..^-\*%£@# #@£%*\-^..
...^-\*%£@ @£%*\-^...
....^-\*%£ £%*\-^....
...^-\*%£@ @£%*\-^...
..^-\*%£@# #@£%*\-^..
.^-\*%£@## delay delay d.la@ £ *a. ^ .@ - ^ ##@£%*\-^.
..^-\*%£@# #@£%*\-^..
...^-\*%£@ @£%*\-^...
....^-\*%£ £%*\-^....
...^-\*%£@ @£%*\-^...
..^-\*%£@# "delay" means repetiton or likewise, #@£%*\-^..
.^-\*%£@## but it's mainly useless without ##@£%*\-^.
..^-\*%£@# feedback, #@£%*\-^..
...^-\*%£@ to allow the delay to eat of it's own @£%*\-^...
....^-\*%£ tail, like one of those eaty serpents. £%*\-^....
...^-\*%£@ thus: it's the serpent effect! @£%*\-^...
..^-\*%£@# #@£%*\-^..
.^-\*%£@## it's to be revered as a creator of ##@£%*\-^.
..^-\*%£@# ambience and of space, if you treat it #@£%*\-^..
...^-\*%£@ right. a somewhat more solid and @£%*\-^...
....^-\*%£ slippery sibling of reverb. £%*\-^....
...^-\*%£@ @£%*\-^...
..^-\*%£@# #@£%*\-^..
.^-\*%£@## ##@£%*\-^.
..^-\*%£@# #@£%*\-^..
...^-\*%£@ @£%*\-^...