¨#.,¨¨&¨¨. ¤¨,¨¨¤.¨..
¨¨,@@.,,#§ ¨¨¤#,.,&§#
¨£,¨..#,,# @,,..§,¨&,
.¨,¤#,,.,¨ ,,#§.¨¨..,
£&,,,,&@@¨ ,,.¨¨§§&¤@
¤,¨§&¨¨@¨¨ statuette &@&¤..@#£&
,¨¨,,¨¨,,, #¤&..,.@¤£
,&§§£§§#£& **%¤%¤£$¤§&$@£§£~=~=»«~»%§&%$$**%$%%¤$%£ .£¨,££.,§¨
..¤¤£&§§#£ §%%%§@$$% ,..,¨.,.¨¨
£..§@§§§@¤ £§§#¤@&@§¤
,¨..&£§&@¤ forests around my childhood home. thick §#£¤@&@###
¨#£,.&¤¤£¤ pine arcades that were planted and .§§§&.
¨.,.,,#@@§ forgotten. wild boars roaming .¨§§£¤..
##&@£.,§¤§ underneath, sniffing at the ground. it ¨,.¤§££.,&
#¤@£.,.,@§ is dark and moist, the canopy having £#.,@@,..,
¨#@,¨£#¨,@ already soaked up all the sun. #.,,¨,,£¤,
,¨¨¨¨,¨.,, ¨,¤@§@,,.¨
££¤¤§£¤£&¤ there's a river passing by, from east @,,§#,.§££
§¤&¤&§&¤&¨ to west, getting broader and deeper and .,,.¨.¨¨@&
&@¤§¤£@¤.¨ slower as it goes. equisetum grow just #§&§##&¨.£
&§@&&.., where the pine hands start to let §§£@&&¨,,,
¨@&§#¤.,¤& through light, horsemint on the rocky §£@¤&,.§£.
,,§@&.,.¨§ river bed. ¤#£§.,.¨..
£..@.¨@¤.. .£§.,£££
,..¨¨.¨..§ : ¨,,,,¨@££#
.§§@¤§¤£¨, ¨§#§§¨.&@¨
¨¨#§&,.§ the riverbanks reek of magic. tonight .,#£,..¨.,
#.¨@£&.¨.¨ they had been a swampworld with sylvan ¨,,¨.§#@§&
,.,¨&¨,§§¤ water, stone rings and floating moss. ¤&£§¨,£@@#
¨§@,,¨,,#§ you could've found me wallowing around .¨,¨.&&¨
.¨,,¤&§.¨¨ on the southern shores until i got ,,,¨¤&¨¨¨.
@@#¨,@,¨#@ bitten. .¤#¨¨,¨@§§
#§¨..,.,,£ ¨¨¨,@#¨.¤¤
#,.§§&§¤., but now i'm further back, on solid @#§¨.¨..,#
,,¨.§#£¨,& ground, in shoulder-high grass, with an #¤¨,¤&@&,.
#,¨§¨.,. orange tin radio and a translucent &¨,..&@,.¤
#¤,.¨,¨#@, umbrella which i'm sitting on. ,,&&,,¨¨..
,,.¤¤&.,,, #,,,,&£&@.
##..§,,&§¨ ^ .,&&.¨¤#,¨
..¨¨¨.,... ,,.,¨,¨.¨.
#&££¤&@@#@ somethings moving in the grass. it's @§§#§£@#¤¤
#@§#§@@¤@¤ invisible to my eyes but i can feel £§¤&££¤§§£
¤§&£&&¤¤@§ through the ground just how large it is. @§#§#§¤£
§¤##¤§#@£§ #£@£§££@
&@@@§@¤£#¤ the soil is muddy. i slip when trying §§@£#&¤§¤#
&§&¤@@#¤ to get up, still looking at the §§#¤#&£§&§
§¤§#¤¤¤@¤& direction of sound rather than at my £@§##@£#
&@#£#§@§@¤ hands, who are busy putting things in &§¤£@#¤&¤&
£§¤&§&§#@# my pockets. @§¤#&¤&£§&
¤#§&@¤£¤&£ @¤&@#&&@§£
§#¤§#&£#£# then i run east toward my home. ¤£@§@#&§@£
¤#£@@¤§&§# @¤¤¤§§§£
¤@§§§£ : §&@£§§£#@¤
###£§££@#¤ ¤£§@@#&£@@
££#@§##££# i am not followed, and slow down in the #¤@&£&§##&
£§§&¤§¤& clearing where you at first can spot £§&£§@@¤¤#
§&£@£££##@ the house, not yet really in the ##§£@§@§¤@
§§£¤&@@# backyard. from my pockets i retrieve my ¤#&@¤@¤£§@
¤¤@££#@£¤& radio (now dented) but also a small £@@§@£&£§@
§&£@§@#¤&§ clay figure i've never seen before. it @§£&£#¤§£#
£@£§§£@§## must have been laying in the wet dirt, &£@@@£@§
@@§@¤#£&£& and i must've picked it up with my ¤@£&¤@&@¤@
##¤£#§§¤#§ other belongings. ££##@§@@§&
££§##@¤& §@§§&&@¤¤¤
@££@#£@££§ it's a statuette of a girl laying naked ££¤#§£#@@&
£@§&§§£¤¤£ on her stomach, feet in the air, §&§§#&&&£&
@§§£¤@¤§¤£ roughly seven centimeters long. it's &&§§@§@@#@
@§@#££££@@ freshly made, not yet completely dried. &¤£@&&&££#
#&&¤@##@@§ §£¤£¤£§#
@¤#¤&&£££& my mom is here now. i ask her for some §&£§&§¤&@£
£§¤¤§@£§ particle board for it to dry on, but @£¤@£§§¤@£
£#@££§¤¤ she is worried and wants me to ¤§¤¤&££#£&
£&££¤@¤¤¤& throw it away. #&¤¤§£¤@££
&@§@@#@##§ §@¤§@£§¤#¤
§&£&§&§¤ £&@¤@@#££&
£§£##££§#& ¤§§¤§£&§££
§¤@&§#§#£§ &£#@&¤#§
¤§#¤##@£&@ @#@¤£§££
@§£#&§#§#@ §£§¤¤@#£§¤