..¨,,^=\*$                                          $*\=^,,¨..
¨,¨,:»;†%@                                          @%†;»:,¨,¨
.,,^»\%$§#                                          #§$%\»^,,.
..,~**£@£#                                          #£@£**~,..
¨,«†*§£###                                          ###£§*†«,¨
¨,~-:^$&@#                                          #@&$^:-~,¨
.¨¨~~*†*@¶           #$%,¨..,¨¨¨.,,.,.*%#           ¶@*†*~~¨¨.
,¨,¨~»*=$#          #*%  "DIGITALITY"  %^#          #$=*»~¨,¨,
,..,.,»/§£           #††.¨.,,...,..¨.¨†%#           £§/»,.,..,
,...¨,~=^=                                          =^=~,¨...,
,.¨,..,,=;                    ^                     ;=,,..,¨.,
,.,.¨,,-†*                                          *†-,,¨.,.,
¨¨..¨~»\*@ DIGITAL, THE DIGITAL,  TO BECOME DIGITAL @*\»~¨..¨¨
¨¨¨,.-/†$#                                          #$†/-.,¨¨¨
,..^~/$$¤#                     %                    #¤$$/~^..,
¨,,»:^$#@#                                          #@#$^:»,,¨
.~=\%*§¶##   ANCIENT (MESOPOTHAMIA) KNOT MADE OF    ##¶§*%\=~.
,.^=/=&@@#   SYMBOLS. THE ENGLISH TRANSLATION IS    #@@&=/=^.,
,¨¨,=††&#¶   "THROUGH NUMBERS". YOU CAN USE THIS    ¶#&††=,¨¨,
,,.,,«^$£#  MACHINE TO REMEMBER, PREDICT, OR HIDE.  #£$^«,,.,,
¨,¨¨¨:»;%$                                          $%;»:¨¨¨,¨
,,,,.,.~:$                     *                    $:~.,.,,,,
...¨¨,.-~†                                          †~-.,¨¨...
,¨.¨,¨,=/$   THOUGH IT MIGHT LOOK LIKE WITCHCRAFT,  $/=,¨,¨.¨,
¨,,¨..~*§% THE GIFTED CAN TURN ANALOG SIGNALS INTO  %§*~..¨,,¨
¨¨..~»;*%£   DIGITAL - THE ANALOG IS IN ITSELF A    £%*;»~..¨¨
..¨:~***@#  REPRESENTATION OF THE WORLD INSIDE THE  #@***~:¨..
..~»†%%@##   WORLD, WHICH IS FURTHER ENCODED INTO   ##@%%†»~..
¨^~;†%&###  DIGITAL (ENCODED IN THE LITERAL SENSE;  ###&%†;~^¨
..,~:^&@@#  THE NUMBERS ARE SYMBOLS WHO CARRY THE   #@@&^:~,..
¨,¨,-;%$£#   MEANING SEMANTICALLY AND NOT IN THEIR  #£$%;-,¨,¨
.¨¨,,«=^%§ SHAPE (ANALOG BEINGS ARE THE OPPOSITE.)) §%^=«,,¨¨.
.¨¨.¨-»^*$                                          $*^»-¨.¨¨.
.¨,,¨,^-†§                    ^                     §†-^,¨,,¨.
,¨,,,..,=/                                          /=,..,,,¨,
......,»:%     VARIOUS SCHEMES EXIST FOR HOW TO     %:»,......
.....,»:%&  INTERPRET AND WORK FURTHER WITH THESE   &%:»,.....
....,»:%&£   SYMBOLS (SUCH AS WAV, JPG, NFO, DIZ,   £&%:»,....
...,»:%&£¶   VOR, HYP, MKV). GETTING FAMILIAR WITH  ¶£&%:»,...
..,»:%&£¶#  THESE IS A GOOD START ON YOUR JOURNEY,  #¶£&%:»,..
.,»:%&£¶##     ALTHOUGH EVEN A WIZARD MIGHT ONLY    ##¶£&%:»,.
..,»:%&£¶#   »REALLY» KNOW TWO OR THREE IN THEIR    #¶£&%:»,..
...,»:%&£¶                 LIFETIME.                ¶£&%:»,...
,,¨¨,«\=%£                                          £%=\«,¨¨,,
¨,¨,¨^~:%%                     *                    %%:~^¨,¨,¨
,¨.,.,.«=%                                          %=«.,.,.¨,
,,,.,¨¨^«†  SOME PITFALLS INCLUDE THAT EVEN IF YOU  †«^¨¨,.,,,
¨.,,..-===      CAN ENCODE THE DIGITAL SYMBOLS      ===-..,,.¨
¨,,,¨:=\†$  THEMSELVES AS DIGITAL, SOMEHOW IT MUST  $†\=:¨,,,¨
.,¨,,-†$%§   TERMINATE IN THE ANALOG; IF KNOWLEDGE  §%$†-,,¨,.
,,.:~^†£##  IS LOST, YOU CAN HAVE SYMBOLS WITH NO   ##£†^~:.,,
¨,,~\$$§@#   ROUTE TO THEIR ORIGINAL MEANING, AND   #@§$$\~,,¨
¨:-^§%£###  THAT WITH THE RIGHT SPELLS AND METHODS  ###£%§^-:¨
¨¨^»;$¤#£#  YOU CAN USE DIGITAL REPRESENTATION FOR  #£#¤$;»^¨¨
¨¨.,=:=£@#   ANALYSIS (MUST BE COMBATTED AT EVERY   #@£=:=,.¨¨
.¨,¨,~;†*§               OPPORTUNITY)               §*†;~,¨,¨.
,¨¨.¨,»:^£                                          £^:»,¨.¨¨,
...¨,¨-~†%                                          %†~-¨,¨...
..¨,,¨¨^~*                                          *~^¨¨,,¨..
,.,.¨,-~\=                                          =\~-,¨.,.,
¨,¨,.:»*=¤                                          ¤=*»:.,¨,¨