,,--/%£¤£@ @£¤£%/--,,
,--/%£¤£@# #@£¤£%/--,
,,--/%£¤£@ @£¤£%/--,,
,,,--/%£¤£ £¤£%/--,,,
,,,,--/%£¤ ¤£%/--,,,,
,,,,,--/%£ --//-- £%/--,,,,,
,,,,,,--/% ,,, SLEEP ,,, %/--,,,,,,
,,,,,,,--/ ------ /--,,,,,,,
,,,,,,--/% %/--,,,,,,
,,,,,--/%£ SLEEP IS THE MOST IMPORTANT MEAL OF THE £%/--,,,,,
,,,,--/%£¤ DAY. SLEEP IS SAYING GOODBYE FOR A ¤£%/--,,,,
,,,--/%£¤£ WHILE. IF YOU CAN DREAM, YOU ALSO GET £¤£%/--,,,
,,--/%£¤£@ TO VISIT FRIENDS AND OTHER ANIMALS. @£¤£%/--,,
,--/%£¤£@# #@£¤£%/--,
,,--/%£¤£@ ,,--,, @£¤£%/--,,
,,,--/%£¤£ £¤£%/--,,,
,,,,--/%£¤ DEEPER THAN DEATH IS TO BE ALIVE AND ¤£%/--,,,,
,,,,,--/%£ ASLEEP. IT IS DEATH IF IT WAS TEMPORARY £%/--,,,,,
,,,,,,--/% AND REJUVENATING. %/--,,,,,,
,,,,,,,--/ /--,,,,,,,
,,,,,,--/% ,,--,, %/--,,,,,,
,,,,,--/%£ £%/--,,,,,
,,,,--/%£¤ SLEEP IS A BLACK MARBLE OUTSIDE OF ¤£%/--,,,,
,,,--/%£¤£ WHICH THERE IS NOTHING. INSIDE IS ALL £¤£%/--,,,
,,--/%£¤£@ THE STARS AND IN THE MIDDLE A @£¤£%/--,,
,--/%£¤£@# BLACK LAKE. AT THE FOOT OF THIS LAKE #@£¤£%/--,
,,--/%£¤£@ STANDS AN OLD FRIEND. @£¤£%/--,,
,,,--/%£¤£ £¤£%/--,,,
,,,,--/%£¤ ,,--,, ¤£%/--,,,,
,,,,,--/%£ £%/--,,,,,
,,,,,,--/% WHEN YOU SLEEP ALL SOUND IS INTERNAL. %/--,,,,,,
,,,,,,,--/ WHEN YOU SLEEP YOUR BRAIN SHRINKS. /--,,,,,,,
,,,,,,--/% %/--,,,,,,
,,,,,--/%£ ,,--,, £%/--,,,,,
,,,,--/%£¤ ¤£%/--,,,,
,,,--/%£¤£ IF YOU WISH TO MEASURE SLEEP, USE THESE £¤£%/--,,,
,,--/%£¤£@ FOUR QUANTIFIERS:: GRIP, DEEPNESS, @£¤£%/--,,
,--/%£¤£@# OTHERWORLDINESS AND REVITALIZATION. #@£¤£%/--,
,,--/%£¤£@ @£¤£%/--,,
,,,--/%£¤£ GRIP GOES FROM NOT BEING ABLE TO LET GO £¤£%/--,,,
,,,,--/%£¤ ALL DAY (LEFT) TO NOT CARING TO ¤£%/--,,,,
,,,,,--/%£ REMEMBER (RIGHT). £%/--,,,,,
,,,,,,--/% %/--,,,,,,
,,,,,,,--/ DEEPNESS GOES FROM BEING SEVERAL /--,,,,,,,
,,,,,,--/% HUNDRED METERS DOWN (LEFT) TO BARELY %/--,,,,,,
,,,,,--/%£ TOUCHING THE SURFACE (RIGHT). £%/--,,,,,
,,,,--/%£¤ ¤£%/--,,,,
,,,--/%£¤£ OTHERWORLDLINESS GOES FROM A SINGLE £¤£%/--,,,
,,--/%£¤£@ COHERENT DREAMSCAPE (LEFT), VIA NORMAL @£¤£%/--,,
,--/%£¤£@# DREAM AMOUNTS (MIDDLE) TO NO DREAMS #@£¤£%/--,
,,--/%£¤£@ (RIGHT). @£¤£%/--,,
,,,--/%£¤£ £¤£%/--,,,
,,,,--/%£¤ REVITALIZATION GOES FROM A FEELING OF ¤£%/--,,,,
,,,,,--/%£ NOT HAVING SLEPT AT ALL (LEFT) TO BEING £%/--,,,,,
,,,,,,--/% FULL OF ENERGY AND MAYBE OPTIMISM %/--,,,,,,
,,,,,,,--/ (RIGHT). /--,,,,,,,
,,,,,,--/% %/--,,,,,,
,,,,,--/%£ -- £%/--,,,,,
,,,,--/%£¤ ¤£%/--,,,,
,,,--/%£¤£ HIGH OTHERWORLDLINESS AND HIGH GRIP IS £¤£%/--,,,
,,--/%£¤£@ A PARTICULARLY EFFECTIVE COMBO. @£¤£%/--,,
,--/%£¤£@# #@£¤£%/--,
,,--/%£¤£@ --//-- @£¤£%/--,,
,,,--/%£¤£ ,,, SEE ALSO ,,, £¤£%/--,,,
,,,,--/%£¤ ------ ¤£%/--,,,,
,,,,,--/%£ £%/--,,,,,
,,,,,,--/% SLEEP DEITIES %/--,,,,,,
,,,,,,,--/ THE BLACKBIRD /--,,,,,,,
,,,,,,--/% SOLIPSISM %/--,,,,,,
,,,,,--/%£ £%/--,,,,,
,,,,--/%£¤ --//-- ¤£%/--,,,,
,,,--/%£¤£ ,,, FURTHERMORE ,,, £¤£%/--,,,
,,--/%£¤£@ ------ @£¤£%/--,,
,--/%£¤£@# #@£¤£%/--,
,,--/%£¤£@ THIS IS STILL A PLACE: HERE, IN THE @£¤£%/--,,
,,,--/%£¤£ SILENCE, DARKNESS AND NIGHT - AND £¤£%/--,,,
,,,,--/%£¤ LONELINESS, HOLDING A KIND OF DILUTION ¤£%/--,,,,
,,,,,--/%£ OF REALITY, AND SUDDENLY IT'S NOT £%/--,,,,,
,,,,,,--/% IMPORTANT THAT I LIE IN MY BED, THE %/--,,,,,,
,,,,,,,--/ LACK OF PRESENCE BRINGS THE NOTION /--,,,,,,,
,,,,,,--/% THAT, IF I DO NOT CHOOSE SLEEP, I %/--,,,,,,
,,,,,--/%£ CHOOSE PAST, FUTURE, SOMETHING WITH £%/--,,,,,
,,,,--/%£¤ MORE SUBSTANCE THAN THE OBJECTS I ¤£%/--,,,,
,,,--/%£¤£ SURROUND MYSELF WITH. £¤£%/--,,,
,,--/%£¤£@ @£¤£%/--,,
,--/%£¤£@# #@£¤£%/--,
,,--/%£¤£@ @£¤£%/--,,
,,,--/%£¤£ £¤£%/--,,,
,,,,--/%£¤ ¤£%/--,,,,
,,,,,--/%£ £%/--,,,,,