¨--;%$&@##                                          ##@&$%;--¨
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¨¨.~=\†@@#           #=§¨,¨.¨.¨,,,,.,.%*#           #@@†\=~.¨¨
,,,~^^$@##          #%*  "digitality"  *%#          ##@$^^~,,,
.~-†*&####           #§$...,...¨,,,,.¨†%#           ####&*†-~.
..--\$¤@£#                                          #£@¤$\--..
,¨,,=*†£@£                     †                    £@£†*=,,¨,
,¨.,,~†%*@                                          @*%†~,,.¨,
.¨,.,^~*§% digital, the digital, to become  digital %§*~^,.,¨.
,,¨,^-:%*§                                          §*%:-^,¨,,
¨¨.:=/§¤¤#                    †                     #¤¤§/=:.¨¨
¨.-~^*%££#                                          #££%*^~-.¨
¨:~\†@&£##   ancient (mesopothamia) knot made of    ##£&@†\~:¨
¨¨,»;%%&##    symbols. the english translation is   ##&%%;»,¨¨
..¨.=†%@#£   "through numbers". you can use this    £#@%†=.¨..
¨,¨,:»†%@¤  machine to remember, predict, or hide.  ¤@%†»:,¨,¨
,..¨,~~*%£                                          £%*~~,¨..,
.¨,,.=†*$&                     *                    &$*†=.,,¨.
,..:~/=$@@                                          @@$=/~:..,
,¨,=:^&###   though it might look like witchcraft,  ###&^:=,¨,
..~:*£&@## the gifted can turn analog signals into  ##@&£*:~..
¨.-»††£#@#    digital - the analog is in itself a   #@#£††»-.¨
,.,~»=**&#  representation of the world inside the  #&**=»~,.,
.¨,¨-~**@§   world, which is further encoded into   §@**~-¨,¨.
¨¨,¨.:~\%¤  digital (encoded in the literal sense;  ¤%\~:.¨,¨¨
¨¨¨¨-»:%$#   the numbers are symbols who carry the  #$%:»-¨¨¨¨
.¨,^«\†$§#  meaning semantically and not in their   #§$†\«^,¨.
¨.:~^§%&## shape (analog beings are the opposite.)) ##&%§^~:.¨
..~\§&§###                                          ###§&§\~..
,,.=†§£§##                     %                    ##§£§†=.,,
,,¨.~\=%££                                          ££%=\~.¨,,
,,,,:«/^$£     various schemes exist for how to     £$^/«:,,,,
,,,,,:«/^$   interpret and work further with these  $^/«:,,,,,
,,,,:«/^$£   symbols (such as wav, jpg, nfo, diz,   £$^/«:,,,,
,,,:«/^$££   vor, hyp, mkv). getting familiar with  ££$^/«:,,,
,,:«/^$££#  these is a good start on your journey,  #££$^/«:,,
,:«/^$££##    although even a wizard might only     ##££$^/«:,
,,:«/^$££#    «really« know two or three in their   #££$^/«:,,
,,,:«/^$££                lifetime.                 ££$^/«:,,,
¨,.¨^-\*%@                                          @%*\-^¨.,¨
¨¨...~«=*&                     †                    &*=«~...¨¨
¨,.,,»^*&¤                                          ¤&*^»,,.,¨
..,:~=$£@@  some pitfalls include that even if you  @@£$=~:,..
¨,~-;†§¤##      can encode the digital symbols      ##¤§†;-~,¨
¨,~†*£&@##  themselves as digital, somehow it must  ##@&£*†~,¨
¨¨:»††&@##  terminate in the analog; if knowledge   ##@&††»:¨¨
,.,--††*&#   is lost, you can have symbols with no  #&*††--,.,
.,¨¨~~;^££   route to their original meaning, and   ££^;~~¨¨,.
¨¨¨.¨,~;%%  that with the right spells and methods  %%;~,¨.¨¨¨
,¨..-~==%&  you can use digital representation for  &%==~-..¨,
¨.,-»^%§££   analysis (must be combatted at every   ££§%^»-,.¨
,,:«;%$@£#               opportunity)               #£@$%;«:,,
.,«:†$&###                                          ###&$†:«,.
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