¨¨.:«/^&@¶                                          ¶@&^/«:.¨¨
,¨:=/^¤¤##                                          ##¤¤^/=:¨,
.,»==£####                                          ####£==»,.
,,^«:*$§¶#                                          #¶§$*:«^,,
,¨,~-:$$#@                                          @#$$:-~,¨,
¨,.,:~/*$&                                          &$*/~:,.,¨
¨.,,¨-«\*$           #**..,,....¨.....%*#           $*\«-¨,,.¨
¨¨.,¨..»*%          #%=  "DIGITALITY"  §*#          %*»..¨,.¨¨
.....,=;†%           #**¨,..,,¨,¨.,,¨,%%#           %†;=,.....
.¨.¨,~==£#                                          #£==~,¨.¨.
¨,..~/§&¤£                    †                     £¤&§/~..,¨
¨,.~/*¤§@#                                          #@§¤*/~.,¨
.^~\%$#¶## DIGITAL, THE DIGITAL, TO  BECOME DIGITAL ##¶#$%\~^.
¨.:«†$£¤£#                                          #£¤£$†«:.¨
¨¨,,=:=¤¤@                     §                    @¤¤=:=,,¨¨
¨¨¨,,=†$*@                                          @*$†=,,¨¨¨
,¨,..^»\$%    ANCIENT (MESOPOTHAMIA) KNOT MADE OF   %$\»^..,¨,
¨¨¨.,¨,=\=   SYMBOLS. THE ENGLISH TRANSLATION IS    =\=,¨,.¨¨¨
¨,,,.,~^^¤    "THROUGH NUMBERS". YOU CAN USE THIS   ¤^^~,.,,,¨
,,,,^=^§$¤  MACHINE TO REMEMBER, PREDICT, OR HIDE.  ¤$§^=^,,,,
,,,,~/§$§@                                          @§$§/~,,,,
¨,^»;§£¤£#                    ^                     #£¤£§;»^,¨
.^=/†£¤###                                          ###¤£†/=^.
.,~«:^¤&##   THOUGH IT MIGHT LOOK LIKE WITCHCRAFT,  ##&¤^:«~,.
,,.~~†%$£#  THE GIFTED CAN TURN ANALOG SIGNALS INTO #£$%†~~.,,
..,,:«=*@§    DIGITAL - THE ANALOG IS IN ITSELF A   §@*=«:,,..
.¨,¨,~=\*§  REPRESENTATION OF THE WORLD INSIDE THE  §*\=~,¨,¨.
¨¨,..¨^»*$   WORLD, WHICH IS FURTHER ENCODED INTO   $*»^¨..,¨¨
¨.¨,.,~\=$  DIGITAL (ENCODED IN THE LITERAL SENSE;  $=\~,.,¨.¨
¨.¨.:~:*%&   THE NUMBERS ARE SYMBOLS WHO CARRY THE  &%*:~:.¨.¨
¨,,.=/$£@#  MEANING SEMANTICALLY AND NOT IN THEIR   #@£$/=.,,¨
¨¨:«\%@££# SHAPE (ANALOG BEINGS ARE THE OPPOSITE.)) #££@%\«:¨¨
.,=^^$#@##                                          ##@#$^^=,.
...«;%&@##                    *                     ##@&%;«...
.¨,.«†%£&¶                                          ¶&£%†«.,¨.
¨¨¨¨-=*%*@     VARIOUS SCHEMES EXIST FOR HOW TO     @*%*=-¨¨¨¨
¨¨¨¨¨-=*%*   INTERPRET AND WORK FURTHER WITH THESE  *%*=-¨¨¨¨¨
¨¨¨¨¨¨-=*%   SYMBOLS (SUCH AS WAV, JPG, NFO, DIZ,   %*=-¨¨¨¨¨¨
¨¨¨¨¨-=*%*  VOR, HYP, MKV). GETTING FAMILIAR WITH   *%*=-¨¨¨¨¨
¨¨¨¨-=*%*@  THESE IS A GOOD START ON YOUR JOURNEY,  @*%*=-¨¨¨¨
¨¨¨-=*%*@#    ALTHOUGH EVEN A WIZARD MIGHT ONLY     #@*%*=-¨¨¨
¨¨-=*%*@##   =REALLY= KNOW TWO OR THREE IN THEIR    ##@*%*=-¨¨
¨-=*%*@###                LIFETIME.                 ###@*%*=-¨
¨.~~^=%#¶#                                          #¶#%=^~~.¨
¨,¨:~/*$##                    §                     ##$*/~:¨,¨
.¨,.^~/*¤§                                          §¤*/~^.,¨.
.,¨.¨.~^*¤  SOME PITFALLS INCLUDE THAT EVEN IF YOU  ¤*^~.¨.¨,.
¨¨,¨..~-/=      CAN ENCODE THE DIGITAL SYMBOLS      =/-~..¨,¨¨
.,¨.¨-«**¤  THEMSELVES AS DIGITAL, SOMEHOW IT MUST  ¤**«-¨.¨,.
..,.:-:=£§   TERMINATE IN THE ANALOG; IF KNOWLEDGE  §£=:-:.,..
¨.¨^«/†$£@  IS LOST, YOU CAN HAVE SYMBOLS WITH NO   @£$†/«^¨.¨
¨¨^-^$$¤##   ROUTE TO THEIR ORIGINAL MEANING, AND   ##¤$$^-^¨¨
,^»\^$¤¶##  THAT WITH THE RIGHT SPELLS AND METHODS  ##¶¤$^\»^,
.,,~*^§#¶#  YOU CAN USE DIGITAL REPRESENTATION FOR  #¶#§^*~,,.
¨.,,=:^£@£   ANALYSIS (MUST BE COMBATTED AT EVERY   £@£^:=,,.¨
¨,,.~-^§¤¤               OPPORTUNITY)               ¤¤§^-~.,,¨
¨¨¨¨.-»*§$                                          $§*»-.¨¨¨¨
,¨.,,.~~/$                                          $/~~.,,.¨,
,,.¨¨:-/$%                                          %$/-:¨¨.,,
,¨¨.,~\$%&                                          &%$\~,.¨¨,
,,,~«\*§@£                                          £@§*\«~,,,