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..,,«^=@£@           #==,¨¨,,¨¨¨,¨¨¨..*=#           @£@=^«,,..
.¨,,~«†=¤#          #§*  "DIGITALITY"  †§#          #¤=†«~,,¨.
,.¨-~*†£@@           #†%.¨..¨,.¨,..,¨,§^#           @@£†*~-¨.,
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¨,,«=^$@##                                          ##@$^=«,,¨
.,..~†%££# DIGITAL, THE DIGITAL, TO  BECOME DIGITAL #££%†~..,.
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,^«†$&&@##   ANCIENT (MESOPOTHAMIA) KNOT MADE OF    ##@&&$†«^,
,.^~=†&&##   SYMBOLS. THE ENGLISH TRANSLATION IS    ##&&†=~^.,
.,,~~==$¤@    "THROUGH NUMBERS". YOU CAN USE THIS   @¤$==~~,,.
¨...,~=§$§  MACHINE TO REMEMBER, PREDICT, OR HIDE.  §$§=~,...¨
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..--*†@¤@#   THOUGH IT MIGHT LOOK LIKE WITCHCRAFT,  #@¤@†*--..
¨,,,~;§£§# THE GIFTED CAN TURN ANALOG SIGNALS INTO  #§£§;~,,,¨
,,,¨,»;^*£   DIGITAL - THE ANALOG IS IN ITSELF A    £*^;»,¨,,,
,,.,~;†$£¶  REPRESENTATION OF THE WORLD INSIDE THE  ¶£$†;~,.,,
¨,,~/%$&@#   WORLD, WHICH IS FURTHER ENCODED INTO   #@&$%/~,,¨
,.«:$&&£##  DIGITAL (ENCODED IN THE LITERAL SENSE;  ##£&&$:«.,
,.,~^=$§¶#  THE NUMBERS ARE SYMBOLS WHO CARRY THE   #¶§$=^~,.,
¨,,,«=†*&¶   MEANING SEMANTICALLY AND NOT IN THEIR  ¶&*†=«,,,¨
,,¨¨~=\%&£ SHAPE (ANALOG BEINGS ARE THE OPPOSITE.)) £&%\=~¨¨,,
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¨¨.«/*%§##     VARIOUS SCHEMES EXIST FOR HOW TO     ##§%*/«.¨¨
¨¨¨.«/*%§#  INTERPRET AND WORK FURTHER WITH THESE   #§%*/«.¨¨¨
¨¨¨¨.«/*%§   SYMBOLS (SUCH AS WAV, JPG, NFO, DIZ,   §%*/«.¨¨¨¨
¨¨¨.«/*%§#  VOR, HYP, MKV). GETTING FAMILIAR WITH   #§%*/«.¨¨¨
¨¨.«/*%§##  THESE IS A GOOD START ON YOUR JOURNEY,  ##§%*/«.¨¨
¨.«/*%§###     ALTHOUGH EVEN A WIZARD MIGHT ONLY    ###§%*/«.¨
¨¨.«/*%§##    «REALLY« KNOW TWO OR THREE IN THEIR   ##§%*/«.¨¨
¨¨¨.«/*%§#                LIFETIME.                 #§%*/«.¨¨¨
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¨~-**§£¶##  SOME PITFALLS INCLUDE THAT EVEN IF YOU  ##¶£§**-~¨
,¨~=*§$¤£#      CAN ENCODE THE DIGITAL SYMBOLS      #£¤$§*=~¨,
...^»=%@@#  THEMSELVES AS DIGITAL, SOMEHOW IT MUST  #@@%=»^...
,.,,,~^^£&  TERMINATE IN THE ANALOG; IF KNOWLEDGE   &£^^~,,,.,
¨¨.,»/†£¤#   IS LOST, YOU CAN HAVE SYMBOLS WITH NO  #¤£†/»,.¨¨
¨,^»^$%¤¶#   ROUTE TO THEIR ORIGINAL MEANING, AND   #¶¤%$^»^,¨
,.«:†£@£##  THAT WITH THE RIGHT SPELLS AND METHODS  ##£@£†:«.,
¨¨^~;%*§@#  YOU CAN USE DIGITAL REPRESENTATION FOR  #@§*%;~^¨¨
.,,^»/$*@@   ANALYSIS (MUST BE COMBATTED AT EVERY   @@*$/»^,,.
.¨¨,:~\*¤@               OPPORTUNITY)               @¤*\~:,¨¨.
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