.^=**§&£#@ @#£&§**=^.
.^«/$£@### ###@£$/«^.
,~,^=/*§@¤ ¤@§*/=^,~,
..~\=§@@## ##@@§=\~..
¨,.,.~;§§@ @§§;~.,.,¨
¨¨,,,=^$£# statuette #£$^=,,,¨¨
,.»/*¤@#@# #@#@¤*/».,
¨¨¨,¨^/$£@ £%$§£$£$$%*%%&£&»»~=»~»-%¤¤%¤$%%$££&$@§% @£$/^¨,¨¨¨
.:-;*@&@## ££*$%¤£%§ ##@&@*;-:.
.,,,=*$@@£ £@@$*=,,,.
¨:,^,^†^§@ forests around my childhood home. thick @§^†^,^,:¨
¨,,~^**&§& pine arcades that were planted and &§&**^~,,¨
.¨¨..~*^§§ forgotten. wild boars roaming §§^*~..¨¨.
¨,«;$$¤#@# underneath, sniffing at the ground. it #@#¤$$;«,¨
.~-=$£¤#@@ is dark and moist, the canopy having @@#¤£$=-~.
,^«†$$#£## already soaked up all the sun. ##£#$$†«^,
..«**&@### ###@&**«..
,~~†*££### there's a river passing by, from east ###££*†~~,
,.¨¨¨«=* to west, getting broader and deeper and #&*=«¨¨¨.,
.^«=**§¶## slower as it goes. equisetum grow just ##¶§**=«^.
,^~;=&££¤£ where the pine hands start to let £¤££&=;~^,
.,,¨»~†§#@ through light, horsemint on the rocky @#§†~»¨,,.
...¨^/§§¤@ river bed. @¤§§/^¨...
.,»^^¶@# #@¶#&^^»,.
..,¨:\§§@@ * @@§§\:¨,..
¨-=/†*¤### ###¤*†/=-¨
,^~:$@&@## the riverbanks reek of magic. tonight ##@&@$:~^,
,,«;^%@£@# they had been a swampworld with sylvan #@£@%^;«,,
,,.,-,†$§¶ water, stone rings and floating moss. ¶§$†,-,.,,
,:»\%&££@# you could've found me wallowing around #@££&%\»:,
.-=\§$¤### on the southern shores until i got ###¤$§\=-.
¨:~:=£## bitten. ###&£=:~:¨
¨,.,=;%§£# #£§%;=,.,¨
.¨¨.¨,;%$@ but now i'm further back, on solid @$%;,¨.¨¨.
.,,..^:*¤& ground, in shoulder-high grass, with an &¤*:^..,,.
.,-\=£@### orange tin radio and a translucent ###@£=\-,.
,.,.~-;*## umbrella which i'm sitting on. ##*;-~.,.,
,--\*@@### ###@@*\--,
¨-~;=%§### ^ ###§%=;~-¨
.~-*%%## ###&%%*-~.
¨.«=$%¤#@# somethings moving in the grass. it's #@#¤%$=«.¨
,^-;*§@### invisible to my eyes but i can feel ###@§*;-^,
.~~**%@£## through the ground just how large it is. ##£@%**~~.
,~»*%%¤£## ##£¤%%*»~,
,¨¨..-;¤&@ the soil is muddy. i slip when trying @&¤;-..¨¨,
¨¨.--«\£@@ to get up, still looking at the @@£\«--.¨¨
..,,~**%&@ direction of sound rather than at my @&%**~,,..
,~«*%££¶#@ hands, who are busy putting things in @#¶££%*«~,
.~~*†%¤#@@ my pockets. @@#¤%†*~~.
.,=^§§§@@@ @@@§§§^=,.
,.»:*%&¶## then i run east toward my home. ##¶&%*:».,
¨,»††*###¶ ¶###*††»,¨
¨.«;*££### : ###££*;«.¨
¨¨..«=/=#@ @#=/=«..¨¨
¨~=\§£¤@## i am not followed, and slow down in the ##@¤£§\=~¨
¨,:^~«~^§§ clearing where you at first can spot §§^~«~^:,¨
.,¨..~=%%£ the house, not yet really in the £%%=~..¨,.
.,~/$@@# backyard. from my pockets i retrieve my #@@#&$/~,.
,.,¨~«§%¤¤ radio (now dented) but also a small ¤¤%§«~¨,.,
.:~\*%§¶## clay figure i've never seen before. it ##¶§%*\~:.
.^=/§%##¶@ must have been laying in the wet dirt, @¶##%§/=^.
.^~§@@¶### and i must've picked it up with my ###¶@@§~^.
.¨,¨¨~=¤§# other belongings. #§¤=~¨¨,¨.
,,»*§$§¶## ##¶§$§*»,,
.~~\^¤@### it's a statuette of a girl laying naked ###@¤^\~~.
,,=^*$£@## on her stomach, feet in the air, ##@£$*^=,,
.,,.¨.;:%@ roughly seven centimeters long. it's @%:;.¨.,,.
.¨..,~$%*§ freshly made, not yet completely dried. §*%$~,..¨.
,.,¨¨,:*%§ §%*:,¨¨,.,
.-~==&&@## my mom is here now. i ask her for some ##@&&==~-.
¨:»*%£@### particle board for it to dry on, but ###@£%*»:¨
¨--/=*§#£# she is worried and wants me to #£#§*=/--¨
,,¨,~;§%@# throw it away. #@%§;~,¨,,
,¨,-†%†^@# #@^†%†-,¨,
¨,=^$@¤@## ##@¤@$^=,¨
,,~†§%£#§@ @§#£%§†~,,
,¨¨-/**§#@ @#§**/-¨¨,
¨^~^*%&@@# #@@&%*^~^¨
.¨,~:^\%$§ §$%\^:~,¨.