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$*^~...,.¨                                          ¨.,...~^*$
§$^;«-,¨¨,                                          ,¨¨,-«;^$§
¶¤§$:-:...           #%%,¨¨,,¨,,.,¨.,¨%§#           ...:-:$§¤¶
#£§@*==^,.          #^%  "DIGITALITY"  §%#          .,^==*@§£#
##@@**\«,¨           #*%.¨.¨,.¨¨¨.¨..¨**#           ¨,«\**@@##
##@&§=«-,¨                                          ¨,-«=§&@##
¶#@*:=,.¨,                     *                    ,¨.,=:*@#¶
&%§†~-.¨..                                          ..¨.-~†§%&
$§=»,.,,,, DIGITAL, THE  DIGITAL, TO BECOME DIGITAL ,,,,.,»=§$
*;~,.,.¨¨,                                          ,¨¨.,.,~;*
§=*~:,.¨,,                     *                    ,,¨.,:~*=§
#§%^«~¨¨.,                                          ,.¨¨~«^%§#
¶§$=*=,...    ANCIENT (MESOPOTHAMIA) KNOT MADE OF   ...,=*=$§¶
##@£††~:¨,    SYMBOLS. THE ENGLISH TRANSLATION IS   ,¨:~††£@##
##¶&&^;».,   "THROUGH NUMBERS". YOU CAN USE THIS    ,.»;^&&¶##
#£#%*^«,,,  MACHINE TO REMEMBER, PREDICT, OR HIDE.  ,,,«^*%#£#
##$*\«,¨,,                                          ,,¨,«\*$##
&$†/=^...,                     ^                    ,...^=/†$&
&*†=^¨¨,,¨                                          ¨,,¨¨^=†*&
§*-:..¨...  THOUGH IT MIGHT LOOK LIKE WITCHCRAFT,   ...¨..:-*§
$†/=:.,.¨¨ THE GIFTED CAN TURN ANALOG SIGNALS INTO  ¨¨.,.:=/†$
#**^«~¨¨,,    DIGITAL - THE ANALOG IS IN ITSELF A   ,,¨¨~«^**#
#@$%\«.¨¨¨  REPRESENTATION OF THE WORLD INSIDE THE  ¨¨¨.«\%$@#
##££*/~~,.   WORLD, WHICH IS FURTHER ENCODED INTO   .,~~/*££##
##@¤$%*~,,  DIGITAL (ENCODED IN THE LITERAL SENSE;  ,,~*%$¤@##
##@§=†=~¨.   THE NUMBERS ARE SYMBOLS WHO CARRY THE  .¨~=†=§@##
##*=\«~¨.¨   MEANING SEMANTICALLY AND NOT IN THEIR  ¨.¨~«\=*##
#§^*~:.,,. SHAPE (ANALOG BEINGS ARE THE OPPOSITE.)) .,,.:~*^§#
%*:~^¨.¨,.                                          .,¨.¨^~:*%
§*«.,.,,,,                    *                     ,,,,.,.«*§
£$/~,¨¨¨,.                                          .,¨¨¨,~/$£
§*=:~.¨¨¨¨     VARIOUS SCHEMES EXIST FOR HOW TO     ¨¨¨¨.~:=*§
#§*=:~.¨¨¨   INTERPRET AND WORK FURTHER WITH THESE  ¨¨¨.~:=*§#
##§*=:~.¨¨   SYMBOLS (SUCH AS WAV, JPG, NFO, DIZ,   ¨¨.~:=*§##
###§*=:~.¨  VOR, HYP, MKV). GETTING FAMILIAR WITH   ¨.~:=*§###
##§*=:~.¨¨  THESE IS A GOOD START ON YOUR JOURNEY,  ¨¨.~:=*§##
#§*=:~.¨¨¨     ALTHOUGH EVEN A WIZARD MIGHT ONLY    ¨¨¨.~:=*§#
§*=:~.¨¨¨¨    ~REALLY~ KNOW TWO OR THREE IN THEIR   ¨¨¨¨.~:=*§
*=:~.¨¨¨¨¨                 LIFETIME.                ¨¨¨¨¨.~:=*
%=«,,....,                                          ,....,,«=%
£†=«~,.,.,                    *                     ,.,.,~«=†£
#***=:.,.,                                          ,.,.:=***#
##*^\«^¨,,  SOME PITFALLS INCLUDE THAT EVEN IF YOU  ,,¨^«\^*##
##¤@†:~^.,      CAN ENCODE THE DIGITAL SYMBOLS      ,.^~:†@¤##
###&&†*=,.  THEMSELVES AS DIGITAL, SOMEHOW IT MUST  .,=*†&&###
#¶#£%;«,,,   TERMINATE IN THE ANALOG; IF KNOWLEDGE  ,,,«;%£#¶#
¶££%†-.¨¨¨   IS LOST, YOU CAN HAVE SYMBOLS WITH NO  ¨¨¨.-†%££¶
¤*%\~,.,¨.   ROUTE TO THEIR ORIGINAL MEANING, AND   .¨,.,~\%*¤
¤=\=-,,,¨.  THAT WITH THE RIGHT SPELLS AND METHODS  .¨,,,-=\=¤
*†~~¨,.,,¨  YOU CAN USE DIGITAL REPRESENTATION FOR  ¨,,.,¨~~†*
&%^=:¨.,¨¨   ANALYSIS (MUST BE COMBATTED AT EVERY   ¨¨,.¨:=^%&
#§%=»^..¨.               OPPORTUNITY)               .¨..^»=%§#
#£&^=~^.¨.                                          .¨.^~=^&£#
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£££^;~.,¨.                                          .¨,.~;^£££