¨~=;†$¤@@#                                          #@@¤$†;=~¨
¨¨¨¨¨¨«=&@                                          @&=«¨¨¨¨¨¨
...,††&#@#                                          #@#&††,...
¨.~\§£¤#@¶                                          ¶@#¤£§\~.¨
,,.,¨~^*§@                                          @§*^~¨,.,,
¨~»=@##@##                                          ##@##@=»~¨
,,=\=¤¤£##           #*$¨,¨..,...¨¨¨¨.*%#           ##£¤¤=\=,,
¨¨,¨,¨~$@§          #^†  "digitality"  $%#          §@$~¨,¨,¨¨
,.-*=¤¤@##           #†^,,.,¨¨¨¨,.....§=#           ##@¤¤=*-.,
.,»/*¤¤#@#                                          #@#¤¤*/»,.
¨,~/%£@@##                     %                    ##@@£%/~,¨
¨.=†*£&£#£                                          £#£&£*†=.¨
¨~~~~/$¤§# digital, the  digital, to become digital #§¤$/~~~~¨
,.,,^~«;%@                                          @%;«~^,,.,
,.~**¤####                    *                     ####¤**~.,
¨.,-~»*%§#                                          #§%*»~-,.¨
,¨~~«;†*§@   ancient (mesopothamia) knot made of    @§*†;«~~¨,
,.¨.-~%£#@    symbols. the english translation is   @#£%~-.¨.,
¨.~:=%&£##   "through numbers". you can use this    ##£&%=:~.¨
,.,:.,.~*§  machine to remember, predict, or hide.  §*~.,.:,.,
,-~;%&£###                                          ###£&%;~-,
¨..¨,^;/£#                    %                     #£/;^,¨..¨
¨¨¨¨¨~:*$@                                          @$*:~¨¨¨¨¨
,,==$*¤#@#  though it might look like witchcraft,   #@#¤*$==,,
.,=*=%@@@#  the gifted can turn analog signals into #@@@%=*=,.
..~;†&###@    digital - the analog is in itself a   @###&†;~..
¨~«~~»§%%@  representation of the world inside the  @%%§»~~«~¨
,.,,,*§¤##   world, which is further encoded into   ##¤§*,,,.,
,,,,¨»;§§@  digital (encoded in the literal sense;  @§§;»¨,,,,
,¨¨.,,~=*@  the numbers are symbols who carry the   @*=~,,.¨¨,
,,«†§%£@##   meaning semantically and not in their  ##@£%§†«,,
,,«\*££##@ shape (analog beings are the opposite.)) @##££*\«,,
¨¨:~«/%@@#                                          #@@%/«~:¨¨
¨,,^:†*$@@                     $                    @@$*†:^,,¨
¨^=†*%¤££#                                          #££¤%*†=^¨
¨:«^=*&###     various schemes exist for how to     ###&*=^«:¨
¨:«^=*####   interpret and work further with these  ####*=^«:¨
¨:«^=*&&##   symbols (such as wav, jpg, nfo, diz,   ##&&*=^«:¨
¨:«^=*&&&#   vor, hyp, mkv). getting familiar with  #&&&*=^«:¨
¨¨¨¨«=***&  these is a good start on your journey,  &***=«¨¨¨¨
¨¨¨¨::^^=&     although even a wizard might only    &=^^::¨¨¨¨
¨:«^=*&###   «really« know two or three in their    ###&*=^«:¨
:«^=*&####                 lifetime.                ####&*=^«:
.,¨:~$§£#£                                          £#£§$~:¨,.
..«/*%&###                    *                     ###&%*/«..
.,«\*$&&##                                          ##&&$*\«,.
¨^~:*$§###  some pitfalls include that even if you  ###§$*:~^¨
,,...;*†$@      can encode the digital symbols      @$†*;...,,
¨.-;%%§£##  themselves as digital, somehow it must  ##£§%%;-.¨
¨.«=**§#£@   terminate in the analog; if knowledge  @£#§**=«.¨
,-«^%§%%@@  is lost, you can have symbols with no   @@%%§%^«-,
¨.~=-/%*§#   route to their original meaning, and   #§*%/-=~.¨
,-»\†£&@##  that with the right spells and methods  ##@&£†\»-,
,..,..¨~§¤  you can use digital representation for  ¤§~¨..,..,
,.=**&####   analysis (must be combatted at every   ####&**=.,
..=^*$§@##               opportunity)               ##@§$*^=..
,:~*$*&@##                                          ##@&*$*~:,
.--\=£#@##                                          ##@#£=\--.
,~~=*$¤£##                                          ##£¤$*=~~,
.~~;$$@###                                          ###@$$;~~.
.,,,:^/$@#                                          #@$/^:,,,.