.,,,.,«%%£                                          £%%«,.,,,.
,~==*§§@##                                          ##@§§*==~,
¨,-;=@@###                                          ###@@=;-,¨
.,~=§£&###                                          ###&£§=~,.
,:~*=$@##@                                          @##@$=*~:,
¨,~\$%#@##                                          ##@#%$\~,¨
¨,~/§@&£##           #^†¨¨.¨,.,,.¨¨,¨,%%#           ##£&@§/~,¨
....,~§%@£          #**  "DIGITALITY"  $^#          £@%§~,....
.-~;%$£@##           #=§.¨..¨.,,¨,,.¨.**#           ##@£$%;~-.
,,¨.-~:†§#                                          #§†:~-.¨,,
¨¨^,,~/§&#                     %                    #&§/~,,^¨¨
¨,»=^@#@##                                          ##@#@^=»,¨
.:=:%*%££& DIGITAL, THE DIGITAL,  TO BECOME DIGITAL &££%*%:=:.
.^»\=*&#@#                                          #@#&*=\»^.
.,~/%&§@@#                    %                     #@@§&%/~,.
,,¨,.¨-=&#                                          #&=-¨.,¨,,
,^»=%£@@##    ANCIENT (MESOPOTHAMIA) KNOT MADE OF   ##@@£%=»^,
.:=††$#£##    SYMBOLS. THE ENGLISH TRANSLATION IS   ##£#$††=:.
.,,.¨,:=%#   "THROUGH NUMBERS". YOU CAN USE THIS    #%=:,¨.,,.
¨¨,,,¨»^&@  MACHINE TO REMEMBER, PREDICT, OR HIDE.  @&^»¨,,,¨¨
.-~=£&####                                          ####&£=~-.
.,«\*$§#££                     †                    ££#§$*\«,.
.¨.,-,~\†¤                                          ¤†\~,-,.¨.
¨-«†*§%$£#   THOUGH IT MIGHT LOOK LIKE WITCHCRAFT,  #£$%§*†«-¨
.:«†%£#@## THE GIFTED CAN TURN ANALOG SIGNALS INTO  ##@#£%†«:.
,,,¨:,/¤*£   DIGITAL - THE ANALOG IS IN ITSELF A    £*¤/,:¨,,,
¨.«\%%###@  REPRESENTATION OF THE WORLD INSIDE THE  @###%%\«.¨
.--\*¤£@##   WORLD, WHICH IS FURTHER ENCODED INTO   ##@£¤*\--.
¨,¨.¨=»:%#  DIGITAL (ENCODED IN THE LITERAL SENSE;  #%:»=¨.¨,¨
.-«:†§#@##  THE NUMBERS ARE SYMBOLS WHO CARRY THE   ##@#§†:«-.
¨.~††%£#@#  MEANING SEMANTICALLY AND NOT IN THEIR   #@#£%††~.¨
,,~=^*@@@# SHAPE (ANALOG BEINGS ARE THE OPPOSITE.)) #@@@*^=~,,
,^~**$£¤¤¶                                          ¶¤¤£$**~^,
.,¨..:*#&@                    =                     @&#*:..¨,.
¨^«:$$&###                                          ###&$$:«^¨
¨.»*†@@£@#     VARIOUS SCHEMES EXIST FOR HOW TO     #@£@@†*».¨
¨.»*†@@@##  INTERPRET AND WORK FURTHER WITH THESE   ##@@@†*».¨
¨¨¨¨¨¨»†@@   SYMBOLS (SUCH AS WAV, JPG, NFO, DIZ,   @@†»¨¨¨¨¨¨
¨.»*†@@@@@  VOR, HYP, MKV). GETTING FAMILIAR WITH   @@@@@†*».¨
¨.»*†@@£##  THESE IS A GOOD START ON YOUR JOURNEY,  ##£@@†*».¨
¨.»*†@@£@#     ALTHOUGH EVEN A WIZARD MIGHT ONLY    #@£@@†*».¨
¨.»*†@@£##   »REALLY» KNOW TWO OR THREE IN THEIR    ##£@@†*».¨
¨.»*†@@@##                 LIFETIME.                ##@@@†*».¨
,,.,,.«§§£                                          £§§«.,,.,,
¨:«\$$&¶##                    †                     ##¶&$$\«:¨
,,=^§¤#@@#                                          #@@#¤§^=,,
,.~;†@####  SOME PITFALLS INCLUDE THAT EVEN IF YOU  ####@†;~.,
¨,~\%£@@@#      CAN ENCODE THE DIGITAL SYMBOLS      #@@@£%\~,¨
....-»§£¶#  THEMSELVES AS DIGITAL, SOMEHOW IT MUST  #¶£§»-....
¨,~^$¤¤@##   TERMINATE IN THE ANALOG; IF KNOWLEDGE  ##@¤¤$^~,¨
¨,¨~^†%£@£  IS LOST, YOU CAN HAVE SYMBOLS WITH NO   £@£%†^~¨,¨
..-=^*#@#¶   ROUTE TO THEIR ORIGINAL MEANING, AND   ¶#@#*^=-..
..-*§%§@#§  THAT WITH THE RIGHT SPELLS AND METHODS  §#@§%§*-..
¨,~\*£@#@#  YOU CAN USE DIGITAL REPRESENTATION FOR  #@#@£*\~,¨
¨:~/$¤@@##   ANALYSIS (MUST BE COMBATTED AT EVERY   ##@@¤$/~:¨
.~=*$£¤@##               OPPORTUNITY)               ##@¤£$*=~.
.¨,.-/=*@#                                          #@*=/-.,¨.
..«*=%#@##                                          ##@#%=*«..
,^=**¤@###                                          ###@¤**=^,
¨~~/^@£¶£@                                          @£¶£@^/~~¨
¨~»/%@£###                                          ###£@%/»~¨