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#¤¨.¨,¨... #$=¨,,,¨..¨,.¨,¨¨§%# ¨¨¨§£@¨,@,
&@#.¨.,¨.. #*§ "DIGITALITY" %†# £¨¨#.@§.¨,
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¨.§,¤@,,,. § ,£&@¨,,&£#
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#§.,&¨&£., DIGITAL, THE DIGITAL, TO BECOME DIGITAL ..¨##§¨.,@
,§£.,,£#£¨ §¨,#,#&¨,£
.¤@#..@,£¤ * §@,¨.£££,,
¨§¨#@,,¨§@ ¨¤@,¨£.§§,
,¨.¤@&¨.§¨ ANCIENT (MESOPOTHAMIA) KNOT MADE OF ,@£§..,£¤£
§,.@.,.. SYMBOLS. THE ENGLISH TRANSLATION IS ,@.£¤,¨#¨#
@£¨¨.&£&¨, "THROUGH NUMBERS". YOU CAN USE THIS .,,¤¤@¨,.¤
.£@,,@,§£, MACHINE TO REMEMBER, PREDICT, OR HIDE. ¤..@,#§..§
¨§&¤.¨¨§&£ ¤£¨..¤££¨,
.§¨#&..£¨§ % #@£.,&.§§,
.¨.#£§,,.& §,¤@,¨¨&££
&.,£.¤£,.& THOUGH IT MIGHT LOOK LIKE WITCHCRAFT, .¨£,¨§.#
#@,..#&§.. THE GIFTED CAN TURN ANALOG SIGNALS INTO ,¨&¨§@,,¨£
.§£,,£¨¤§¨ DIGITAL - THE ANALOG IS IN ITSELF A ...¨#§§..¤
,@@@,¨,£#§ REPRESENTATION OF THE WORLD INSIDE THE ,¨,¨#.¤£,,
.¤¨.¨#¨# WORLD, WHICH IS FURTHER ENCODED INTO ,.¨..,£¤£¨
¨,¨#&¤,¨,¤ DIGITAL (ENCODED IN THE LITERAL SENSE; ¨,¨..¨£.&@
&.¨@¨@£¨,¤ THE NUMBERS ARE SYMBOLS WHO CARRY THE ,¨,.¨,,,§£
§§,,¨£#@.. MEANING SEMANTICALLY AND NOT IN THEIR £¨¨,.,..¤.
£¤¤¨,£,#&. SHAPE (ANALOG BEINGS ARE THE OPPOSITE.)) £§¨.¨,.¨,,
¤.@@,,.#@@ ,§¤¨..,.¨.
,.¤§@,¨¤.# = ,§#¤¨,.¨,¨
,¨&¨£¤¨¨,& .&.§¤,,,¨¨
,,,,&&&,,& VARIOUS SCHEMES EXIST FOR HOW TO ,,,&&&,,,,
,,,,&,&&,, INTERPRET AND WORK FURTHER WITH THESE &,,&,&&,,,
,,,,,,&&&, SYMBOLS (SUCH AS WAV, JPG, NFO, DIZ, ,&,,,&&&,,
,,,,,,&,&& VOR, HYP, MKV). GETTING FAMILIAR WITH ,,&,,&,&&,
,,,,,,,,&& THESE IS A GOOD START ON YOUR JOURNEY, ,,,&,,,&&&
&,,,,,,,&, ALTHOUGH EVEN A WIZARD MIGHT ONLY ,,,,&,,&,&
&&,,,,,,,, ~REALLY~ KNOW TWO OR THREE IN THEIR ,,,,,&,,,&
,&&,,,,,,, LIFETIME. &,,,,,&,,&
¨#¤§,,¨.¨, ,&,..¨.¤¨¨
,@,@£¨¨,., ^ ¨.&,,¨,.@,
¨¨.£§§¨.¨, ,.¨#.,..¨@
@..§,§&¨¨¨ SOME PITFALLS INCLUDE THAT EVEN IF YOU &,..#,¨...
¨@¨¨,##&,, CAN ENCODE THE DIGITAL SYMBOLS ¨¤,.,&¨,¨,
..#¨.£¨§@¨ THEMSELVES AS DIGITAL, SOMEHOW IT MUST ..£¨.,¤¨¨,
¨.¨§¨,.#&& TERMINATE IN THE ANALOG; IF KNOWLEDGE ,..§.,,#.,
¨¨¨,§,,§.& IS LOST, YOU CAN HAVE SYMBOLS WITH NO .,.¨¤.¨.&¨
..¨¨.£,,,# ROUTE TO THEIR ORIGINAL MEANING, AND .¨.¨.§.¨.@
¤,..¨.&¨.& THAT WITH THE RIGHT SPELLS AND METHODS ¨,,..¨¤¨..
,¤,¨,.,#¨¨ YOU CAN USE DIGITAL REPRESENTATION FOR ,..¨..¨§..
.,&,.¨.,¤. ANALYSIS (MUST BE COMBATTED AT EVERY ¨,¨¨.,..@¨
¨¨,¤¨¨.,.§ OPPORTUNITY) ..,¨.¨,..@
§¨,¨¤,,¨,¨ ,¨..,...¨¨
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,¨.§..¨#,, @@¤¨,..,,,
,...#¨.¨§. @.#@,,,¨¨.