#@¶#%†;=^, ,^=;†%#¶@#
#††;^,,,,, ,,,,,^;††#
#@¶#%†;=^, ,^=;†%#¶@#
#†;=,,,,,, ,,,,,,=;†#
#@¶#%†;=^, ,^=;†%#¶@#
@¶¶#%†;=^, the last song on side b (and to some ,^=;†%#¶¶@
@¶%%†;==^, extent the first song on side a) talks ,^==;†%%¶@
##@¶#†;=^, for the whole album, not just their ,^=;†#¶@##
¶#†=^^,,,, side. the last song on side b is ,,,,^^=†#¶
¶%†===^,,, probably the most important ,,,^===†%¶
#†=^^,,,,, opportunity, the most charged slot. ,,,,,^^=†#
#@¶#%†;=^, ,^=;†%#¶@#
#†==^^,,,, ,¶#¶, ,,,,^^==†#
##@¶#%†;^, ,^;†%#¶@##
@##%††;=^, the album is a singularity, an anomaly ,^=;††%##@
@¶¶#%†;=^, in spacetime, a creature that knows ,^=;†%#¶¶@
#@¶#%†;=^, exactly how beautiful it is. ,^=;†%#¶@#
#%%;^^,,,, , ,,,,^^;%%#
##@#%†;=^, and the thing is: it sees itself in ,^=;†%#@##
##%;;;^,,, three d. it knows that it's dying. ,,,^;;;%##
#@¶#%†;=^, ,^=;†%#¶@#
#%†=^,,,,, ††%%††%%††%%††%%††%##%††%%††%%††%%††%%†† ,,,,,^=†%#
¶%%%%†;=^, ,^=;†%%%%¶
¶#†;=^,,,, ^ dolphins and cats ^ ,,,,^=;†#¶
@@¶#%†;=^, bring us ,^=;†%#¶@@
¶%;=^,,,,, , flowers and honey , ,,,,,^=;%¶
#@¶#%†;=^, ,^=;†%#¶@#
##¶#%†;=^, ^ dolphins and cats ^ ,^=;†%#¶##
###%%†;=^, bring us ,^=;†%%###
¶¶##%†;=^, , fairies and bees , ,^=;†%##¶¶
#%†;;=^,,, ,,,^=;;†%#
#†;;^,,,,, our boat is afloat ,,,,,^;;†#
#††==^^,,, on a surface of lilies ,,,^^==††#
##†=^,,,,, ^ dolphins and cats ^ ,,,,,^=†##
#@¶#%†;=^, drag us down ,^=;†%#¶@#
#@¶#%†;=^, ,=† underneath †=, ,^=;†%#¶@#
##†††=^^^, ,^^^=†††##
¶¶%†;=,,,, ††%%††%%††%%††%%††%##%††%%††%%††%%††%%†† ,,,,=;†%¶¶
@###%†;=^, ,^=;†%###@
¶¶¶#%†;=^, side a is foresty, and side b might ,^=;†%#¶¶¶
##@¶#%;=^, be lizardy. but the last song is full ,^=;%#¶@##
¶¶¶#%†;=^, of space. ,^=;†%#¶¶¶
#@¶#%†;=^, ,^=;†%#¶@#
#†==^,,,,, ,,,,,^==†#
##¶#%†;=^, ,^=;†%#¶##
##¶#%†;=^, ,^=;†%#¶##
##@¶#†;=^, ,^=;†#¶@##