@¶#£¤*^=,,                                          ,,=^*¤£#¶@
#&%†%-¨,¨,                                          ,¨,¨-%†%&#
#@#¤%*†~.,                                          ,.~†*%¤#@#
@@*=§=:«,.                                          .,«:=§=*@@
#@@¤£§/»:.                                          .:»/§£¤@@#
¤@*«¨,.,.¨                                          ¨.,.,¨«*@¤
§#@*%\;~~,           #$§,.¨....,¨.,¨..%^#           ,~~;\%*@#§
##@¤£*\»-¨          #=*  "DIGITALITY"  =§#          ¨-»\*£¤@##
#@¶¤%=/~:.           #=%,.,,¨,,...,,,.%†#           .:~/=%¤¶@#
@#¤%^~.¨¨,                                          ,¨¨.~^%¤#@
##@££^*~.¨                     ^                    ¨.~*^££@##
###§@%;=^,                                          ,^=;%@§###
@%%«.-¨¨,. DIGITAL, THE DIGITAL, TO BECOME  DIGITAL .,¨¨-.«%%@
#@¶§$%:~,.                                          .,~:%$§¶@#
#@#&**;--¨                     %                    ¨--;**&#@#
#£&=,,.,¨¨                                          ¨¨,.,,=&£#
#£§=%:~~-¨    ANCIENT (MESOPOTHAMIA) KNOT MADE OF   ¨-~~:%=§£#
@§££†»=-:,    SYMBOLS. THE ENGLISH TRANSLATION IS   ,:-=»†££§@
###¤¤%:~~,    "THROUGH NUMBERS". YOU CAN USE THIS   ,~~:%¤¤###
@=†^-.¨¨¨,  MACHINE TO REMEMBER, PREDICT, OR HIDE.  ,¨¨¨.-^†=@
§§¤=†»-¨¨.                                          .¨¨-»†=¤§§
#$&^§««¨.,                     †                    ,.¨««§^&$#
##£¤$$†~:.                                          .:~†$$¤£##
#£=^»~^.-,   THOUGH IT MIGHT LOOK LIKE WITCHCRAFT,  ,-.^~»^=£#
##@#¤†==:,  THE GIFTED CAN TURN ANALOG SIGNALS INTO ,:==†¤#@##
#@#§$*;~-,    DIGITAL - THE ANALOG IS IN ITSELF A   ,-~;*$§#@#
¤£^\/:«..¨  REPRESENTATION OF THE WORLD INSIDE THE  ¨..«:/\^£¤
#@£@£*=~:¨   WORLD, WHICH IS FURTHER ENCODED INTO   ¨:~=*£@£@#
@$$/;=,..,  DIGITAL (ENCODED IN THE LITERAL SENSE;  ,..,=;/$$@
@@@£;^^,..   THE NUMBERS ARE SYMBOLS WHO CARRY THE  ..,^^;£@@@
#&£:.¨,..,  MEANING SEMANTICALLY AND NOT IN THEIR   ,..,¨.:£&#
@£\†:.¨.¨. SHAPE (ANALOG BEINGS ARE THE OPPOSITE.)) .¨.¨.:†\£@
£%%^;»,¨,,                                          ,,¨,»;^%%£
§&£*\^;».,                     ^                    ,.»;^\*£&§
#§%==«¨,.¨                                          ¨.,¨«==%§#
#%=,,.....     VARIOUS SCHEMES EXIST FOR HOW TO     .....,,=%#
#@@#%%:=,.  INTERPRET AND WORK FURTHER WITH THESE   .,=:%%#@@#
@@@#%%:=,.   SYMBOLS (SUCH AS WAV, JPG, NFO, DIZ,   .,=:%%#@@@
##@#%%:=,.   VOR, HYP, MKV). GETTING FAMILIAR WITH  .,=:%%#@##
@##%%=....  THESE IS A GOOD START ON YOUR JOURNEY,  ....=%%##@
@@@#%%:=,.    ALTHOUGH EVEN A WIZARD MIGHT ONLY     .,=:%%#@@@
#%%:=,....    =REALLY= KNOW TWO OR THREE IN THEIR   ....,=:%%#
#@@#%%:=,.                 LIFETIME.                .,=:%%#@@#
¶@\»^,,.¨.                                          .¨.,,^»\@¶
#¶#§¤%\~~,                    =                     ,~~\%¤§#¶#
###@%%/«~¨                                          ¨~«/%%@###
§†»,.,,¨.,  SOME PITFALLS INCLUDE THAT EVEN IF YOU  ,.¨,,.,»†§
§%==^..¨¨.      CAN ENCODE THE DIGITAL SYMBOLS      .¨¨..^==%§
#££$=:..,,  THEMSELVES AS DIGITAL, SOMEHOW IT MUST  ,,..:=$££#
&%*=,.,,.,   TERMINATE IN THE ANALOG; IF KNOWLEDGE  ,.,,.,=*%&
#@#§&=;~^,   IS LOST, YOU CAN HAVE SYMBOLS WITH NO  ,^~;=&§#@#
£$^-~,.,.,   ROUTE TO THEIR ORIGINAL MEANING, AND   ,.,.,~-^$£
§%%%^~«,¨¨  THAT WITH THE RIGHT SPELLS AND METHODS  ¨¨,«~^%%%§
##££&%†«^.  YOU CAN USE DIGITAL REPRESENTATION FOR  .^«†%&££##
@$»».¨.¨¨¨   ANALYSIS (MUST BE COMBATTED AT EVERY   ¨¨¨.¨.»»$@
£&&;\^~=,.               OPPORTUNITY)               .,=~^\;&&£
#@¶#***~:¨                                          ¨:~***#¶@#
#£%*«^,¨.¨                                          ¨.¨,^«*%£#
##¶£&%†»..                                          ..»†%&£¶##
#@£#¤%=~,.                                          .,~=%¤#£@#
£=~^¨..,¨¨                                          ¨¨,..¨^~=£