.,,¨.¨.¨.¨ ..¨,.¨,..,
£@#@##§@&@ ,§#£&¤¤@&&
£§&&§£&¤#§ ,.@¤§#@&£@
@#££#£££ ¨,¨¤§£§¤@§
£#¤@£@## §¤,,&§##&@
¤§#£¤¤¤£#£ statuette §.,,¨§##§#
§#£§§§@&@¤ ..§§..@&§&
&&¤&££¤@¤§ %%%$$¤¤££%$&§%$@»==~~~»»&&*%£@$$£££*§£¤& §.,.,.¨£¤£
§#¤£§@£§ @$£*¤£*£& ,.#@£§¨,#&
££¤@¤@@##& ,.¨&¤,...¤
&¤@§¤¤¤#¤§ forests around my childhood home. thick @#..¨,@¤,,
¨¤§¤§@¤£§§ pine arcades that were planted and ¤..§@¨.¨,.
¨.§&¤#§¤£¨ forgotten. wild boars roaming ¨,.,,,@£@&
.,,@&¤£&,¨ underneath, sniffing at the ground. it &££@&,.#&,
¤£.¨¤§@,.& is dark and moist, the canopy having §¤£§¨,.,,¨
¨..¨¨#,¨¨¨ already soaked up all the sun. §#@,.¤@£¤,
@@##¨,,@§. @¤,.¨.&¤,.
,&£..¤,¨., there's a river passing by, from east @¨,§@,¨,..
,.,,.¨,@§§ to west, getting broader and deeper and ¨.¨,,,£¤¤§
¨#¤£§¤¨,§¤ slower as it goes. equisetum grow just ¨&£§#,¨£#,
..¤##,..., where the pine hands start to let ¨¨§¤¨,..,,
§,¨¤,¨§£@@ through light, horsemint on the rocky .¨.¨¨#¤&¤@
,¨.¨..,@@, river bed. ¤@&@.¨##££
¨¤§§¨,,. .£@¨,,,£#¨
.,@..§§& † ¨.¨.@£,,.¨
¤,,£.,..&¤ .§£¨,.¨£#§
¨,.,,¤&.,, the riverbanks reek of magic. tonight ..,,¤§.,§@
¨##¤.,,.#§ they had been a swampworld with sylvan £££¨.¨..,,
,¨#,¨&¤,¨£ water, stone rings and floating moss. ¤#..&&§£&@
.,,¨...,,¨ you could've found me wallowing around .,,,,@@@§,
@&@#§¤§§@¨ on the southern shores until i got #&@@¨,#&.,
,¤¤@&&¤#,, bitten. §§§,.¨.,..
,.&£&§§..£ @#,¨§#&§
,..§£&.¨,. but now i'm further back, on solid §,¨¨.@£&¤¨
££.¨#.,£¤. ground, in shoulder-high grass, with an ,.&¤¨¨¤&¨.
.¨..¨¨..¨. orange tin radio and a translucent ¨.¨¨¨,.¨.,
&¤&¤&&&§#@ umbrella which i'm sitting on. §@§¤@£#&§&
£§§&¤§£¤&§ #@&§@£&@@¤
¤#£&¤§#¤&& ^ &@£@¤£¤¤
¤&@#@¤£@&& #@¤£&¤#£
£@@§&@£££& somethings moving in the grass. it's @§#@#£££
##&£#£ invisible to my eyes but i can feel #£§&¤§
££@@§§ through the ground just how large it is. @§££@@#&££
#¤@#§#¤#£§ #@§§£&§##§
@#¤¤@§¤&&£ the soil is muddy. i slip when trying &££§§&¤#¤&
@##&@§#¤&@ to get up, still looking at the @¤§#£@£&
@#§¤&£¤&@£ direction of sound rather than at my §@¤£¤&§#¤§
¤&££&£§££§ hands, who are busy putting things in £&&&¤§£#§§
£#@§#£§&&& my pockets. ¤§#§####£#
§&&&¤@¤£ #¤¤¤@£@£&¤
&§#¤£@&£@# then i run east toward my home. &¤£¤@@#@@&
¤&@@§£@@£¤ £££#§§#¤&¤
@£§£§¤@#£¤ ^ @¤¤#£¤&&§§
¤¤££@£§¤@& #££&&&¤&§#
£¤¤&£§#& i am not followed, and slow down in the £#@#£§§£@#
£@#¤§#¤#§# clearing where you at first can spot ¤&¤§¤@@@§§
&&¤£@@@&§@ the house, not yet really in the ££#§#£¤@£#
#§#&@#§@§§ backyard. from my pockets i retrieve my #£§£§&@§¤£
¤¤@@£#§# radio (now dented) but also a small #§§&&¤@&£#
@¤¤##£#&&¤ clay figure i've never seen before. it #¤§£§¤#¤#§
£#&@&@§£@¤ must have been laying in the wet dirt, §&@£#@@¤¤¤
&¤#§&§&&§@ and i must've picked it up with my &¤#§¤§#£@#
&¤@§&§#£¤@ other belongings. £&¤¤§§@&£§
¤§§¤@£ #@&¤#¤#££@
¤£&@£@@£§£ it's a statuette of a girl laying naked ¤#¤#@#§#
@&&§@£§#&¤ on her stomach, feet in the air, §§@§@&£¤£&
@&¤£¤#@&@# roughly seven centimeters long. it's §££@§@§£
¤£££&£#@ freshly made, not yet completely dried. &£¤§&§&£&¤
£¤&@§£££¤§ @&&¤&&£@@§
£§#&£@&¤¤£ my mom is here now. i ask her for some ¤&¤§&@@#
#££#¤@@£¤# particle board for it to dry on, but ¤#¤&£#§££@
¤&&££@£§§¤ she is worried and wants me to &§#£&@#£
§&@§&¤&¤£§ throw it away. #§¤@&@£§@£
£§@¤###§£# §&@&¤££&&@
@@&@@#¤@&£ &££§&£¤¤¤&
¤£§@£§¤@£§ &¤§£#@¤#£¤
&&£££& ¤¤§#@§#£&§
&@£¤@§£& ¤@@@@#&¤#¤
@¤&§§¤¤& #£&¤@&&¤¤#