#*%†~:.,¨,                                          ,¨,.:~†%*#
¶¤&%/«:¨..                                          ..¨:«/%&¤¶
##@%^==:..                                          ..:==^%@##
##¶§¤=*«~,                                          ,~«*=¤§¶##
@¶&$$*=,..                                          ..,=*$$&¶@
##£§=~:.,,                                          ,,.:~=§£##
@£%==^¨.¨.           #=*..,,.¨..,.¨¨¨,=*#           .¨.¨^==%£@
@†=--¨,,.,          #*%  "DIGITALITY"  †*#          ,.,,¨--=†@
*\»-,,,.¨,           #*§.¨.,,¨¨.¨¨¨¨,.*^#           ,¨.,,,-»\*
^-.,¨,,.¨,                                          ,¨.,,¨,.-^
=\»~,¨.¨¨¨                     %                    ¨¨¨.¨,~»\=
£$;~:,.,¨¨                                          ¨¨,.,:~;$£
§@§\«^¨.,, DIGITAL,  THE DIGITAL, TO BECOME DIGITAL ,,.¨^«\§@§
@¤£§*=~,,,                                          ,,,~=*§£¤@
@#§£*†~,..                     §                    ..,~†*£§#@
###¤@†=~,,                                          ,,~=†@¤###
##§¤*^»,¨,    ANCIENT (MESOPOTHAMIA) KNOT MADE OF   ,¨,»^*¤§##
@¤*$†~~,,,   SYMBOLS. THE ENGLISH TRANSLATION IS    ,,,~~†$*¤@
@&*\~,¨,.¨   "THROUGH NUMBERS". YOU CAN USE THIS    ¨.,¨,~\*&@
%^/«,,..,¨  MACHINE TO REMEMBER, PREDICT, OR HIDE.  ¨,..,,«/^%
*^=:¨¨¨.¨¨                                          ¨¨.¨¨¨:=^*
;~^.¨,,,,.                     †                    .,,,,¨.^~;
**«,.,,.,¨                                          ¨,.,,.,«**
£*/-,..¨.,  THOUGH IT MIGHT LOOK LIKE WITCHCRAFT,   ,.¨..,-/*£
¤£%^~,..,, THE GIFTED CAN TURN ANALOG SIGNALS INTO  ,,..,~^%£¤
#£¤*/»,,,.    DIGITAL - THE ANALOG IS IN ITSELF A   .,,,»/*¤£#
#¶&@**»~.¨  REPRESENTATION OF THE WORLD INSIDE THE  ¨.~»**@&¶#
###@§%;=,,   WORLD, WHICH IS FURTHER ENCODED INTO   ,,=;%§@###
@@#@§\=:,.  DIGITAL (ENCODED IN THE LITERAL SENSE;  .,:=\§@#@@
£#§%^»-,¨¨  THE NUMBERS ARE SYMBOLS WHO CARRY THE   ¨¨,-»^%§#£
¤%=\~~¨,.,  MEANING SEMANTICALLY AND NOT IN THEIR   ,.,¨~~\=%¤
£=^~,¨,,., SHAPE (ANALOG BEINGS ARE THE OPPOSITE.)) ,.,,¨,~^=£
*:~.,¨..,.                                          .,..¨,.~:*
/»,.,.,..¨                    †                     ¨..,.,.,»/
$=~^¨¨¨¨¨,                                          ,¨¨¨¨¨^~=$
$=*-,,,,,,     VARIOUS SCHEMES EXIST FOR HOW TO     ,,,,,,-*=$
§$=*-,,,,,   INTERPRET AND WORK FURTHER WITH THESE  ,,,,,-*=$§
#§$=*-,,,,   SYMBOLS (SUCH AS WAV, JPG, NFO, DIZ,   ,,,,-*=$§#
@#§$=*-,,,   VOR, HYP, MKV). GETTING FAMILIAR WITH  ,,,-*=$§#@
#@#§$=*-,,  THESE IS A GOOD START ON YOUR JOURNEY,  ,,-*=$§#@#
@#§$=*-,,,     ALTHOUGH EVEN A WIZARD MIGHT ONLY    ,,,-*=$§#@
#§$=*-,,,,   -REALLY- KNOW TWO OR THREE IN THEIR    ,,,,-*=$§#
§$=*-,,,,,                 LIFETIME.                ,,,,,-*=$§
%*==:¨¨,..                                          ..,¨¨:==*%
=/«~..¨¨¨,                    %                     ,¨¨¨..~«/=
;=~¨¨.¨.¨¨                                          ¨¨.¨.¨¨~=;
*\~:..,...  SOME PITFALLS INCLUDE THAT EVEN IF YOU  ...,..:~\*
§*=«~...,¨      CAN ENCODE THE DIGITAL SYMBOLS      ¨,...~«=*§
§%%\»~,..¨  THEMSELVES AS DIGITAL, SOMEHOW IT MUST  ¨..,~»\%%§
¶£%%/«,..,   TERMINATE IN THE ANALOG; IF KNOWLEDGE  ,..,«/%%£¶
#@§$%†=-¨¨   IS LOST, YOU CAN HAVE SYMBOLS WITH NO  ¨¨-=†%$§@#
##@£%%†=-¨   ROUTE TO THEIR ORIGINAL MEANING, AND   ¨-=†%%£@##
#@¤%§\»:,¨  THAT WITH THE RIGHT SPELLS AND METHODS  ¨,:»\§%¤@#
¶£$$/~,¨¨,  YOU CAN USE DIGITAL REPRESENTATION FOR  ,¨¨,~/$$£¶
££$*«,.¨.,   ANALYSIS (MUST BE COMBATTED AT EVERY   ,.¨.,«*$££
&§:=,....¨               OPPORTUNITY)               ¨....,=:§&
†;»:,.,..,                                          ,..,.,:»;†
/«:..¨.¨,.                                          .,¨.¨..:«/
$^~,,.,,.¨                                          ¨.,,.,,~^$
&^\~~.,¨.¨                                          ¨.¨,.~~\^&
¤¤$/»..,,¨                                          ¨,,..»/$¤¤