.-«;^***££ ££***^;«-.
.....«^^^& &^^^«.....
.-«;^*&£@# #@£&*^;«-.
.....--«^& &^«--.....
.-««;;;*££ ££*;;;««-.
.-«;^*&@## @@@@ ##### ##@&*^;«-.
.-«;^*&£@# tape dream #@£&*^;«-.
..-««;^^&£ #### @@@@@ £&^^;««-..
.-«;^*&£@# #@£&*^;«-.
.....--«^& for storing music on. also data but &^«--.....
.-«;^*&@## at this point in time that's not ##@&*^;«-.
...«;^^*&£ really important i think. £&*^^;«...
.-«;^*£@## ##@£*^;«-.
.-«;^*&£## ##£&*^;«-.
....«;^&&@ ;;;;;;;; types of tape ;;;;;;;; @&&^;«....
.-«;^*£@## ##@£*^;«-.
.-«;^*&£## class i - "bad" iron ##£&*^;«-.
.-«;^*&£@# class ii - good chromium #@£&*^;«-.
.-«;;;^&£@ class iii - bad iron part two @£&^;;;«-.
.....-;^*£ class iv - dangerous metals £*^;-.....
.-«;^****& &****^;«-.
.-«;^*&£@# rumors exist about a secret class v tape #@£&*^;«-.
....««^&££ that is actually useful. ££&^««....
.-«;^*&£@# #@£&*^;«-.
.-«;^*&£@# ;; bias ;; #@£&*^;«-.
.-«;;;^^*£ £*^^;;;«-.
.-«;^*&£@# class i uses one hundred and twenty #@£&*^;«-.
...-«^^^*& micro-something while the others all &*^^^«-...
.-«;^*&£@# use seventy of the same unit. #@£&*^;«-.
......«^&£ £&^«......
.-«;;;;*£@ @£*;;;;«-.
...«;;**££ ^^^^^^^^^ aha and ^^^^^^^^^ ££**;;«...
.-«;^*&£££ £££&*^;«-.
.....«;*&£ class iv is apparently too strong to £&*;«.....
.-«;^&£@## be used on class i players. it will ##@£&^;«-.
.-«;^*&££@ sound too lound and it cannot be @££&*^;«-.
..-«;^^^^& completely erased. this is very well. &^^^^;«-..
.-«;^*&£@# maybe some wonderful blending effects #@£&*^;«-.
.....«;^*& could be achieved? &*^;«.....
.-«;^*&£@# #@£&*^;«-.
.-«;^*&££@ they also gnaw at the tape heads a bit @££&*^;«-.
....-«^*&£ better than earlier tape types. £&*^«-....
.....«;;*£ £*;;«.....
..-««;^^*& &*^^;««-..
.-«;^*&@## ;;;;;;;; artifacts ;;;;;;;; ##@&*^;«-.
.-«;^*&£@# #@£&*^;«-.
.-«;^*&£@# good tapes are decent and have a good #@£&*^;«-.
...--;;;*£ high frequency presence, bad tapes are £*;;;--...
.-«;^****£ lofi if not outright bad. idk, i kinda £****^;«-.
.-«;^*£@## like it. ##@£*^;«-.
.-«;^****& &****^;«-.
.-«;^&£@## bias loss: if you forget the bias who ##@£&^;«-.
.-«;^*&£@# knows whats even on there anymore #@£&*^;«-.
.-«;^*&£@# #@£&*^;«-.
.-«;^*&£@# flutter: kinda quick pitch variations. #@£&*^;«-.
.-«;^*&£## beautiful, wonderful, extraordinary. ##£&*^;«-.
.-«;^*£@## ##@£*^;«-.
.-«;^*&£@# wow: a slower flutter, usually several #@£&*^;«-.
.-«««;^*&£ seconds long. what up. both of these £&*^;«««-.
.-«;^*£@## increase when tape speed decreases. ##@£*^;«-.
.-«;^*&£@# #@£&*^;«-.
....««^&&£ print through: tapes rub sound on each £&&^««....
.-«;^*&£@# other if theyre alone for too long #@£&*^;«-.
.-«;^*&@## ##@&*^;«-.
.-«;^**&&£ £&&**^;«-.
....«;;^*& &*^;;«....
...--«^&&& &&&^«--...
.-«;^*&£@# #@£&*^;«-.
....--;^*& &*^;--....