,,¨,,^~%%@ @%%~^,,¨,,
¨~~†^^%%%£ £%%%^^†~~¨
¨.«*=*@¶## ##¶@*=*«.¨
¨^~/§§£##@ @##£§§/~^¨
,~~;§$#@## ##@#$§;~~,
¨.-†§£#@@# statuette #@@#£§†-.¨
.-~==££### ###££==~-.
¨,«*^££¶@£ ¤&@%¤¤@£%¤%£%£$%~==~-»~»$¤&%$£%$&@$£*%$$ £@¶££^*«,¨
,^»\$££### £££¤£&**£ ###££$\»^,
¨,=^$%¤### ###¤%$^=,¨
¨,«\*£@@## forests around my childhood home. thick ##@@£*\«,¨
¨^~**$¤@## pine arcades that were planted and ##@¤$**~^¨
.,~\^%@### forgotten. wild boars roaming ###@%^\~,.
..,.:~:%$£ underneath, sniffing at the ground. it £$%:~:.,..
,:~\%¤§##@ is dark and moist, the canopy having @##§¤%\~:,
.:=**£#@## already soaked up all the sun. ##@#£**=:.
¨.»;*%§### ###§%*;».¨
¨,~/%$§¶¶¶ there's a river passing by, from east ¶¶¶§$%/~,¨
.¨¨¨¨,^&§& to west, getting broader and deeper and &§&^,¨¨¨¨.
,.«:§£¤@@# slower as it goes. equisetum grow just #@@¤£§:«.,
¨,,.~/;$£# where the pine hands start to let #£$;/~.,,¨
¨,«†$£&¶## through light, horsemint on the rocky ##¶&£$†«,¨
.,~=§£§£#@ river bed. @#£§£§=~,.
,,«\=%## ###&%=\«,,
¨^~*\=§%§£ ; £§%§=\*~^¨
,~«\%%#@## ##@#%%\«~,
,.»\%%§@## the riverbanks reek of magic. tonight ##@§%%\».,
¨,=†%£@### they had been a swampworld with sylvan ###@£%†=,¨
.:~;=*&££# water, stone rings and floating moss. #££&*=;~:.
,~=«†^^;^@ you could've found me wallowing around @^;^^†«=~,
,.¨^^~\^¤@ on the southern shores until i got @¤^\~^^¨.,
.,=*§%#@## bitten. ##@#%§*=,.
.¨¨..«^;@& &@;^«..¨¨.
.:-/†%@### but now i'm further back, on solid ###@%†/-:.
¨--\%^*¤§§ ground, in shoulder-high grass, with an §§¤*^%\--¨
..¨¨~-^*§# orange tin radio and a translucent #§*^-~¨¨..
.,¨:-/†# umbrella which i'm sitting on. ##&†/-:¨,.
¨^-/*$¤¶## ##¶¤$*/-^¨
¨:«;%&&¶## : ##¶&&%;«:¨
¨:~\%@## ##@#&%\~:¨
,¨¨,.¨«~*@ somethings moving in the grass. it's @*~«¨.,¨¨,
.^«^*@@£@# invisible to my eyes but i can feel #@£@@*^«^.
¨.¨,»=&%&@ through the ground just how large it is. @&%&=»,¨.¨
,-»^%$&@@# #@@&$%^»-,
,--=†#£@ the soil is muddy. i slip when trying @£##&†=--,
,¨,,.~†\%& to get up, still looking at the &%\†~.,,¨,
¨..¨-~/*@# direction of sound rather than at my #@*/~-¨..¨
¨-«=^£@### hands, who are busy putting things in ###@£^=«-¨
.,=;*$@£## my pockets. ##£@$*;=,.
¨.:«†^^%¶£ £¶%^^†«:.¨
¨^===§§@## then i run east toward my home. ##@§§===^¨
.^=†%£#### ####£%†=^.
¨.¨.¨¨~»%# ^ #%»~¨¨.¨.¨
,¨.,-/$§£@ @£§$/-,.¨,
,,«\†$@### i am not followed, and slow down in the ###@$†\«,,
.^~\§&¤£@# clearing where you at first can spot #@£¤&§\~^.
,.=/^¤¤### the house, not yet really in the ###¤¤^/=.,
.,¨,«=†%#@ backyard. from my pockets i retrieve my @#%†=«,¨,.
.,-=%&£#@# radio (now dented) but also a small #@#£&%=-,.
,,.¨-%$£@# clay figure i've never seen before. it #@£$%-¨.,,
,,»*§*¤@## must have been laying in the wet dirt, ##@¤*§*»,,
.¨.^=~^&@# and i must've picked it up with my #@&^~=^.¨.
.^.^=$=*$¤ other belongings. ¤$*=$=^.^.
.^-/^£§¶## ##¶§£^/-^.
,«;†*##### it's a statuette of a girl laying naked #####*†;«,
,:«^*@@### on her stomach, feet in the air, ###@@*^«:,
¨^«/$£££@@ roughly seven centimeters long. it's @@£££$/«^¨
.¨,¨«~*%£§ freshly made, not yet completely dried. §£%*~«¨,¨.
¨¨....~%&@ @&%~....¨¨
,:«:$@£¶@# my mom is here now. i ask her for some #@¶£@$:«:,
.,~;$&£¤@# particle board for it to dry on, but #@¤£&$;~,.
,:~=%§§£## she is worried and wants me to ##£§§%=~:,
.^«««~=¤$§ throw it away. §$¤=~«««^.
,¨¨~»*/\*£ £*\/*»~¨¨,
¨,,....;£¤ ¤£;....,,¨
.-=««=%†£# #£†%=««=-.
,-«^%$&@@@ @@@&$%^«-,
¨~«/†§#@## ##@#§†/«~¨
.-«^%§@### ###@§%^«-.