,,»%$&£### ###£&$%»,,
.:«\^¤§### ###§¤^\«:.
¨,«^%&¤§$£ £$§¤&%^«,¨
,:-††### ####&††-:,
..,,.«/@ @#&/«.,,..
,¨..-;¤£ statuette #&£¤;-..¨,
,.¨¨¨,,/*& &*/,,¨¨¨.,
¨¨~-^«%†£# &£¤*¤§%&*&%@@$$£«««»~»~»%%¤&$£¤*£§@&*¤&§ #£†%«^-~¨¨
¨.=:\=%%@@ @§*@£$%¤¤ @@%%=\:=.¨
¨.¨-~^=¤¤# #¤¤=^~-¨.¨
¨¨¨¨¨.\=^¤ forests around my childhood home. thick ¤^=\.¨¨¨¨¨
.,..~:\%£# pine arcades that were planted and #£%\:~..,.
.^~;=££@## forgotten. wild boars roaming ##@££=;~^.
.-;^££¶### underneath, sniffing at the ground. it ###¶££^;-.
.,»\*£¤@## is dark and moist, the canopy having ##@¤£*\»,.
¨.~:^£@@## already soaked up all the sun. ##@@£^:~.¨
,..,-~;$&£ £&$;~-,..,
.,,-†*$§&@ there's a river passing by, from east @&§$*†-,,.
,,«;^$£§## to west, getting broader and deeper and ##§£$^;«,,
,.^:/\;$§£ slower as it goes. equisetum grow just £§$;\/:^.,
¨¨,.~=†*@# where the pine hands start to let #@*†=~.,¨¨
,^-\%¤#### through light, horsemint on the rocky ####¤%\-^,
.^~††&£@## river bed. ##@£&††~^.
.¨¨,¨=†*§# #§*†=¨,¨¨.
,.~†%*§### \ ###§*%†~.,
,^»:$&&£## ##£&&$:»^,
¨:-*^£§¶## the riverbanks reek of magic. tonight ##¶§£^*-:¨
.^»;*££@## they had been a swampworld with sylvan ##@££*;»^.
,:«:%£@@## water, stone rings and floating moss. ##@@£%:«:,
,,-=^¤£### you could've found me wallowing around ###£¤^=-,,
,,~/*¤£@## on the southern shores until i got ##@£¤*/~,,
,:«^=%#@@# bitten. #@@#%=^«:,
¨,«:*%£@@# #@@£%*:«,¨
,^=/†&§@## but now i'm further back, on solid ##@§&†/=^,
¨,-**%## ground, in shoulder-high grass, with an ###&%**-,¨
..=^§@£### orange tin radio and a translucent ###£@§^=..
.,¨,¨»~;%£ umbrella which i'm sitting on. £%;~»¨,¨,.
.^~†$@## ##@#&$†~^.
,,-=§@&@## / ##@&@§=-,,
.:-=%££#@# #@#££%=-:.
:-:$&¤#### somethings moving in the grass. it's ####¤&$:-:
.,=:*£&@## invisible to my eyes but i can feel ##@&£*:=,.
.^«=^$@¶ through the ground just how large it is. ¶@#&$^=«^.
,,~^^£&£## ##£&£^^~,,
,~\%*### the soil is muddy. i slip when trying ####&*%\~,
,.,¨~/†&@# to get up, still looking at the #@&†/~¨,.,
,¨¨^//&%£@ direction of sound rather than at my @£%&//^¨¨,
¨-~=*$#### hands, who are busy putting things in ####$*=~-¨
.~«*^¤§@## my pockets. ##@§¤^*«~.
,-«\§##@## ##@##§\«-,
¨,==*%@@## then i run east toward my home. ##@@%*==,¨
,,†^*¤#### ####¤*^†,,
¨,»**&§$¤# \ #¤$§&**»,¨
,:-††&¤¶## ##¶¤&††-:,
¨,~=§£#¶@# i am not followed, and slow down in the #@¶#£§=~,¨
¨,»\*£¤£@# clearing where you at first can spot #@£¤£*\»,¨
.:~*$@£### the house, not yet really in the ###£@$*~:.
..~=^§£### backyard. from my pockets i retrieve my ###£§^=~..
¨,.,~/†$%£ radio (now dented) but also a small £%$†/~,.,¨
,,-»~;$$££ clay figure i've never seen before. it ££$$;~»-,,
..,.^*¤¤£# must have been laying in the wet dirt, #£¤¤*^.,..
,^-\*£§@## and i must've picked it up with my ##@§£*\-^,
.~«;%%#@## other belongings. ##@#%%;«~.
¨:«=*%£# #£#&%*=«:¨
.,,¨¨~-\¤@ it's a statuette of a girl laying naked @¤\-~¨¨,,.
,¨¨¨¨:/*## on her stomach, feet in the air, ##*/:¨¨¨¨,
,~«/%&@@## roughly seven centimeters long. it's ##@@&%/«~,
¨,=\$&£¶@# freshly made, not yet completely dried. #@¶£&$\=,¨
,.=/†%@%@£ £@%@%†/=.,
.,=;*¤£@## my mom is here now. i ask her for some ##@£¤*;=,.
.,.¨¨~=§@@ particle board for it to dry on, but @@§=~¨¨.,.
.,..¨:†^@¤ she is worried and wants me to ¤@^†:¨..,.
,.,.«»~†#§ throw it away. §#†~»«.,.,
.¨¨,.~*@§& &§@*~.,¨¨.
,~=:%%¤£@# #@£¤%%:=~,
¨¨.¨¨.=**£ £**=.¨¨.¨¨
¨,=\*@#@## ##@#@*\=,¨
,,,¨~\=*$# #$*=\~¨,,,
,,==$%¤¶## ##¶¤%$==,,