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,--\^$£### ###£$^\--,
.-»\†$§#@# #@#§$†\»-.
.,«:;:=^*¶ ¶*^=:;:«,.
¨,¨^««$§£¤ statuette ¤£§$««^¨,¨
.,,,-:=%£# #£%=:-,,,.
.^~;**£@¶¶ ¤@%£§§$*&§£%%%@$-«-««»»«$£§£$$£%%&@£¤@§% ¶¶@£**;~^.
,,«\^$&¶@# *@£$¤§$&* #@¶&$^\«,,
,.,.:»/*%# #%*/»:.,.,
.¨¨.=%§§ forests around my childhood home. thick #&§§%=.¨¨.
,^~^*$§##£ pine arcades that were planted and £##§$*^~^,
..¨.-~\†¤# forgotten. wild boars roaming #¤†\~-.¨..
.,~*^%¤@£# underneath, sniffing at the ground. it #£@¤%^*~,.
..==§&£@¶# is dark and moist, the canopy having #¶@£&§==..
,:~;§£@# already soaked up all the sun. #@#&£§;~:,
¨.,,~†@£## ##£@†~,,.¨
,..»~^*^§# there's a river passing by, from east #§^*^~»..,
¨,«*%%§@@# to west, getting broader and deeper and #@@§%%*«,¨
.¨,.¨.-§$¶ slower as it goes. equisetum grow just ¶$§-.¨.,¨.
¨,-/$%££## where the pine hands start to let ##££%$/-,¨
..~=*%¤@## through light, horsemint on the rocky ##@¤%*=~..
,,~\^£#### river bed. ####£^\~,,
¨,,,«^&@## ##@&^«,,,¨
,,,,,.~†*@ = @*†~.,,,,,
.:»*$§¤££@ @££¤§$*»:.
,~~†*@&¶## the riverbanks reek of magic. tonight ##¶&@*†~~,
¨,.,»»%^§¤ they had been a swampworld with sylvan ¤§^%»»,.,¨
¨¨,,.,=*£¤ water, stone rings and floating moss. ¤£*=,.,,¨¨
¨^~;=*#@## you could've found me wallowing around ##@#*=;~^¨
.:~==%@@## on the southern shores until i got ##@@%==~:.
.,..,¨«$§£ bitten. £§$«¨,..,.
¨-=\*@§@#@ @#@§@*\=-¨
¨..,-»†$*& but now i'm further back, on solid &*$†»-,..¨
,¨,.,,\% ground, in shoulder-high grass, with an #&%\,,.,¨,
.--\†£££## orange tin radio and a translucent ##£££†\--.
,,«*§*§#¶# umbrella which i'm sitting on. #¶#§*§*«,,
.:-\&£#### ####£&\-:.
¨.¨,¨^,*^§ † §^*,^¨,¨.¨
¨~~/^§#£@# #@£#§^/~~¨
.,=\=£@@## somethings moving in the grass. it's ##@@£=\=,.
.-~:†### invisible to my eyes but i can feel ####&†:~-.
.^»†%¤#£## through the ground just how large it is. ##£#¤%†»^.
,,~†%£@@## ##@@£%†~,,
¨,~†*$§¶@# the soil is muddy. i slip when trying #@¶§$*†~,¨
,-~\$*@@@# to get up, still looking at the #@@@*$\~-,
,¨.,¨^/$@# direction of sound rather than at my #@$/^¨,.¨,
¨.-\=¤¤@## hands, who are busy putting things in ##@¤¤=\-.¨
,..¨.¨«:%§ my pockets. §%:«¨.¨..,
..,¨--$&¤# #¤&$--¨,..
.¨..-;@¤£¶ then i run east toward my home. ¶£¤@;-..¨.
.¨..,~;†¤& &¤†;~,..¨.
¨^~=%§££@# : #@££§%=~^¨
,:~=^%§### ###§%^=~:,
.¨.,¨«;$¤& i am not followed, and slow down in the &¤$;«¨,.¨.
.~«;*$@### clearing where you at first can spot ###@$*;«~.
¨,«:§£@¶@# the house, not yet really in the #@¶@£§:«,¨
,-~:^$$%¶# backyard. from my pockets i retrieve my #¶%$$^:~-,
,~-/%*§¶@# radio (now dented) but also a small #@¶§*%/-~,
,¨,,»%§*£# clay figure i've never seen before. it #£*§%»,,¨,
,,»:§$## must have been laying in the wet dirt, ###&$§:»,,
¨..¨.«*##¶ and i must've picked it up with my ¶##*«.¨..¨
.,,¨,,¨=%£ other belongings. £%=¨,,¨,,.
.-~;**§### ###§**;~-.
.,~/**££## it's a statuette of a girl laying naked ##££**/~,.
,-«;=$@### on her stomach, feet in the air, ###@$=;«-,
¨.~\^£¤@## roughly seven centimeters long. it's ##@¤£^\~.¨
¨^~:*§@£## freshly made, not yet completely dried. ##£@§*:~^¨
.,,.,,\=#£ £#=\,,.,,.
.,-*%%¤¶## my mom is here now. i ask her for some ##¶¤%%*-,.
.,.-«;^*@# particle board for it to dry on, but #@*^;«-.,.
¨:=\$&¤### she is worried and wants me to ###¤&$\=:¨
.¨.~/=\*§£ throw it away. £§*\=/~.¨.
,.-,,=%@$£ £$@%=,,-.,
¨,~:%$#@@# #@@#$%:~,¨
¨,¨¨,^,~%§ §%~,^,¨¨,¨
¨^»†=£¤@## ##@¤£=†»^¨
.¨.¨¨=*¤§@ @§¤*=¨¨.¨.
¨~=*/§&£$& &$£&§/*=~¨