¨¨¨¨~::@@@ @@@::~¨¨¨¨
¨,~:%@@@@£ £@@@@%:~,¨
¨,~:%@£@@# #@@£@%:~,¨
¨,~:%@£@## ##@£@%:~,¨
¨,~:%@£@@# #@@£@%:~,¨
¨,~:%@££££ the last song on side b (and to some ££££@%:~,¨
¨,~:%@£@## extent the first song on side a) talks ##@£@%:~,¨
¨,~:%@£@@@ for the whole album, not just their @@@£@%:~,¨
¨,~:%@£@@@ side. the last song on side b is @@@£@%:~,¨
¨¨¨¨¨,,~%£ probably the most important £%~,,¨¨¨¨¨
¨,~:::@£@@ opportunity, the most charged slot. @@£@:::~,¨
¨,~:%@£@@@ @@@£@%:~,¨
¨~:%@£@@## ¨@#@¨ ##@@£@%:~¨
¨¨¨¨¨,~%£@ @£%~,¨¨¨¨¨
¨,~:%@£@@# the album is a singularity, an anomaly #@@£@%:~,¨
¨,~:%@@££@ in spacetime, a creature that knows @££@@%:~,¨
¨,~:%@£@@# exactly how beautiful it is. #@@£@%:~,¨
¨,~:%@£@@# ¨ #@@£@%:~,¨
¨,~:%@£@@# and the thing is: it sees itself in #@@£@%:~,¨
¨¨¨,~~%£@@ three d. it knows that it's dying. @@£%~~,¨¨¨
¨,~:%@£@## ##@£@%:~,¨
¨,~:%@£@@# %%@@%%@@%%@@%%@@%%@££@%%@@%%@@%%@@%%@@%% #@@£@%:~,¨
¨,~:%@£@@# #@@£@%:~,¨
¨,~:%@£@@@ , dolphins and cats , @@@£@%:~,¨
¨¨¨¨¨~~:%£ bring us £%:~~¨¨¨¨¨
¨,~:%%%@££ ¨ flowers and honey ¨ ££@%%%:~,¨
¨,~:%@£@## ##@£@%:~,¨
¨,~:%@£@@# , dolphins and cats , #@@£@%:~,¨
¨,~:%@£@@@ bring us @@@£@%:~,¨
¨,~:%@£@## ¨ fairies and bees ¨ ##@£@%:~,¨
¨¨¨~~:@@@@ @@@@:~~¨¨¨
¨,~:%%%££@ our boat is afloat @££%%%:~,¨
¨,~:%@£@@# on a surface of lilies #@@£@%:~,¨
¨,~:%@£@@# , dolphins and cats , #@@£@%:~,¨
¨,~:%@£@@@ drag us down @@@£@%:~,¨
¨,~:%@@@## ¨~% underneath %~¨ ##@@@%:~,¨
¨¨¨¨¨¨~%%£ £%%~¨¨¨¨¨¨
¨¨¨,~:@@@@ %%@@%%@@%%@@%%@@%%@££@%%@@%%@@%%@@%%@@%% @@@@:~,¨¨¨
¨,~:%@£@@# #@@£@%:~,¨
¨¨¨,~:%@@@ side a is foresty, and side b might @@@%:~,¨¨¨
¨,~:%@£@@# be lizardy. but the last song is full #@@£@%:~,¨
¨¨¨¨¨,~%@@ of space. @@%~,¨¨¨¨¨
¨¨¨,~~%@££ ££@%~~,¨¨¨
¨,~:%@£@@# #@@£@%:~,¨
¨¨¨¨¨~:%@£ £@%:~¨¨¨¨¨
¨,~:%@£@@# #@@£@%:~,¨
¨¨¨¨¨¨¨~%£ £%~¨¨¨¨¨¨¨