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¨,-\$&£###          #%^  "DIGITALITY"  ^%#          ###£&$\-,¨
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,^=^*%§£## DIGITAL,  THE DIGITAL, TO BECOME DIGITAL ##£§%*^=^,
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..«~^†**$£   ANCIENT (MESOPOTHAMIA) KNOT MADE OF    £$**†^~«..
¨,,=*†=%$¤   SYMBOLS. THE ENGLISH TRANSLATION IS    ¤$%=†*=,,¨
¨,-/$¤¤¶##    "THROUGH NUMBERS". YOU CAN USE THIS   ##¶¤¤$/-,¨
.-=^$*§£##  MACHINE TO REMEMBER, PREDICT, OR HIDE.  ##£§*$^=-.
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¨~~\†¤§£##  THOUGH IT MIGHT LOOK LIKE WITCHCRAFT,   ##£§¤†\~~¨
,-»:^=¤@@# THE GIFTED CAN TURN ANALOG SIGNALS INTO  #@@¤=^:»-,
,:-\%$&###   DIGITAL - THE ANALOG IS IN ITSELF A    ###&$%\-:,
¨¨.,-=$¤&&  REPRESENTATION OF THE WORLD INSIDE THE  &&¤$=-,.¨¨
¨-»;†&¤¤@#   WORLD, WHICH IS FURTHER ENCODED INTO   #@¤¤&†;»-¨
.-~†§&££##  DIGITAL (ENCODED IN THE LITERAL SENSE;  ##££&§†~-.
..,,.;**§#   THE NUMBERS ARE SYMBOLS WHO CARRY THE  #§**;.,,..
,.,,.,-»%&  MEANING SEMANTICALLY AND NOT IN THEIR   &%»-,.,,.,
,,~%&£#### SHAPE (ANALOG BEINGS ARE THE OPPOSITE.)) ####£&%~,,
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,~«/§$£@##     VARIOUS SCHEMES EXIST FOR HOW TO     ##@£$§/«~,
,,,,,,~«§£   INTERPRET AND WORK FURTHER WITH THESE  £§«~,,,,,,
,,,~~~~/$@   SYMBOLS (SUCH AS WAV, JPG, NFO, DIZ,   @$/~~~~,,,
,~«/§$$££#  VOR, HYP, MKV). GETTING FAMILIAR WITH   #££$$§/«~,
,~«/§$£@##  THESE IS A GOOD START ON YOUR JOURNEY,  ##@£$§/«~,
,~«««///$£    ALTHOUGH EVEN A WIZARD MIGHT ONLY     £$///«««~,
,,,,~«§£@@    «REALLY« KNOW TWO OR THREE IN THEIR   @@£§«~,,,,
,,,~«/§§£#                 LIFETIME.                #£§§/«~,,,
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¨,~:†£¤###  SOME PITFALLS INCLUDE THAT EVEN IF YOU  ###¤£†:~,¨
.^«**@£###      CAN ENCODE THE DIGITAL SYMBOLS      ###£@**«^.
,:-;†&§@£@  THEMSELVES AS DIGITAL, SOMEHOW IT MUST  @£@§&†;-:,
,,~=*&§@##   TERMINATE IN THE ANALOG; IF KNOWLEDGE  ##@§&*=~,,
.^-/%£§###  IS LOST, YOU CAN HAVE SYMBOLS WITH NO   ###§£%/-^.
,.,,=~†££#   ROUTE TO THEIR ORIGINAL MEANING, AND   #££†~=,,.,
,:~*†££@##  THAT WITH THE RIGHT SPELLS AND METHODS  ##@££†*~:,
¨,-;*==@¤§  YOU CAN USE DIGITAL REPRESENTATION FOR  §¤@==*;-,¨
,.¨..~†%^¤   ANALYSIS (MUST BE COMBATTED AT EVERY   ¤^%†~..¨.,
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