¤@,,&¤¨.¤# .¨¨¨¨,@§¨,
.¨.,.,,,,# &££@&¨¨.,.
#&@££@£@.. @¤#@¨,&§¤¤
##¤#§£&¨.§ ¨§¤,.¨¨@&¤
£¤#¤,¨¨¨ ,¨,,#@..§@
§§¤@£,.&@. statuette ¨¤¤¨..,¨,§
##£&¨,¨¨.¨ ¨.,,@#£#,¨
,§§¨,&@¤§¨ ¤%£@£¤§&¤*£$¤££$--=-==«=&$&%%§¤§@%£&£&&% ¤.,§¤,¨¨
,¨.¨.,&@,¨ ¤@§&$%¤$% @¤,¨¨.¨,§§
.#¤@§,¨¨.# ,,¨#&¤¤.,.
..&£¨¨@#,. forests around my childhood home. thick §&,.&¤,.§@
.¨.,.¨,¨.# pine arcades that were planted and £¨,.¨¨¨.¨.
£&@££¤£&,¨ forgotten. wild boars roaming ¨¨¤¤£@§@##
@#&@¤§@,¨& underneath, sniffing at the ground. it &.¨&§#&¤#£
§&&¤@#¨¨,, is dark and moist, the canopy having ..¨,£¤&@@¤
¤&¤@&.¨§¤# already soaked up all the sun. ¨&¤.¨¤§£¤#
#¤§§,¨¨. .,.,..¤&§§
@§¤.,¤@,.. there's a river passing by, from east ¤§@##¨,@¤#
#§¨¨,¨.,&¤ to west, getting broader and deeper and §§¤§¨¨,¨§§
&¨¨@¤@@.,# slower as it goes. equisetum grow just ,@#.,¤&.¨¤
¨¨¨,£¤,,.. where the pine hands start to let .,,..,,¨¨¨
§£&¨¨¨.#&¨ through light, horsemint on the rocky @£@§&@¤@@¤
¤@,.§&..,¨ river bed. #§¤¤¤&£#§&
§...,¨¨£¤¨ .§§£§#§¤£§
¨¨&¤&@,,,. : ¨,§@@@#££#
.¨.@&,¨£#, ,¨¨##¤&§§¨
¤&,..,,,¨. the riverbanks reek of magic. tonight @&,,£#§¤,,
..¨§#§&¤&¨ they had been a swampworld with sylvan #¨.¨,.,¨
§@.¨§£@@.¨ water, stone rings and floating moss. .¨@£,..,#&
#¨¨¨,¤¤¨¨¨ you could've found me wallowing around ¤¨..¨£§¨,@
¨.§¤.,,,#& on the southern shores until i got .¨¤&¨,.¨,¨
¤,¨,,.¨, bitten. §¨¨,¨#¤£#&
¨¨£#¨.,,£§ ,¨£#,,#&@£
,¨¨,¨£§¨,¨ but now i'm further back, on solid #¨¨¨.¨,¤§¨
§¤§#,,,,#& ground, in shoulder-high grass, with an ,¨&§£§....
,§#¨.§£¨.¤ orange tin radio and a translucent §¨.¤§,.£&¨
¨.,¨,..¨¨¨ umbrella which i'm sitting on. ,.,...¨.,,
@#@@£¤¤£&£ #§&§£#¤¤
£#@¤¤¤¤¤£§ * §££¤¤@£#
@@££#¤£@¤& ¤§###§@#&@
£##@§¤§£&@ somethings moving in the grass. it's #¤£#@£@¤¤@
§#&&§¤&£ invisible to my eyes but i can feel §#£#¤&£&¤@
@@@#@##& through the ground just how large it is. £§&£&§@@@¤
@¤@##§£¤§§ #¤¤£#¤£#§§
&&@#§&¤§#¤ the soil is muddy. i slip when trying &¤§#§§#&§#
§§§#£&@¤£@ to get up, still looking at the ¤#§#£@##§¤
¤&¤@@#@§¤¤ direction of sound rather than at my &¤&@¤#§@&¤
#¤¤§¤¤£§£# hands, who are busy putting things in ££@&¤£§&£@
@§&&§#¤§#¤ my pockets. £¤@£@@¤§&¤
£¤§&£#&&§§ &@¤&@#¤¤§£
@#@£#§@@&¤ then i run east toward my home. #§¤¤&£#@@§
¤££#§&¤¤¤& @¤##§§@&§§
###£&£&@ : &£¤§#§##
@@#§@£@£§& #@¤¤§¤@#£@
§&@£££&@ i am not followed, and slow down in the £@¤&@§£#
@¤§##@£& clearing where you at first can spot §#@####£¤&
£#£#§£#§#¤ the house, not yet really in the £&&£¤@¤¤
£&§#§#&@#& backyard. from my pockets i retrieve my ££&&£@§§§#
§#£§@¤¤§ radio (now dented) but also a small @&£§§@#@
@#£¤§&¤§£§ clay figure i've never seen before. it #@&£#§&§&¤
&££@¤&¤§¤§ must have been laying in the wet dirt, @££§§£¤££@
§§#@@§££ and i must've picked it up with my #£#&¤¤¤£
###@£¤&§ other belongings. @§§&§#@£¤&
§@¤@§@&@¤¤ #&§@&¤§§¤#
¤¤&@¤§@&@@ it's a statuette of a girl laying naked §##@¤#£§@#
@§£#§§¤@¤& on her stomach, feet in the air, §¤§££¤#¤@§
&¤¤£&@¤@¤¤ roughly seven centimeters long. it's £§§£@@£#£@
&§@£££@§£§ freshly made, not yet completely dried. ##§§@¤£§
#&§§£#&&@@ §§#¤&&£@
#¤££&£#@§£ my mom is here now. i ask her for some £&§¤&¤
#¤¤&@@@#££ particle board for it to dry on, but #¤@#§@¤¤£§
£#£¤@#¤#¤@ she is worried and wants me to &£@¤£§@&
@§@£#§@£@§ throw it away. @@¤£§§§§
£§¤¤##@§££ §¤#£££¤§£&
£#@££§¤##¤ #@@&£§##
¤@#£§£@#¤# §£#£&@&¤##
@@&££§@#£# ¤§§¤&§@&§#
§£§&§£##§§ @#§§#¤#@#@
@££@@§§¤§# ¤£#¤§§@¤@#