,---=**&££ ££&**=---,
,,,,,,,-*& &*-,,,,,,,
,,,,--=*&& &&*=--,,,,
,,,,,--=&& &&=--,,,,,
,--=*&&@## ##@&&*=--,
,,,,---=*& & dream palace & &*=---,,,,
,,,---=&&@ - ----- ------ - @&&=---,,,
,--=*&&£@# & ..... ...... & #@£&&*=--,
,--=*&&@## = ..... ...... = ##@&&*=--,
,--=*&&£@# - ..... ...... - #@£&&*=--,
,,,,---**& - ..... ...... - &**---,,,,
,--=*&£@## , ..... ...... , ##@£&*=--,
,--=*&&@## ##@&&*=--,
,,,,,-=*&@ @&*=-,,,,,
,--=*&&@## not actually a palace. a cottage in the ##@&&*=--,
,,,---=&&& woods (temperate climate, rains every &&&=---,,,
,--=*&&@## other day, springs and streams and ##@&&*=--,
,--=*&&£@# mysterious iron and stone artifacts, #@£&&*=--,
,--=*&&£@@ birdland-ish eternal spring (late @@£&&*=--,
,--=*&&£@@ spring)) @@£&&*=--,
,--=*&&£@# #@£&&*=--,
,--=*&&£@# - #@£&&*=--,
,--=*&&£££ £££&&*=--,
,,,,---*&£ i wake up every morning at six am. it's £&*---,,,,
,--=*&&£@# dark, and the stars are out, but the #@£&&*=--,
,--=*&&£@@ sun is about to rise. its a long day, @@£&&*=--,
,,,,--**&£ before it fades to night again, and £&**--,,,,
,--=*&£@## then it stays so until i fall asleep. ##@£&*=--,
,--=*&&£## it doesn't rise unless i've had my ##£&&*=--,
,,,,,,,-*& dreams. &*-,,,,,,,
,--=*&&£@@ @@£&&*=--,
,,,,,-*&&£ * £&&*-,,,,,
,--=*&&£@# #@£&&*=--,
,-----*&&£ in this cottage there's a lot of radio £&&*-----,
,,,,-=&&£@ equipment, sound stuff, synths, tape @£&&=-,,,,
,,,,,,-=*& players. pen and paper, books, cameras, &*=-,,,,,,
,--=*&£@## mirrors, prisms, and various things to ##@£&*=--,
,,,,-=&&&£ do art with. the fridge is filled with £&&&=-,,,,
,--=*&&£@# differet foods, all of them intriguing, #@£&&*=--,
,,,,,--=&£ slightly weird. £&=--,,,,,
,--=*&&£@# #@£&&*=--,
,--=*&&&&@ & @&&&&*=--,
,,,,--=**& &**=--,,,,
,--=*&&@## i have friends - there's a cat, and a ##@&&*=--,
,--=*&&£@# dog (who is ridicolously large and #@£&&*=--,
,--=*&&£@# wants to be the big spoon). i listen to #@£&&*=--,
,--=*&&£## the shortwave radio, and transmit a bit ##£&&*=--,
,--=*&&£@# myself, songs and poetry, and found #@£&&*=--,
,,,,,,-*&& sounds from the forest. the others tell &&*-,,,,,,
,,,---**&& of their lives, play the guitar for me, &&**---,,,
,,,,,,-=*& and tell tales of the old world. i &*=-,,,,,,
,--=*&&£@# consider them friends as well. #@£&&*=--,
,,,,---=*& &*=---,,,,
,-----=&£@ £ @£&=-----,
,,,---**&£ £&**---,,,
,--=*&&£@# most importantly, there's a two square #@£&&*=--,
,--=*&&£@# meter area on the floor where i can #@£&&*=--,
,--=*&£@## "save" things. whatever i put in here ##@£&*=--,
,,,,--*&&£ will not be affected by the nightly £&&*--,,,,
,--=*&&&££ reset. everything else, however, is ££&&&*=--,
,--=*&&£@@ completely reset overnight: synth @@£&&*=--,
,,,,---**& patches removed, food uneaten, wounds &**---,,,,
,--=*&&£@# healed, and wherever and whenever i'd #@£&&*=--,
,--=*&&&&@ fall asleep i'd always wake up fully @&&&&*=--,
,-=*&&£@## rested in my bed. sometimes there's ##@£&&*=-,
,,,,,---*& accidents where i lose stuff by &*---,,,,,
,,,-===*&@ forgetting to put them in the square. @&*===-,,,
,--=*&&@## ##@&&*=--,
,--=*&&£@# , #@£&&*=--,
,--=*&&@## ##@&&*=--,
,,,,-==*&£ at night, i have demi-lucid dreams £&*==-,,,,
,,,,,-**&@ where the spirits of the forest around @&**-,,,,,
,--=*&&£@# the cottage tries to communicate. here, #@£&&*=--,
,--=*&&£@# it's not endless but connected to a #@£&&*=--,
,,,,--=&£@ large sprawling city, where my radio @£&=--,,,,
,---==*&&£ friends live. we go exploring together £&&*==---,
,--=*&&&&& - things are deep and dark - but unlike &&&&&*=--,
,--=*&&£@# me, they never remember during the day. #@£&&*=--,
,--=*&&£@@ this is a mystery we often discuss. @@£&&*=--,
,--=*&&&&@ @&&&&*=--,
,--=*&£@## ##@£&*=--,
,--=*&&£@# #@£&&*=--,
,,,-=****& &****=-,,,
,,,-==*&£@ @£&*==-,,,
,,,---==&& &&==---,,,