,#,....¨,¨ .¨.¨@,¨,,,
..,&£@#£§£ @&@.,.#§@#
.#..#¤£&@# ¤@,,&,,¤@,
....,§§# ,¨.,,¨¨,,,
&§¤#,¨@#¤, #@#¤£@§&¤&
##@¨.¨,#.. statuette ¤££§£@£§#&
¤@..§@.¨,¨ ###£@§@§¤¤
&.,¨.¨,§¤@ §%¤%£%£*@£%§¤§%¤»~»«=«-=%£&%%¤§$*%%§%¤$$ ,&@£¤¤@&@¤
¨,@¤§£¨,§§ §¤@%¤¤%§§ ¨.§&@¤¤&
¨¨.#@.,..# §¨.&&@§@£,
#@,.¨¨££,. forests around my childhood home. thick ..¨.@¤¨.
¨..¤§.,.¨. pine arcades that were planted and .§&,.¤&¨..
§£¨,.,#§&§ forgotten. wild boars roaming ¨..¨¨..,£§
@,.@@,.¤£# underneath, sniffing at the ground. it ¨#§#¤¤¤.,@
¨,,.¨,..¤# is dark and moist, the canopy having ,.#§£#¨,.¨
@§§¤¤¤¤¨,# already soaked up all the sun. ..,¤@¨.@#£
££@@§@,¨¨. &§,,.,¨.&£
§¤&¤@¨,@&. there's a river passing by, from east #,¨¤@#£,¨§
&££&.¨,¨.¨ to west, getting broader and deeper and .¨¨.§&,.¨.
.#£,.§#§@& slower as it goes. equisetum grow just ¨@#,.,.@§,
¨,¨.¨.##¤# where the pine hands start to let ,.,¨@@¨.,.
£&§£§.¨§¤£ through light, horsemint on the rocky ¨#¤¨¨.¨&£¤
¤&¨...&. river bed. .¨¨¨@£.¨@¤
##§,.&&,¨¨ ¤&¤,,.¨¨,@
¤#,...¨¨§, * @£,,¤@£@,.
¨¨,&@,.. @,¨¨¨@§.¨¨
£#¨.§§..@& the riverbanks reek of magic. tonight .¨¤¤¨¨..##
¤.¨.,..,.¤ they had been a swampworld with sylvan #,,,.§¤¨.@
.¨#&§#,, water, stone rings and floating moss. ¨.#@¨..¨.¨
£.,£#§#¨.. you could've found me wallowing around .¨¨..&§&§&
.,,,§¤.¨## on the southern shores until i got @&@&,.&§¤£
.§&.¨,¨¨¨¨ bitten. &&£,,.¨#£,
,¨.,#£@&£@ .¨¤£,.,.
¤@&.,@@. but now i'm further back, on solid ..,,¨.,&££
#£¨¨,,£&.¨ ground, in shoulder-high grass, with an ¤§¤@¤§¨¨§§
#,¨#@.,.¨, orange tin radio and a translucent §£§§§.¨¨.¤
,,¨.,,£&¤@ umbrella which i'm sitting on. §¤§#¨.§§¨¨
#§£§£¨,@@& ¨£@¨...,.&
&@¤§¨.,,#£ \ ,...¤¤@§,,
,&&..@@,,. ¨&¤.,¤§¨..
.,,¨..,¨£# somethings moving in the grass. it's ,...¨¨,¨¤¤
.&§#£@§,.. invisible to my eyes but i can feel ¨&&&&&&.¨,
¨,§@.¨@£ through the ground just how large it is. ,.¤@§¤,¨¤@
¨,¨#&,¨,.§ ...£§¨..,.
@§¨,¨¨,¨ the soil is muddy. i slip when trying @¤,¨.,##§#
§..@§¨.¨¨¤ to get up, still looking at the ¨¨¨¤£.,§¤¤
,.,¨¨,£@,. direction of sound rather than at my &£¨¨¨¨.,£¤
.#@£¤¨¨,.§ hands, who are busy putting things in .¨.#£¤@.¨.
¨¨§@.,#£,, my pockets. &@¨.£#¨¨¤¤
¨,¨,,,,,.. ,¨,.¨,¨.¨,
@#£&§££§#& then i run east toward my home. £§§@¤@§§#¤
¤£@&&@§£&@ @£¤¤#§§§§¤
¤#§£¤#§&¤¤ ^ &£#&@#§#£¤
§@££¤#&§#& £¤#£@£¤§§£
§§##@¤#&£§ i am not followed, and slow down in the @@§§£££¤@§
§@¤¤@£¤&@@ clearing where you at first can spot £¤£#§££#
#¤&£§@@@§& the house, not yet really in the #¤§&@£££§§
§¤@¤#¤§¤#£ backyard. from my pockets i retrieve my ¤§¤§@@&&@§
@¤&§§¤&&@@ radio (now dented) but also a small ¤@&¤£&@¤
@§#§¤#&§§£ clay figure i've never seen before. it ¤£§#@£@#&&
&§§£§&@@ must have been laying in the wet dirt, &£¤@£#&&
&£¤##¤@# and i must've picked it up with my ¤§@&§##§£@
&&£##@#@¤§ other belongings. ¤#¤¤##@¤
#@££¤§#§¤@ @###&§&@@£
¤££@¤§&¤¤¤ it's a statuette of a girl laying naked ¤&@@¤¤§@£@
@£@@#§&@#§ on her stomach, feet in the air, @#¤#§&£@&@
¤§¤£@&&£ roughly seven centimeters long. it's @#£@@&@#§§
¤¤&§&£#£ freshly made, not yet completely dried. ££@@£@&@£¤
££¤¤£§@&@@ §@§&@£&£@#
#£§@@¤@@ my mom is here now. i ask her for some ¤@¤#&#££
@¤##&¤£§§# particle board for it to dry on, but £@§§@§&££&
&@#&@@#£ she is worried and wants me to @¤£@§£#&&@
¤##¤&@@#§& throw it away. #£¤§¤§
#¤£##£@@§& ££££#§&@#¤
#&£@#£¤§#¤ #@#@@@&¤
§@#£&§&§ ££#@#&@@
£§&¤§£#§&£ &@&¤&&¤&&¤
@#¤@@¤@§§£ ¤¤&@¤&&£§#
£¤£§§¤@@¤@ §¤@¤£¤@¤