,£¤.,,¨&¤¤ &@,,&,,@.¨
,.¨,#@¨.#, ¨¨,¨,,,¨¨@
¨§§,¨¨.¨¨¨ §&@§@£¨.
..¨¨§§&¤ ,¤£&¤&§.,£
.£@,.&§£#¤ ¨,&@@§..,.
¨,¨.,.§##§ statuette £,¨£@¨,¤
.#@#@¨¨§&£ .,¨,¨¨¨.@,
,¨£§,¨,,¤¨ &¤&&¤¤%*¤&**¤*%&~~~=-~--%&£$*§&§%@££@%&§ .@§&£#§..¨
£¨¨.,&@¨.. $@%$£$$@$ ¨¨#¤#¤.,£¤
.¨¤@¨,¨,@¨ ¨¨¨#&,,.,¤
.,...£@¨¨. forests around my childhood home. thick #£,¨,¨££¨¨
&¤§@..,.&¤ pine arcades that were planted and ¨.¨#¤,¨..§
¤¤£,¨£§,.# forgotten. wild boars roaming #¤.,..@¤¨.
¨&...¨.,,¨ underneath, sniffing at the ground. it ¤¨.£&.,,¨,
..¨#¤£££&. is dark and moist, the canopy having ¨¨.¨,.§§#£
,#¨,@&¨. already soaked up all the sun. .&£§£¨,#£¨
.¨.,,&£..§ .¨§#,..,,¨
#&&£¨.,..¨ there's a river passing by, from east ¨,..¨@@££@
§.¨§§£¤¨ to west, getting broader and deeper and #@&§¨¨@#£¤
#§,¨,.&&¨. slower as it goes. equisetum grow just .#£.¨¨¨§§@
§,.##.,,.# where the pine hands start to let ,.¨,##,¨£@
,¨.,¨.&@., through light, horsemint on the rocky §@@¨,,..¨&
¨#¤£¤¨,¨,¨ river bed. £@..##§§,,
¨.&£..£@¤@ ¨¨,¨¨&@,,§
¨¨.¨¨.¨&£. : §¤£§.¨,.¨.
#@@§..,, ,£&¨¨§@¤¤@
§#£#¤¨.#@¨ the riverbanks reek of magic. tonight .¨¨,.,£§#§
@£¤§,.,.., they had been a swampworld with sylvan ¤&&£&,,§§¤
§..§¤#@. water, stone rings and floating moss. ¤££§.¨..#£
£@¨.¨¨@¤¨. you could've found me wallowing around §¤@,.£§¨,¤
&,,£&.¨..# on the southern shores until i got ¤¤,..¨,,..
..¨¨.,@¤., bitten. ,..#&&§£#.
¤#@£&.¨,.. £#..¤@¤#¨,
,&..@&¤# but now i'm further back, on solid &¨¨,,@&.,¨
¨.&,¨,,¤¤, ground, in shoulder-high grass, with an ,,¤@,..,#§
.,,.#§¨,,, orange tin radio and a translucent #.,,,#£,.,
£@§,.¨.&@. umbrella which i'm sitting on. ,.§§,..¨#&
¤£¨,£¤,,¨. #¨,.¨¤@..@
&.¨..¨,@&. = ,.££.,¨.,,
¨¨¤£#@¨,,. £..¨,#@&§.
#¨.§§..£§¨ somethings moving in the grass. it's ,,¤#,¨@£,¨
,¨.,.¨,... invisible to my eyes but i can feel ,..,.¨.¨..
#£&£#¤&¤ through the ground just how large it is. ¤&&£&¤¤£¤@
¤#§#@£¤@ ¤&¤#@§@@§¤
£¤££¤¤ the soil is muddy. i slip when trying £§@£@§#£&@
§@£@#@§£ to get up, still looking at the §¤¤¤&§
&§@§@&¤@#£ direction of sound rather than at my &@¤#@££¤
££&§@@§& hands, who are busy putting things in #&£#¤§##£&
¤#£@@¤££§& my pockets. @#&£¤#@@@£
£##¤@#&&£§ £@£§#¤#£
@§¤¤@@@@ then i run east toward my home. §#¤@#§¤&&§
@£§#@§§@£& @&@££§
¤§#¤§£§§ † @@#@&£&§££
§§@§##§##§ §§@@&¤&§
@§¤@#¤¤§£§ i am not followed, and slow down in the @@#£@§#&
§¤#§¤#¤£&£ clearing where you at first can spot §#§&&§##
§#£££#¤¤£@ the house, not yet really in the @@§#&@£&&@
£§#§§&¤§§§ backyard. from my pockets i retrieve my &§§£@#@£#£
¤&&@##¤@ radio (now dented) but also a small ¤£¤@¤¤@#@£
¤@&¤&¤&@ clay figure i've never seen before. it §#§¤##&@££
#@¤§&&@¤#& must have been laying in the wet dirt, §¤§§&¤@§
£##£&££¤#¤ and i must've picked it up with my §§#@¤§¤¤§#
&£§&§#¤£ other belongings. §££§£#@£
¤§#&£¤&£@# §##§@£@££§
&¤§@£&£&&¤ it's a statuette of a girl laying naked &¤@#@£@#&£
§@&§&&§@ on her stomach, feet in the air, £&¤#§¤£¤#&
@£§&&¤£@ roughly seven centimeters long. it's §¤#§§¤¤£@&
@@&&@§§§@@ freshly made, not yet completely dried. ¤@#@£§#§§&
@¤¤##&¤£ #@¤¤¤£&@&¤
§#£¤@£¤§¤& my mom is here now. i ask her for some &£&¤££@¤
£&¤@@@£@@§ particle board for it to dry on, but ¤§£&¤§&@¤§
&££@£§#£&& she is worried and wants me to §#@@#¤£§¤@
@@¤&£¤£& throw it away. &¤§¤§£@§#¤
£&¤@§£@#§& £££@££¤#&§
&¤§£¤¤£@§@ £§£¤#£#@
#£@#¤££&¤§ §£@@@#§¤
#£@@¤§@§£¤ #§¤§@#££#§
§@£@&£#§@@ #@§¤&&£¤@@
£@¤£¤¤£#§§ §££§#&&@&§