$/»^.,,,¨.                                          .¨,,,.^»/$
:~..,,¨.¨,                                          ,¨.¨,,..~:
*;«..,,,.,                                          ,.,,,..«;*
%=*=^¨¨.,¨                                          ¨,.¨¨^=*=%
£%††=~,...                                          ...,~=††%£
##$^^=:¨.,                                          ,.¨:=^^$##
#@@%*\~-,,           #=*,¨¨..¨¨,,.¨.,¨*%#           ,,-~\*%@@#
##£@£*/»-¨          #=%  "DIGITALITY"  §^#          ¨-»/*£@£##
#@&£^†-~.,           #$^.,,,.¨,.,..,¨¨*%#           ,.~-†^£&@#
£§**/-,,.¨                                          ¨.,,-/**§£
§%†=-^¨,,¨                    *                     ¨,,¨^-=†%§
%$;~:¨,.,¨                                          ¨,.,¨:~;$%
*/-,..,¨., DIGITAL, THE DIGITAL,  TO BECOME DIGITAL ,.¨,..,-/*
†~..¨,.¨.,                                          ,.¨.,¨..~†
*;«~¨.¨.,,                     *                    ,,.¨.¨~«;*
¤*†=,¨.¨..                                          ..¨.¨,=†*¤
&%*:~,,¨,,    ANCIENT (MESOPOTHAMIA) KNOT MADE OF   ,,¨,,~:*%&
¶§$^*~^¨¨.   SYMBOLS. THE ENGLISH TRANSLATION IS    .¨¨^~*^$§¶
@¶@$†/-~,¨   "THROUGH NUMBERS". YOU CAN USE THIS    ¨,~-/†$@¶@
##@§$%==,.  MACHINE TO REMEMBER, PREDICT, OR HIDE.  .,==%$§@##
@£#¤%:»^,¨                                          ¨,^»:%¤#£@
#&%*^»..,,                    $                     ,,..»^*%&#
&£†:~-,,¨¨                                          ¨¨,,-~:†£&
¤*†~~....,  THOUGH IT MIGHT LOOK LIKE WITCHCRAFT,   ,....~~†*¤
^\=^¨,.,¨.  THE GIFTED CAN TURN ANALOG SIGNALS INTO .¨,.,¨^=\^
:»:.¨.¨¨,¨   DIGITAL - THE ANALOG IS IN ITSELF A    ¨,¨¨.¨.:»:
^*~-¨.,,¨¨  REPRESENTATION OF THE WORLD INSIDE THE  ¨¨,,.¨-~*^
$^:~~,¨,¨¨   WORLD, WHICH IS FURTHER ENCODED INTO   ¨¨,¨,~~:^$
#$*=»:,.¨,  DIGITAL (ENCODED IN THE LITERAL SENSE;  ,¨.,:»=*$#
£§§%†-~,,,   THE NUMBERS ARE SYMBOLS WHO CARRY THE  ,,,~-†%§§£
##@*$/~-¨.  MEANING SEMANTICALLY AND NOT IN THEIR   .¨-~/$*@##
#@#¤§§=--. SHAPE (ANALOG BEINGS ARE THE OPPOSITE.)) .--=§§¤#@#
#@@*^/-^,.                                          .,^-/^*@@#
@#£§\--...                    %                     ...--\§£#@
@$*:-:¨.,,                                          ,,.¨:-:*$@
£%:~-.....     VARIOUS SCHEMES EXIST FOR HOW TO     .....-~:%£
%:~-......   INTERPRET AND WORK FURTHER WITH THESE  ......-~:%
:~-.......   SYMBOLS (SUCH AS WAV, JPG, NFO, DIZ,   .......-~:
%:~-......  VOR, HYP, MKV). GETTING FAMILIAR WITH   ......-~:%
£%:~-.....  THESE IS A GOOD START ON YOUR JOURNEY,  .....-~:%£
££%:~-....    ALTHOUGH EVEN A WIZARD MIGHT ONLY     ....-~:%££
@££%:~-...   ~REALLY~ KNOW TWO OR THREE IN THEIR    ...-~:%££@
#@££%:~-..                 LIFETIME.                ..-~:%££@#
###§$$:»-,                                          ,-»:$$§###
#¶¤£§/~,,¨                     §                    ¨,,~/§£¤¶#
#¤£=\-~.¨¨                                          ¨¨.~-\=£¤#
§$%\~...,¨  SOME PITFALLS INCLUDE THAT EVEN IF YOU  ¨,...~\%$§
$^/--.,¨¨,      CAN ENCODE THE DIGITAL SYMBOLS      ,¨¨,.--/^$
†*~-¨,..,¨  THEMSELVES AS DIGITAL, SOMEHOW IT MUST  ¨,..,¨-~*†
\~~...,¨,¨   TERMINATE IN THE ANALOG; IF KNOWLEDGE  ¨,¨,...~~\
$^~,,,.¨¨.   IS LOST, YOU CAN HAVE SYMBOLS WITH NO  .¨¨.,,,~^$
@%/»:..,.,   ROUTE TO THEIR ORIGINAL MEANING, AND   ,.,..:»/%@
§§%==-.,.,  THAT WITH THE RIGHT SPELLS AND METHODS  ,.,.-==%§§
£§%=:-,.,¨  YOU CAN USE DIGITAL REPRESENTATION FOR  ¨,.,-:=%§£
@@@$=/--¨.   ANALYSIS (MUST BE COMBATTED AT EVERY   .¨--/=$@@@
####*$/«-.               OPPORTUNITY)               .-«/$*####
@#&$†\«~.,                                          ,.~«\†$&#@
@§&*=«.,,.                                          .,,.«=*&§@
¤£*^»-¨,.,                                          ,.,¨-»^*£¤
£=/«,¨,...                                          ...,¨,«/=£
*^«.¨,,¨.¨                                          ¨.¨,,¨.«^*