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.,~=^%$¤£¶                                          ¶£¤$%^=~,.
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,,«†^%§@##                                          ##@§%^†«,,
,¨¨¨,.,-=#                                          #=-,.,¨¨¨,
¨.»†%$#@@#           #**.,.,..¨..,¨..¨%*#           #@@#$%†».¨
¨--:$&££##          #%=  "digitality"  §%#          ##££&$:--¨
¨~=^%§¤###           #†=..,¨,¨,¨,¨¨.,¨%†#           ###¤§%^=~¨
.¨¨:/:$#£#                                          #£#$:/:¨¨.
...^::~\*&                    §                     &*\~::^...
.,»/%&@£¤@                                          @¤£@&%/»,.
,¨.,::†%*# digital, the digital, to  become digital #*%†::,.¨,
,:==^*¤£##                                          ##£¤*^==:,
.,-†*$&###                    *                     ###&$*†-,.
,,-/§£§¶@#                                          #@¶§£§/-,,
¨-~/*@&&£@   ancient (mesopothamia) knot made of    @£&&@*/~-¨
,-~*%$§###    symbols. the english translation is   ###§$%*~-,
,¨,^*;$&@#    "through numbers". you can use this   #@&$;*^,¨,
¨.~^§§&¶##  machine to remember, predict, or hide.  ##¶&§§^~.¨
¨~»:§£@@£@                                          @£@@£§:»~¨
¨^-:^%#£@#                    †                     #@£#%^:-^¨
...«~;%§&@                                          @&§%;~«...
,^»†%£@£##  though it might look like witchcraft,   ##£@£%†»^,
,,=;§&@### the gifted can turn analog signals into  ###@&§;=,,
.,..,.~†*#   digital - the analog is in itself a    #*†~.,..,.
¨~†$$§####  representation of the world inside the  ####§$$†~¨
¨^-/^¤£###   world, which is further encoded into   ###£¤^/-^¨
¨,-;%$£@##  digital (encoded in the literal sense;  ##@£$%;-,¨
¨.:..=:^££  the numbers are symbols who carry the   ££^:=..:.¨
¨.,¨¨~=^*@  meaning semantically and not in their   @*^=~¨¨,.¨
,,-*%£&¶## shape (analog beings are the opposite.)) ##¶&£%*-,,
¨-=;^%§###                                          ###§%^;=-¨
,^»†%$####                     %                    ####$%†»^,
.¨,..:,;†£                                          £†;,:..,¨.
--;§£¤####     various schemes exist for how to     ####¤£§;--
,--;§£¤###   interpret and work further with these  ###¤£§;--,
,,,,--;§¤#   symbols (such as wav, jpg, nfo, diz,   #¤§;--,,,,
,,,-;;£¤##   vor, hyp, mkv). getting familiar with  ##¤£;;-,,,
,-----;£¤#  these is a good start on your journey,  #¤£;-----,
,--;§£¤###    although even a wizard might only     ###¤£§;--,
,--;§£¤###    -really- know two or three in their   ###¤£§;--,
,--;§£¤###                 lifetime.                ###¤£§;--,
,^~»~*$¤§¤                                          ¤§¤$*~»~^,
¨.«†=$¤###                    ^                     ###¤$=†«.¨
.¨¨.^-~$^¤                                          ¤^$~-^.¨¨.
....,,=§§@  some pitfalls include that even if you  @§§=,,....
.¨¨¨,-/;^#      can encode the digital symbols      #^;/-,¨¨¨.
,¨.¨..†%£#  themselves as digital, somehow it must  #£%†..¨.¨,
....~:%%@¤  terminate in the analog; if knowledge   ¤@%%:~....
,.~.^~=*§@  is lost, you can have symbols with no   @§*=~^.~.,
¨~~;†£¤#@#   route to their original meaning, and   #@#¤£†;~~¨
,~~^%*@¶@#  that with the right spells and methods  #@¶@*%^~~,
¨:~\§£§¶@#  you can use digital representation for  #@¶§£§\~:¨
¨~~†$%@@##   analysis (must be combatted at every   ##@@%$†~~¨
¨,-;*¤@###               opportunity)               ###@¤*;-,¨
,¨.¨¨~«%#@                                          @#%«~¨¨.¨,
¨^~=†@@#@#                                          #@#@@†=~^¨
.,~;%@¶@##                                          ##@¶@%;~,.
.~«†%%@&£@                                          @£&@%%†«~.
¨¨..-/;§*@                                          @*§;/-..¨¨