....#.#.#. .#.##.#.#.
...##.#.#. .#..#.#.#.
..#.#.#.#. .#.##.#.#.
.##.#.#.#. .#..#.#.#.
#.#.#.#.#. .#.##.#.#.
#.#.#.#.#. if you follow a dirt road north just .#..#.#.#.
#.#.#.#.#. within the second ring, and navigate .#.##.#.#.
#.#.#.#.#. the overgrown maze of the north-eastern .#..#.#.#.
#.#.#.#.#. residential district, eventually you .#.##.#.#.
#.#.#.#.#. arrive at what looks like a large .#..#.#.#.
#.#.#.#.#. fenced-in grove of bird cherry and .#.##.#.#.
#.#.#.#.#. juniper. it's quite large, .#..#.#.#.
#.#.#.#.#. and will take a while to circle, .#.##.#.#.
#.#.#.#.#. especially since it's got gardens and .#..#.#.#.
#.#.#.#.#. walls sticking out of it in more than a .#.##.#.#.
#.#.#.#.#. few places. but keep going, and .#..#.#.#.
#.#.#.#.#. eventually there'll be lilacs, and a .#.##.#.#.
#.#.#.#.#. hole in the fence. .#..#.#.#.
#.#.#.#.#. .#.##.#.#.
#.#.#.#.#. go inside. well, it's hollow, and hides .#..#.#.#.
#.#.#.#.#. a pale swamp (herons, mosquitos). it's .#.##.#.#.
#.#.#.#.#. brighter here, and the sounds of the .#..#.#.#.
#.#.#.#.#. city seem distant. but there's a second .#.##.#.#.
#.#.#.#.#. grove inside. zig zag between puddles .#..#.#.#.
#.#.#.#.#. and sinking shipping containers, .#.##.#.#.
#.#.#.#.#. because toward the inner treeline the .#..#.#.#.
#.#.#.#.#. ground becomes solid again. .#.##.#.#.
#.#.#.#.#. .#..#.#.#.
#.#.#.#.#. go inside. this time there's a cracked .#.##.#.#.
#.#.#.#.#. parking lot, with sprinkled dandelions, .#..#.#.#.
#.#.#.#.#. lined by wisteria. east of it is an .#.##.#.#.
#.#.#.#.#. abandoned building, what used to house .#..#.#.#.
#.#.#.#.#. an old restaurant. the paint is .#.##.#.#.
#.#.#.#.#. chipping, some windows are broken, but .#..#.#.#.
#.#.#.#.#. the signage is still there: .#.##.#.#.
#.#.#.#.#. .#..#.#.#.
#.#.#.#.#. "indian palace". .#.##.#.#.
#.#.#.#.#. .#..#.#.#.
#.#.#.#.#. .#.##.#.#.
#.#.#.#.#. .#..#.#.#.
#.#.#.#.#. .#.##.#.#.
#.#.#.#.#. .#..#.#.#.