,,-;%$@£## ##£@$%;-,,
,,-;%$@### ###@$%;-,,
,,,,;%%$£# #£$%%;,,,,
,,,,---%$@ @$%---,,,,
,,-;%$@£## ##£@$%;-,,
,,,,;;;%$@ delay delay d,la# @ %a, , ,£ - , @$%;;;,,,,
,,-;%$@£## ##£@$%;-,,
,,,,,,;$£# #£$;,,,,,,
,,-;%$@@@£ £@@@$%;-,,
,,-;%$@£## ##£@$%;-,,
,,-;;;%%@@ "delay" means repetiton or likewise, @@%%;;;-,,
,,,,-;%%%@ but it's mainly useless without @%%%;-,,,,
,,,,,,,-%@ feedback, @%-,,,,,,,
,,-;$@£### to allow the delay to eat of it's own ###£@$;-,,
,,,,-;%%%@ tail, like one of those eaty serpents. @%%%;-,,,,
,,-;%$@£## thus: it's the serpent effect! ##£@$%;-,,
,,-;%$$$$@ @$$$$%;-,,
,,-;%$@£££ it's to be revered as a creator of £££@$%;-,,
,,,,,-%@@@ ambience and of space, if you treat it @@@%-,,,,,
,,,,,,-;%@ right. a somewhat more solid and @%;-,,,,,,
,,-;%$@££# slippery sibling of reverb. #££@$%;-,,
,,-;%$@£## ##£@$%;-,,
,,,---;$$£ £$$;---,,,
,,-;%$@£## ##£@$%;-,,
,,,,,-;%%@ @%%;-,,,,,
,,-;;%$@@£ £@@$%;;-,,