,:~^§¤@### ###@¤§^~:,
,,,~^*@### ###@*^~,,,
¨,.-~:$@ @#&$:~-.,¨
,,:-\*$### ###$*\-:,,
.^«\$%#@## ##@#%$\«^.
..,«:%§### statuette ###§%:«,..
...,-†*@¶@ @¶@*†-,...
.,~~=*¤@## $&*%£*$&$*@§$§$£~-»-=»==&$$£@%&$£@§$%§§$ ##@¤*=~~,.
¨,=\$*@### £%%&*$¤§% ###@*$\=,¨
,¨^«†$%### ###%$†«^¨,
.¨.^»*%&@@ forests around my childhood home. thick @@&%*»^.¨.
,,:~\%£@## pine arcades that were planted and ##@£%\~:,,
.,«\%¤#### forgotten. wild boars roaming ####¤%\«,.
,..==**#@# underneath, sniffing at the ground. it #@#**==..,
.¨,^~†^%@@ is dark and moist, the canopy having @@%^†~^,¨.
¨,^«^=£### already soaked up all the sun. ###£=^«^,¨
¨,«;=&£### ###£&=;«,¨
.¨~»:§%£## there's a river passing by, from east ##£%§:»~¨.
¨,¨,==$%£# to west, getting broader and deeper and #£%$==,¨,¨
...»=*£@## slower as it goes. equisetum grow just ##@£*=»...
,--:%*#@## where the pine hands start to let ##@#*%:--,
.,~==*£¶## through light, horsemint on the rocky ##¶£*==~,.
¨¨,.~:=$## river bed. ##$=:~.,¨¨
¨.~==%$£@# #@£$%==~.¨
¨,=/=$£### ^ ###£$=/=,¨
¨¨^==$$### ###$$==^¨¨
,.¨^-^^%## the riverbanks reek of magic. tonight ##%^^-^¨.,
,.,~^*%¶## they had been a swampworld with sylvan ##¶%*^~,.,
.^«^*%£### water, stone rings and floating moss. ###£%*^«^.
¨¨~«^%$@## you could've found me wallowing around ##@$%^«~¨¨
..¨,~:%£@@ on the southern shores until i got @@£%:~,¨..
¨¨-«;%£### bitten. ###£%;«-¨¨
,.«:§$@### ###@$§:«.,
.,^~=%$£@# but now i'm further back, on solid #@£$%=~^,.
.,¨-~:*££# ground, in shoulder-high grass, with an #££*:~-¨,.
¨,,»\*%@@# orange tin radio and a translucent #@@%*\»,,¨
,,==§£@### umbrella which i'm sitting on. ###@£§==,,
,¨-»=*£@@# #@@£*=»-¨,
..,.-=%££# \ #££%=-.,..
,.~~=†@### ###@†=~~.,
.,~:^*@### somethings moving in the grass. it's ###@*^:~,.
¨¨,===¤¶## invisible to my eyes but i can feel ##¶¤===,¨¨
.,,,~\†¤## through the ground just how large it is. ##¤†\~,,,.
,¨,«†%£¶@# #@¶£%†«,¨,
.-~/†*#@## the soil is muddy. i slip when trying ##@#*†/~-.
¨,-~;*$@## to get up, still looking at the ##@$*;~-,¨
¨¨¨,==^%£# direction of sound rather than at my #£%^==,¨¨¨
,¨,~;*§@@# hands, who are busy putting things in #@@§*;~,¨,
.,»\%&£### my pockets. ###£&%\»,.
,,,~^§@£## ##£@§^~,,,
¨¨.,~;^*#@ then i run east toward my home. @#*^;~,.¨¨
.¨^»/*$### ###$*/»^¨.
..-*§¤@### = ###@¤§*-..
,.,»;§*¶## ##¶*§;»,.,
¨.¨,«*%@#@ i am not followed, and slow down in the @#@%*«,¨.¨
¨.,=;^@### clearing where you at first can spot ###@^;=,.¨
¨^-;$*@@## the house, not yet really in the ##@@*$;-^¨
¨.-«==%### backyard. from my pockets i retrieve my ###%==«-.¨
¨¨..~\%¤¶# radio (now dented) but also a small #¶¤%\~..¨¨
¨,,~*%%£## clay figure i've never seen before. it ##£%%*~,,¨
.-~:*£#@## must have been laying in the wet dirt, ##@#£*:~-.
..,«†*$@## and i must've picked it up with my ##@$*†«,..
.¨¨.«\$§@@ other belongings. @@§$\«.¨¨.
,,:-\^£#@# #@#£^\-:,,
,--*^@#@## it's a statuette of a girl laying naked ##@#@^*--,
¨,.»\%@@## on her stomach, feet in the air, ##@@%\».,¨
¨.¨,-:*£## roughly seven centimeters long. it's ##£*:-,¨.¨
¨¨--†%$#@# freshly made, not yet completely dried. #@#$%†--¨¨
,,«**@#### ####@**«,,
¨¨~-*%@# my mom is here now. i ask her for some #@#&%*-~¨¨
¨.¨,«†*¤@# particle board for it to dry on, but #@¤*†«,¨.¨
¨.,~=^££## she is worried and wants me to ##££^=~,.¨
¨--†%£#@## throw it away. ##@#£%†--¨
,.^~\§$£## ##£$§\~^.,
,.¨-»\*%## ##%*\»-¨.,
¨.^-;§£#@# #@#£§;-^.¨
,~-††%@### ###@%††-~,
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.,¨,~**@## ##@**~,¨,.