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#@#¤§^/~,¨           #†$¨.¨¨¨¨¨¨¨,¨,.¨§%#           ¨,~/^§¤#@#
@@#*†;~.¨,          #%$  "DIGITALITY"  †%#          ,¨.~;†*#@@
##&%;~~.,,           #^§,,¨,,.¨,¨,,¨¨.%†#           ,,.~~;%&##
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%*=~~..,,,                    *                     ,,,..~~=*%
%*»-,.¨¨.¨                                          ¨.¨¨.,-»*%
%%^~~,¨.¨. DIGITAL, THE DIGITAL, TO BECOME  DIGITAL .¨.¨,~~^%%
&£=\~-,¨¨.                                          .¨¨,-~\=£&
£#@%†-,,.¨                     ^                    ¨.,,-†%@#£
##£§^;«,..                                          ..,«;^§£##
##@#@*:«:,    ANCIENT (MESOPOTHAMIA) KNOT MADE OF   ,:«:*@#@##
#@¤%†=~~,,   SYMBOLS. THE ENGLISH TRANSLATION IS    ,,~~=†%¤@#
@£$*†~,,¨¨    "THROUGH NUMBERS". YOU CAN USE THIS   ¨¨,,~†*$£@
§*§/«^,,¨,  MACHINE TO REMEMBER, PREDICT, OR HIDE.  ,¨,,^«/§*§
£%†-,.¨...                                          ...¨.,-†%£
^;~,¨...¨.                    *                     .¨...¨,~;^
£^^«:¨¨¨,¨                                          ¨,¨¨¨:«^^£
§@$^=^.,¨,  THOUGH IT MIGHT LOOK LIKE WITCHCRAFT,   ,¨,.^=^$@§
¶££*^»^¨,. THE GIFTED CAN TURN ANALOG SIGNALS INTO  .,¨^»^*££¶
#@&£*==^,¨    DIGITAL - THE ANALOG IS IN ITSELF A   ¨,^==*£&@#
##@&@§\=,.  REPRESENTATION OF THE WORLD INSIDE THE  .,=\§@&@##
#¶¤£**-:.,   WORLD, WHICH IS FURTHER ENCODED INTO   ,.:-**£¤¶#
¶#&§^~~.,¨  DIGITAL (ENCODED IN THE LITERAL SENSE;  ¨,.~~^§&#¶
§§%†=,,,,,  THE NUMBERS ARE SYMBOLS WHO CARRY THE   ,,,,,=†%§§
@^*~^¨¨,.¨   MEANING SEMANTICALLY AND NOT IN THEIR  ¨.,¨¨^~*^@
%/~..¨,¨.. SHAPE (ANALOG BEINGS ARE THE OPPOSITE.)) ..¨,¨..~/%
%*;~.,.¨.,                                          ,.¨.,.~;*%
£*§;».,,¨.                    =                     .¨,,.»;§*£
@@**:«....                                          ....«:**@@
##§§*\~-,,     VARIOUS SCHEMES EXIST FOR HOW TO     ,,-~\*§§##
###§§*\~-,   INTERPRET AND WORK FURTHER WITH THESE  ,-~\*§§###
##§§*\~-,,   SYMBOLS (SUCH AS WAV, JPG, NFO, DIZ,   ,,-~\*§§##
#§§*\~-,,,   VOR, HYP, MKV). GETTING FAMILIAR WITH  ,,,-~\*§§#
§§*\~-,,,,  THESE IS A GOOD START ON YOUR JOURNEY,  ,,,,-~\*§§
§*\~-,,,,,     ALTHOUGH EVEN A WIZARD MIGHT ONLY    ,,,,,-~\*§
*\~-,,,,,,   ~REALLY~ KNOW TWO OR THREE IN THEIR    ,,,,,,-~\*
§*\~-,,,,,                 LIFETIME.                ,,,,,-~\*§
¤¤*;~,.¨,.                                          .,¨.,~;*¤¤
##%††»-.¨¨                     §                    ¨¨.-»††%##
#@¤£%*«-..                                          ..-«*%£¤@#
##@¤%§==,,  SOME PITFALLS INCLUDE THAT EVEN IF YOU  ,,==§%¤@##
##@£=;=,¨,      CAN ENCODE THE DIGITAL SYMBOLS      ,¨,=;=£@##
##&*:»:.,,  THEMSELVES AS DIGITAL, SOMEHOW IT MUST  ,,.:»:*&##
¤&*^»^¨.,,  TERMINATE IN THE ANALOG; IF KNOWLEDGE   ,,.¨^»^*&¤
@†;«,.,..,   IS LOST, YOU CAN HAVE SYMBOLS WITH NO  ,..,.,«;†@
^:«^,.¨,,.   ROUTE TO THEIR ORIGINAL MEANING, AND   .,,¨.,^«:^
§%^-,,,¨.¨  THAT WITH THE RIGHT SPELLS AND METHODS  ¨.¨,,,-^%§
&$*/=-¨¨..  YOU CAN USE DIGITAL REPRESENTATION FOR  ..¨¨-=/*$&
¶§%%†«.,.,   ANALYSIS (MUST BE COMBATTED AT EVERY   ,.,.«†%%§¶
#¶£§*=«-,¨               OPPORTUNITY)               ¨,-«=*§£¶#
##@@@=;~,¨                                          ¨,~;=@@@##
##¤£^^~-,¨                                          ¨,-~^^£¤##
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#@*†«:¨,.,                                          ,.,¨:«†*@#
§%/-^..¨,¨                                          ¨,¨..^-/%§