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..^~-\†£*@ #%§ "DIGITALITY" §%# @*£†\-~^..
,,¨¨.~^^¤# #*%,.,,¨....,,,¨¨^%# #¤^^~.¨¨,,
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¨--†*&#@££ $ ££@#&*†--¨
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,¨,,,.»^&£ DIGITAL, THE DIGITAL, TO BECOME DIGITAL £&^».,,,¨,
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¨--;*%#@## ##@#%*;--¨
¨,=**$££## ANCIENT (MESOPOTHAMIA) KNOT MADE OF ##££$**=,¨
¨:«\=@@### SYMBOLS. THE ENGLISH TRANSLATION IS ###@@=\«:¨
,,=/%%££## "THROUGH NUMBERS". YOU CAN USE THIS ##££%%/=,,
.~»\*&¤@## MACHINE TO REMEMBER, PREDICT, OR HIDE. ##@¤&*\»~.
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¨^-\*£¤#@@ = @@#¤£*\-^¨
.~-\*£#@## ##@#£*\-~.
.-=†%£#@## THOUGH IT MIGHT LOOK LIKE WITCHCRAFT, ##@#£%†=-.
,-==%$£¶## THE GIFTED CAN TURN ANALOG SIGNALS INTO ##¶£$%==-,
..«^*£¤¤£# DIGITAL - THE ANALOG IS IN ITSELF A #£¤¤£*^«..
.,«=§*&@## REPRESENTATION OF THE WORLD INSIDE THE ##@&*§=«,.
.~-^$§&£## WORLD, WHICH IS FURTHER ENCODED INTO ##£&§$^-~.
¨.»^§£#### DIGITAL (ENCODED IN THE LITERAL SENSE; ####£§^».¨
¨:~^†%@¶@# THE NUMBERS ARE SYMBOLS WHO CARRY THE #@¶@%†^~:¨
.~-^§£¤@## MEANING SEMANTICALLY AND NOT IN THEIR ##@¤£§^-~.
.,,,=\£*£# SHAPE (ANALOG BEINGS ARE THE OPPOSITE.)) #£*£\=,,,.
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¨^~^*§§¤¤¤ VARIOUS SCHEMES EXIST FOR HOW TO ¤¤¤§§*^~^¨
¨¨¨¨^^~*¤# INTERPRET AND WORK FURTHER WITH THESE #¤*~^^¨¨¨¨
^~^*§¤#@## SYMBOLS (SUCH AS WAV, JPG, NFO, DIZ, ##@#¤§*^~^
¨^~^*§¤#@# VOR, HYP, MKV). GETTING FAMILIAR WITH #@#¤§*^~^¨
¨¨¨¨¨^~*¤# THESE IS A GOOD START ON YOUR JOURNEY, #¤*~^¨¨¨¨¨
¨^~^*§¤#@@ ALTHOUGH EVEN A WIZARD MIGHT ONLY @@#¤§*^~^¨
¨¨¨^^^§§¤# ~REALLY~ KNOW TWO OR THREE IN THEIR #¤§§^^^¨¨¨
¨¨¨^^^**¤# LIFETIME. #¤**^^^¨¨¨
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,-~\%$§@@# SOME PITFALLS INCLUDE THAT EVEN IF YOU #@@§$%\~-,
.¨,,..=%#£ CAN ENCODE THE DIGITAL SYMBOLS £#%=..,,¨.
..»=%@£### THEMSELVES AS DIGITAL, SOMEHOW IT MUST ###£@%=»..
¨¨¨.~^%*$¶ TERMINATE IN THE ANALOG; IF KNOWLEDGE ¶$*%^~.¨¨¨
.,-\%$§£## IS LOST, YOU CAN HAVE SYMBOLS WITH NO ##£§$%\-,.
¨¨.»~-*%@£ ROUTE TO THEIR ORIGINAL MEANING, AND £@%*-~».¨¨
,:~†$%£@## THAT WITH THE RIGHT SPELLS AND METHODS ##@£%$†~:,
,¨¨,~=§$%@ YOU CAN USE DIGITAL REPRESENTATION FOR @%$§=~,¨¨,
,,.,.-=£§# ANALYSIS (MUST BE COMBATTED AT EVERY #§£=-.,.,,
¨-~†^%##@# OPPORTUNITY) #@##%^†~-¨
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