.^~/%§§§§@                                          @§§§§%/~^.
.^~/%§#@@#                                          #@@#§%/~^.
.^~/%§#@@#                                          #@@#§%/~^.
......~%§@                                          @§%~......
.^~/%§#@@#                                          #@@#§%/~^.
.^~/%§#@@@                    ^^                    @@@#§%/~^.
.^~/%§#@@#                   ^§§^                   #@@#§%/~^.
.^~/%§#@@@                  ^§##§^                  @@@#§%/~^.
.^~/%§#@@#                   ^§§^                   #@@#§%/~^.
.^~/%§##@@                    ^^                    @@##§%/~^.
.....^//§#                                          #§//^.....
.^~/%§#@@#                                          #@@#§%/~^.
.....^/§@@   /// teenage engineering presents ///   @@§/^.....
.^~/%§#@@# #§~~~~~~  the pocket operators  ~~~~~~§# #@@#§%/~^.
....^^/§#@           ^^^ ^^^^^^ ^^^^^^^^^           @#§/^^....
.....~~%§#                                          #§%~~.....
.^~/%§#@@#            they break easily             #@@#§%/~^.
..^^///§@@ for example if you  would be to put them @@§///^^..
.....~%%#@              in your pocket              @#%%~.....
.^~/%§#@@#                                          #@@#§%/~^.
.^~///%%§@                  .%@#@%.                 @§%%///~^.
.^~/%§#@@# here presented in  an ascending  fashion #@@#§%/~^.
....~/§##@                  .%@#@%.                 @##§/~....
.^~/%§#@@@                                          @@@#§%/~^.
.^~/%§#@@#                                          #@@#§%/~^.
...^/%%##@              §§ po twelve §§             @##%%/^...
.^~/%§#@@#      (drum machine, see po twelve)       #@@#§%/~^.
.^~/%§#@@#                                          #@@#§%/~^.
.^~/%§#@@#                                          #@@#§%/~^.
....^~~~%#             §§ po fourteen §§            #%~~~^....
.^~/%§#@@# lame  base   synth   i   had  and   sold #@@#§%/~^.
.....^/§§#                                          #§§/^.....
....^~/%§@                                          @§%/~^....
.....^~%#@             §§ po sixteen §§             @#%~^.....
.^~/%§#@@@    (melody and stuff, see po sixteen)    @@@#§%/~^.
....^~//§#                                          #§//~^....
.^~/%§#@##                                          ##@#§%/~^.
.^~/%§#@##             §§ po twenty §§              ##@#§%/~^.
....^/%§@@  a chiptune-sounding blip blop machine   @@§%/^....
.^~/%§#@## good for chords and stuff. never used it ##@#§%/~^.
.^~/%§#@@@                                          @@@#§%/~^.
.^~/%§#@@#                                          #@@#§%/~^.
...^//§§@@           §§ po twentyfour §§            @@§§//^...
...^~%%%#@     office rompler? for what reason?     @#%%%~^...
.^~/%§#@@#                                          #@@#§%/~^.
.^~/%§#@@#                                          #@@#§%/~^.
.^~~//%##@           §§ po twentyeight §§           @##%//~~^.
.^~/%§#@@@        melody and stuff mark two         @@@#§%/~^.
.^~/%§#@##         (only melodies this time)        ##@#§%/~^.
.^~/%§##@@                                          @@##§%/~^.
.^~/%§§##@                                          @##§§%/~^.
....^///§@            §§ po thirtytwo §§            @§///^....
.^~/%§#@@#          drum machine mark two           #@@#§%/~^.
.^~/%§#@@# runs on  some computer software  to make #@@#§%/~^.
.^~/%§#@@# your own drums and  whatnot. but  it  is #@@#§%/~^.
.^~%§#@@##            expensive this one            ##@@#§%~^.
.^~/////%#                                          #%/////~^.
.^~/%§#@@#                                          #@@#§%/~^.
.^~/%§#@@@                                          @@@#§%/~^.
.^~/%§§§#@                                          @#§§§%/~^.
.^~/%§#@##                                          ##@#§%/~^.