,,¨¨.\¤$&@ @&$¤\.¨¨,,
.,»*^*§#@# #@#§*^*»,.
¨-~†*$¤### ###¤$*†~-¨
¨.¨..,~/¤£ £¤/~,..¨.¨
¨:=^*£&£## ##£&£*^=:¨
,^»/§£#¶@# statuette #@¶#£§/»^,
,¨:»-«;/$£ £$/;«-»:¨,
¨,.,¨.*%§& $@*%$*$£%@@£$%£%~»~=~»»~£@£@£¤&£¤££$%£@¤ &§%*.¨,.,¨
,»**§#@### §£§$$@$%$ ###@#§**»,
¨,,,:;†§@# #@§†;:,,,¨
¨--^*%§### forests around my childhood home. thick ###§%*^--¨
.¨,,.~-~*§ pine arcades that were planted and §*~-~.,,¨.
¨.=†§%%&&§ forgotten. wild boars roaming §&&%%§†=.¨
¨.¨,^*£%£§ underneath, sniffing at the ground. it §£%£*^,¨.¨
,~-;^&£¶## is dark and moist, the canopy having ##¶£&^;-~,
¨,¨.~~*^## already soaked up all the sun. ##^*~~.¨,¨
.~~/§£$§## ##§$£§/~~.
.~==-*†$*¤ there's a river passing by, from east ¤*$†*-==~.
¨~==§@¤£@# to west, getting broader and deeper and #@£¤@§==~¨
,,.¨¨.«\@@ slower as it goes. equisetum grow just @@\«.¨¨.,,
,^~:%§&@## where the pine hands start to let ##@&§%:~^,
,,-«~§†%## through light, horsemint on the rocky ##%†§~«-,,
.^===^$$## river bed. ##$$^===^.
...¨:,^% #&%^,:¨...
,^~†%%¤¶## = ##¶¤%%†~^,
.,~†%£@@## ##@@£%†~,.
¨~-;=@@@## the riverbanks reek of magic. tonight ##@@@=;-~¨
¨,~^†£¶### they had been a swampworld with sylvan ###¶£†^~,¨
,^~=†$¤### water, stone rings and floating moss. ###¤$†=~^,
,¨.^,†^^%¤ you could've found me wallowing around ¤%^^†,^.¨,
¨.,¨..«*^& on the southern shores until i got &^*«..¨,.¨
,¨.,;\/$§& bitten. &§$/\;,.¨,
¨.»=»«;£## ##£;«»=».¨
,^«\$¤§### but now i'm further back, on solid ###§¤$\«^,
¨^»/%¤@££# ground, in shoulder-high grass, with an #££@¤%/»^¨
¨.~:^£@¶## orange tin radio and a translucent ##¶@£^:~.¨
.:-/^%¤@## umbrella which i'm sitting on. ##@¤%^/-:.
¨.-/*£¤### ###¤£*/-.¨
,~-^=%¤@@# / #@@¤%=^-~,
.,=:§$&@## ##@&$§:=,.
¨.¨.»^;%$§ somethings moving in the grass. it's §$%;^».¨.¨
.:==%¤%#@# invisible to my eyes but i can feel #@#%¤%==:.
.,~\**=†@£ through the ground just how large it is. £@†=**\~,.
,,.¨~/*§§£ £§§*/~¨.,,
,-~\%%£### the soil is muddy. i slip when trying ###£%%\~-,
.::~†=%¤¤@ to get up, still looking at the @¤¤%=†~::.
¨.«/$&£¶#@ direction of sound rather than at my @#¶£&$/«.¨
¨,«^=*@@@# hands, who are busy putting things in #@@@*=^«,¨
.,»^†@&@@# my pockets. #@@&@†^»,.
¨~~***^@§£ £§@^***~~¨
¨~»/%§§¶## then i run east toward my home. ##¶§§%/»~¨
¨-~=%§££## ##££§%=~-¨
.¨¨:-*=^@# * #@^=*-:¨¨.
¨.-;*@£@## ##@£@*;-.¨
.,~^@¤#### i am not followed, and slow down in the ####¤@^~,.
.~~^%†%@ clearing where you at first can spot #&@%†%^~~.
...,~,=/%& the house, not yet really in the &%/=,~,...
¨,,:=»%&§@ backyard. from my pockets i retrieve my @§&%»=:,,¨
.,,¨--%#¤# radio (now dented) but also a small #¤#%--¨,,.
.~~†^%&@## clay figure i've never seen before. it ##@&%^†~~.
,,.:»\*# must have been laying in the wet dirt, ##&*\»:.,,
,:~;^@@£## and i must've picked it up with my ##£@@^;~:,
..«;%%#### other belongings. ####%%;«..
.¨¨,^†\%£@ @£%\†^,¨¨.
,¨-~\:=^$£ it's a statuette of a girl laying naked £$^=:\~-¨,
.-»^%*@£ on her stomach, feet in the air, £@#&*%^»-.
¨,=\:=**$@ roughly seven centimeters long. it's @$**=:\=,¨
,^~†%*§£## freshly made, not yet completely dried. ##£§*%†~^,
,,~/†%&£@# #@£&%†/~,,
,-=/§£&@## my mom is here now. i ask her for some ##@&£§/=-,
,:«/^§§#£@ particle board for it to dry on, but @£#§§^/«:,
,--:*&¤¶#@ she is worried and wants me to @#¶¤&*:--,
.~=†*£¤#@# throw it away. #@#¤£*†=~.
.:~:§£@@@# #@@@£§:~:.
,.~†*£$£@# #@£$£*†~.,
,:»\$¤¤@## ##@¤¤$\»:,
,:~=*$@### ###@$*=~:,
,,~*%¤#@## ##@#¤%*~,,
,-~*§$¤#@# #@#¤$§*~-,