,,,,,«%%&£ £&%%«,,,,,
,,«/%&@£## ##£@&%/«,,
,,«/%&@£## ##£@&%/«,,
,,«/%&@@@@ @@@@&%/«,,
,,«/%&@£## ##£@&%/«,,
,,«/%&@@£# ««//«« #£@@&%/«,,
,,,,,«%%%@ ,,, sleep ,,, @%%%«,,,,,
,,«/%&@£## ,,««,, ##£@&%/«,,
,,«////&£# #£&////«,,
,,«/%&@£## sleep is the most important meal of the ##£@&%/«,,
,,«///&&@@ day. sleep is saying goodbye for a @@&&///«,,
,,«/%&@£## while. if you can dream, you also get ##£@&%/«,,
,,«/%&@@@£ to visit friends and other animals. £@@@&%/«,,
,,«/%&@£## ##£@&%/«,,
,,,,,,«%@@ ,,,,,, @@%«,,,,,,
,,«/%&@£## ##£@&%/«,,
,,,,,,«%&@ deeper than death is to be alive and @&%«,,,,,,
,,«/%&@£## asleep. it is death if it was temporary ##£@&%/«,,
,,,,«//%%@ and rejuvenating. @%%//«,,,,
,,«/%%%&@@ @@&%%%/«,,
,,,,,/&@@@ ,,,,,, @@@&/,,,,,
,,«/%%%&@£ £@&%%%/«,,
,,«/%&@£## sleep is a black marble outside of ##£@&%/«,,
,,«/%&@£## which there is nothing. inside is all ##£@&%/«,,
,,«/%&@£## the stars and in the middle a ##£@&%/«,,
,,«/%&&&££ black lake. at the foot of this lake ££&&&%/«,,
,,«/%&@£## stands an old friend. ##£@&%/«,,
,,,,,,/&££ ££&/,,,,,,
,,,,««%&@£ ,,,,,, £@&%««,,,,
,,,«//&&££ ££&&//«,,,
,,«/%&@£## when you sleep all sound is internal. ##£@&%/«,,
,,«/%&@£## when you sleep your brain shrinks. ##£@&%/«,,
,,«/%&@£## ##£@&%/«,,
,,«/&@£### ,,,,,, ###£@&/«,,
,,,,,,,/%@ @%/,,,,,,,
,,«/%&@£## if you wish to measure sleep, use these ##£@&%/«,,
,,«/%&@£## four quantifiers:: grip, deepness, ##£@&%/«,,
,,«/%&@£## otherworldiness and revitalization. ##£@&%/«,,
,,,,,,«/&£ £&/«,,,,,,
,,«/%&@£## grip goes from not being able to let go ##£@&%/«,,
,,«/%&@£## all day (left) to not caring to ##£@&%/«,,
,,«/%&@£## remember (right). ##£@&%/«,,
,,«/%&@£## ##£@&%/«,,
,,,,,««%@# deepness goes from being several #@%««,,,,,
,,«/%&@£## hundred meters down (left) to barely ##£@&%/«,,
,,«/%&@£## touching the surface (right). ##£@&%/«,,
,,,,,,//%@ @%//,,,,,,
,,«/%&@£## otherworldliness goes from a single ##£@&%/«,,
,,«/%&@£## coherent dreamscape (left), via normal ##£@&%/«,,
,,,,,«%&@£ dream amounts (middle) to no dreams £@&%«,,,,,
,,«/%&@£## (right). ##£@&%/«,,
,,,,,««%&£ £&%««,,,,,
,,,,,,//&@ revitalization goes from a feeling of @&//,,,,,,
,,«/%&&&@£ not having slept at all (left) to being £@&&&%/«,,
,,,,,,/&£# full of energy and maybe optimism #£&/,,,,,,
,,«/%&&@@£ (right). £@@&&%/«,,
,,«/%&@£## ##£@&%/«,,
,,,,,,«%&@ ,, @&%«,,,,,,
,,«/%&@£## ##£@&%/«,,
,,,,«/&@@£ high otherworldliness and high grip is £@@&/«,,,,
,,«/%&@### a particularly effective combo. ###@&%/«,,
,,«/%&@£££ £££@&%/«,,
,,«/%&@£££ ««//«« £££@&%/«,,
,,«/%&@£## ,,, see also ,,, ##£@&%/«,,
,,«/%&@£## ,,««,, ##£@&%/«,,
,,«/%&@£## ##£@&%/«,,
,,,,«/%&@£ sleep deities £@&%/«,,,,
,,«/%&@£## the blackbird ##£@&%/«,,
,,,,,«/%%@ solipsism @%%/«,,,,,
,,,,,«/&@# #@&/«,,,,,
,,«/%&@£## ««//«« ##£@&%/«,,
,,«/%&@£## ,,, furthermore ,,, ##£@&%/«,,
,,,«««%@££ ,,««,, ££@%«««,,,
,,«/%&@£## ##£@&%/«,,
,,,,««%%@# this is still a place: here, in the #@%%««,,,,
,,«/%%%@@£ silence, darkness and night - and £@@%%%/«,,
,,,,,,/&@£ loneliness, holding a kind of dilution £@&/,,,,,,
,,«/%&@### of reality, and suddenly it's not ###@&%/«,,
,,«/%&@£££ important that i lie in my bed, the £££@&%/«,,
,,,,,,«/&@ lack of presence brings the notion @&/«,,,,,,
,,,,««/&@# that, if i do not choose sleep, i #@&/««,,,,
,,«/%&@£## choose past, future, something with ##£@&%/«,,
,,«/%%%&@£ more substance than the objects i £@&%%%/«,,
,,,«/%&@££ surround myself with. ££@&%/«,,,
,,,,,,/&&£ £&&/,,,,,,
,,«///%&££ ££&%///«,,
,,,,«%%%%@ @%%%%«,,,,
,,«%&@£### ###£@&%«,,
,,,,«/%&@# #@&%/«,,,,
,,«/%&@£## ##£@&%/«,,