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§@¨.&.¤¤,£ #$§ "DIGITALITY" §^# #.§¨¤,§¨§.
¨§,@¤¨,@,, #=%.,¨¨¨,¨¨..¨¨,¨§^# §.§.§,#¨&,
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¨¤,§&¨.¤,. * £,#,&.@¨#.
§¤¨¨§¨@#.§ §.@.&.#¨#.
.@¨##,,£¨¨ DIGITAL, THE DIGITAL, TO BECOME DIGITAL §.#.#.@,£.
@§,¨¤,§¤,§ £,&¨£,#,&¨
¨#,@£.¨§,¨ ^ £.#.£,#,§.
@£¨,@,##¨@ £¨§.@¨#,&.
.¤,#¤.¨#,¨ ANCIENT (MESOPOTHAMIA) KNOT MADE OF ¤,¤.§¨&.¤,
@&,¨§,¤#,@ SYMBOLS. THE ENGLISH TRANSLATION IS #¨§.@¨&¨§.
¨¤.@¤,,#,¨ "THROUGH NUMBERS". YOU CAN USE THIS #.£,#,£¨¤¨
§@¨¨@,&&,§ MACHINE TO REMEMBER, PREDICT, OR HIDE. @¨£¨¤¨&¨#¨
,£,.,&.. £¨&.¤¨#¨£.
&@¨,£¨§@¨@ § @¨@.@,#.@¨
.£.§§.¨@,¨ @,¤,¤.@,£.
&¤¨,£¨£#,£ THOUGH IT MIGHT LOOK LIKE WITCHCRAFT, @,§,¤¨£.@,
¨§¨##¨¨¤,, THE GIFTED CAN TURN ANALOG SIGNALS INTO §.&,@,#.£.
£#.,#¨&¤¨# DIGITAL - THE ANALOG IS IN ITSELF A §.£,&.£.@¨
,&.&¤¨.§¨, REPRESENTATION OF THE WORLD INSIDE THE @¨&¨¤,&¨¤.
@£,,§¨§&¨§ WORLD, WHICH IS FURTHER ENCODED INTO §.#,¤,£¨§,
,£,@£¨,£¨¨ DIGITAL (ENCODED IN THE LITERAL SENSE; #¨£,@,#¨&,
¤#..&.@¤.@ THE NUMBERS ARE SYMBOLS WHO CARRY THE §,§.&.@¨@.
¨#¨§#¨¨¤.. MEANING SEMANTICALLY AND NOT IN THEIR #,¤,#¨£.&,
£&,¨§,¨£ SHAPE (ANALOG BEINGS ARE THE OPPOSITE.)) @.¤.@,&.@¨
.&..¨@¨¨ #¨£.§.#.@,
§£..&¨@¤,¤ % £,¤.£,&,#.
¨§¨¤@.¨§,, &¨§¨£¨&,¤,
##,,#,##,# VARIOUS SCHEMES EXIST FOR HOW TO #,#,#,#,#,
,#,##,,#,, INTERPRET AND WORK FURTHER WITH THESE #,#,#,#,#,
##,,#,##,# SYMBOLS (SUCH AS WAV, JPG, NFO, DIZ, #,#,#,#,#,
,#,##,,#,, VOR, HYP, MKV). GETTING FAMILIAR WITH #,#,#,#,#,
##,,#,##,# THESE IS A GOOD START ON YOUR JOURNEY, #,#,#,#,#,
,#,##,,#,, ALTHOUGH EVEN A WIZARD MIGHT ONLY #,#,#,#,#,
##,,#,##,# «REALLY« KNOW TWO OR THREE IN THEIR #,#,#,#,#,
,#,##,,#,, LIFETIME. #,#,#,#,#,
¤&¨.¤,¨# £¨¤,§.@.¤.
,&.£&..§¨¨ * §.§,&.¤,@.
¤£¨¨#,£¤¨§ §,¤.¤,&¨£¨
,&.,,&¨. SOME PITFALLS INCLUDE THAT EVEN IF YOU &¨§¨£.#,#¨
@§.¨¤.¤@.# CAN ENCODE THE DIGITAL SYMBOLS £.#¨£.#.¤,
,¤,#§¨¨§., THEMSELVES AS DIGITAL, SOMEHOW IT MUST #,#,¤.¤,@.
£§.¨§¨##.£ TERMINATE IN THE ANALOG; IF KNOWLEDGE #,¤¨#¨&.£¨
¨@¨£§.,@,, IS LOST, YOU CAN HAVE SYMBOLS WITH NO @.£.¤,&.£,
#§..#,##,§ ROUTE TO THEIR ORIGINAL MEANING, AND #.#,£.&,£.
¨§¨@¤.¨§.¨ THAT WITH THE RIGHT SPELLS AND METHODS #,&¨&.§,#¨
@¤,.§,£§,¤ YOU CAN USE DIGITAL REPRESENTATION FOR §,@,&¨@.§,
.&.¤#,¨&¨. ANALYSIS (MUST BE COMBATTED AT EVERY #,#.#.@.#.
£¤.¨£,§@.& OPPORTUNITY) ¤.@.§.#,#,
¨§.££¨,§,. ¤.#¨§,&,§.
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