,:»†**§@@# #@@§**†»:,
,^-\$$§¶## ##¶§$$\-^,
.¨¨¨,~\=$@ @$=\~,¨¨¨.
,...-†$§£# #£§$†-...,
.,,.¨.,\%§ §%\,.¨.,,.
.¨..~^%*¤@ statuette @¤*%^~..¨.
,,»=§£@### ###@£§=»,,
,.,:»^$*£# **$&&@$£§$$@&*@@«»~~-««~&£@*%*%%$%*$¤$$§ #£*$^»:,.,
¨~=†§&£*## %%§£¤&*§% ##*£&§†=~¨
.~-\§$¤@@# #@@¤$§\-~.
.~=;*%§%¤£ forests around my childhood home. thick £¤%§%*;=~.
.,==%%&@## pine arcades that were planted and ##@&%%==,.
,-»;$$@¶## forgotten. wild boars roaming ##¶@$$;»-,
¨:»/%%¤@## underneath, sniffing at the ground. it ##@¤%%/»:¨
¨¨~^:~/^@£ is dark and moist, the canopy having £@^/~:^~¨¨
¨.,,,.-=@@ already soaked up all the sun. @@=-.,,,.¨
...,¨~%$¤# #¤$%~¨,...
.^»^%¤¤@## there's a river passing by, from east ##@¤¤%^»^.
,,...,;=£@ to west, getting broader and deeper and @£=;,...,,
¨:~;=%¤@@# slower as it goes. equisetum grow just #@@¤%=;~:¨
¨¨,¨.,~†£# where the pine hands start to let #£†~,.¨,¨¨
,~-†^*£### through light, horsemint on the rocky ###£*^†-~,
..«\§§§$@¤ river bed. ¤@$§§§\«..
.-~^*@#### ####@*^~-.
¨,¨¨,,«§§# \ #§§«,,¨¨,¨
.~«*%§#@@# #@@#§%*«~.
.~»^*&@@## the riverbanks reek of magic. tonight ##@@&*^»~.
¨..,¨~-*%& they had been a swampworld with sylvan &%*-~¨,..¨
,^»/%&@### water, stone rings and floating moss. ###@&%/»^,
¨~=\=%&@## you could've found me wallowing around ##@&%=\=~¨
¨~~**£## on the southern shores until i got ###&£**~~¨
.¨.¨¨¨::=§ bitten. §=::¨¨¨.¨.
.-~†*$¤### ###¤$*†~-.
.¨..¨¨«^@# but now i'm further back, on solid #@^«¨¨..¨.
¨¨.,^»*§%¤ ground, in shoulder-high grass, with an ¤%§*»^,.¨¨
,,=*§§§@## orange tin radio and a translucent ##@§§§*=,,
.¨,..~\%%¶ umbrella which i'm sitting on. ¶%%\~..,¨.
,.-:/=*¤&¶ ¶&¤*=/:-.,
,¨¨^:†**§£ : £§**†:^¨¨,
,-=:%*## ###&*%:=-,
.¨,^†§=%=& somethings moving in the grass. it's &=%=§†^,¨.
¨,¨«:=%##£ invisible to my eyes but i can feel £##%=:«¨,¨
¨--=†*&@@@ through the ground just how large it is. @@@&*†=--¨
,.~==«**&¤ ¤&**«==~.,
.,,=~\\§££ the soil is muddy. i slip when trying ££§\\~=,,.
,^«^%*@### to get up, still looking at the ###@*%^«^,
¨^-/*%#### direction of sound rather than at my ####%*/-^¨
¨.~†§$&@## hands, who are busy putting things in ##@&$§†~.¨
.,~:^*@@@@ my pockets. @@@@*^:~,.
,¨,.-:%$¤# #¤$%:-.,¨,
¨,~†*£§### then i run east toward my home. ###§£*†~,¨
.,.-~:†*£# #£*†:~-.,.
¨.,~††=$§¤ : ¤§$=††~,.¨
¨,~/*§§£## ##£§§*/~,¨
,~~*%%¤@#@ i am not followed, and slow down in the @#@¤%%*~~,
,.¨-,-*%&& clearing where you at first can spot &&%*-,-¨.,
.,-††¤¤### the house, not yet really in the ###¤¤††-,.
¨.,.«=§$¤# backyard. from my pockets i retrieve my #¤$§=«.,.¨
¨,==%$£### radio (now dented) but also a small ###£$%==,¨
,:~^:;:†&§ clay figure i've never seen before. it §&†:;:^~:,
.:~~^%%&¶@ must have been laying in the wet dirt, @¶&%%^~~:.
¨:»*†§¤@¤@ and i must've picked it up with my @¤@¤§†*»:¨
..-:^:†*§# other belongings. #§*†:^:-..
.,~*%££@@# #@@££%*~,.
,-«;£### it's a statuette of a girl laying naked ####&£;«-,
.~~\†^%%## on her stomach, feet in the air, ##%%^†\~~.
,^~=**@¶@# roughly seven centimeters long. it's #@¶@**=~^,
.--^=¤§@@# freshly made, not yet completely dried. #@@§¤=^--.
¨.~=^£#### ####£^=~.¨
¨,-/=@£%&@ my mom is here now. i ask her for some @&%£@=/-,¨
¨..,/**§@# particle board for it to dry on, but #@§**/,..¨
,:=;^££### she is worried and wants me to ###££^;=:,
,~=:†¤§### throw it away. ###§¤†:=~,
.-~†%£@££@ @££@£%†~-.
¨.¨~»=*%¤@ @¤%*=»~¨.¨
.¨.,==%*§£ £§*%==,.¨.
..«†^¤@#@# #@#@¤^†«..
,^=†^£§@£# #£@§£^†=^,
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