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,~-†=$§£&# DIGITAL,  THE DIGITAL, TO BECOME DIGITAL #&£§$=†-~,
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.,»/%@£¶##    ANCIENT (MESOPOTHAMIA) KNOT MADE OF   ##¶£@%/»,.
,^~^%*@¶##    SYMBOLS. THE ENGLISH TRANSLATION IS   ##¶@*%^~^,
,,==^$@£##   "THROUGH NUMBERS". YOU CAN USE THIS    ##£@$^==,,
¨,-^*£§££#  MACHINE TO REMEMBER, PREDICT, OR HIDE.  #££§£*^-,¨
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,,.¨,.-§¤@   THOUGH IT MIGHT LOOK LIKE WITCHCRAFT,  @¤§-.,¨.,,
.,..~†@§¶£ THE GIFTED CAN TURN ANALOG SIGNALS INTO  £¶§@†~..,.
,,-\=§#@##   DIGITAL - THE ANALOG IS IN ITSELF A    ##@#§=\-,,
¨~~^*£¤¶##  REPRESENTATION OF THE WORLD INSIDE THE  ##¶¤£*^~~¨
..,,.,~*§£   WORLD, WHICH IS FURTHER ENCODED INTO   £§*~,.,,..
¨,..~-^@#@  DIGITAL (ENCODED IN THE LITERAL SENSE;  @#@^-~..,¨
¨:-/**&@@#   THE NUMBERS ARE SYMBOLS WHO CARRY THE  #@@&**/-:¨
¨-~\*%$&@#  MEANING SEMANTICALLY AND NOT IN THEIR   #@&$%*\~-¨
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¨:«:%*££@#     VARIOUS SCHEMES EXIST FOR HOW TO     #@££*%:«:¨
¨::%*££@##   INTERPRET AND WORK FURTHER WITH THESE  ##@££*%::¨
¨:«:%*£££@   SYMBOLS (SUCH AS WAV, JPG, NFO, DIZ,   @£££*%:«:¨
¨:«:*££@##  VOR, HYP, MKV). GETTING FAMILIAR WITH   ##@££*:«:¨
¨¨¨¨¨¨«:*£  THESE IS A GOOD START ON YOUR JOURNEY,  £*:«¨¨¨¨¨¨
¨:«:%**£££    ALTHOUGH EVEN A WIZARD MIGHT ONLY     £££**%:«:¨
¨¨¨¨«%%£££   «REALLY« KNOW TWO OR THREE IN THEIR    £££%%«¨¨¨¨
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..~†$&&###  SOME PITFALLS INCLUDE THAT EVEN IF YOU  ###&&$†~..
..¨~=^^$¤¤      CAN ENCODE THE DIGITAL SYMBOLS      ¤¤$^^=~¨..
¨:~\*%&£##  THEMSELVES AS DIGITAL, SOMEHOW IT MUST  ##£&%*\~:¨
.~«\%%@£##   TERMINATE IN THE ANALOG; IF KNOWLEDGE  ##£@%%\«~.
.~-:†%£###   IS LOST, YOU CAN HAVE SYMBOLS WITH NO  ###£%†:-~.
,,~==£¤#@#   ROUTE TO THEIR ORIGINAL MEANING, AND   #@#¤£==~,,
¨.¨«»~†*£§  THAT WITH THE RIGHT SPELLS AND METHODS  §£*†~»«¨.¨
,.=:%§¤¤#@  YOU CAN USE DIGITAL REPRESENTATION FOR  @#¤¤§%:=.,
¨:^%%&@###   ANALYSIS (MUST BE COMBATTED AT EVERY   ###@&%%^:¨
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