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,,¨:~**&£@           #§†¨¨,...¨,.,¨.,¨%%#           @£&**~:¨,,
.¨:~:=£§@#          #==  "DIGITALITY"  *§#          #@§£=:~:¨.
.-=^%$#¶##           #*§.¨.¨¨,..¨¨¨.,,§§#           ##¶#$%^=-.
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¨¨¨.-*^$@@                    ^                     @@$^*-.¨¨¨
¨,,.~«;=$#                                          #$=;«~.,,¨
,.,..,~:%¤ DIGITAL, THE DIGITAL, TO BECOME  DIGITAL ¤%:~,..,.,
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¨¨.-~*§&¤@                    =                     @¤&§*~-.¨¨
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,^~^%$§¶##    ANCIENT (MESOPOTHAMIA) KNOT MADE OF   ##¶§$%^~^,
,..~\§§@@#    SYMBOLS. THE ENGLISH TRANSLATION IS   #@@§§\~..,
¨,..~/*%#@   "THROUGH NUMBERS". YOU CAN USE THIS    @#%*/~..,¨
.¨,,~«^§%¤  MACHINE TO REMEMBER, PREDICT, OR HIDE.  ¤%§^«~,,¨.
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¨¨,.~=%£¤@                                          @¤£%=~.,¨¨
.,:~;%£¤@#   THOUGH IT MIGHT LOOK LIKE WITCHCRAFT,  #@¤£%;~:,.
¨^~=%@¤### THE GIFTED CAN TURN ANALOG SIGNALS INTO  ###¤@%=~^¨
¨.~~=$¤§@#   DIGITAL - THE ANALOG IS IN ITSELF A    #@§¤$=~~.¨
¨.,^~;*¤@#  REPRESENTATION OF THE WORLD INSIDE THE  #@¤*;~^,.¨
¨,¨.:=†*%&   WORLD, WHICH IS FURTHER ENCODED INTO   &%*†=:.¨,¨
¨¨,.,--*=£  DIGITAL (ENCODED IN THE LITERAL SENSE;  £=*--,.,¨¨
.,¨¨~»=§$#   THE NUMBERS ARE SYMBOLS WHO CARRY THE  #$§=»~¨¨,.
..,~-\†¤#@  MEANING SEMANTICALLY AND NOT IN THEIR   @#¤†\-~,..
¨,~~:*§§@# SHAPE (ANALOG BEINGS ARE THE OPPOSITE.)) #@§§*:~~,¨
¨~~/$$¤@##                                          ##@¤$$/~~¨
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....^~/^*#     VARIOUS SCHEMES EXIST FOR HOW TO     #*^/~^....
.....^~/^*   INTERPRET AND WORK FURTHER WITH THESE  *^/~^.....
....^~/^*#   SYMBOLS (SUCH AS WAV, JPG, NFO, DIZ,   #*^/~^....
...^~/^*##  VOR, HYP, MKV). GETTING FAMILIAR WITH   ##*^/~^...
..^~/^*###  THESE IS A GOOD START ON YOUR JOURNEY,  ###*^/~^..
.^~/^*####     ALTHOUGH EVEN A WIZARD MIGHT ONLY    ####*^/~^.
..^~/^*###    ~REALLY~ KNOW TWO OR THREE IN THEIR   ###*^/~^..
...^~/^*##                LIFETIME.                 ##*^/~^...
..¨.,=;^££                                          ££^;=,.¨..
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.¨.¨:-†$%£                                          £%$†-:¨.¨.
¨,¨.==†%&£  SOME PITFALLS INCLUDE THAT EVEN IF YOU  £&%†==.¨,¨
,.-~=*¤¤£#      CAN ENCODE THE DIGITAL SYMBOLS      #£¤¤*=~-.,
¨,~;$££@##  THEMSELVES AS DIGITAL, SOMEHOW IT MUST  ##@££$;~,¨
..^»=%*§£#  TERMINATE IN THE ANALOG; IF KNOWLEDGE   #£§*%=»^..
¨,.,~\*¤&#  IS LOST, YOU CAN HAVE SYMBOLS WITH NO   #&¤*\~,.,¨
¨¨¨.:«/§§&   ROUTE TO THEIR ORIGINAL MEANING, AND   &§§/«:.¨¨¨
¨¨,,.:~;**  THAT WITH THE RIGHT SPELLS AND METHODS  **;~:.,,¨¨
.¨,¨^=^*%£  YOU CAN USE DIGITAL REPRESENTATION FOR  £%*^=^¨,¨.
,¨.-=\=%£#   ANALYSIS (MUST BE COMBATTED AT EVERY   #£%=\=-.¨,
,,~=^^*£##               OPPORTUNITY)               ##£*^^=~,,
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