THE GLASS FACTORY.           
                                        
                                        
                                      
                                  
                                  
                                          
 SEVERAL  CENTURIES  AFTER  IT  HAD  LAST 
 BELONGED TO  US, WE WENT ON AN OUTING TO 
 THE  GLASS FACTORY  THAT BORE OUR FAMILY 
 NAME. IT  HAD CHANGED OWNERS MANY  TIMES 
 SINCE  OUR  ANCESTORS  DEATH,  AND  THEN 
 STOOD  ABANDONED   FOR   A  LONG  WHILE. 
 FINALLY,  THE  NATURAL  END STATION  FOR 
 THE BUILDINGS  THAT  SURVIVE:  A MUSEUM, 
 AND A GIFT SHOP.                         
                                          
 THERE'S  A  LONG  TIME  SINCE MY  FAMILY 
 MADE  ANYTHING.  BY MANY,  WE  WOULD  BE 
 CONSIDERED POOR.                         
                                          
 THERE  ARE TWO MAIN  FACTORY  BUILDINGS, 
 DOMED THINGS OF SEVERAL  FLOORS, MADE IN 
 YELLOW BRICK. LARGE BUT  NARROW WINDOWS, 
 REMINESCENT    OF    SOME     CATHEDRAL. 
 CUSTOM-MADE GLASS, OF  COURSE, LARGE AND 
 LEADED, AND ASHEN.  A BIT TOO DARK TO BE 
 PRACTICAL.  ON   THE  EASTERN  BUILDING, 
 SOME ARE SHATTERED.                      
                                          
 THE OTHER ONE IS PUBLICLY  OPEN. THERE'S 
 A MUSEUM,  WITH WAX FIGURES  OF MY GREAT 
 GREAT GREAT  GRANDFATHER,  OR SOMETHING. 
 VARIOUS  TOOLS (OR REPLICAS) LAID OUT ON 
 TABLES, WITH  EXPLAINING TEXTS. A LOT OF 
 GLASS     OF     VARYING      THICKNESS. 
                                          
                                        
                                      
                          
                                      
                                        
                                          
 I QUICKLY  SNEAK OUT, AND CLIMB INTO THE 
 OTHER   BUILDING.    THE   CONTRAST   IS 
 OVERWHELMING.   IT   MUST   HAVE   STOOD 
 DERELICT   FOR  A  LONG   TIME,  WINDOWS 
 BROKEN,  METALLIC  TRASH  AND  POOLS  OF 
 DARK  GLASS  ALL  OVER   THE  FLOOR.  NO 
 ELECTRIC LIGHTS, BUT  I CAN SEE  BY  THE 
 LIGHT THAT SHINES IN  WHEREVER  THE DARK 
 WINDOWS    ARE    MISSING    A     PANE. 
                                          
 HOWEVER, THE GREATEST DIFFERENCE IS  THE 
 HIGHER  FLOORS: THIS BUILDING HAS  NONE. 
 IT IS ONE  MASSIVE HALL, STRETCHING AWAY 
 INFINITELY ABOVE  ME. SOMEWHERE UP THERE 
 IS  SOME  GREAT IRON  LATTICEWORK,  FROM 
 WHERE  CHAINS  ARE  SUSPENDED, AND PARTS 
 OF  MACHINERY  HAS  BEEN  FALLING  DOWN. 
                                          
 THERE IS,  IN THE MIDDLE  OF  THE  GREAT 
 HALL,  A   THIN  SPIRAL  STAIRCASE  THAT 
 LEADS UP THERE.  I SNEAK OVER THERE, AND 
 TAKE A FEW  RELUCTANT STEPS.  AFTER JUST 
 A  REVOLUTION,  I NOTICE  THAT  FOR EACH 
 STEP  THE BUILDING  STARTS TO  GLOW, THE 
 BRICKS  TURNING  A  DARK RED,  AND  THEN 
 ORANGE,  ALL  THE PILED UP DEBREE  BEING 
 LIT FROM BEHIND.                         
                                          
 I STOP READY TO  RUN DOWN AND  OUT,  BUT 
 THERE'S  SOMEONE  ELSE  ON THE STAIRCASE 
 WITH  ME   NOW,  PRESSED   CLOSE.   HE'S 
 LOOKING LIKE  ME,  SHORT  HAIR AND  THIN 
 ARMS,  BUT  WITH EARS FROM  SOME ANIMAL, 
 AND  MORE DISTURBINGLY, COMPLETELY  MADE 
 OF DARK LIQUID GLASS.                    
                                          
                                        
                                      
                          
                                      
                                        
                                          
