£††»^.,,..                                          ..,,.^»††£
*/-:,¨...¨                                          ¨...¨,:-/*
^«-¨¨..¨,¨                                          ¨,¨..¨¨-«^
--¨,.,.,..                                          ..,.,.,¨--
*»^,,.,,,,                                          ,,,,.,,^»*
**~:¨,¨..¨                                          ¨..¨,¨:~**
*%;=-¨,..,           #††¨,¨,,.¨¨¨,,,¨.%*#           ,..,¨-=;%*
#£%*~:¨¨,,          #*$  "DIGITALITY"  *%#          ,,¨¨:~*%£#
##§§;=^,.¨           #=%,.¨,,¨¨....,,.$§#           ¨.,^=;§§##
#@@@^\--.¨                                          ¨.--\^@@@#
###@$$*=,¨                    $                     ¨,=*$$@###
###£%†«,¨.                                          .¨,«†%£###
##£^:=^,,¨ DIGITAL, THE DIGITAL,  TO BECOME DIGITAL ¨,,^=:^£##
#%*=-~,...                                          ...,~-=*%#
$§/--.,,,,                    †                     ,,,,.--/§$
%=~~,,,.,¨                                          ¨,.,,,~~=%
=«,.,,,¨,.   ANCIENT (MESOPOTHAMIA) KNOT MADE OF    .,¨,,,.,«=
~,.,.,.¨.,    SYMBOLS. THE ENGLISH TRANSLATION IS   ,.¨.,.,.,~
=».,¨¨¨.¨¨    "THROUGH NUMBERS". YOU CAN USE THIS   ¨¨.¨¨¨,.»=
§\«-.,¨¨¨.  MACHINE TO REMEMBER, PREDICT, OR HIDE.  .¨¨¨,.-«\§
¤*;«~,¨.,¨                                          ¨,.¨,~«;*¤
£$^*-.¨.¨.                    *                     .¨.¨.-*^$£
##£*;-..,¨                                          ¨,..-;*£##
###¤*^~,.,  THOUGH IT MIGHT LOOK LIKE WITCHCRAFT,   ,.,~^*¤###
###£%=\»,. THE GIFTED CAN TURN ANALOG SIGNALS INTO  .,»\=%£###
#@@¤^/».,¨   DIGITAL - THE ANALOG IS IN ITSELF A    ¨,.»/^¤@@#
@#¤†*«:,..  REPRESENTATION OF THE WORLD INSIDE THE  ..,:«*†¤#@
@£*=-,¨,,,   WORLD, WHICH IS FURTHER ENCODED INTO   ,,,¨,-=*£@
%$/~:..,¨¨  DIGITAL (ENCODED IN THE LITERAL SENSE;  ¨¨,..:~/$%
^†-,¨,¨¨¨,   THE NUMBERS ARE SYMBOLS WHO CARRY THE  ,¨¨¨,¨,-†^
†-,¨.,,,¨,  MEANING SEMANTICALLY AND NOT IN THEIR   ,¨,,,.¨,-†
«,,,.,,¨.. SHAPE (ANALOG BEINGS ARE THE OPPOSITE.)) ..¨,,.,,,«
†».¨,.¨¨,¨                                          ¨,¨¨.,¨.»†
§:»,.¨¨¨,,                     §                    ,,¨¨¨.,»:§
§=/=-,,¨,.                                          .,¨,,-=/=§
#%%†~^¨¨¨¨     VARIOUS SCHEMES EXIST FOR HOW TO     ¨¨¨¨^~†%%#
@#%%†~^¨¨¨   INTERPRET AND WORK FURTHER WITH THESE  ¨¨¨^~†%%#@
#@#%%†~^¨¨   SYMBOLS (SUCH AS WAV, JPG, NFO, DIZ,   ¨¨^~†%%#@#
##@#%%†~^¨  VOR, HYP, MKV). GETTING FAMILIAR WITH   ¨^~†%%#@##
#@#%%†~^¨¨  THESE IS A GOOD START ON YOUR JOURNEY,  ¨¨^~†%%#@#
@#%%†~^¨¨¨     ALTHOUGH EVEN A WIZARD MIGHT ONLY    ¨¨¨^~†%%#@
#%%†~^¨¨¨¨    ~REALLY~ KNOW TWO OR THREE IN THEIR   ¨¨¨¨^~†%%#
%%†~^¨¨¨¨¨                LIFETIME.                 ¨¨¨¨¨^~†%%
^/»:,,..,¨                                          ¨,..,,:»/^
^»,¨¨.¨¨¨.                    %                     .¨¨¨.¨¨,»^
~~.¨,¨.,.,                                          ,.,.¨,¨.~~
=~...,,¨,.  SOME PITFALLS INCLUDE THAT EVEN IF YOU  .,¨,,...~=
§\=,...¨¨,      CAN ENCODE THE DIGITAL SYMBOLS      ,¨¨...,=\§
¤††=,¨,,,,  THEMSELVES AS DIGITAL, SOMEHOW IT MUST  ,,,,¨,=††¤
£%^†»...¨¨  TERMINATE IN THE ANALOG; IF KNOWLEDGE   ¨¨...»†^%£
#@&*^~-¨,¨  IS LOST, YOU CAN HAVE SYMBOLS WITH NO   ¨,¨-~^*&@#
#@@£%:~:¨¨   ROUTE TO THEIR ORIGINAL MEANING, AND   ¨¨:~:%£@@#
####@%;-~.  THAT WITH THE RIGHT SPELLS AND METHODS  .~-;%@####
###&^\=,¨,  YOU CAN USE DIGITAL REPRESENTATION FOR  ,¨,=\^&###
##%=:«.¨¨¨   ANALYSIS (MUST BE COMBATTED AT EVERY   ¨¨¨.«:=%##
#¤§;~....¨               OPPORTUNITY)               ¨....~;§¤#
%*;».¨¨,.¨                                          ¨.,¨¨.»;*%
%;~,.,,¨,,                                          ,,¨,,.,~;%
;~~,¨,¨,,¨                                          ¨,,¨,¨,~~;
»-.¨¨.¨¨.,                                          ,.¨¨.¨¨.-»
^-^,¨,.¨,¨                                          ¨,¨.,¨,^-^