.:=†%&&#@#                                          #@#&&%†=:.
..:=†%&&#@                                          @#&&%†=:..
...:=†%&&#                                          #&&%†=:...
..:=†%&&#@                                          @#&&%†=:..
.:=†%&&#@#                                          #@#&&%†=:.
..:=†%&&#@                    ::                    @#&&%†=:..
...:=†%&&#                   :&&:                   #&&%†=:...
..:=†%&&#@                  :&##&:                  @#&&%†=:..
.:=†%&&#@#                   :&&:                   #@#&&%†=:.
..:=†%&&#@                    ::                    @#&&%†=:..
...:=†%&&#                                          #&&%†=:...
..:=†%&&#@                                          @#&&%†=:..
.:=†%&&#@#   ††† teenage engineering presents †††   #@#&&%†=:.
..:=†%&&#@ #&======  the pocket operators  ======&# @#&&%†=:..
...:=†%&&#           ::: :::::: :::::::::           #&&%†=:...
..:=†%&&#@                                          @#&&%†=:..
.:=†%&&#@#             they break easily            #@#&&%†=:.
..:=†%&&#@ for example  if you would be to put them @#&&%†=:..
...:=†%&&#              in your pocket              #&&%†=:...
..:=†%&&#@                                          @#&&%†=:..
.:=†%&&#@#                 .%@#@%.                  #@#&&%†=:.
..:=†%&&#@ here presented  in  an ascending fashion @#&&%†=:..
...:=†%&&#                 .%@#@%.                  #&&%†=:...
..:=†%&&#@                                          @#&&%†=:..
.:=†%&&#@#                                          #@#&&%†=:.
..:=†%&&#@              && po twelve &&             @#&&%†=:..
...:=†%&&#      (drum machine, see po twelve)       #&&%†=:...
..:=†%&&#@                                          @#&&%†=:..
.:=†%&&#@#                                          #@#&&%†=:.
..:=†%&&#@             && po fourteen &&            @#&&%†=:..
...:=†%&&# lame   base   synth  i   had   and  sold #&&%†=:...
..:=†%&&#@                                          @#&&%†=:..
.:=†%&&#@#                                          #@#&&%†=:.
..:=†%&&#@             && po sixteen &&             @#&&%†=:..
...:=†%&&#    (melody and stuff, see po sixteen)    #&&%†=:...
..:=†%&&#@                                          @#&&%†=:..
.:=†%&&#@#                                          #@#&&%†=:.
..:=†%&&#@              && po twenty &&             @#&&%†=:..
...:=†%&&#   a chiptune-sounding blip blop machine  #&&%†=:...
..:=†%&&#@ good for chords and stuff. never used it @#&&%†=:..
.:=†%&&#@#                                          #@#&&%†=:.
..:=†%&&#@                                          @#&&%†=:..
...:=†%&&#           && po twentyfour &&            #&&%†=:...
..:=†%&&#@     office rompler? for what reason?     @#&&%†=:..
.:=†%&&#@#                                          #@#&&%†=:.
..:=†%&&#@                                          @#&&%†=:..
...:=†%&&#           && po twentyeight &&           #&&%†=:...
..:=†%&&#@        melody and stuff mark two         @#&&%†=:..
.:=†%&&#@#         (only melodies this time)        #@#&&%†=:.
..:=†%&&#@                                          @#&&%†=:..
...:=†%&&#                                          #&&%†=:...
..:=†%&&#@            && po thirtytwo &&            @#&&%†=:..
.:=†%&&#@#          drum machine mark two           #@#&&%†=:.
..:=†%&&#@ runs on some computer software  to  make @#&&%†=:..
...:=†%&&# your  own  drums and  whatnot. but it is #&&%†=:...
..:=†%&&#@            expensive this one            @#&&%†=:..
.:=†%&&#@#                                          #@#&&%†=:.
..:=†%&&#@                                          @#&&%†=:..
...:=†%&&#                                          #&&%†=:...
..:=†%&&#@                                          @#&&%†=:..
.:=†%&&#@#                                          #@#&&%†=:.