§.,¨.¤#&,¨ ¨¨#§....@¤
,.££,,@,¨@ &,¨,.@¤..&
,.¨¨.,,,,, ¨.#¤,,...,
§&§£¤@@£#¨ #..,.§@@#¤
@¤&§¤@@#¨¨ ¨,#@,,@£@£
£§¤#&§@.,@ statuette §,.,.¨¨@§@
@¤¤@#¤¨.., ,¨&@@£¨,¤@
£¤§£&.,#§¤ *$£@%¤%@*%@&&%¤%~~««»»~-£%*$*&@$%¤*@*%$§ @¨.&£....£
@&&£,...§# @*%$%§§£% ¨,¨¨..#£.,
,¤§,.#&¨¨# ,@£¤¤..¨.,
¨,¨..¨¨.¨, forests around my childhood home. thick ¨¨¤¤,.§¤&£
,@#¤¤#@£ pine arcades that were planted and ,,.,¨¨.§#.
¨,@#@@§&§£ forgotten. wild boars roaming ¤&@#¤&¨.¨¨
&,.&¤§§@¤@ underneath, sniffing at the ground. it ¨¤§@§,.¤#§
..,.#@£&¤# is dark and moist, the canopy having ¨.&@,¨,¨@¤
,@#.,¤&@§, already soaked up all the sun. §.,..§§¨¨,
¨,.¨¨¨@@¨¨ .,§¤¨.,.¤¤
.@@#¤.,..¨ there's a river passing by, from east §...,£@.¨.
.,§#,.¤£¤# to west, getting broader and deeper and ¨.§&...,§@
,.¨.¨..££¤ slower as it goes. equisetum grow just .,¨¨,@@,¨.
@&££¤§.,&£ where the pine hands start to let ££§¤..¨¨@@
£&£.,¨,¨ through light, horsemint on the rocky ¨##,,&¤.¨¤
¤#@&,,#§£& river bed. ,,¨,¨¨¨.¨,
.¤&...,§£, .¤#£§#¤§£¨
,¨¨,£@.¨¨. / .,£&&&§@¨¨
§&£.¨¨.£#@ §,¨¤§§§¨.#
£@.¨£§¨,@§ the riverbanks reek of magic. tonight ¨,,¨¤@.,¨,
¨,¨.,.¨.., they had been a swampworld with sylvan &§£¨,.¨§¤,
££#£@£§#£@ water, stone rings and floating moss. ¤§,.¤@,¨¨,
¨§@£§#¤&£§ you could've found me wallowing around .,¨,¨,.#@.
¨¨¤#§£&¤&¤ on the southern shores until i got &&£§§@.¨,¨
¤,.#££¤&&& bitten. #¤§@@¨.@¤¤
¨¨.,£##& #@§&.¨¨,##
¨§@,,£¤#@¨ but now i'm further back, on solid &§£.,#§,¨.
¨.¨¨.,££,, ground, in shoulder-high grass, with an ¤#,,¨¨¨¨£¤
.#&££¨.,.& orange tin radio and a translucent ,¨.££§£,..
..@&¨¨£#¨¨ umbrella which i'm sitting on. #@¨,¤¤.¨¤@
,,¨,.,¨.,, ¨¨,¨.,,¨.,
@#¤&£#&§££ : &@¤§##§&
¤@@¤¤&§¤@# &¤#£§¤#£@£
£¤£#&@&¤ somethings moving in the grass. it's £@@¤&£&@
@¤&§£¤¤@£¤ invisible to my eyes but i can feel ££¤&£#¤¤£¤
§§£@¤&¤#&@ through the ground just how large it is. #¤@£&¤@&
§@§§¤¤¤£&@ ¤£&@@§#£
#§&&¤¤¤§¤& the soil is muddy. i slip when trying @£¤§#£@£§£
§@§§&¤£§§§ to get up, still looking at the ¤£&§££@&&@
¤§&¤£@¤@@& direction of sound rather than at my §#@¤&@#§##
¤¤£@£@££@# hands, who are busy putting things in &¤#£§#§¤
&£¤@§#@£&§ my pockets. #@£§#@£§§£
#@£§@¤£&££ ##&@£¤£@§#
&&£@££¤¤ then i run east toward my home. §#§££#£@¤£
¤§#@¤&£#££ &@@#§£@@§@
@#&£#¤¤#§& \ §§£&¤¤&&&§
£&£@££@¤&@ §¤#&&@@@@&
@¤¤@§@¤&¤@ i am not followed, and slow down in the £####&@£
@£&@£&§&&§ clearing where you at first can spot £¤§£¤§§¤#§
¤¤£££#@£§@ the house, not yet really in the £§¤&&&£§
¤§@§&@#£@# backyard. from my pockets i retrieve my &&§£§@£§
¤&¤§¤§&¤££ radio (now dented) but also a small ¤&£§#§£§
#§¤¤#¤#£¤# clay figure i've never seen before. it &@#¤#£#@££
#£££§£§¤ must have been laying in the wet dirt, #&£§§£&&¤@
¤&§§&&££¤£ and i must've picked it up with my #&£@#¤§@
#§££@§@@ other belongings. §¤&@¤§£§
#£¤@¤¤§¤§@ &&&£#§¤£&¤
¤#¤@¤§£#&& it's a statuette of a girl laying naked &¤§&&&£&
£@¤&&@§£££ on her stomach, feet in the air, §&&&§@&@##
£¤§&¤@£§ roughly seven centimeters long. it's #£¤#&¤@¤@#
§@#§¤¤§££& freshly made, not yet completely dried. @¤#¤¤§@£#£
&&@@&¤#@§# @£§¤&§#@@§
&¤¤¤£¤ my mom is here now. i ask her for some &£@¤@#§@#£
§£#¤@#£§§# particle board for it to dry on, but §£§§&@§£
£@&@@#&&&& she is worried and wants me to #@&¤¤&£#¤&
£&§&£##§¤£ throw it away. ¤§¤§£§¤§#@
&@@#¤#@£££ @£&¤#£££##
¤¤£¤#@@§&@ &¤&£@¤§£
#£¤&§££#¤# £§£#@§§@¤&
@@@§@££§§¤ £&£@&¤@@#&
£@@@@@#£@@ §@#@§§§¤&£
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