..¨,:~;%*£                                          £*%;~:,¨..
,.¨.¨,~/*%                                          %*/~,¨.¨.,
.¨¨.,¨.~=%                                          %=~.¨,.¨¨.
¨.,¨,¨¨^~=                                          =~^¨¨,¨,.¨
..¨,¨¨,,,-                                          -,,,¨¨,¨..
¨,,,.¨.,~:                                          :~,.¨.,,,¨
,.,,.¨.»/%           #$†¨.¨,¨,,¨¨,,.¨¨%†#           %/».¨.,,.,
,¨¨,.-«/%@          #†^  "digitality"  †§#          @%/«-.,¨¨,
,¨,.-«=*¤#           #=%¨.¨.,,.,,¨,¨.¨†%#           #¤*=«-.,¨,
¨.,~=^*%##                                          ##%*^=~,.¨
,¨--^$*&#@                    §                     @#&*$^--¨,
,^-:%£¤£##                                          ##£¤£%:-^,
¨,^~;**§## digital,  the digital, to become digital ##§**;~^,¨
.¨¨:=:†&§£                                          £§&†:=:¨¨.
,....~*%£§                     *                    §£%*~....,
¨,,¨.,»:^$                                          $^:»,.¨,,¨
..¨¨¨¨-~**    ancient (mesopothamia) knot made of   **~-¨¨¨¨..
..,,¨¨.^~\   symbols. the english translation is    \~^.¨¨,,..
,,¨¨,¨.¨,«    "through numbers". you can use this   «,¨.¨,¨¨,,
¨¨..¨,..~^  machine to remember, predict, or hide.  ^~..,¨..¨¨
,¨¨..,:=†§                                          §†=:,..¨¨,
¨.,,¨,-†*¤                    *                     ¤*†-,¨,,.¨
,.¨,^~/*&§                                          §&*/~^,¨.,
,..:~**$§#  though it might look like witchcraft,   #§$**~:..,
¨..»*^@&@#  the gifted can turn analog signals into #@&@^*»..¨
,:-†$%£@##    digital - the analog is in itself a   ##@£%$†-:,
,,~»**¤&##  representation of the world inside the  ##&¤**»~,,
,.,-=\%%£@   world, which is further encoded into   @£%%\=-,.,
,,,.^~:*§¤  digital (encoded in the literal sense;  ¤§*:~^.,,,
,.¨.¨.~;$$  the numbers are symbols who carry the   $$;~.¨.¨.,
,.,...,==%   meaning semantically and not in their  %==,...,.,
,..,.,.,~^ shape (analog beings are the opposite.)) ^~,.,.,..,
,,¨,¨,¨,.»                                          ».,¨,¨,¨,,
¨..¨.¨.,-^                     *                    ^-,.¨.¨..¨
,.,¨.¨~»:§                                          §:»~¨.¨,.,
,,,,,,»**§     various schemes exist for how to     §**»,,,,,,
,,,,,»**§&  interpret and work further with these   &§**»,,,,,
,,,,»**§&£   symbols (such as wav, jpg, nfo, diz,   £&§**»,,,,
,,,»**§&£#  vor, hyp, mkv). getting familiar with   #£&§**»,,,
,,»**§&£##  these is a good start on your journey,  ##£&§**»,,
,,,»**§&£#    although even a wizard might only     #£&§**»,,,
,,,,»**§&£   »really» know two or three in their    £&§**»,,,,
,,,,,»**§&                lifetime.                 &§**»,,,,,
,,¨¨.,~^*@                                          @*^~,.¨¨,,
¨,...,:-/%                     †                    %/-:,...,¨
,,¨.,,¨:~:                                          :~:¨,,.¨,,
.,.,.¨.,~-  some pitfalls include that even if you  -~,.¨.,.,.
,,¨,,.,,«*      can encode the digital symbols      *«,,.,,¨,,
..¨...,~;§  themselves as digital, somehow it must  §;~,...¨..
,,¨.¨^«;$£   terminate in the analog; if knowledge  £$;«^¨.¨,,
¨¨,.:~;=@£   is lost, you can have symbols with no  £@=;~:.,¨¨
,..:=†*@§@   route to their original meaning, and   @§@*†=:..,
.¨.«*=%&¶#  that with the right spells and methods  #¶&%=*«.¨.
.^»;$£&###  you can use digital representation for  ###&£$;»^.
,.^=\^¤&##   analysis (must be combatted at every   ##&¤^\=^.,
¨.¨~«\†*£¶               opportunity)               ¶£*†\«~¨.¨
,,,,:~^=$#                                          #$=^~:,,,,
¨¨¨..-«*%£                                          £%*«-..¨¨¨
¨¨,,..:-†*                                          *†-:..,,¨¨
,.¨¨.¨,~~\                                          \~~,¨.¨¨.,
...,¨,..,-                                          -,..,¨,...