¨,¨,,-=*@¶ ¶@*=-,,¨,¨
¨.,,~=$¶ ¶#&$=~,,.¨
¨^=/=*#@## ##@#*=/=^¨
¨,-^%%@@## ##@@%%^-,¨
¨:-;$#¶### ###¶#$;-:¨
..=:$§§@£# statuette #£@§§$:=..
¨.,=\^\%#@ @#%\^\=,.¨
.¨.»^::†£# ¤$%%*&&&%§&££§&%««-««»»=%&¤@@%%*§%$$$$$¤ #£†::^».¨.
¨.-/%&§### %£@£¤%£££ ###§&%/-.¨
,^~*†&£### ###£&†*~^,
,¨.:~=@¶ forests around my childhood home. thick ¶#&@=~:.¨,
.,=;%@¤@@# pine arcades that were planted and #@@¤@%;=,.
.,=/*&£#@@ forgotten. wild boars roaming @@#£&*/=,.
,.,,,-*§@@ underneath, sniffing at the ground. it @@§*-,,,.,
,¨.:,.=%£@ is dark and moist, the canopy having @£%=.,:.¨,
¨.~:*&£#@# already soaked up all the sun. #@#£&*:~.¨
,,,~=:%%§§ §§%%:=~,,,
.-~=^*§%£# there's a river passing by, from east #£%§*^=~-.
.-«*$¤¤@@# to west, getting broader and deeper and #@@¤¤$*«-.
..,,-\^¤§# slower as it goes. equisetum grow just #§¤^\-,,..
.,~/%*&¶## where the pine hands start to let ##¶&*%/~,.
..¨,-»*%*§ through light, horsemint on the rocky §*%*»-,¨..
,,=/*### river bed. ####&*/=,,
.,~^%%#£## ##£#%%^~,.
,,¨~«*§^&@ ; @&^§*«~¨,,
¨^«/*%@### ###@%*/«^¨
.:=†*¤&@@# the riverbanks reek of magic. tonight #@@&¤*†=:.
¨.:,~/*%@# they had been a swampworld with sylvan #@%*/~,:.¨
,-»:†¤@### water, stone rings and floating moss. ###@¤†:»-,
,.»*%$#@## you could've found me wallowing around ##@#$%*».,
.~«/%$&@## on the southern shores until i got ##@&$%/«~.
¨.~=*%¤¶## bitten. ##¶¤%*=~.¨
¨:«;=%§@£# #£@§%=;«:¨
,~=;^**%£§ but now i'm further back, on solid §£%**^;=~,
.^~†^£¤@@# ground, in shoulder-high grass, with an #@@¤£^†~^.
¨^-†§$## orange tin radio and a translucent ###&$§†-^¨
.-=:$§#£@# umbrella which i'm sitting on. #@£#§$:=-.
..¨¨¨-:~*& &*~:-¨¨¨..
,,-;$%¶@## / ##@¶%$;-,,
.~:§$@#### ####@$§:~.
¨:~/§*¤### somethings moving in the grass. it's ###¤*§/~:¨
.--\$%&@## invisible to my eyes but i can feel ##@&%$\--.
¨¨.«==$%§@ through the ground just how large it is. @§%$==«.¨¨
¨~~~-»**§@ @§**»-~~~¨
.,-/%%@# the soil is muddy. i slip when trying #@#&%%/-,.
.,.¨,.~§§@ to get up, still looking at the @§§~.,¨.,.
,:~=$§§@#@ direction of sound rather than at my @#@§§$=~:,
.-=†%§@@## hands, who are busy putting things in ##@@§%†=-.
.:-\%&@£## my pockets. ##£@&%\-:.
,-~=*$£#@# #@#£$*=~-,
.,=^%&£### then i run east toward my home. ###£&%^=,.
¨,,:»;;¤#@ @#¤;;»:,,¨
¨^-:§$&@## / ##@&$§:-^¨
.,«*%££¶## ##¶££%*«,.
,,~=*%$# i am not followed, and slow down in the ##&$%*=~,,
,:»/*£¤### clearing where you at first can spot ###¤£*/»:,
,¨.¨,^\*§# the house, not yet really in the #§*\^,¨.¨,
¨--†$$&@## backyard. from my pockets i retrieve my ##@&$$†--¨
.,,-\^¤¤%# radio (now dented) but also a small #%¤¤^\-,,.
.^«:$#£@ clay figure i've never seen before. it @£##&$:«^.
,~»;§*&£@# must have been laying in the wet dirt, #@£&*§;»~,
..~†=%¤@## and i must've picked it up with my ##@¤%=†~..
.¨..~^£#§& other belongings. &§#£^~..¨.
¨,,¨.»$£¶# #¶£$».¨,,¨
.,-**$¤### it's a statuette of a girl laying naked ###¤$**-,.
¨^-\*§@### on her stomach, feet in the air, ###@§*\-^¨
¨,¨¨¨»=*@@ roughly seven centimeters long. it's @@*=»¨¨¨,¨
.^«*%£@@@# freshly made, not yet completely dried. #@@@£%*«^.
¨^~:†£&£## ##£&£†:~^¨
,¨,.~^$¤£& my mom is here now. i ask her for some &£¤$^~.,¨,
¨^~/%%&@## particle board for it to dry on, but ##@&%%/~^¨
,:=;£¤#### she is worried and wants me to ####¤£;=:,
.:«;†@## throw it away. ##@#&†;«:.
¨~-/^$@#@# #@#@$^/-~¨
¨..«;†§$*@ @*$§†;«..¨
,,..,:\£$@ @$£\:,..,,
¨,,.-,†%%@ @%%†,-.,,¨
,..,,-=§@& &@§=-,,..,
.^-\*@&£@# #@£&@*\-^.