@§%;=^.... ....^=;%§@
@@@§%%;=^. .^=;%%§@@@
@%%%;^.... ....^;%%%@
##@§%%;=^. .^=;%%§@##
§§%%%%;=^. .^=;%%%%§§
@%;^...... delay delay d.la@ § %a. ^ .@ = ^ ......^;%@
§§%;;;^^.. ..^^;;;%§§
#@@§%%;=^. .^=;%%§@@#
@@@§%%;=^. .^=;%%§@@@
@@@§%%;=^. .^=;%%§@@@
@@@§%%;=^. "delay" means repetiton or likewise, .^=;%%§@@@
#@@§%%;=^. but it's mainly useless without .^=;%%§@@#
##@§%%;=^. feedback, .^=;%%§@##
@§%;=^.... to allow the delay to eat of it's own ....^=;%§@
§%%;^^.... tail, like one of those eaty serpents. ....^^;%%§
@%%;^..... thus: it's the serpent effect! .....^;%%@
@§%;;^.... ....^;;%§@
§§§§%%;=^. it's to be revered as a creator of .^=;%%§§§§
@§§%;=.... ambience and of space, if you treat it ....=;%§§@
#@@§%%;=^. right. a somewhat more solid and .^=;%%§@@#
#@@§%%;=^. slippery sibling of reverb. .^=;%%§@@#
##@@§%%=^. .^=%%§@@##
#@@§%%;=^. .^=;%%§@@#
@%%=...... ......=%%@
##@§%%;=^. .^=;%%§@##
§§%===^... ...^===%§§