,,,,,,«=%@                                          @%=«,,,,,,
,,,,««\%##                                          ##%\««,,,,
,,«\=%#@##                                          ##@#%=\«,,
,,«\=%#@@#                                          #@@#%=\«,,
,,«\=%#@@@                                          @@@#%=\«,,
,,«\=%##@@ Delay  Delay  D,La#  # =A,  , ,@   «   , @@##%=\«,,
,,«\=%#@##                                          ##@#%=\«,,
,,,,,,,\%#                                          #%\,,,,,,,
,,«\=%#@##                                          ##@#%=\«,,
,,«\=%#@##                                          ##@#%=\«,,
,,,,,«««=# "Delay" Means Repetiton Or Likewise,     #=«««,,,,,
,,«\=%#@## But It'S Mainly Useless Without          ##@#%=\«,,
,,«\=%#@## Feedback,                                ##@#%=\«,,
,,,,,,\%@# To Allow The Delay To Eat Of It'S Own    #@%\,,,,,,
,,«\=%#@## Tail, Like One Of Those Eaty Serpents.   ##@#%=\«,,
,,«\=%#@## Thus: It'S The Serpent Effect!           ##@#%=\«,,
,,«\=%#@##                                          ##@#%=\«,,
,,«\=%#@## It'S To Be Revered As A Creator Of       ##@#%=\«,,
,,«\=%#@## Ambience And Of Space, If You Treat It   ##@#%=\«,,
,,,,,«\%%@ Right. A Somewhat More Solid And         @%%\«,,,,,
,,,,«\\%@@ Slippery Sibling Of Reverb.              @@%\\«,,,,
,,,,\\%%%#                                          #%%%\\,,,,
,,,,,,«=%@                                          @%=«,,,,,,
,,,,««\=%@                                          @%=\««,,,,
,,«\=%##@#                                          #@##%=\«,,
,,«\=%#@##                                          ##@#%=\«,,