¨¨¨,-:%£@@ @@£%:-,¨¨¨
¨¨¨¨,-:%£@ @£%:-,¨¨¨¨
¨¨¨,-:%£@@ @@£%:-,¨¨¨
¨¨,-:%£@@@ @@@£%:-,¨¨
¨,-:%£@@@# #@@@£%:-,¨
¨¨,-:%£@@@ the last song on side b (and to some @@@£%:-,¨¨
¨¨¨,-:%£@@ extent the first song on side a) talks @@£%:-,¨¨¨
¨¨¨¨,-:%£@ for the whole album, not just their @£%:-,¨¨¨¨
¨¨¨,-:%£@@ side. the last song on side b is @@£%:-,¨¨¨
¨¨,-:%£@@@ probably the most important @@@£%:-,¨¨
¨,-:%£@@@# opportunity, the most charged slot. #@@@£%:-,¨
¨¨,-:%£@@@ @@@£%:-,¨¨
¨¨¨,-:%£@@ ¨@#@¨ @@£%:-,¨¨¨
¨¨¨¨,-:%£@ @£%:-,¨¨¨¨
¨¨¨,-:%£@@ the album is a singularity, an anomaly @@£%:-,¨¨¨
¨¨,-:%£@@@ in spacetime, a creature that knows @@@£%:-,¨¨
¨,-:%£@@@# exactly how beautiful it is. #@@@£%:-,¨
¨¨,-:%£@@@ ¨ @@@£%:-,¨¨
¨¨¨,-:%£@@ and the thing is: it sees itself in @@£%:-,¨¨¨
¨¨¨¨,-:%£@ three d. it knows that it's dying. @£%:-,¨¨¨¨
¨¨¨,-:%£@@ @@£%:-,¨¨¨
¨¨,-:%£@@@ %%££%%££%%££%%££%%£@@£%%££%%££%%££%%££%% @@@£%:-,¨¨
¨,-:%£@@@# #@@@£%:-,¨
¨¨,-:%£@@@ , dolphins and cats , @@@£%:-,¨¨
¨¨¨,-:%£@@ bring us @@£%:-,¨¨¨
¨¨¨¨,-:%£@ ¨ flowers and honey ¨ @£%:-,¨¨¨¨
¨¨¨,-:%£@@ @@£%:-,¨¨¨
¨¨,-:%£@@@ , dolphins and cats , @@@£%:-,¨¨
¨,-:%£@@@# bring us #@@@£%:-,¨
¨¨,-:%£@@@ ¨ fairies and bees ¨ @@@£%:-,¨¨
¨¨¨,-:%£@@ @@£%:-,¨¨¨
¨¨¨¨,-:%£@ our boat is afloat @£%:-,¨¨¨¨
¨¨¨,-:%£@@ on a surface of lilies @@£%:-,¨¨¨
¨¨,-:%£@@@ , dolphins and cats , @@@£%:-,¨¨
¨,-:%£@@@# drag us down #@@@£%:-,¨
¨¨,-:%£@@@ ¨-% underneath %-¨ @@@£%:-,¨¨
¨¨¨,-:%£@@ @@£%:-,¨¨¨
¨¨¨¨,-:%£@ %%££%%££%%££%%££%%£@@£%%££%%££%%££%%££%% @£%:-,¨¨¨¨
¨¨¨,-:%£@@ @@£%:-,¨¨¨
¨¨,-:%£@@@ side a is foresty, and side b might @@@£%:-,¨¨
¨,-:%£@@@# be lizardy. but the last song is full #@@@£%:-,¨
¨¨,-:%£@@@ of space. @@@£%:-,¨¨
¨¨¨,-:%£@@ @@£%:-,¨¨¨
¨¨¨¨,-:%£@ @£%:-,¨¨¨¨
¨¨¨,-:%£@@ @@£%:-,¨¨¨
¨¨,-:%£@@@ @@@£%:-,¨¨
¨,-:%£@@@# #@@@£%:-,¨