ...¨,,.¨,¨
@£#¤#£¤¤§§ &&££¤§£§£@
@¤&@#&£¤&& * ¤#&§§&§£§¤
£§¤#¤#¤§ ££§#@&£@§&
#¤¤§§##@#¤ somethings moving in the grass. it's £§#@££@@£&
#@££#&§&§& invisible to my eyes but i can feel £&&§#¤§¤§&
@£¤@@@¤§ through the ground just how large it is. §##&@£@&§£
¤£#£¤@@# @#&¤¤§§£#§
&&@¤¤§§£ the soil is muddy. i slip when trying #£§@#£@§@§
#@£#&¤££§¤ to get up, still looking at the @¤¤&¤@£#&§
£##§&@££¤£ direction of sound rather than at my ¤#£#¤#§¤§§
#&£@§£#§@§ hands, who are busy putting things in £#¤##@#&
@&@@&¤##£# my pockets. §§&@&¤§¤@§
##§@#§#§¤& #@@£¤§&§§&
#¤#§§££&@§ then i run east toward my home. #§&@¤#@&&¤
§#§#@&&§ @&&&@¤£§£@
§£¤&@@£&§¤ : @£&£#¤£&&@
£§¤¤£§¤@§# ¤@##@&£££&
§##§@£¤§#£ i am not followed, and slow down in the £@§#@@#¤@@
##&¤#§#§ clearing where you at first can spot #&§£@§§§&£
@##¤¤§#& the house, not yet really in the ¤&££&£#¤
@@£@&@£¤@£ backyard. from my pockets i retrieve my £§£§&@¤¤@@
§#&¤#£££ radio (now dented) but also a small §#@££&§£#£
££@&§¤§# clay figure i've never seen before. it £@¤£@£¤&§&
#@¤¤##§¤&& must have been laying in the wet dirt, ¤£@§£¤§¤##
#§#§#££&@@ and i must've picked it up with my £#&¤¤¤&£¤£
@¤§&§#£&¤§ other belongings. £&£§¤£§¤@§
¤#@§£¤¤§#§ &@¤&££¤#§&
@#¤§&@§§§£ it's a statuette of a girl laying naked £##§&£¤#£#
¤£@£#§£§ on her stomach, feet in the air, #@#&§&¤¤&£
#@@#@£§£¤& roughly seven centimeters long. it's §£§#&&¤@
#££§#£#&£# freshly made, not yet completely dried. &£¤&££#&
¤###§##@££ ¤§@#@¤&¤§¤
#§§£££#§¤§ my mom is here now. i ask her for some £¤&@§§¤¤
£§@##¤#¤@@ particle board for it to dry on, but §¤#&@@
@¤@#¤§£§§& she is worried and wants me to ¤£@#¤£##££
#&¤§£@&&&¤ throw it away. £@&¤@&£¤
¤@@§¤£&&¤¤ #£@&¤#£¤@@
@§@@#£#¤&£ ¤&&@£@@§£¤
§#@&¤#¤¤ §&¤#@§#§&@
#¤#¤§#§&&& #¤¤#£&¤¤££
&§#§£§&&¤¤ #£@£§&#£
&§§¤¤#¤£#¤ £&&¤£##£##