¨..,..~**$                                          $**~..,..¨
.¨,¨^»;†§¤                                          ¤§†;»^¨,¨.
¨.,^»=§&&£                                          £&&§=»^,.¨
.¨~»:%£¤@#                                          #@¤£%:»~¨.
¨,~*=%£###                                          ###£%=*~,¨
.¨.«\*%###                                          ###%*\«.¨.
,.¨:»^*@#£           #%*¨,,¨..,..,¨..,§*#           £#@*^»:¨.,
.¨.¨~~;**&          #%%  "DIGITALITY"  ††#          &**;~~¨.¨.
¨.¨¨.-«\%%           #%^..¨.¨¨....,,.,*†#           %%\«-.¨¨.¨
,¨.¨,¨.=\§                                          §\=.¨,¨.¨,
....,¨¨.==                     =                    ==.¨¨,....
..,..,,¨.~                                          ~.¨,,..,..
¨¨¨,.¨.... DIGITAL,  THE DIGITAL, TO BECOME DIGITAL ....¨.,¨¨¨
..¨¨.¨¨,,.                                          .,,¨¨.¨¨..
¨¨..,,,,¨,                     §                    ,¨,,,,..¨¨
¨,.,¨.¨,,,                                          ,,,¨.¨,.,¨
.,.¨,,,.,:   ANCIENT (MESOPOTHAMIA) KNOT MADE OF    :,.,,,¨.,.
,,,,¨.,,^»    SYMBOLS. THE ENGLISH TRANSLATION IS   »^,,.¨,,,,
,¨,.,¨.~»†    "THROUGH NUMBERS". YOU CAN USE THIS   †»~.¨,.,¨,
,,¨.,..~:^  MACHINE TO REMEMBER, PREDICT, OR HIDE.  ^:~..,.¨,,
¨.¨,,^-*^$                                          $^*-^,,¨.¨
.¨,,:=*=£¤                    †                     ¤£=*=:,,¨.
¨.,^»/=$#¶                                          ¶#$=/»^,.¨
.,~==^%£@#  THOUGH IT MIGHT LOOK LIKE WITCHCRAFT,   #@£%^==~,.
,,~\%%#@## THE GIFTED CAN TURN ANALOG SIGNALS INTO  ##@#%%\~,,
.,~~:%@§#@   DIGITAL - THE ANALOG IS IN ITSELF A    @#§@%:~~,.
.,¨,~†*£££  REPRESENTATION OF THE WORLD INSIDE THE  £££*†~,¨,.
...,^~*%$&   WORLD, WHICH IS FURTHER ENCODED INTO   &$%*~^,...
,,,,.,~:%%  DIGITAL (ENCODED IN THE LITERAL SENSE;  %%:~,.,,,,
¨,,.¨¨.-;^   THE NUMBERS ARE SYMBOLS WHO CARRY THE  ^;-.¨¨.,,¨
.¨.¨,.,^~:  MEANING SEMANTICALLY AND NOT IN THEIR   :~^,.,¨.¨.
,.¨¨¨,.,.» SHAPE (ANALOG BEINGS ARE THE OPPOSITE.)) ».,.,¨¨¨.,
..¨,¨,.¨¨.                                          .¨¨.,¨,¨..
,,.,¨¨,,¨.                    %                     .¨,,¨¨,.,,
,.¨¨,,,..¨                                          ¨..,,,¨¨.,
,,,,,,,,,,     VARIOUS SCHEMES EXIST FOR HOW TO     ,,,,,,,,,,
,,,,,,,,,:  INTERPRET AND WORK FURTHER WITH THESE   :,,,,,,,,,
,,,,,,,,:«   SYMBOLS (SUCH AS WAV, JPG, NFO, DIZ,   «:,,,,,,,,
,,,,,,,:«=  VOR, HYP, MKV). GETTING FAMILIAR WITH   =«:,,,,,,,
,,,,,,:«=%  THESE IS A GOOD START ON YOUR JOURNEY,  %=«:,,,,,,
,,,,,:«=%@     ALTHOUGH EVEN A WIZARD MIGHT ONLY    @%=«:,,,,,
,,,,:«=%@£    «REALLY« KNOW TWO OR THREE IN THEIR   £@%=«:,,,,
,,,:«=%@£#                LIFETIME.                 #£@%=«:,,,
¨.~«=†§§¶#                                          #¶§§†=«~.¨
¨^»*†%@¶@#                    †                     #@¶@%†*»^¨
,,:-/=$@##                                          ##@$=/-:,,
.¨.^»;**§#  SOME PITFALLS INCLUDE THAT EVEN IF YOU  #§**;»^.¨.
¨,¨.,=;^£@      CAN ENCODE THE DIGITAL SYMBOLS      @£^;=,.¨,¨
,¨.¨.,«††£  THEMSELVES AS DIGITAL, SOMEHOW IT MUST  £††«,.¨.¨,
,,.,,..~/%  TERMINATE IN THE ANALOG; IF KNOWLEDGE   %/~..,,.,,
,..,¨¨..-\  IS LOST, YOU CAN HAVE SYMBOLS WITH NO   \-..¨¨,..,
..,¨¨.,.,=   ROUTE TO THEIR ORIGINAL MEANING, AND   =,.,.¨¨,..
¨,,..¨,..:  THAT WITH THE RIGHT SPELLS AND METHODS  :..,¨..,,¨
,,,.¨,..,¨  YOU CAN USE DIGITAL REPRESENTATION FOR  ¨,..,¨.,,,
.,.,..¨,,¨   ANALYSIS (MUST BE COMBATTED AT EVERY   ¨,,¨..,.,.
.,,,¨.¨.¨.               OPPORTUNITY)               .¨.¨.¨,,,.
.,,..,¨¨¨:                                          :¨¨¨,..,,.
,,.,¨,,¨-~                                          ~-¨,,¨,.,,
.¨..,,¨~«/                                          /«~¨,,..¨.
¨.,,.,~~/*                                          */~~,.,,.¨
.¨¨,¨:~;$&                                          &$;~:¨,¨¨.