,,»\^£@@## ##@@£^\»,,
¨,:«†$*@@# #@@*$†«:,¨
¨,~;$£#@## ##@#£$;~,¨
,,^«*%@£@# #@£@%*«^,,
¨-»:§£#### ####£§:»-¨
.¨,-*%*#@# statuette #@#*%*-,¨.
¨:»;†@#@## ##@#@†;»:¨
,¨--==*@@# ¤£§*¤%*§%*££%§*§~~-»--~~@&%%%*%§$$%£§*%¤ #@@*==--¨,
¨^»:%*#### %£%%£$*%% ####*%:»^¨
¨,.=:†£#@# #@#£†:=.,¨
.,=\%£@@## forests around my childhood home. thick ##@@£%\=,.
,¨,»=†%@@# pine arcades that were planted and #@@%†=»,¨,
¨^=/*$#@## forgotten. wild boars roaming ##@#$*/=^¨
,,^~*^£@## underneath, sniffing at the ground. it ##@£^*~^,,
.,=/^¤¶### is dark and moist, the canopy having ###¶¤^/=,.
.,,=:%£### already soaked up all the sun. ###£%:=,,.
¨-«;$*¶@## ##@¶*$;«-¨
,..~=*%@@# there's a river passing by, from east #@@%*=~..,
,-~=^$£### to west, getting broader and deeper and ###£$^=~-,
..,-†^%@## slower as it goes. equisetum grow just ##@%^†-,..
,,-\*$@### where the pine hands start to let ###@$*\-,,
..-~^*%@## through light, horsemint on the rocky ##@%*^~-..
¨,=;^$¶@## river bed. ##@¶$^;=,¨
.¨,«*$%#@# #@#%$*«,¨.
.-=;†§#### ; ####§†;=-.
¨,^-=%%£## ##£%%=-^,¨
¨,~:$$@@## the riverbanks reek of magic. tonight ##@@$$:~,¨
..:=\*$### they had been a swampworld with sylvan ###$*\=:..
,,»:$&@### water, stone rings and floating moss. ###@&$:»,,
.¨-»†§£¶## you could've found me wallowing around ##¶£§†»-¨.
¨:«^†£#### on the southern shores until i got ####£†^«:¨
,¨:~†^§@## bitten. ##@§^†~:¨,
¨,-;†£#@## ##@#£†;-,¨
¨¨,~/$¤¶## but now i'm further back, on solid ##¶¤$/~,¨¨
¨:-/*$#@## ground, in shoulder-high grass, with an ##@#$*/-:¨
..-»^*£¶## orange tin radio and a translucent ##¶£*^»-..
.,-:%&@### umbrella which i'm sitting on. ###@&%:-,.
¨¨^~;%£@## ##@£%;~^¨¨
.-~††%£### : ###£%††~-.
.¨,~*=§### ###§=*~,¨.
¨,~=^$#@## somethings moving in the grass. it's ##@#$^=~,¨
..^=†$$@## invisible to my eyes but i can feel ##@$$†=^..
¨:~:%$#@## through the ground just how large it is. ##@#$%:~:¨
...»=%¤¶## ##¶¤%=»...
¨,~/%%#### the soil is muddy. i slip when trying ####%%/~,¨
,,.=:*$¶## to get up, still looking at the ##¶$*:=.,,
¨,-†=£@### direction of sound rather than at my ###@£=†-,¨
,.^~/†$£## hands, who are busy putting things in ##£$†/~^.,
.,~=§£¶@## my pockets. ##@¶£§=~,.
¨..-/%*#@# #@#*%/-..¨
.,=:†£#### then i run east toward my home. ####£†:=,.
..,~/^## ###&^/~,..
.,»\%@£### : ###£@%\»,.
.¨,»†%%¶## ##¶%%†»,¨.
¨~-:^%¶@## i am not followed, and slow down in the ##@¶%^:-~¨
.¨.»:%@@## clearing where you at first can spot ##@@%:».¨.
.-~\§¤¶### the house, not yet really in the ###¶¤§\~-.
¨,~«†§@¶## backyard. from my pockets i retrieve my ##¶@§†«~,¨
,:~;*&@### radio (now dented) but also a small ###@&*;~:,
¨.^-*^¤£## clay figure i've never seen before. it ##£¤^*-^.¨
¨^=*%£#### must have been laying in the wet dirt, ####£%*=^¨
.¨.»==£@@# and i must've picked it up with my #@@£==».¨.
.^~;%$@### other belongings. ###@$%;~^.
.,^~;%£@## ##@£%;~^,.
.,=†§%@### it's a statuette of a girl laying naked ###@%§†=,.
..,=:*@### on her stomach, feet in the air, ###@*:=,..
,,»*=$#@## roughly seven centimeters long. it's ##@#$=*»,,
,¨,~**¤¶@# freshly made, not yet completely dried. #@¶¤**~,¨,
.-»\†¤#### ####¤†\»-.
¨.:«/**£## my mom is here now. i ask her for some ##£**/«:.¨
.,-†**£### particle board for it to dry on, but ###£**†-,.
¨,~=*$$@@# she is worried and wants me to #@@$$*=~,¨
.,~:^$#### throw it away. ####$^:~,.
,.~-=†@£## ##£@†=-~.,
.-»^§@#### ####@§^»-.
¨,-~^§£@## ##@£§^~-,¨
,,«/%£¶@## ##@¶£%/«,,
¨,.«†%&£@# #@£&%†«.,¨
¨^-;†*¶### ###¶*†;-^¨