,£,.@.,¨.¨ ,.,.,¨,,,,
.¨,,..&@£§ £¤&§#@@§§#
¨&¤£@,.¤@# &@&&@§##£.
¨¨&¤¨¨..§# ,&§#§#&§¨,
&,,..§#.¨§ ¨.@£#..@
.,&@.,.,., statuette ,¨.¤§&,..,
§¨..,¤#@£¨ ¤&.,&,¨@¤£
,,¤§¨,#§,. $£§£$*$§$@£%£¤£%«~=»»«~~£%&%£*§%%££&&@@& ¨,,,.,,.££
..¨,.,¨,,£ *££§%¤£*¤ @@¤@&§£,¨.
§&§&£##@¨¨ £@¤&@¤,,££
£&££&¨¨. forests around my childhood home. thick ###§@¨.¨.@
§¤@¤§£¨,£# pine arcades that were planted and £@¤§,¨@£¨,
¨#§#&.¨¨., forgotten. wild boars roaming #&¤.,¨,¨,¨
.¨@@.¨@§£# underneath, sniffing at the ground. it &@,.&§#§§¤
¨......£§£ is dark and moist, the canopy having ,....#¤&&¨
#¤@§@#,,¤@ already soaked up all the sun. ¤&&£¨.¨.
.#&§@¨,.,, ,#@,,¨¨,.,
,¨¤&..@@#§ there's a river passing by, from east ...,¤&&§@@
.¨.¨¨,,£§, to west, getting broader and deeper and .¤&.¨¤#&¤,
&¤§@@§¨,,, slower as it goes. equisetum grow just ¨.¨¨..@&..
¨¤£¤@¨.£&¤ where the pine hands start to let #¤§£§,.,.¨
,¨¤¤¨,..§£ through light, horsemint on the rocky ¤#£¤¨¨¤¤@&
¨,¨,,#¤¨,, river bed. @@#,¨.¨§¤,
##@@,.,¨£§ §£..@¤.,¨,
¨£§¨,§#.¨. * #.,¨.,.¤§,
,...,.¨,§& ,.&§¤¤.¨.,
#£¤&§.¨§ the riverbanks reek of magic. tonight ¨¨.@&,,§#&
@&¤§¤§¨.., they had been a swampworld with sylvan £§,..,.,§§
££#@£¨¨#§& water, stone rings and floating moss. @,¨@¤@#.¨@
##§§,¨¨.¤& you could've found me wallowing around ,...¤@¨¨,¨
.@£¨¨&¤¨.§ on the southern shores until i got ,££,¨.,#¤,
¨..¨,,,,,. bitten. ¨.,,§&..¨,
§£££@£§@¤, ##¤..¨,&@@
£&£@£@£§,. but now i'm further back, on solid ##,,§§¨,#§
#££§£.,. ground, in shoulder-high grass, with an #.¨¨¨,¨,,&
&&§&,,@£ orange tin radio and a translucent ,¨£&@@&@¨¨
.§¤£¤¨¨¨.& umbrella which i'm sitting on. .,.££##...
¨¨§¤¨¨@@¨, §¤,¨¨.§&
..¨¨¨¨¨¨.¨ : .,,¨¨.,¨.¨
&&¤¤#&¤£@@ &¤##§§¤£§@
¤£@£¤¤£@¤£ somethings moving in the grass. it's &&§§£¤#¤¤&
@¤&§§#£& invisible to my eyes but i can feel &££#&¤¤£#¤
§@§§&£§¤£@ through the ground just how large it is. §@@#@##@§¤
&¤#§&¤#@ #£§§@#§&
&@&@§# the soil is muddy. i slip when trying §&£@§@££¤¤
§@@£§&§£@# to get up, still looking at the @£§&@@@£¤@
###£@#@§ direction of sound rather than at my &¤¤#££¤¤
@&@£&££@#£ hands, who are busy putting things in #@¤¤#¤££@£
£¤£@¤¤@# my pockets. §¤#§¤#£&
¤§@£@##¤@@ £§#£¤&£§&§
£@§@#££@¤& then i run east toward my home. §&§£§§@§§¤
#@¤&£¤§¤#& ¤#@¤§&££#£
££¤¤¤§## / &£@§§£&¤
@@@§&§§¤&& £##£¤§§¤£§
@@#§§£#££& i am not followed, and slow down in the @@££§##&
#£££§@@&£& clearing where you at first can spot @@§£@¤#@@&
&§#@§£§@ the house, not yet really in the &£§¤£¤@£
@&§§&£@£@& backyard. from my pockets i retrieve my @§§£&§&@#¤
@&&@#§#§#& radio (now dented) but also a small &¤@¤@£§@£¤
§¤@##£¤#£§ clay figure i've never seen before. it ££&&&&¤§¤@
@£&@£#£¤£& must have been laying in the wet dirt, §@§¤£&§£@&
£@@§¤#&£§# and i must've picked it up with my ¤@#@@@§§§&
@&§#§£&¤§# other belongings. £¤##§@@£
¤@§§££@¤#¤ ¤§§§¤§¤@
£@@¤&§@§#@ it's a statuette of a girl laying naked ##§@¤@
#£££&¤§¤ on her stomach, feet in the air, ##§@#§
¤@£§££§@## roughly seven centimeters long. it's ¤£¤&&¤¤&§§
#§¤£@£#£¤@ freshly made, not yet completely dried. &¤#£@¤&§@#
@@§@§££¤ £#&¤§#§@§#
@&@§¤#§&&§ my mom is here now. i ask her for some #@@&£§#&@@
#¤§§&§@¤#£ particle board for it to dry on, but &¤#¤§&@#
&§£¤§@£@&@ she is worried and wants me to ¤@£§&@£&@#
¤¤£££¤#§@£ throw it away. ¤&&&&&&&§£
#&¤&§& @#&@§#£§#@
#@¤¤§§¤&@@ #£§¤§&§§§¤
§£#¤#&@#£§ £¤&@@§£¤§§
££¤&£#@#¤§ ¤¤§££@@#&§
@¤¤£§£&¤#& &§&£§¤§£@¤
¤¤§§£§¤@ @&¤¤@¤¤¤§#