.¨,¨,.\†&& &&†\.,¨,¨.
¨,»\§¤@#@# #@#@¤§\»,¨
¨~=:%$§@## ##@§$%:=~¨
.^~=*%@¤#@ @#¤@%*=~^.
,,^.=\$%@& &@%$\=.^,,
,¨,.,.¨-%£ statuette £%-¨.,.,¨,
,¨,.;\%$¶¶ ¶¶$%\;.,¨,
¨.«†%%#@@# §%$¤¤£$£*§¤§%$£%-»««=-~~&§%££$£$§§@£@£¤§ #@@#%%†«.¨
.,~»=^£§#@ §%$£$*$$£ @#§£^=»~,.
¨~=\^§%^@¤ ¤@^%§^\=~¨
,¨¨,,*$&¶# forests around my childhood home. thick #¶&$*,,¨¨,
¨..¨--^%¤§ pine arcades that were planted and §¤%^--¨..¨
,.:-/%*§§@ forgotten. wild boars roaming @§§*%/-:.,
¨,~;*$¤¶## underneath, sniffing at the ground. it ##¶¤$*;~,¨
.:~=†@§### is dark and moist, the canopy having ###§@†=~:.
.:»\^†§§%§ already soaked up all the sun. §%§§†^\»:.
,,.,,.^;%@ @%;^.,,.,,
.-«/=££#§@ there's a river passing by, from east @§#££=/«-.
,:~;*£@### to west, getting broader and deeper and ###@£*;~:,
.^~/*$¤#@# slower as it goes. equisetum grow just #@#¤$*/~^.
..=:%@§@@# where the pine hands start to let #@@§@%:=..
,~=^*$£@## through light, horsemint on the rocky ##@£$*^=~,
,,=^%$£### river bed. ###£$%^=,,
,~=/%§£@ @#&£§%/=~,
.,.:-/*&@# ; #@&*/-:.,.
,.¨~-;:$¤# #¤$:;-~¨.,
..,¨¨-=$@# the riverbanks reek of magic. tonight #@$=-¨¨,..
.~«*=$@@@# they had been a swampworld with sylvan #@@@$=*«~.
.¨¨¨¨.==¤¶ water, stone rings and floating moss. ¶¤==.¨¨¨¨.
,,.,¨.,/$£ you could've found me wallowing around £$/,.¨,.,,
¨,=/^%##@# on the southern shores until i got #@##%^/=,¨
,^~*†¤§### bitten. ###§¤†*~^,
¨¨¨¨¨.:=$# #$=:.¨¨¨¨¨
.:=/*£@# but now i'm further back, on solid #@#&£*/=:.
¨.^.,=^%@# ground, in shoulder-high grass, with an #@%^=,.^.¨
¨^~=§*$£§@ orange tin radio and a translucent @§£$*§=~^¨
..¨,.,:@ umbrella which i'm sitting on. @#&:,.,¨..
.,«†/%**%# #%**%/†«,.
..~^*=@¤#@ ; @#¤@=*^~..
¨:~;=%£@## ##@£%=;~:¨
,¨.,,=/*£@ somethings moving in the grass. it's @£*/=,,.¨,
.,»*^*@# invisible to my eyes but i can feel #@#&*^*»,.
¨:»*=$§£## through the ground just how large it is. ##£§$=*»:¨
.¨,¨.¨=%£§ §£%=¨.¨,¨.
,-«*%$&£## the soil is muddy. i slip when trying ##£&$%*«-,
,.¨=^//§£@ to get up, still looking at the @£§//^=¨.,
,,-**&§### direction of sound rather than at my ###§&**-,,
,:~=$@#£## hands, who are busy putting things in ##£#@$=~:,
.^~=%%#£## my pockets. ##£#%%=~^.
..~;%@£&££ ££&£@%;~..
,--==£¤### then i run east toward my home. ###¤£==--,
,¨¨.:*^$£¤ ¤£$^*:.¨¨,
.:=^%¤§@## * ##@§¤%^=:.
,~~\%$£¶## ##¶£$%\~~,
,,,.¨¨,«^§ i am not followed, and slow down in the §^«,¨¨.,,,
..¨¨..»=@§ clearing where you at first can spot §@=»..¨¨..
,~,,,=$£ the house, not yet really in the £#&$=,,,~,
.:==*§&@## backyard. from my pockets i retrieve my ##@&§*==:.
¨,«=%§@### radio (now dented) but also a small ###@§%=«,¨
.-~;†@##@# clay figure i've never seen before. it #@##@†;~-.
¨.~;†§=%## must have been laying in the wet dirt, ##%=§†;~.¨
..¨¨..,=%& and i must've picked it up with my &%=,..¨¨..
.,¨,;$=#£@ other belongings. @£#=$;,¨,.
,^»;%£@#¶# #¶#@£%;»^,
¨,,,«%*@@# it's a statuette of a girl laying naked #@@*%«,,,¨
.,.¨¨-/§*£ on her stomach, feet in the air, £*§/-¨¨.,.
,~-\%$§¶## roughly seven centimeters long. it's ##¶§$%\-~,
,:-**@&@## freshly made, not yet completely dried. ##@&@**-:,
.,..-*$%@# #@%$*-..,.
,.¨~~=†† my mom is here now. i ask her for some #&††=~~¨.,
.^~;=&@@@# particle board for it to dry on, but #@@@&=;~^.
.¨,,:,^=%¤ she is worried and wants me to ¤%=^,:,,¨.
,..,«~;†£¤ throw it away. ¤£†;~«,..,
¨.,,~=/&£@ @£&/=~,,.¨
.,¨^,†%@*£ £*@%†,^¨,.
,:-^†%&@¤# #¤@&%†^-:,
.^«*§$¤£## ##£¤$§*«^.
.,-**£¤### ###¤£**-,.
¨..~.=\*## ##*\=.~..¨