 MY  FEAR  HOLDS ME  IN  PLACE  WHILE  HE 
 STARTS  OPERATING LEVERS AND  DIALS  SET 
 IN THE CENTER  OF THE STAIRCASE. SLOWLY, 
 IT  STARTS  SPINNING,  CIRCLING UPWARDS. 
 IT'S  AN  ELEVATOR!   I   START  TO  RUN 
 DOWNWARDS,   BUT  NOW   THE  LIQUID  BOY 
 CREATURE GRABS  HOLD OF  ME.  I  TRY  TO 
 SHAKE HIM  OFF, BUT HE'S TOO STRONG, AND 
 PULLS   ME   BACK   UP    BESIDE    HIM. 
                                          
 THIS  TIME, I  TURN  ANGRY INSTEAD. WHAT 
 THE HELL?  WHO IS THIS GUY,  ACTING LIKE 
 THIS? I  REACH OUT MY  FREE ARM AND SLAM 
 A  RANDOM  LEVER.   SOME  METAL  BAR  IS 
 SUDDENLY  RELEASED BETWEEN  US,  HITTING 
 HIM ON THE  ARM, FORCING MY  RELEASE.  I 
 SHOVE HIM OFF OF ME,  AND  HE FALLS INTO 
 THE    LEVERS,    MESSING    THEM    UP. 
 IMMEDIATELY,   A  THIN  RUSTY  CHAINMAIL 
 CURTAIN  IS DROPPED  AROUND ME. BUT  THE 
 ELEVATOR  ALSO  SPEEDS UP SIGNIFICANTLY. 
                                          
 THE  WALLS  ARE  FLARING  NOW,   YELLOW, 
 WHITE, ALMOST BLUE. I CLOSE MY EYES  AND 
 CURL  INTO A  BALL.  BUT THEN, THE GLASS 
 BOY  SCREAMS,  A   PIERCING  SOUND  THAT 
 FORCES MY  EYES BACK OPEN. I WATCH AS HE 
 BECOMES TOO  LIQUID,  HIS  BODY  POOLING 
 DOWN  IN  HIS NOW MASSIVE  TAIL, AND THE 
 TIP OF  IT SUDDENLY BREAKS OF IN A GLASS 
 DROP  THAT  FALLS   TOWARD  THE  FACTORY 
 FLOOR.                                   
                                          
 HE'S CRAWLING  ON THE  STAIRS, UNABLE TO 
 KEEP  HIS BODY UPRIGHT. CAN'T  REACH THE 
 LEVERS,  CLAWS  AT  MY  CHAINMAIL  CAGE, 
 WHILE  HIS  BODY  IS  TURNING  INTO DARK 
 PEARLS. FINALLY,  HE'S LOST  TOO MUCH OF 
 HIMSELF  AND THE SCREAM  IS  CUT  SHORT. 
 THE    LAST   OF   HIM    RAINS    DOWN. 
                                          
 I STILL  CAN'T  REACH  THE  LEVERS  FROM 
 WITHIN MY  CAGE.  LOOKING  UP, I TRY  TO 
 MAKE  OUT  THE  CEILING, BUT  IT'S ALL A 
 WHIRLING SEA OF COLOURS.  BELOW ME GLOWS 
 THE HELLFIRE OF THE FACTORY  WALLS,  BUT 
 VERY FAINT. I SIT  DOWN,  CURL BACK  UP, 
 BECOME STILL.                            
                                          
                                        
                                      
                          
                                      
                                        
                                          
 A  LARGE  CLUNK  SHAKES MY ENTIRE  BODY, 
 AND  SNAPS  ME  BACK  INTO REALITY.  I'M 
 BACK  AT  THE  FACTORY  FLOOR,  BUT  THE 
 STAIRS   ARE   STILL  MOVING   SLIGHTLY, 
 CLICKING IN  PLACE, CARRYING ME THE LAST 
 FEW  CENTIMETERS.  I  CAME  FROM  BELOW, 
 SOMEHOW.  THE  CHAINMAIL  IS  RETRACTED, 
 AND   I  SLOWLY   DISMOUNT  THE  STAIRS. 
                                          
 SHAKING AND  CRYING, I  MAKE MY WAY OVER 
 THE FACTORY FLOOR,  WADING  THROUGH DARK 
 GLASS MARBLES.  A QUICK GLANCE DOWN, AND 
 I  SEE  THERE'S  SOMETHING FAINT  INSIDE 
 THEM.   EMBRYOS?    ARE    THESE   EGGS? 
                                          
 I   SHUDDER,   AND   CLIMB   BACK   OUT.