.##.##.#.# ..#.##.#..
#.#..#.#.# .##..#.#..
#.#.##.#.# ..#.##.#.#
#.#..#.#.# .##..#.#..
#.#.##.#.# ..#.##.#.#
#.#..#.#.# ###= =### .##..#.#..
#.#.##.#.# # # ..#.##.#.#
#.#..#.#.# # TELE MIGRAINE # .##..#.#..
#.#.##.#.# # # ..#.##.#.#
#.#..#.#.# ###= =### .##..#.#..
#.#.##.#.# ..#.##.#.#
#.#..#.#.# THE SO CALLED "THIRD MIGRAINE". IT'S .##..#.#..
#.#.##.#.# LIKE A REGULAR MIGRAINE BUT IT DOES NOT ..#.##.#.#
#.#..#.#.# HURT THERE'S NO PAIN, THE COSMOS IS .##..#.#..
#.#.##.#.# THERE AND IT'S DRAINING THE EVIL ..#.##.#.#
#.#..#.#.# STRAIGHT OUT OF THE WOUND. .##..#.#..
#.#.##.#.# ..#.##.#.#
#.#..#.#.# IT'S MASSAGING YOUR TEMPLES, PIERCING .##..#.#..
#.#.##.#.# YOU, ENTERING YOUR BLOOD, CRACKING THE ..#.##.#.#
#.#..#.#.# SKULL OPEN. A PAW GRIPS YOUR BRAIN, .##..#.#..
#.#.##.#.# PLAYS WITH IT, PULLS IT OUT INTO THE ..#.##.#.#
#.#..#.#.# COSMOS. .##..#.#..
#.#.##.#.# ..#.##.#.#
#.#..#.#.# THERE'S COMETS! SPACE ODDITIES. .##..#.#..
#.#.##.#.# SOLITARY OSCILLATIONS. CARRIER WAVE. ..#.##.#.#
#.#..#.#.# BURNED AWAY BY THE SUNS RADIATION UNTIL .##..#.#..
#.#.##.#.# ONLY THE FAINTEST TRACE REMAIN, ..#.##.#.#
#.#..#.#.# EVENTUALLY CAUGHT IN THE GRAVITY WELL .##..#.#..
#.#.##.#.# OF SOME SECOND RATE WATER PLANET. ..#.##.#.#
#.#..#.#.# .##..#.#..
#.#.##.#.# IT'S RAINING SAP. ..#.##.#.#
#.#..#.#.# WE'RE GETTING SWEET AND WET .##..#.#..
#.#.##.#.# ..#.##.#.#
#.#..#.#.# ###= =### .##..#.#..
#.#.##.#.# ..#.##.#.#
#.#..#.#.# MY LUNCH BREAK IS OVER AND I NEED TO .##..#.#..
#.#.##.#.# GET BACK TO THE SHOP. LYNNE IS THERE ..#.##.#.#
#.#..#.#.# ALONE AND HASN'T EATEN YET. I TAKE THE .##..#.#..
#.#.##.#.# BACK ROUTE UP FROM THE BEACH TO AVOID ..#.##.#.#
#.#..#.#.# THE CROWD. SING A LITTLE TO MYSELF. .##..#.#..
#.#.##.#.# ..#.##.#.#
#.#..#.#.# LIFE GETS TO PROSPER OUTSIDE OF.@\=== - .##..#.#..
#.#.##.#.# SUDDENLY, AN ACID FLASHBACK: I STEP ..#.##.#.#
#.#..#.#.# DOWN IN MY MIND (LIKE AN OPEN MIND / .##..#.#..
#.#.##.#.# FRACTAL STINGER / BISMUTH STAIRCASE) ..#.##.#.#
#.#..#.#.# AND WADE IN SHADOWS... SURROUNDED BY .##..#.#..
#.#.##.#.# MEMORY NEGATIVES, ..#.##.#.#
#.#..#.#.# LIKE UPROCESSED FILM.... .##..#.#..
#.#.##.#.# ..#.##.#.#
#.#..#.#.# ###= =### .##..#.#..
#.#.##.#.# ..#.##.#.#
#.#..#.#.# WE'RE CLOSING FOR THE EVENING. THE SHOP .##..#.#..
#.#.##.#.# IS IN THE BOTTOM FLOOR OF A NARROW ..#.##.#.#
#.#..#.#.# MUDBRICK BUILDING, PAINTED TEAL. WE .##..#.#..
#.#.##.#.# LIVE ON THE SECOND FLOOR, TOGETHER WITH ..#.##.#.#
#.#..#.#.# THE OWNER. AS I CLOSE THE METAL .##..#.#..
#.#.##.#.# CURTAIN, BEHIND ITS CHARACTERISTIC ..#.##.#.#
#.#..#.#.# SHARP RATTLING I CAN HEAR THE .##..#.#..
#.#.##.#.# CURFEW SIRENS. ..#.##.#.#
#.#..#.#.# .##..#.#..
#.#.##.#.# WORMY STREET WOLVES OUTSIDE, CHASING ..#.##.#.#
#.#..#.#.# ENTRANCES IN THE DARK ALLEYWAYS, .##..#.#..
#.#.##.#.# WANTING IN, GETTING DESPERATE, LAPSING ..#.##.#.#
#.#..#.#.# TO SEARCH HIGHER, ON ROOFS, CLIMBING ON .##..#.#..
#.#.##.#.# BALCONIES. AND THERE'S BOUND TO BE SOME ..#.##.#.#
#.#..#.#.# RECKLESS TOURIST WHO DIDN'T HEED THE .##..#.#..
#.#.##.#.# WARNINGS, NEVER CLOSED THEIR WINDOWS... ..#.##.#.#
#.#..#.#.# .##..#.#..
#.#.##.#.# OR, IN SOME CASES, THE HOUSEOWNER HAD ..#.##.#.#
#.#..#.#.# THE WINDOW BOLTS WEAKENED, AND WHEN .##..#.#..
#.#.##.#.# CLEANING UP THE AFTERMATH WOULD POCKET ..#.##.#.#
#.#..#.#.# THEIR BELONGINGS. .##..#.#..
#.#.##.#.# ..#.##.#.#
#.#..#.#.# .##..#.#..
#.#.##.#.# ..#.##.#.#
#.#..#.#.# .##..#.#..
#.#.##.#.# ..#.##.#.#