.,,,,~;§£@                                          @£§;~,,,,.
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¨.¨,«\*$§#                                          #§$*\«,¨.¨
,¨.=:**&@#           #%$¨..¨¨.¨..,¨,¨.**#           #@&**:=.¨,
,.»†^¤§@@#          #%^  "DIGITALITY"  **#          #@@§¤^†».,
,.^==$£&#@           #$†.,.¨.,.,,..¨¨,==#           @#&£$==^.,
.¨¨,~**%##                                          ##%**~,¨¨.
¨¨¨¨,=†*%£                     §                    £%*†=,¨¨¨¨
¨¨,.,:=:=£                                          £=:=:,.,¨¨
,.,¨,¨:«** DIGITAL, THE DIGITAL,  TO BECOME DIGITAL **«:¨,¨,.,
,¨,,,-~†%§                                          §%†~-,,,¨,
¨¨,¨~~^*¤#                     *                    #¤*^~~¨,¨¨
.,¨:~;$$&@                                          @&$$;~:¨,.
..,~^$£¤##   ANCIENT (MESOPOTHAMIA) KNOT MADE OF    ##¤£$^~,..
¨:~^^%####   SYMBOLS. THE ENGLISH TRANSLATION IS    ####%^^~:¨
..,-^%§§@@   "THROUGH NUMBERS". YOU CAN USE THIS    @@§§%^-,..
,..^»:*@@@  MACHINE TO REMEMBER, PREDICT, OR HIDE.  @@@*:»^..,
..¨,.»^%%#                                          #%%^».,¨..
¨¨,,¨.=\$£                    $                     £$\=.¨,,¨¨
¨.¨,¨,:~=§                                          §=~:,¨,¨.¨
.,¨,¨~~/*@   THOUGH IT MIGHT LOOK LIKE WITCHCRAFT,  @*/~~¨,¨,.
.¨,.~~:^*& THE GIFTED CAN TURN ANALOG SIGNALS INTO  &*^:~~.,¨.
.¨.~=/*$@¶    DIGITAL - THE ANALOG IS IN ITSELF A   ¶@$*/=~.¨.
¨..»;§%£#@  REPRESENTATION OF THE WORLD INSIDE THE  @#£%§;»..¨
.~~^%¤£@@#   WORLD, WHICH IS FURTHER ENCODED INTO   #@@£¤%^~~.
¨¨,~;*%§@@  DIGITAL (ENCODED IN THE LITERAL SENSE;  @@§%*;~,¨¨
,..,»=*§@#   THE NUMBERS ARE SYMBOLS WHO CARRY THE  #@§*=»,..,
,¨..-«*^@£   MEANING SEMANTICALLY AND NOT IN THEIR  £@^*«-..¨,
.¨¨.,-»†*£ SHAPE (ANALOG BEINGS ARE THE OPPOSITE.)) £*†»-,.¨¨.
¨.,¨,,:~**                                          **~:,,¨,.¨
¨¨,,,:»\$%                     %                    %$\»:,,,¨¨
¨.,,,«††$@                                          @$††«,,,.¨
...,«/%$##     VARIOUS SCHEMES EXIST FOR HOW TO     ##$%/«,...
..,«/%$##@   INTERPRET AND WORK FURTHER WITH THESE  @##$%/«,..
.,«/%$##@#   SYMBOLS (SUCH AS WAV, JPG, NFO, DIZ,   #@##$%/«,.
..,«/%$##@  VOR, HYP, MKV). GETTING FAMILIAR WITH   @##$%/«,..
...,«/%$##  THESE IS A GOOD START ON YOUR JOURNEY,  ##$%/«,...
....,«/%$#     ALTHOUGH EVEN A WIZARD MIGHT ONLY    #$%/«,....
.....,«/%$    «REALLY« KNOW TWO OR THREE IN THEIR   $%/«,.....
......,«/%                LIFETIME.                 %/«,......
¨¨,¨,,~/*%                                          %*/~,,¨,¨¨
,¨,.,~;§£@                     †                    @£§;~,.,¨,
.,.,~*†%#@                                          @#%†*~,.,.
,.^=:$£¤¶@  SOME PITFALLS INCLUDE THAT EVEN IF YOU  @¶¤£$:=^.,
..~=*%&¶@#      CAN ENCODE THE DIGITAL SYMBOLS      #@¶&%*=~..
,,--*$%£##  THEMSELVES AS DIGITAL, SOMEHOW IT MUST  ##£%$*--,,
,¨¨,~^*¤£¶   TERMINATE IN THE ANALOG; IF KNOWLEDGE  ¶£¤*^~,¨¨,
,,..^«*=&¤   IS LOST, YOU CAN HAVE SYMBOLS WITH NO  ¤&=*«^..,,
¨¨..¨,~;%£   ROUTE TO THEIR ORIGINAL MEANING, AND   £%;~,¨..¨¨
,..¨..-~=*  THAT WITH THE RIGHT SPELLS AND METHODS  *=~-..¨..,
.,.¨¨-~:*@  YOU CAN USE DIGITAL REPRESENTATION FOR  @*:~-¨¨.,.
,.,.~«/§&£   ANALYSIS (MUST BE COMBATTED AT EVERY   £&§/«~.,.,
,¨¨,~:=%@#               OPPORTUNITY)               #@%=:~,¨¨,
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,.^-=*@&##                                          ##&@*=-^.,
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.,,¨:-*†*§                                          §*†*-:¨,,.