,:~**%£@@# #@@£%**~:,
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.:~;†*&¶## ##¶&*†;~:.
¨.-:§£&@## ##@&£§:-.¨
,¨¨¨¨,~»*# #*»~,¨¨¨¨,
.~»/*%## statuette ###&%*/»~.
.,,..-%§%§ §%§%-..,,.
.,«*§¤@@@# £¤@&§%£*£$%$£*@£«»«==»==$§*£*%*£&&*£$&$§ #@@@¤§*«,.
¨.»~»*§$$¶ £¤$¤¤$§%§ ¶$$§*»~».¨
,¨,,-\%&&§ §&&%\-,,¨,
¨,~;†*@¶@# forests around my childhood home. thick #@¶@*†;~,¨
,,==^¤§# pine arcades that were planted and ##&§¤^==,,
.,«*%£@@## forgotten. wild boars roaming ##@@£%*«,.
.¨,¨,=&£## underneath, sniffing at the ground. it ##£&=,¨,¨.
,,¨^-:*$£# is dark and moist, the canopy having #£$*:-^¨,,
,¨,.,,¨=^# already soaked up all the sun. #^=¨,,.,¨,
,.,,;**§££ ££§**;,,.,
,.~;^@#### there's a river passing by, from east ####@^;~.,
..-=^%&@## to west, getting broader and deeper and ##@&%^=-..
.,=††*@# slower as it goes. equisetum grow just #@#&*††=,.
.^~†%%¤@## where the pine hands start to let ##@¤%%†~^.
.¨¨^~»=†*& through light, horsemint on the rocky &*†=»~^¨¨.
¨:~/$%¤£@# river bed. #@£¤%$/~:¨
.-~:%&£@@# #@@£&%:~-.
..==*%¤#£# ^ #£#¤%*==..
¨:»\§$£@## ##@£$§\»:¨
.:«**£&¶## the riverbanks reek of magic. tonight ##¶&£**«:.
,,«;=£¤&¶# they had been a swampworld with sylvan #¶&¤£=;«,,
^-\%§&@### water, stone rings and floating moss. ###@&§%\-^
¨,~\†£§@#@ you could've found me wallowing around @#@§£†\~,¨
.,¨,,^-:§§ on the southern shores until i got §§:-^,,¨,.
¨--^*@#### bitten. ####@*^--¨
¨¨,¨^=;§%£ £%§;=^¨,¨¨
.¨,.¨»:$@@ but now i'm further back, on solid @@$:»¨.,¨.
¨¨.,,.^$@# ground, in shoulder-high grass, with an #@$^.,,.¨¨
¨~«/§$¤### orange tin radio and a translucent ###¤$§/«~¨
,-~/$@§£## umbrella which i'm sitting on. ##£§@$/~-,
,-~/%*§£@# #@£§*%/~-,
¨,-^§$@# / #@#&$§^-,¨
¨~=:%§#### ####§%:=~¨
..=\^$§@## somethings moving in the grass. it's ##@§$^\=..
,^»*$§#£## invisible to my eyes but i can feel ##£#§$*»^,
,.,.~-%@£# through the ground just how large it is. #£@%-~.,.,
.,.¨,../%# #%/..,¨.,.
..»^$%@¶@# the soil is muddy. i slip when trying #@¶@%$^»..
,--/†¤¤### to get up, still looking at the ###¤¤†/--,
¨:-^*¤&§## direction of sound rather than at my ##§&¤*^-:¨
,^»:$%## hands, who are busy putting things in ###&%$:»^,
¨.~=^$£### my pockets. ###£$^=~.¨
....==*&¶# #¶&*==....
¨-=\†$£¶#@ then i run east toward my home. @#¶£$†\=-¨
¨,.---=¤@# #@¤=---.,¨
..~\§$#@## : ##@#$§\~..
,:-;*§&@## ##@&§*;-:,
.:-,*%&@#¶ i am not followed, and slow down in the ¶#@&%*,-:.
¨,»***¤@## clearing where you at first can spot ##@¤***»,¨
,.«=^$&@@# the house, not yet really in the #@@&$^=«.,
,¨.~/$%&§@ backyard. from my pockets i retrieve my @§&%$/~.¨,
,^~\*§##@# radio (now dented) but also a small #@##§*\~^,
.,»=$@£### clay figure i've never seen before. it ###£@$=»,.
,,«†*%@£## must have been laying in the wet dirt, ##£@%*†«,,
..:^«~=*%@ and i must've picked it up with my @%*=~«^:..
,.¨,,»=¤@@ other belongings. @@¤=»,,¨.,
,...,-~~=# #=~~-,...,
.~-=*§£¶## it's a statuette of a girl laying naked ##¶£§*=-~.
,.~;*%@### on her stomach, feet in the air, ###@%*;~.,
,~»%*¤£### roughly seven centimeters long. it's ###£¤*%»~,
,-«*§$§¤£# freshly made, not yet completely dried. #£¤§$§*«-,
¨.¨.¨,~=£§ §£=~,¨.¨.¨
..¨¨.,~=¤# my mom is here now. i ask her for some #¤=~,.¨¨..
¨,¨,¨,-%*# particle board for it to dry on, but #*%-,¨,¨,¨
,-=†^@@@## she is worried and wants me to ##@@@^†=-,
..../%$# throw it away. #$%/....
,,«*%$%@£& &£@%$%*«,,
,~=^*¤££#£ £#££¤*^=~,
,.~†*$§#@# #@#§$*†~.,
..«†*&§£## ##£§&*†«..
,,.,:/†£&§ §&£†/:,.,,
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