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#@£$=;»:.,           #%$.,..¨¨¨¨¨¨.,¨¨^^#           ,.:»;=$£@#
##@#*†\=:¨          #%%  "DIGITALITY"  §=#          ¨:=\†*#@##
@#&@=:~,,,           #%§,,..¨.,¨,¨..,.§=#           ,,,~:=@&#@
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¤¤===:.,,¨                     *                    ¨,,.:===¤¤
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££=/»:,,., DIGITAL,  THE DIGITAL, TO BECOME DIGITAL ,.,,:»/=££
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###£^*~,¨¨                     %                    ¨¨,~*^£###
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##£$=†=~.¨   ANCIENT (MESOPOTHAMIA) KNOT MADE OF    ¨.~=†=$£##
#&£%=~.¨¨,   SYMBOLS. THE ENGLISH TRANSLATION IS    ,¨¨.~=%£&#
¤£§=«-¨..,   "THROUGH NUMBERS". YOU CAN USE THIS    ,..¨-«=§£¤
%^\«:.,¨.¨  MACHINE TO REMEMBER, PREDICT, OR HIDE.  ¨.¨,.:«\^%
§£*†«.¨,¨,                                          ,¨,¨.«†*£§
#¤£^/»,¨,¨                     *                    ¨,¨,»/^£¤#
#@@%$†~,¨¨                                          ¨¨,~†$%@@#
###@%%^»~.   THOUGH IT MIGHT LOOK LIKE WITCHCRAFT,  .~»^%%@###
##§@**».¨¨ THE GIFTED CAN TURN ANALOG SIGNALS INTO  ¨¨.»**@§##
#@&=/=,,..   DIGITAL - THE ANALOG IS IN ITSELF A    ..,,=/=&@#
#$§;«-¨,¨,  REPRESENTATION OF THE WORLD INSIDE THE  ,¨,¨-«;§$#
£*†-:¨.¨¨.   WORLD, WHICH IS FURTHER ENCODED INTO   .¨¨.¨:-†*£
&£^†~,.,¨¨  DIGITAL (ENCODED IN THE LITERAL SENSE;  ¨¨,.,~†^£&
@@£*=-,¨,.  THE NUMBERS ARE SYMBOLS WHO CARRY THE   .,¨,-=*£@@
###*%:»:¨,  MEANING SEMANTICALLY AND NOT IN THEIR   ,¨:»:%*###
##@¤£^\».. SHAPE (ANALOG BEINGS ARE THE OPPOSITE.)) ..»\^£¤@##
#@#@%/»,¨.                                          .¨,»/%@#@#
#£$$^«:¨.,                     §                    ,.¨:«^$$£#
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$$:~:¨¨¨¨¨     VARIOUS SCHEMES EXIST FOR HOW TO     ¨¨¨¨¨:~:$$
&$$:~:¨¨¨¨  INTERPRET AND WORK FURTHER WITH THESE   ¨¨¨¨:~:$$&
#&$$:~:¨¨¨   SYMBOLS (SUCH AS WAV, JPG, NFO, DIZ,   ¨¨¨:~:$$&#
##&$$:~:¨¨  VOR, HYP, MKV). GETTING FAMILIAR WITH   ¨¨:~:$$&##
###&$$:~:¨  THESE IS A GOOD START ON YOUR JOURNEY,  ¨:~:$$&###
##&$$:~:¨¨     ALTHOUGH EVEN A WIZARD MIGHT ONLY    ¨¨:~:$$&##
#&$$:~:¨¨¨   ~REALLY~ KNOW TWO OR THREE IN THEIR    ¨¨¨:~:$$&#
&$$:~:¨¨¨¨                 LIFETIME.                ¨¨¨¨:~:$$&
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#@#&*=~:¨.  SOME PITFALLS INCLUDE THAT EVEN IF YOU  .¨:~=*&#@#
###&&^/~,,      CAN ENCODE THE DIGITAL SYMBOLS      ,,~/^&&###
@@#&^/»,,,  THEMSELVES AS DIGITAL, SOMEHOW IT MUST  ,,,»/^&#@@
@#$^==^.¨,  TERMINATE IN THE ANALOG; IF KNOWLEDGE   ,¨.^==^$#@
£¤%:~,¨.¨,  IS LOST, YOU CAN HAVE SYMBOLS WITH NO   ,¨.¨,~:%¤£
£§^«,.,.¨.   ROUTE TO THEIR ORIGINAL MEANING, AND   .¨.,.,«^§£
@%%=-^,¨.¨  THAT WITH THE RIGHT SPELLS AND METHODS  ¨.¨,^-=%%@
#&%=\«.¨¨¨  YOU CAN USE DIGITAL REPRESENTATION FOR  ¨¨¨.«\=%&#
@#&¤†=»-¨.   ANALYSIS (MUST BE COMBATTED AT EVERY   .¨-»=†¤&#@
##@#**;«,,               OPPORTUNITY)               ,,«;**#@##
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