.,.^:/*$@# #@$*/:^.,.
,,==$$@# #@#&$$==,,
,^~*†££#@# #@#££†*~^,
¨^«:^£¤¶## ##¶¤£^:«^¨
.,~\†$§£## ##£§$†\~,.
.¨...^=-†& statuette &†-=^...¨.
,:»;%§§### ###§§%;»:,
,~~;†§@£## &&%$££*%£¤*@$$&§«=»-«~=-£££¤%**%$*&¤$%§£ ##£@§†;~~,
,:=\*£¤£@# $¤§*@£*§$ #@£¤£*\=:,
,.¨,.¨,-§# #§-,¨.,¨.,
,.,,¨¨.~%§ forests around my childhood home. thick §%~.¨¨,,.,
,^»†%$¤### pine arcades that were planted and ###¤$%†»^,
.:~=*£&@¶# forgotten. wild boars roaming #¶@&£*=~:.
,:==^§@@## underneath, sniffing at the ground. it ##@@§^==:,
¨^«:*£&¶## is dark and moist, the canopy having ##¶&£*:«^¨
¨^~;=$&@@# already soaked up all the sun. #@@&$=;~^¨
¨-=:^%@¤@# #@¤@%^:=-¨
,-=^*%¤#¶¶ there's a river passing by, from east ¶¶#¤%*^=-,
.~-†**§#@# to west, getting broader and deeper and #@#§**†-~.
.-~\%¤@£## slower as it goes. equisetum grow just ##£@¤%\~-.
..~:†¤#@## where the pine hands start to let ##@#¤†:~..
¨¨,¨¨¨»=@£ through light, horsemint on the rocky £@=»¨¨¨,¨¨
,,~;*%£### river bed. ###£%*;~,,
¨.~\=@§### ###§@=\~.¨
,...¨¨-»^@ / @^»-¨¨...,
,.~†%%#@ @##&%%†~.,
.~-=*%&£¶# the riverbanks reek of magic. tonight #¶£&%*=-~.
¨.»=$¤¤### they had been a swampworld with sylvan ###¤¤$=».¨
¨¨,-»%§¤¤@ water, stone rings and floating moss. @¤¤§%»-,¨¨
,~=*^¤@#@# you could've found me wallowing around #@#@¤^*=~,
,¨...-*%¤¶ on the southern shores until i got ¶¤%*-...¨,
,¨.«~*=¤ bitten. #&¤=*~«.¨,
.¨¨¨,¨~«^& &^«~¨,¨¨¨.
.^~†*&@@## but now i'm further back, on solid ##@@&*†~^.
,-~/*@@¶## ground, in shoulder-high grass, with an ##¶@@*/~-,
,¨,.¨-:=*§ orange tin radio and a translucent §*=:-¨.,¨,
..~*§$££@# umbrella which i'm sitting on. #@££$§*~..
..«;$§£### ###£§$;«..
,:«=»-=^$& / &$^=-»=«:,
.,~\*$#£¶¶ ¶¶£#$*\~,.
.--^$£¶@## somethings moving in the grass. it's ##@¶£$^--.
.,-:=¤@@## invisible to my eyes but i can feel ##@@¤=:-,.
.,¨~--;\*@ through the ground just how large it is. @*\;--~¨,.
,:»*^&§£## ##£§&^*»:,
..-=%%£### the soil is muddy. i slip when trying ###£%%=-..
¨.,,:*†$££ to get up, still looking at the ££$†*:,,.¨
.:-/=&£¶## direction of sound rather than at my ##¶£&=/-:.
,-~\*$¤@#@ hands, who are busy putting things in @#@¤$*\~-,
¨¨..¨¨»*$@ my pockets. @$*»¨¨..¨¨
¨.»:%%###@ @###%%:».¨
,.»†=*£@## then i run east toward my home. ##@£*=†».,
.^»*†§#£## ##£#§†*»^.
.:~*/%$£¤¶ : ¶¤£$%/*~:.
¨,«=;§*££¶ ¶££*§;=«,¨
..,..;^§## i am not followed, and slow down in the ##§^;..,..
,:»^;%££@¶ clearing where you at first can spot ¶@££%;^»:,
¨¨.^~\£&§# the house, not yet really in the #§&£\~^.¨¨
.:~:**@# backyard. from my pockets i retrieve my #@#&**:~:.
.,«;$%¤£¶¶ radio (now dented) but also a small ¶¶£¤%$;«,.
.-=^%&£### clay figure i've never seen before. it ###£&%^=-.
^-;%*#@### must have been laying in the wet dirt, ###@#*%;-^
.-~=*§££#@ and i must've picked it up with my @#££§*=~-.
¨,==%¤@@## other belongings. ##@@¤%==,¨
¨,.,,=~†@@ @@†~=,,.,¨
¨:«;*£#¶@# it's a statuette of a girl laying naked #@¶#£*;«:¨
.,»†=@## on her stomach, feet in the air, ###&@=†»,.
,^»=**¤@@# roughly seven centimeters long. it's #@@¤**=»^,
,,»;%@£¶@# freshly made, not yet completely dried. #@¶£@%;»,,
¨.»;%$@@## ##@@$%;».¨
.-~==$££#@ my mom is here now. i ask her for some @#££$==~-.
,¨¨»~*£%££ particle board for it to dry on, but ££%£*~»¨¨,
.¨..,,^;=£ she is worried and wants me to £=;^,,..¨.
.-»**£@£@# throw it away. #@£@£**»-.
¨~=^%££@## ##@££%^=~¨
¨^~^†$@@## ##@@$†^~^¨
.,=†§¤@##£ £##@¤§†=,.
.,-\^@¤### ###¤@^\-,.
¨-~--~=&%£ £%&=~--~-¨
.,,::*%$%£ £%$%*::,,.