,«*^£#@### ###@#£^*«,
¨:«*^$£#@# #@#£$^*«:¨
,.:-/$£££@ @£££$/-:.,
.,»;*@@#@# #@#@@*;»,.
-«;%%££@## ##@££%%;«-
,~~/$&@£## statuette ##£@&$/~~,
..~~\§£@¶@ @¶@£§\~~..
,.«*=¤@#@# £@%$££*%@@$@%*£@~«»-~=«~£*§$¤%£§%$$*$£@& #@#@¤=*«.,
,=:†%@¶@## &§&*¤¤*¤& ##@¶@%†:=,
,.»:†@##@# #@##@†:».,
¨.--;%## forests around my childhood home. thick ###&%;--.¨
¨,~=^$£@## pine arcades that were planted and ##@£$^=~,¨
^«=§¤¤¶@## forgotten. wild boars roaming ##@¶¤¤§=«^
¨-»^%£§### underneath, sniffing at the ground. it ###§£%^»-¨
..,~†§@&¶@ is dark and moist, the canopy having @¶&@§†~,..
,^»=$§¤£## already soaked up all the sun. ##£¤§$=»^,
,=†$£§@### ###@§£$†=,
..-*%*@@## there's a river passing by, from east ##@@*%*-..
,..»:^$§@# to west, getting broader and deeper and #@§$^:»..,
¨,~††@§### slower as it goes. equisetum grow just ###§@††~,¨
.«/$£¤@@## where the pine hands start to let ##@@¤£$/«.
..==†£@### through light, horsemint on the rocky ###@£†==..
¨.:«=$£#£# river bed. #£#£$=«:.¨
¨--=%$##@# #@##$%=--¨
~»:^£¤@### \ ###@¤£^:»~
,:~\†@¤£## ##£¤@†\~:,
.¨,~*%¤¤@@ the riverbanks reek of magic. tonight @@¤¤%*~,¨.
.^~;=$¤### they had been a swampworld with sylvan ###¤$=;~^.
,«=*%@@@## water, stone rings and floating moss. ##@@@%*=«,
.-»:^££@## you could've found me wallowing around ##@££^:»-.
,.,«;^$@¶# on the southern shores until i got #¶@$^;«,.,
¨:»^*$#£## bitten. ##£#$*^»:¨
-»;%%£@### ###@£%%;»-
,,»;^$£### but now i'm further back, on solid ###£$^;»,,
,,,-/=£#@# ground, in shoulder-high grass, with an #@#£=/-,,,
¨~~\$§¤@## orange tin radio and a translucent ##@¤§$\~~¨
.~;*%£@### umbrella which i'm sitting on. ###@£%*;~.
.,«;%&§#@# #@#§&%;«,.
¨.~»\%&@#@ = @#@&%\»~.¨
,~-=†¤@# #@#&¤†=-~,
~«:%£##### somethings moving in the grass. it's #####£%:«~
,:~:§&@### invisible to my eyes but i can feel ###@&§:~:,
.¨,-;**¤@@ through the ground just how large it is. @@¤**;-,¨.
,^=:*&££@# #@££&*:=^,
,=*%¤#@### the soil is muddy. i slip when trying ###@#¤%*=,
¨~~*§£&£@# to get up, still looking at the #@£&£§*~~¨
¨.:===£### direction of sound rather than at my ###£===:.¨
¨:«\*£¤¶## hands, who are busy putting things in ##¶¤£*\«:¨
^«*=%&@### my pockets. ###@&%=*«^
¨,==^£@### ###@£^==,¨
,¨.~:†$@## then i run east toward my home. ##@$†:~.¨,
,:«†^%@¶## ##¶@%^†«:,
,«†§§@#@## / ##@#@§§†«,
¨.=\*££### ###££*\=.¨
.,:=/=%# i am not followed, and slow down in the ##&%=/=:,.
,:~\%§@@@# clearing where you at first can spot #@@@§%\~:,
-»†$£&£### the house, not yet really in the ###£&£$†»-
,:~:§$¤### backyard. from my pockets i retrieve my ###¤$§:~:,
.,.~;%@&£# radio (now dented) but also a small #£&@%;~.,.
..«=$%§### clay figure i've never seen before. it ###§%$=«..
:~†§$¤¶### must have been laying in the wet dirt, ###¶¤$§†~:
¨~~†$§&£## and i must've picked it up with my ##£&§$†~~¨
..~-:†*£@@ other belongings. @@£*†:-~..
,~~†^%#### ####%^†~~,
~=*%$¤#@## it's a statuette of a girl laying naked ##@#¤$%*=~
¨-«*%*@£## on her stomach, feet in the air, ##£@*%*«-¨
..:-:=££#@ roughly seven centimeters long. it's @#££=:-:..
.:~†%*¤¶@# freshly made, not yet completely dried. #@¶¤*%†~:.
~~†^$&£### ###£&$^†~~
,^-:$¤#¶@# my mom is here now. i ask her for some #@¶#¤$:-^,
,.-~=%*§@# particle board for it to dry on, but #@§*%=~-.,
.^~=%*§¶## she is worried and wants me to ##¶§*%=~^.
.»**$##### throw it away. #####$**».
¨~«;=$#### ####$=;«~¨
¨,,»/$¤#@# #@#¤$/»,,¨
.:~/%&§£## ##£§&%/~:.
^~;†$£@### ###@£$†;~^
¨,~==%## ###&%==~,¨
...~*§@@£# #£@@§*~...