¨.«/†&@@@# #@@@&†/«.¨
,-~\%£@@## ##@@£%\~-,
¨.~^†£§£## ##£§£†^~.¨
¨.-:*%&@¶@ @¶@&%*:-.¨
,,.,:†:§¶# #¶§:†:,.,,
..«^=¤@#@# statuette #@#@¤=^«..
¨^~\†@¤#@@ @@#¤@†\~^¨
.,~=§%*%$£ %%$@§£%££$£§%£§$--»«-~«~£§%£%¤%£@¤£%@$§¤ £$%*%§=~,.
,:~;^@@£## §&@*¤$§¤% ##£@@^;~:,
.,«:=&@@## ##@@&=:«,.
,~«/%§##@¶ forests around my childhood home. thick ¶@##§%/«~,
.-=;%†$$£¶ pine arcades that were planted and ¶£$$†%;=-.
,^~;¤#@### forgotten. wild boars roaming ###@#¤;~^,
.^»^%¤£#@# underneath, sniffing at the ground. it #@#£¤%^»^.
¨--^†%#### is dark and moist, the canopy having ####%†^--¨
,~~=†££#@@ already soaked up all the sun. @@#££†=~~,
,^-†*@@### ###@@*†-^,
,:~/^&## there's a river passing by, from east ###&&^/~:,
,^~;%%¤@## to west, getting broader and deeper and ##@¤%%;~^,
.,«;%£## slower as it goes. equisetum grow just ###&£%;«,.
¨..-»=:;*# where the pine hands start to let #*;:=»-..¨
¨^~:^&§### through light, horsemint on the rocky ###§&^:~^¨
.¨..-\%%%¤ river bed. ¤%%%\-..¨.
.,«**%¤§@¶ ¶@§¤%**«,.
.~~/^&@¤£¤ / ¤£¤@&^/~~.
,...,.~:*# #*:~.,...,
.,,:**^†&@ the riverbanks reek of magic. tonight @&†^**:,,.
..~†=†%### they had been a swampworld with sylvan ###%†=†~..
..~^*££@## water, stone rings and floating moss. ##@££*^~..
¨:~††¤£%#@ you could've found me wallowing around @#%£¤††~:¨
.:~~*:=%¤# on the southern shores until i got #¤%=:*~~:.
,.,¨¨,^=%§ bitten. §%=^,¨¨,.,
¨-=/$%^&@& &@&^%$/=-¨
¨.,,*†**¤# but now i'm further back, on solid #¤**†*,,.¨
,,~«~:*&@£ ground, in shoulder-high grass, with an £@&*:~«~,,
¨,-;†£¤@## orange tin radio and a translucent ##@¤£†;-,¨
,.,.«/¤§&@ umbrella which i'm sitting on. @&§¤/«.,.,
¨,:~^§&$£# #£$&§^~:,¨
¨^-*%$@### \ ###@$%*-^¨
,-~^^@§¶¶# #¶¶§@^^~-,
,¨¨.,,=^&@ somethings moving in the grass. it's @&^=,,.¨¨,
,.¨,»*%§## invisible to my eyes but i can feel ##§%*»,¨.,
,¨,~==**%£ through the ground just how large it is. £%**==~,¨,
,¨,.:*†$@£ £@$†*:.,¨,
.-=~\$&§£# the soil is muddy. i slip when trying #£§&$\~=-.
¨.¨,,~-^*& to get up, still looking at the &*^-~,,¨.¨
¨,,,:§&§@# direction of sound rather than at my #@§&§:,,,¨
¨:~:§*&@## hands, who are busy putting things in ##@&*§:~:¨
,:~\*%£¶## my pockets. ##¶£%*\~:,
..»==%£#@# #@#£%==»..
,¨.,,,::%§ then i run east toward my home. §%::,,,.¨,
¨:»*§%&£## ##£&%§*»:¨
,.¨,~~^:%§ ; §%:^~~,¨.,
.,»=^%&¶## ##¶&%^=»,.
.~-:*£§@## i am not followed, and slow down in the ##@§£*:-~.
.,=:^&&@## clearing where you at first can spot ##@&&^:=,.
¨....»=*$# the house, not yet really in the #$*=»....¨
...^=%&¤@& backyard. from my pockets i retrieve my &@¤&%=^...
¨..,~^$£ radio (now dented) but also a small #&£$^~,..¨
,¨,,¨--^ clay figure i've never seen before. it #&^--¨,,¨,
¨^«*=$£@## must have been laying in the wet dirt, ##@£$=*«^¨
,:~*^%£@## and i must've picked it up with my ##@£%^*~:,
¨,~;$%@# other belongings. #@#&%$;~,¨
,~«;†*££@# #@££*†;«~,
.~~:=*§£#@ it's a statuette of a girl laying naked @#£§*=:~~.
,^«^*%¤### on her stomach, feet in the air, ###¤%*^«^,
,.«;%%## roughly seven centimeters long. it's ###&%%;«.,
.-«\*&&§£@ freshly made, not yet completely dried. @£§&&*\«-.
.:~*^£%%@# #@%%£^*~:.
¨,~^$%§££# my mom is here now. i ask her for some #££§%$^~,¨
¨^-†^£&@## particle board for it to dry on, but ##@&£^†-^¨
,^==%£@# she is worried and wants me to #@£#&%==^,
.~«†$£¤### throw it away. ###¤£$†«~.
¨,.,~=^%£@ @£%^=~,.,¨
¨:»\$£&@## ##@&£$\»:¨
.=\*§@£### ###£@§*\=.
.¨,¨»$^@## ##@^$»¨,¨.
,^»=%%#£@# #@£#%%=»^,
.:~:%§@# #@#&§%:~:.