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.^«^%%##£@          #*^  "DIGITALITY"  %%#          @£##%%^«^.
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.^»;$$§£## DIGITAL, THE DIGITAL, TO  BECOME DIGITAL ##£§$$;»^.
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,:~†$*&@##    ANCIENT (MESOPOTHAMIA) KNOT MADE OF   ##@&*$†~:,
.,~:%$£@##   SYMBOLS. THE ENGLISH TRANSLATION IS    ##@£$%:~,.
.:»~~*%*¶£    "THROUGH NUMBERS". YOU CAN USE THIS   £¶*%*~~»:.
.¨,,†$%#§@  MACHINE TO REMEMBER, PREDICT, OR HIDE.  @§#%$†,,¨.
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¨^«=§$¤¶##   THOUGH IT MIGHT LOOK LIKE WITCHCRAFT,  ##¶¤$§=«^¨
,.~~\*@£#§ THE GIFTED CAN TURN ANALOG SIGNALS INTO  §#£@*\~~.,
,.¨,;=^*£#   DIGITAL - THE ANALOG IS IN ITSELF A    #£*^=;,¨.,
.^~/*&£@@#  REPRESENTATION OF THE WORLD INSIDE THE  #@@£&*/~^.
¨.«/%¤@£##   WORLD, WHICH IS FURTHER ENCODED INTO   ##£@¤%/«.¨
,~=†§$#@##  DIGITAL (ENCODED IN THE LITERAL SENSE;  ##@#$§†=~,
.:~==*§###   THE NUMBERS ARE SYMBOLS WHO CARRY THE  ###§*==~:.
,.¨¨,~»%%£  MEANING SEMANTICALLY AND NOT IN THEIR   £%%»~,¨¨.,
¨,=*^§££&@ SHAPE (ANALOG BEINGS ARE THE OPPOSITE.)) @&££§^*=,¨
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..,,,~†@¶¶     VARIOUS SCHEMES EXIST FOR HOW TO     ¶¶@†~,,,..
..,~~~†££¶   INTERPRET AND WORK FURTHER WITH THESE  ¶££†~~~,..
.,~:†@£¶##   SYMBOLS (SUCH AS WAV, JPG, NFO, DIZ,   ##¶£@†:~,.
.,~:†@£¶¶#   VOR, HYP, MKV). GETTING FAMILIAR WITH  #¶¶£@†:~,.
...~~:::†£  THESE IS A GOOD START ON YOUR JOURNEY,  £†:::~~...
.,~:†@@@¶¶    ALTHOUGH EVEN A WIZARD MIGHT ONLY     ¶¶@@@†:~,.
....,::†£#   ~REALLY~ KNOW TWO OR THREE IN THEIR    #£†::,....
.....,~:@¶                 LIFETIME.                ¶@:~,.....
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¨^=:$%@###  SOME PITFALLS INCLUDE THAT EVEN IF YOU  ###@%$:=^¨
,,~~^=^§&£      CAN ENCODE THE DIGITAL SYMBOLS      £&§^=^~~,,
¨,¨,¨,»=%¤  THEMSELVES AS DIGITAL, SOMEHOW IT MUST  ¤%=»,¨,¨,¨
¨,-/$§¶###   TERMINATE IN THE ANALOG; IF KNOWLEDGE  ###¶§$/-,¨
.^-:§$@###  IS LOST, YOU CAN HAVE SYMBOLS WITH NO   ###@$§:-^.
¨.~:%*§###   ROUTE TO THEIR ORIGINAL MEANING, AND   ###§*%:~.¨
...~=;&@&@  THAT WITH THE RIGHT SPELLS AND METHODS  @&@&;=~...
.¨,.¨¨~==@  YOU CAN USE DIGITAL REPRESENTATION FOR  @==~¨¨.,¨.
..=/*&¤@##   ANALYSIS (MUST BE COMBATTED AT EVERY   ##@¤&*/=..
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