...¤.¤.¤¤. ..¤¤....¤.
...¤¤¤¤¤.¤ ..¤.¤...¤¤
¤..¤....¤¤ ..¤¤¤¤..¤.
¤¤.¤¤...¤. ..¤...¤.¤¤
..¤¤.¤..¤¤ ..¤¤..¤¤¤.
..¤.¤¤¤.¤. delay delay d.la# ¤ %a. , .¶ = , ..¤.¤.¤..¤
¤.¤¤¤..¤¤¤ ..¤¤¤¤¤¤.¤
.¤¤..¤.¤.. ..¤.....¤¤
¤¤.¤.¤¤¤¤. ¤.¤¤....¤.
¤.¤¤¤¤...¤ .¤¤.¤...¤¤
.¤¤...¤..¤ "delay" means repetiton or likewise, ¤¤.¤¤¤..¤.
.¤.¤..¤¤.¤ but it's mainly useless without ¤.¤¤..¤.¤¤
¤¤¤¤¤.¤.¤¤ feedback, ¤¤¤.¤.¤¤¤.
¤....¤¤¤¤. to allow the delay to eat of it's own ...¤¤¤¤..¤
.¤...¤...¤ tail, like one of those eaty serpents. ¤..¤...¤.¤
¤¤¤..¤¤..¤ thus: it's the serpent effect! ¤¤.¤¤..¤¤¤
...¤.¤.¤.¤ ¤.¤¤.¤.¤..
...¤¤¤¤¤¤¤ it's to be revered as a creator of ¤¤¤.¤¤¤¤¤.
...¤...... ambience and of space, if you treat it ¤..¤¤....¤
¤..¤¤..... right. a somewhat more solid and .¤.¤.¤...¤
.¤.¤.¤.... slippery sibling of reverb. .¤¤¤¤¤¤..¤
¤¤¤¤¤¤¤... ¤¤.....¤.¤
.......¤.. ¤.¤....¤¤¤
¤......¤¤. .¤¤¤...¤..
¤¤.....¤.¤ .¤..¤..¤¤.
¤.¤....¤¤¤ .¤¤.¤¤.¤.¤