.,¤¨¨.,,§@ ,,.,¨¨¨,¨.
¤..,&§#.¨¤ §¤#§@§@@¤§
.¨&.,&,,¨¨ ¤&§#£@@#§§
¨.¨¨¨,¨§¤§ ££@#¤§£#¤.
@§§#§§,,## §#&£&£¤§.,
¨&&@&.¨.,@ statuette £&§¤@££,¨¨
,.¤£..@§,. £#§§#&.,§£
¨.¨¨,¨,¨,¤ %££%$¤£$$&$¤¤$£%-»~-~~~=$%*&££@*¤£¤$%*@§ @@§£¤,,,.¨
¤#§¤¤§#§¨¨ £*$§£§$£$ §##@¨,§#£§
@@¤§£§@.,. £¤&,...§
§@###&.,££ forests around my childhood home. thick ¨@..#¤¨¨¤@
#&¤&¤.,... pine arcades that were planted and ¨¨,.,,,.,§
§§#&,,#@#@ forgotten. wild boars roaming £&@£&@#¤,.
,@§¨..¨@§¤ underneath, sniffing at the ground. it ¤&&££¤£.¨,
.¨¨¨@£,.¤¤ is dark and moist, the canopy having ,@@&..¤&
.¤#¨..¨¨.£ already soaked up all the sun. ,¨¤##.,,,.
.,,,£&.¨ ,.,@..#@#@
,£#¨¨§¤,¨¨ there's a river passing by, from east @#,,.,¨£¤¨
,¨,.¨,.¨£§ to west, getting broader and deeper and ¨,,&&¤,,,,
&&¤¤@£@..& slower as it goes. equisetum grow just #§¨.#,.@§¤
£#§@&&..¨¨ where the pine hands start to let ......¨¨££
¤§@£@.,@§, through light, horsemint on the rocky §@#,.£
@@@@.,¨.,. river bed. £#@§##¨¨,¨
¨@£,.§§§@¨ &¤¤@£¨,£#¨
.,...¨¤&.. ^ ¨&¤&,.,,¨,
@¤&&&.,¨¨& ,,@..¤£¤##
¤##£¨,¤#,. the riverbanks reek of magic. tonight ,.,¨¨,§¤&@
§&¤.¨¨¨¨¨# they had been a swampworld with sylvan £¤&£¤,.§&@
@&,.@#&£,¨ water, stone rings and floating moss. @§#£...,¤£
§¨,¨.£¤.¨. you could've found me wallowing around £§£¨¨@&.¨&
..##,,.,¤@ on the southern shores until i got £&.¨.¨¨¨,¨
§.,,.&¤¨,# bitten. §..#§@&§
,¨@¤,,¨.., .,¨,§££@@¤
...¨¨@¤#&. but now i'm further back, on solid @§@¨.¤@#@.
§#£¤,.§¤,¨ ground, in shoulder-high grass, with an ¨§.,¨¨§§,¨
,§§.,¨,,,¤ orange tin radio and a translucent .¨¨§#..¨,,
¨¨.,¤@#§., umbrella which i'm sitting on. #&.,¨.£&§§
,£@,,¤§¨.£ &.¨¤@¨¨¤#,
.¨,,¨¨,.¨. / ,,.¨.¨....
##@#§¤@£§& &¤@¤&¤¤§&&
&§&¤@&£@@@ somethings moving in the grass. it's &¤@££§#@
£¤§@£@££&§ invisible to my eyes but i can feel &£§#§#£££¤
@§§¤&&¤#¤£ through the ground just how large it is. £&&@£@@§
§§§#¤£@¤## @@¤¤&§#@§@
#¤¤@##£@ the soil is muddy. i slip when trying §££&@&§@§&
¤#£#@¤§§ to get up, still looking at the §£¤£¤&£@
§¤¤&§@£££¤ direction of sound rather than at my §###@£¤¤
¤#@&¤£§§ hands, who are busy putting things in £&@&¤#&&¤£
&@@##§@#££ my pockets. ¤&¤&¤&§#&&
§&@¤£§###§ §@&£&&£¤¤&
§£¤£¤&¤@@¤ then i run east toward my home. &¤&§@@¤§£&
#&££&££§£# #&&@@#£§¤@
¤£¤§&¤&¤£& / ££&§£¤§#£@
¤£@£&&£&@& &@£#§@&&@@
§£¤@£§#@££ i am not followed, and slow down in the §&£#@§£¤§#
§&@&§##£@@ clearing where you at first can spot &£@#§#&§¤#
§¤§&§#&&£& the house, not yet really in the §§§&@&@£
§#§@&¤§@¤# backyard. from my pockets i retrieve my #@#¤¤£&§£&
@£§@@¤£#&§ radio (now dented) but also a small &§¤££#&@&@
§§#&£@§@@& clay figure i've never seen before. it §§#§¤§###&
§&&£#@#@ must have been laying in the wet dirt, ¤§£¤¤&§£
§£#¤@§¤¤¤# and i must've picked it up with my ##&¤£##¤£#
#¤@££¤£& other belongings. §@§§#£#£&¤
¤&§¤#§&§§§ ¤§&#@¤@£
£¤#§£¤@@@£ it's a statuette of a girl laying naked #£§§£@¤@¤£
@&@¤£&&@&@ on her stomach, feet in the air, £@£&&@£&&@
¤@£@&@§£&¤ roughly seven centimeters long. it's £§¤#¤§#§@#
§¤#§§@&£#@ freshly made, not yet completely dried. @§£@¤#@&££
&¤£@#£§§§& @¤§#@¤&£&¤
£§&£@@¤@#& my mom is here now. i ask her for some ##§£¤££&§@
#¤@#£¤£¤#& particle board for it to dry on, but ¤&§@#@§&¤£
&@§&¤@¤##¤ she is worried and wants me to ¤§¤¤&£
&¤#§¤¤§£¤@ throw it away. ¤@£@§¤¤§£¤
¤¤#¤§# @§#&££@¤&§
££&£¤§&@#@ @§##@@£§
§&£§¤@¤#¤# ¤##¤@£§¤
§£@@@¤@¤#£ §£@£&@¤£@#
£¤@£§§@§&£ §&£@££&£¤#
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