..,.¨¨¨,,,                                          ,,,¨¨¨.,..
,¨¨¨,..,¨,                                          ,¨,..,¨¨¨,
«-¨.,..¨..                                          ..¨..,.¨-«
†~,¨..,,,,                                          ,,,,..¨,~†
^=~^¨,.¨.,                                          ,.¨.,¨^~=^
$§\=.¨.,¨¨                                          ¨¨,.¨.=\§$
§$*;-,¨,..           #^=.,,,¨.¨,..,,.¨^$#           ..,¨,-;*$§
#§*^/=:,¨.          #†$  "DIGITALITY"  ^^#          .¨,:=/^*§#
#@#*§==:¨,           #%%.¨¨¨,¨¨,..,,,.^=#           ,¨:==§*#@#
###&&$\«^.                                          .^«\$&&###
#£¤§=^«,..                     ^                    ..,«^=§¤£#
¶§¤=:»^..,                                          ,..^»:=¤§¶
&£%^~,.,.. DIGITAL,  THE DIGITAL, TO BECOME DIGITAL ..,.,~^%£&
@†\=..¨..¨                                          ¨..¨..=\†@
§^«,,,,...                     =                    ...,,,,«^§
†=.,¨¨...¨                                          ¨...¨¨,.=†
»-.,¨.¨,,.   ANCIENT (MESOPOTHAMIA) KNOT MADE OF    .,,¨.¨,.-»
-.¨,.,¨,.,    SYMBOLS. THE ENGLISH TRANSLATION IS   ,.,¨,.,¨.-
..,,¨.,..¨   "THROUGH NUMBERS". YOU CAN USE THIS    ¨..,.¨,,..
,...¨¨,,¨.  MACHINE TO REMEMBER, PREDICT, OR HIDE.  .¨,,¨¨...,
,,,¨....,¨                                          ¨,....¨,,,
.,,¨¨..¨,¨                     †                    ¨,¨..¨¨,,.
,,,,,..,¨.                                          .¨,..,,,,,
,¨.,.¨.¨,.  THOUGH IT MIGHT LOOK LIKE WITCHCRAFT,   .,¨.¨.,.¨,
~...¨.,,¨, THE GIFTED CAN TURN ANALOG SIGNALS INTO  ,¨,,.¨...~
\»-.¨...,,   DIGITAL - THE ANALOG IS IN ITSELF A    ,,...¨.-»\
*/»,¨¨,,¨,  REPRESENTATION OF THE WORLD INSIDE THE  ,¨,,¨¨,»/*
&%=«,¨¨¨,.   WORLD, WHICH IS FURTHER ENCODED INTO   .,¨¨¨,«=%&
£$§/»~....  DIGITAL (ENCODED IN THE LITERAL SENSE;  ....~»/§$£
#&§=;=,.,.  THE NUMBERS ARE SYMBOLS WHO CARRY THE   .,.,=;=§&#
#@¤%**~.,.  MEANING SEMANTICALLY AND NOT IN THEIR   .,.~**%¤@#
###§£%*-^, SHAPE (ANALOG BEINGS ARE THE OPPOSITE.)) ,^-*%£§###
@#@£†;«...                                          ...«;†£@#@
¶#$=\»,,.¨                     ^                    ¨.,,»\=$#¶
£%$*»^¨¨¨,                                          ,¨¨¨^»*$%£
$*†~^.....     VARIOUS SCHEMES EXIST FOR HOW TO     .....^~†*$
*†~^......   INTERPRET AND WORK FURTHER WITH THESE  ......^~†*
†~^.......   SYMBOLS (SUCH AS WAV, JPG, NFO, DIZ,   .......^~†
~^........   VOR, HYP, MKV). GETTING FAMILIAR WITH  ........^~
^.........  THESE IS A GOOD START ON YOUR JOURNEY,  .........^
..........     ALTHOUGH EVEN A WIZARD MIGHT ONLY    ..........
..........    ~REALLY~ KNOW TWO OR THREE IN THEIR   ..........
..........                 LIFETIME.                ..........
,¨¨,.,.¨.,                                          ,.¨.,.,¨¨,
¨,,.¨¨..,¨                    %                     ¨,..¨¨.,,¨
^¨.,,¨.¨,,                                          ,,¨.¨,,.¨^
~~,¨¨.,¨,,  SOME PITFALLS INCLUDE THAT EVEN IF YOU  ,,¨,.¨¨,~~
†-^,,¨.,.¨      CAN ENCODE THE DIGITAL SYMBOLS      ¨.,.¨,,^-†
^:~^..,¨,¨  THEMSELVES AS DIGITAL, SOMEHOW IT MUST  ¨,¨,..^~:^
%^;~~..,.,  TERMINATE IN THE ANALOG; IF KNOWLEDGE   ,.,..~~;^%
§&*†=,,.,.  IS LOST, YOU CAN HAVE SYMBOLS WITH NO   .,.,,=†*&§
@¤£†:~.,,¨   ROUTE TO THEIR ORIGINAL MEANING, AND   ¨,,.~:†£¤@
##@*§*~,,¨  THAT WITH THE RIGHT SPELLS AND METHODS  ¨,,~*§*@##
##@#*=†=,,  YOU CAN USE DIGITAL REPRESENTATION FOR  ,,=†=*#@##
@#&§**«^.,   ANALYSIS (MUST BE COMBATTED AT EVERY   ,.^«**§&#@
#&£%\»~¨¨¨               OPPORTUNITY)               ¨¨¨~»\%£&#
¤$=/~:¨¨,,                                          ,,¨¨:~/=$¤
§*/~:¨,¨,¨                                          ¨,¨,¨:~/*§
%†»,,,.,¨,                                          ,¨,.,,,»†%
:=:¨..¨.,,                                          ,,.¨..¨:=:
-.,,¨.¨¨¨¨                                          ¨¨¨¨.¨,,.-