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###@§^/~-¨ #*% "DIGITALITY" *§# ¨-~/^§@###
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#@##*\«^.¨ DIGITAL, THE DIGITAL, TO BECOME DIGITAL ¨.^«\*##@#
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#@@@*\«~¨, ANCIENT (MESOPOTHAMIA) KNOT MADE OF ,¨~«\*@@@#
##£=/-,.,, SYMBOLS. THE ENGLISH TRANSLATION IS ,,.,-/=£##
#@@&*†»~,, "THROUGH NUMBERS". YOU CAN USE THIS ,,~»†*&@@#
##@##%/-,¨ MACHINE TO REMEMBER, PREDICT, OR HIDE. ¨,-/%##@##
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##¤$\»^¨¨, DIGITAL - THE ANALOG IS IN ITSELF A ,¨¨^»\$¤##
##@¤§^«-., REPRESENTATION OF THE WORLD INSIDE THE ,.-«^§¤@##
##@#@$†~:. WORLD, WHICH IS FURTHER ENCODED INTO .:~†$@#@##
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##@@%^«..¨ MEANING SEMANTICALLY AND NOT IN THEIR ¨..«^%@@##
###@&*^~~¨ SHAPE (ANALOG BEINGS ARE THE OPPOSITE.)) ¨~~^*&@###
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##@#¤^=»,¨ VARIOUS SCHEMES EXIST FOR HOW TO ¨,»=^¤#@##
#@#¤^=»,¨¨ INTERPRET AND WORK FURTHER WITH THESE ¨¨,»=^¤#@#
@#¤^=»,¨¨¨ SYMBOLS (SUCH AS WAV, JPG, NFO, DIZ, ¨¨¨,»=^¤#@
#@#¤^=»,¨¨ VOR, HYP, MKV). GETTING FAMILIAR WITH ¨¨,»=^¤#@#
##@#¤^=»,¨ THESE IS A GOOD START ON YOUR JOURNEY, ¨,»=^¤#@##
#@#¤^=»,¨¨ ALTHOUGH EVEN A WIZARD MIGHT ONLY ¨¨,»=^¤#@#
@#¤^=»,¨¨¨ »REALLY» KNOW TWO OR THREE IN THEIR ¨¨¨,»=^¤#@
#@#¤^=»,¨¨ LIFETIME. ¨¨,»=^¤#@#
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##@¤^*-~,. SOME PITFALLS INCLUDE THAT EVEN IF YOU .,~-*^¤@##
##@¶&*\~-¨ CAN ENCODE THE DIGITAL SYMBOLS ¨-~\*&¶@##
###§%*»^¨, THEMSELVES AS DIGITAL, SOMEHOW IT MUST ,¨^»*%§###
#£#=/«~¨.¨ TERMINATE IN THE ANALOG; IF KNOWLEDGE ¨.¨~«/=#£#
##@£%*-,¨. IS LOST, YOU CAN HAVE SYMBOLS WITH NO .¨,-*%£@##
##@#£%:=., ROUTE TO THEIR ORIGINAL MEANING, AND ,.=:%£#@##
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