,^~~~††%¤#                                          #¤%††~~~^,
,,,,^~%¤¤¤                                          ¤¤¤%~^,,,,
,^~†%£¤@##                                          ##@¤£%†~^,
,,,~~††%£@                                          @£%††~~,,,
,^~†%£¤@##                                          ##@¤£%†~^,
,^~†%£¤@@# delay  delay  d,la#  ¤ %a,  ^ ,@   ~   ^ #@@¤£%†~^,
,^~†%£¤@##                                          ##@¤£%†~^,
,^~†%£¤@##                                          ##@¤£%†~^,
,^~†%£¤@##                                          ##@¤£%†~^,
,,,,,~~%%¤                                          ¤%%~~,,,,,
,^~†%£¤@## "delay" means repetiton or likewise,     ##@¤£%†~^,
,^~†%£¤@## but it's mainly useless without          ##@¤£%†~^,
,^~†%£¤@## feedback,                                ##@¤£%†~^,
,,,^†%%%£¤ to allow the delay to eat of it's own    ¤£%%%†^,,,
,^~†%£¤@## tail, like one of those eaty serpents.   ##@¤£%†~^,
,^~†%£@### thus: it's the serpent effect!           ###@£%†~^,
,^~†%£¤###                                          ###¤£%†~^,
,^~†%£¤@## it's to be revered as a creator of       ##@¤£%†~^,
,^~†%£¤@@# ambience and of space, if you treat it   #@@¤£%†~^,
,^~†%£¤@## right. a somewhat more solid and         ##@¤£%†~^,
,^~~†%%%£¤ slippery sibling of reverb.              ¤£%%%†~~^,
,^~†%£¤@##                                          ##@¤£%†~^,
,^~~~%£¤@#                                          #@¤£%~~~^,
,^~†%£¤@##                                          ##@¤£%†~^,
,,,,^~%%£¤                                          ¤£%%~^,,,,
,^~†%¤@###                                          ###@¤%†~^,