.,..,~=^§%                                          %§^=~,..,.
,,.,^«;$££                                          ££$;«^,.,,
¨,¨,-:*$¶#                                          #¶$*:-,¨,¨
..^«=%$£@#                                          #@£$%=«^..
¨,-/%§#@##                                          ##@#§%/-,¨
,¨^~;$@###                                          ###@$;~^¨,
,¨,-»\*&#@           #=%,,¨.,,.¨¨¨,¨,,†%#           @#&*\»-,¨,
¨,.¨,«:^&#          #$*  "DIGITALITY"  $*#          #&^:«,¨.,¨
,,,.,^«=%£           #†§¨¨..,,.,¨..¨,¨**#           £%=«^,.,,,
,¨,¨,,:=;†                                          †;=:,,¨,¨,
,¨.¨¨¨.--=                    §                     =--.¨¨¨.¨,
,,,,¨,~=†=                                          =†=~,¨,,,,
¨,.,¨~«*%¤ DIGITAL, THE DIGITAL,  TO BECOME DIGITAL ¤%*«~¨,.,¨
¨,.,,»/%@#                                          #@%/»,,.,¨
,¨¨:=:§$£#                    $                     #£$§:=:¨¨,
.,:~/^&¶##                                          ##¶&^/~:,.
.:»*$%¶###   ANCIENT (MESOPOTHAMIA) KNOT MADE OF    ###¶%$*»:.
¨,,=:*%###   SYMBOLS. THE ENGLISH TRANSLATION IS    ###%*:=,,¨
¨.¨.~†*$£#   "THROUGH NUMBERS". YOU CAN USE THIS    #£$*†~.¨.¨
,¨,¨:=*†%¶  MACHINE TO REMEMBER, PREDICT, OR HIDE.  ¶%†*=:¨,¨,
.,¨¨.^-;$%                                          %$;-^.¨¨,.
.,,¨.¨-~;§                     ^                    §;~-¨.¨,,.
.¨.,¨,.-=\                                          \=-.,¨,.¨.
,..,¨¨.-\†   THOUGH IT MIGHT LOOK LIKE WITCHCRAFT,  †\-.¨¨,..,
,.¨¨.^~**$  THE GIFTED CAN TURN ANALOG SIGNALS INTO $**~^.¨¨.,
,....~†=&£    DIGITAL - THE ANALOG IS IN ITSELF A   £&=†~....,
..,,==*%@#  REPRESENTATION OF THE WORLD INSIDE THE  #@%*==,,..
,.,=^%£@@#   WORLD, WHICH IS FURTHER ENCODED INTO   #@@£%^=,.,
,^»\*@####  DIGITAL (ENCODED IN THE LITERAL SENSE;  ####@*\»^,
,¨-~*§§@##  THE NUMBERS ARE SYMBOLS WHO CARRY THE   ##@§§*~-¨,
,.,~«=$@##  MEANING SEMANTICALLY AND NOT IN THEIR   ##@$=«~,.,
¨¨¨¨~~\%¤@ SHAPE (ANALOG BEINGS ARE THE OPPOSITE.)) @¤%\~~¨¨¨¨
.,¨,,~-^$£                                          £$^-~,,¨,.
¨,..,.~~==                     %                    ==~~.,..,¨
.¨.¨,.¨,=;                                          ;=,¨.,¨.¨.
¨¨¨¨¨¨,«*%     VARIOUS SCHEMES EXIST FOR HOW TO     %*«,¨¨¨¨¨¨
¨¨¨¨¨,«*%$  INTERPRET AND WORK FURTHER WITH THESE   $%*«,¨¨¨¨¨
¨¨¨¨,«*%$£   SYMBOLS (SUCH AS WAV, JPG, NFO, DIZ,   £$%*«,¨¨¨¨
¨¨¨,«*%$£@  VOR, HYP, MKV). GETTING FAMILIAR WITH   @£$%*«,¨¨¨
¨¨,«*%$£@#  THESE IS A GOOD START ON YOUR JOURNEY,  #@£$%*«,¨¨
¨,«*%$£@##    ALTHOUGH EVEN A WIZARD MIGHT ONLY     ##@£$%*«,¨
¨¨,«*%$£@#    «REALLY« KNOW TWO OR THREE IN THEIR   #@£$%*«,¨¨
¨¨¨,«*%$£@                LIFETIME.                 @£$%*«,¨¨¨
.,..~»=†*¶                                          ¶*†=»~..,.
¨.¨,¨~~=^%                     *                    %^=~~¨,¨.¨
.¨,¨,¨~»\†                                          †\»~¨,¨,¨.
¨¨¨.,,,^~†  SOME PITFALLS INCLUDE THAT EVEN IF YOU  †~^,,,.¨¨¨
.¨,¨,..~==      CAN ENCODE THE DIGITAL SYMBOLS      ==~..,¨,¨.
,¨..¨.«/=£  THEMSELVES AS DIGITAL, SOMEHOW IT MUST  £=/«.¨..¨,
,¨,¨:~\§¤#  TERMINATE IN THE ANALOG; IF KNOWLEDGE   #¤§\~:¨,¨,
¨¨.--/*%¶#  IS LOST, YOU CAN HAVE SYMBOLS WITH NO   #¶%*/--.¨¨
.¨^»††@@##   ROUTE TO THEIR ORIGINAL MEANING, AND   ##@@††»^¨.
¨.«*$$@@##  THAT WITH THE RIGHT SPELLS AND METHODS  ##@@$$*«.¨
.¨-»\*$###  YOU CAN USE DIGITAL REPRESENTATION FOR  ###$*\»-¨.
¨..~~*%%@@   ANALYSIS (MUST BE COMBATTED AT EVERY   @@%%*~~..¨
,¨.,,-\*@£               OPPORTUNITY)               £@*\-,,.¨,
¨.¨.,.~*$£                                          £$*~.,.¨.¨
,,.,¨.:-;%                                          %;-:.¨,.,,
,.....,,»:                                          :»,,.....,
..¨¨¨,,»^*                                          *^»,,¨¨¨..
.,¨¨.-«*=$                                          $=*«-.¨¨,.