.,-:$£@### ###@£$:-,.
..,-:$£@## ##@£$:-,..
.,-:$£@### ###@£$:-,.
..,-:$£@## ##@£$:-,..
.,-:$£@### ###@£$:-,.
..,-:$£@## #### ##### ##@£$:-,..
.,-:$£@### tape dream ###@£$:-,.
..,-:$£@## #### ##### ##@£$:-,..
.,-:$£@### ###@£$:-,.
..,-:$£@## for storing music on. also data but ##@£$:-,..
.,-:$£@### at this point in time that's not ###@£$:-,.
..,-:$£@## really important i think. ##@£$:-,..
.,-:$£@### ###@£$:-,.
..,-:$£@## ##@£$:-,..
.,-:$£@### :::::::: types of tape :::::::: ###@£$:-,.
..,-:$£@## ##@£$:-,..
.,-:$£@### class i - "bad" iron ###@£$:-,.
..,-:$£@## class ii - good chromium ##@£$:-,..
.,-:$£@### class iii - bad iron part two ###@£$:-,.
..,-:$£@## class iv - dangerous metals ##@£$:-,..
.,-:$£@### ###@£$:-,.
..,-:$£@## rumors exist about a secret class v tape ##@£$:-,..
.,-:$£@### that is actually useful. ###@£$:-,.
..,-:$£@## ##@£$:-,..
.,-:$£@### :: bias :: ###@£$:-,.
..,-:$£@## ##@£$:-,..
.,-:$£@### class i uses one hundred and twenty ###@£$:-,.
..,-:$£@## micro-something while the others all ##@£$:-,..
.,-:$£@### use seventy of the same unit. ###@£$:-,.
..,-:$£@## ##@£$:-,..
.,-:$£@### ###@£$:-,.
..,-:$£@## $$$$$$$$$ aha and $$$$$$$$$ ##@£$:-,..
.,-:$£@### ###@£$:-,.
..,-:$£@## class iv is apparently too strong to ##@£$:-,..
.,-:$£@### be used on class i players. it will ###@£$:-,.
..,-:$£@## sound too lound and it cannot be ##@£$:-,..
.,-:$£@### completely erased. this is very well. ###@£$:-,.
..,-:$£@## maybe some wonderful blending effects ##@£$:-,..
.,-:$£@### could be achieved? ###@£$:-,.
..,-:$£@## ##@£$:-,..
.,-:$£@### they also gnaw at the tape heads a bit ###@£$:-,.
..,-:$£@## better than earlier tape types. ##@£$:-,..
.,-:$£@### ###@£$:-,.
..,-:$£@## ##@£$:-,..
.,-:$£@### :::::::: artifacts :::::::: ###@£$:-,.
..,-:$£@## ##@£$:-,..
.,-:$£@### good tapes are decent and have a good ###@£$:-,.
..,-:$£@## high frequency presence, bad tapes are ##@£$:-,..
.,-:$£@### lofi if not outright bad. idk, i kinda ###@£$:-,.
..,-:$£@## like it. ##@£$:-,..
.,-:$£@### ###@£$:-,.
..,-:$£@## bias loss: if you forget the bias who ##@£$:-,..
.,-:$£@### knows whats even on there anymore ###@£$:-,.
..,-:$£@## ##@£$:-,..
.,-:$£@### flutter: kinda quick pitch variations. ###@£$:-,.
..,-:$£@## beautiful, wonderful, extraordinary. ##@£$:-,..
.,-:$£@### ###@£$:-,.
..,-:$£@## wow: a slower flutter, usually several ##@£$:-,..
.,-:$£@### seconds long. what up. both of these ###@£$:-,.
..,-:$£@## increase when tape speed decreases. ##@£$:-,..
.,-:$£@### ###@£$:-,.
..,-:$£@## print through: tapes rub sound on each ##@£$:-,..
.,-:$£@### other if theyre alone for too long ###@£$:-,.
..,-:$£@## ##@£$:-,..
.,-:$£@### ###@£$:-,.
..,-:$£@## ##@£$:-,..
.,-:$£@### ###@£$:-,.
..,-:$£@## ##@£$:-,..
.,-:$£@### ###@£$:-,.