¨:«\^§¤¶## ##¶¤§^\«:¨
¨.^~/†&@¶# #¶@&†/~^.¨
,~=*§%## ###&%§*=~,
¨,,»^†%### ###%†^»,,¨
,,~:%*#@## ##@#*%:~,,
,¨^»^^¤¤## statuette ##¤¤^^»^¨,
¨^«**@#@## ##@#@**«^¨
¨¨:»;%£¤¶# ¤$&££@£¤£§@%%&*@-==-=»-~%@&&£&%*@@*§@$*¤ #¶¤£%;»:¨¨
..»;§§££## $§£$%¤§£* ##££§§;»..
,,,~;*%&@# #@&%*;~,,,
,:==%*@### forests around my childhood home. thick ###@*%==:,
.,,»\*@£## pine arcades that were planted and ##£@*\»,,.
¨^»††£§@## forgotten. wild boars roaming ##@§£††»^¨
,,,«††¤&@# underneath, sniffing at the ground. it #@&¤††«,,,
¨:~††*£### is dark and moist, the canopy having ###£*††~:¨
¨.~-†§&£## already soaked up all the sun. ##£&§†-~.¨
.--;§§§@## ##@§§§;--.
.¨:~^=$£¶# there's a river passing by, from east #¶£$=^~:¨.
.^»\^$@### to west, getting broader and deeper and ###@$^\»^.
.¨~-/§¤¤## slower as it goes. equisetum grow just ##¤¤§/-~¨.
.~~*$%££## where the pine hands start to let ##££%$*~~.
,¨,«:%%### through light, horsemint on the rocky ###%%:«,¨,
¨-=;%@## river bed. ##@#&%;=-¨
,.,«=*$### ###$*=«,.,
.,»;†$## = ###&$†;»,.
.¨^-=**&@# #@&**=-^¨.
,-~;%§£¶## the riverbanks reek of magic. tonight ##¶£§%;~-,
.¨.»=**§## they had been a swampworld with sylvan ##§**=».¨.
¨~»*§$£¶## water, stone rings and floating moss. ##¶£$§*»~¨
,¨-~\=££@# you could've found me wallowing around #@££=\~-¨,
,~~;=%#@## on the southern shores until i got ##@#%=;~~,
,.-~:*$¤¶# bitten. #¶¤$*:~-.,
¨,=^=%§@## ##@§%=^=,¨
.,.~:%¤¤## but now i'm further back, on solid ##¤¤%:~.,.
¨-~\=§§@## ground, in shoulder-high grass, with an ##@§§=\~-¨
..^~\$*@@# orange tin radio and a translucent #@@*$\~^..
¨.~;=&¤£## umbrella which i'm sitting on. ##£¤&=;~.¨
¨¨-»:%$£## ##£$%:»-¨¨
,~~\†%¤@## \ ##@¤%†\~~,
..,»\%$#@# #@#$%\»,..
¨,=*$%¤### somethings moving in the grass. it's ###¤%$*=,¨
,.~-=%%¤¶# invisible to my eyes but i can feel #¶¤%%=-~.,
¨,»==£&¶## through the ground just how large it is. ##¶&£==»,¨
,¨~»/**#¶# #¶#**/»~¨,
¨-=*$¶## the soil is muddy. i slip when trying ##¶#&$*=-¨
¨,^~;=&££# to get up, still looking at the #££&=;~^,¨
.^«;%@£### direction of sound rather than at my ###£@%;«^.
.¨:»:%%£## hands, who are busy putting things in ##£%%:»:¨.
¨,«/*&§¶## my pockets. ##¶§&*/«,¨
,¨-~;%%@## ##@%%;~-¨,
,-»\†§&@## then i run east toward my home. ##@&§†\»-,
¨,-~=*%¤@# #@¤%*=~-,¨
¨,«**£#### ^ ####£**«,¨
..,«**¤#@# #@#¤**«,..
¨^»*=&@### i am not followed, and slow down in the ###@&=*»^¨
,¨.-^*£&£# clearing where you at first can spot #£&£*^-.¨,
,-«^=&§£## the house, not yet really in the ##£§&=^«-,
..,-;=$¤£# backyard. from my pockets i retrieve my #£¤$=;-,..
,,=*^*@£## radio (now dented) but also a small ##£@*^*=,,
¨¨,»^%$§¶# clay figure i've never seen before. it #¶§$%^»,¨¨
¨-~*%£&@## must have been laying in the wet dirt, ##@&£%*~-¨
,¨:-^=&§£# and i must've picked it up with my #£§&=^-:¨,
.:«:§&£@## other belongings. ##@£&§:«:.
.¨-=^†$¤¶# #¶¤$†^=-¨.
.,~/*$§¶## it's a statuette of a girl laying naked ##¶§$*/~,.
¨.~=*=%#@# on her stomach, feet in the air, #@#%=*=~.¨
.-~:%$£@## roughly seven centimeters long. it's ##@£$%:~-.
,¨^»=^## freshly made, not yet completely dried. ###&^=»^¨,
,,-:*&## ###&&*:-,,
.¨:«†%&¤## my mom is here now. i ask her for some ##¤&%†«:¨.
,-»;=$@¶## particle board for it to dry on, but ##¶@$=;»-,
¨¨-«:§@&@# she is worried and wants me to #@&@§:«-¨¨
.:~;§£§@## throw it away. ##@§£§;~:.
¨¨^~=§$@@# #@@$§=~^¨¨
,~~*%£@@## ##@@£%*~~,
¨,-»^†@#@# #@#@†^»-,¨
¨,«=†¤£@## ##@£¤†=«,¨
,¨:»*^%§¶# #¶§%^*»:¨,
¨,=/*$§### ###§$*/=,¨