¨.~/=¤&@## ##@&¤=/~.¨
¨¨.~/=¤&@# #@&¤=/~.¨¨
¨.~/=¤&@## ##@&¤=/~.¨
¨¨.~/=¤&@# #@&¤=/~.¨¨
¨.~/=¤&@## ##@&¤=/~.¨
¨¨.~/=¤&@# the last song on side b (and to some #@&¤=/~.¨¨
¨.~/=¤&@## extent the first song on side a) talks ##@&¤=/~.¨
¨¨.~/=¤&@# for the whole album, not just their #@&¤=/~.¨¨
¨.~/=¤&@## side. the last song on side b is ##@&¤=/~.¨
¨¨.~/=¤&@# probably the most important #@&¤=/~.¨¨
¨.~/=¤&@## opportunity, the most charged slot. ##@&¤=/~.¨
¨¨.~/=¤&@# #@&¤=/~.¨¨
¨.~/=¤&@## ¨@#@¨ ##@&¤=/~.¨
¨¨.~/=¤&@# #@&¤=/~.¨¨
¨.~/=¤&@## the album is a singularity, an anomaly ##@&¤=/~.¨
¨¨.~/=¤&@# in spacetime, a creature that knows #@&¤=/~.¨¨
¨.~/=¤&@## exactly how beautiful it is. ##@&¤=/~.¨
¨¨.~/=¤&@# ¨ #@&¤=/~.¨¨
¨.~/=¤&@## and the thing is: it sees itself in ##@&¤=/~.¨
¨¨.~/=¤&@# three d. it knows that it's dying. #@&¤=/~.¨¨
¨.~/=¤&@## ##@&¤=/~.¨
¨¨.~/=¤&@# ==¤¤==¤¤==¤¤==¤¤==¤&&¤==¤¤==¤¤==¤¤==¤¤== #@&¤=/~.¨¨
¨.~/=¤&@## ##@&¤=/~.¨
¨¨.~/=¤&@# . dolphins and cats . #@&¤=/~.¨¨
¨.~/=¤&@## bring us ##@&¤=/~.¨
¨¨.~/=¤&@# ¨ flowers and honey ¨ #@&¤=/~.¨¨
¨.~/=¤&@## ##@&¤=/~.¨
¨¨.~/=¤&@# . dolphins and cats . #@&¤=/~.¨¨
¨.~/=¤&@## bring us ##@&¤=/~.¨
¨¨.~/=¤&@# ¨ fairies and bees ¨ #@&¤=/~.¨¨
¨.~/=¤&@## ##@&¤=/~.¨
¨¨.~/=¤&@# our boat is afloat #@&¤=/~.¨¨
¨.~/=¤&@## on a surface of lilies ##@&¤=/~.¨
¨¨.~/=¤&@# . dolphins and cats . #@&¤=/~.¨¨
¨.~/=¤&@## drag us down ##@&¤=/~.¨
¨¨.~/=¤&@# ¨~= underneath =~¨ #@&¤=/~.¨¨
¨.~/=¤&@## ##@&¤=/~.¨
¨¨.~/=¤&@# ==¤¤==¤¤==¤¤==¤¤==¤&&¤==¤¤==¤¤==¤¤==¤¤== #@&¤=/~.¨¨
¨.~/=¤&@## ##@&¤=/~.¨
¨¨.~/=¤&@# side a is foresty, and side b might #@&¤=/~.¨¨
¨.~/=¤&@## be lizardy. but the last song is full ##@&¤=/~.¨
¨¨.~/=¤&@# of space. #@&¤=/~.¨¨
¨.~/=¤&@## ##@&¤=/~.¨
¨¨.~/=¤&@# #@&¤=/~.¨¨
¨.~/=¤&@## ##@&¤=/~.¨
¨¨.~/=¤&@# #@&¤=/~.¨¨
¨.~/=¤&@## ##@&¤=/~.¨