..^~\%*§@# #@§*%\~^..
¨,.:~*^¤£@ @£¤^*~:.,¨
¨.,.,«^*%§ §%*^«,.,.¨
¨,..=†*$£@ @£$*†=..,¨
..:=/^%§£# #£§%^/=:..
¨:«;*¤£@## statuette ##@£¤*;«:¨
.¨,~:*&@@# #@@&*:~,¨.
.,.,==^§¤# @%£&&£%@$$%£&*¤@~---~-»~£§&£%%*¤§@*%%£§@ #¤§^==,.,.
,¨¨¨~==$%§ *££%£%*¤$ §%$==~¨¨¨,
¨¨.~~/^£#@ @#£^/~~.¨¨
.¨:«==¤@## forests around my childhood home. thick ##@¤==«:¨.
.,»\^$#£## pine arcades that were planted and ##£#$^\»,.
..--^*$# forgotten. wild boars roaming ##&$*^--..
,¨¨^-*†&¤# underneath, sniffing at the ground. it #¤&†*-^¨¨,
.¨,.~~\§¤# is dark and moist, the canopy having #¤§\~~.,¨.
.,¨^»;†$£@ already soaked up all the sun. @£$†;»^¨,.
.¨-=\^§@## ##@§^\=-¨.
.,«†§$£@## there's a river passing by, from east ##@£$§†«,.
¨¨,=†%&¤@# to west, getting broader and deeper and #@¤&%†=,¨¨
,,,,-;%¤#@ slower as it goes. equisetum grow just @#¤%;-,,,,
,.¨¨.~/*£¤ where the pine hands start to let ¤£*/~.¨¨.,
.,¨.«/%£§# through light, horsemint on the rocky #§£%/«.¨,.
.¨-»^$@# river bed. #@#&$^»-¨.
¨-«=†*£### ###£*†=«-¨
.,~»/*£@## ^ ##@£*/»~,.
¨,¨^»/%§#@ @#§%/»^¨,¨
,¨¨¨:~*%@£ the riverbanks reek of magic. tonight £@%*~:¨¨¨,
¨.¨,«\%@@@ they had been a swampworld with sylvan @@@%\«,¨.¨
¨,,~*$*§@# water, stone rings and floating moss. #@§*$*~,,¨
.,~*=£&@## you could've found me wallowing around ##@&£=*~,.
¨,~«**$§@# on the southern shores until i got #@§$**«~,¨
¨,,~«**%#@ bitten. @#%**«~,,¨
....~~=%$£ £$%=~~....
.¨¨^-=†£@@ but now i'm further back, on solid @@£†=-^¨¨.
¨¨~~^†$§@# ground, in shoulder-high grass, with an #@§$†^~~¨¨
,:~^§§## orange tin radio and a translucent ###&§§^~:,
¨¨,-^*$@£# umbrella which i'm sitting on. #£@$*^-,¨¨
..,:»=$&£@ @£&$=»:,..
¨¨.,,«==¤¤ = ¤¤==«,,.¨¨
¨¨,,==%&&¶ ¶&&%==,,¨¨
.,,«\=£¤£# somethings moving in the grass. it's #£¤£=\«,,.
¨^=\§§#### invisible to my eyes but i can feel ####§§\=^¨
¨,,~\*££## through the ground just how large it is. ##££*\~,,¨
.¨¨.~\=¤@# #@¤=\~.¨¨.
,¨,,~=/=$¤ the soil is muddy. i slip when trying ¤$=/=~,,¨,
.,¨,=**@## to get up, still looking at the ##@**=,¨,.
,¨.==^*&¶# direction of sound rather than at my #¶&*^==.¨,
,~-;§$@### hands, who are busy putting things in ###@$§;-~,
.¨,-†$&££# my pockets. #££&$†-,¨.
¨..:»:*$§@ @§$*:»:..¨
¨¨,.,«/$¤¤ then i run east toward my home. ¤¤$/«,.,¨¨
¨¨,.~*%@§@ @§@%*~.,¨¨
.,.=^$*@¶# : #¶@*$^=.,.
.~-\=$&@## ##@&$=\-~.
..-»;*£§¶# i am not followed, and slow down in the #¶§£*;»-..
¨¨,--:§&&£ clearing where you at first can spot £&&§:--,¨¨
¨.¨¨,~/§£§ the house, not yet really in the §£§/~,¨¨.¨
¨,.--:%* backyard. from my pockets i retrieve my #&*%:--.,¨
¨¨,-†=$@¶# radio (now dented) but also a small #¶@$=†-,¨¨
,,~*^£§@## clay figure i've never seen before. it ##@§£^*~,,
,¨,»/=$@¶# must have been laying in the wet dirt, #¶@$=/»,¨,
,.¨~=:§$## and i must've picked it up with my ##$§:=~¨.,
.....«\*@# other belongings. #@*\«.....
..¨:~:%@ #&@%:~:¨..
¨,.-=†§§## it's a statuette of a girl laying naked ##§§†=-.,¨
¨,»=%@§### on her stomach, feet in the air, ###§@%=»,¨
.¨,=^^%§@# roughly seven centimeters long. it's #@§%^^=,¨.
¨¨¨:~;=$§¶ freshly made, not yet completely dried. ¶§$=;~:¨¨¨
..,.:=†*%& &%*†=:.,..
,¨.,-:%$#¶ my mom is here now. i ask her for some ¶#$%:-,.¨,
¨,:=/^*§¶# particle board for it to dry on, but #¶§*^/=:,¨
..=†$%§@## she is worried and wants me to ##@§%$†=..
..,«\$£¤@# throw it away. #@¤£$\«,..
.,.-~^^@¤# #¤@^^~-.,.
¨.¨¨-==*&§ §&*==-¨¨.¨
,¨¨~«\%@&@ @&@%\«~¨¨,
,¨^=/^§&@# #@&§^/=^¨,
¨:-:§&£### ###£&§:-:¨
,.:«/*¤§## ##§¤*/«:.,