¨¨.,,.«~§¤                                          ¤§~«.,,.¨¨
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.-«:^£@###                                          ###@£^:«-.
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¨^=††$£#&@           #$*.,..,¨.,,,¨¨,¨*%#           @&#£$††=^¨
¨.,,.»/@#£          #*^  "DIGITALITY"  ==#          £#@/».,,.¨
,^=\*%¤@@#           #%%..,.,.¨,.,.,..=%#           #@@¤%*\=^,
.^-^*¤@###                                          ###@¤*^-^.
¨,~^^$@###                    $                     ###@$^^~,¨
,:~«»*/*£#                                          #£*/*»«~:,
¨~~;^¤£### DIGITAL, THE DIGITAL,  TO BECOME DIGITAL ###£¤^;~~¨
,¨¨,~;/$*@                                          @*$/;~,¨¨,
.-=†§¤@###                    =                     ###@¤§†=-.
.~~;*&&&@@                                          @@&&&*;~~.
,¨,..^~†%#   ANCIENT (MESOPOTHAMIA) KNOT MADE OF    #%†~^..,¨,
,-~/*¤####   SYMBOLS. THE ENGLISH TRANSLATION IS    ####¤*/~-,
,¨.¨.,-*¤#   "THROUGH NUMBERS". YOU CAN USE THIS    #¤*-,.¨.¨,
.~-**£####  MACHINE TO REMEMBER, PREDICT, OR HIDE.  ####£**-~.
,,,,¨,*§#@                                          @#§*,¨,,,,
..-;§$&###                    $                     ###&$§;-..
..,¨,»/$*#                                          #*$/»,¨,..
¨¨¨,,.,«*§   THOUGH IT MIGHT LOOK LIKE WITCHCRAFT,  §*«,.,,¨¨¨
,¨..-~*¤¶¶ THE GIFTED CAN TURN ANALOG SIGNALS INTO  ¶¶¤*~-..¨,
,,=^$$§¶##    DIGITAL - THE ANALOG IS IN ITSELF A   ##¶§$$^=,,
,,..,=&§#@  REPRESENTATION OF THE WORLD INSIDE THE  @#§&=,..,,
.:~†%*@###   WORLD, WHICH IS FURTHER ENCODED INTO   ###@*%†~:.
¨,«:*%@###  DIGITAL (ENCODED IN THE LITERAL SENSE;  ###@%*:«,¨
,:~\*$@£#@  THE NUMBERS ARE SYMBOLS WHO CARRY THE   @#£@$*\~:,
,¨.,.-~=£¶   MEANING SEMANTICALLY AND NOT IN THEIR  ¶£=~-.,.¨,
,..,.=%£¤£ SHAPE (ANALOG BEINGS ARE THE OPPOSITE.)) £¤£%=.,..,
¨,¨¨.-:=*£                                          £*=:-.¨¨,¨
,,»»»=%§£#                    %                     #£§%=»»»,,
,..,/*@#@@                                          @@#@*/,..,
,----===†@     VARIOUS SCHEMES EXIST FOR HOW TO     @†===----,
,-=\†§@@##   INTERPRET AND WORK FURTHER WITH THESE  ##@@§†\=-,
,-=\†§@@@#   SYMBOLS (SUCH AS WAV, JPG, NFO, DIZ,   #@@@§†\=-,
,,,,-=†@@#  VOR, HYP, MKV). GETTING FAMILIAR WITH   #@@†=-,,,,
,-=\†§@@##  THESE IS A GOOD START ON YOUR JOURNEY,  ##@@§†\=-,
,-=\†§@@##    ALTHOUGH EVEN A WIZARD MIGHT ONLY     ##@@§†\=-,
,,,--\§@@#   =REALLY= KNOW TWO OR THREE IN THEIR    #@@§\--,,,
,,,==\§§§@                 LIFETIME.                @§§§\==,,,
..-†%*####                                          ####*%†-..
.-~:§¤@£@#                     $                    #@£@¤§:~-.
¨,»†$%§###                                          ###§%$†»,¨
..~=$%&£##  SOME PITFALLS INCLUDE THAT EVEN IF YOU  ##£&%$=~..
,^»/=¤¤&¤#      CAN ENCODE THE DIGITAL SYMBOLS      #¤&¤¤=/»^,
¨,=**$§@§#  THEMSELVES AS DIGITAL, SOMEHOW IT MUST  #§@§$**=,¨
,¨,..¨-^*£   TERMINATE IN THE ANALOG; IF KNOWLEDGE  £*^-¨..,¨,
,^=/$§@###  IS LOST, YOU CAN HAVE SYMBOLS WITH NO   ###@§$/=^,
¨^~:%%#£##   ROUTE TO THEIR ORIGINAL MEANING, AND   ##£#%%:~^¨
.,»^*£&@@#  THAT WITH THE RIGHT SPELLS AND METHODS  #@@&£*^»,.
¨¨¨¨~\*=%¤  YOU CAN USE DIGITAL REPRESENTATION FOR  ¤%=*\~¨¨¨¨
.,-=%$&¶@#   ANALYSIS (MUST BE COMBATTED AT EVERY   #@¶&$%=-,.
,.~:=:†&£#               OPPORTUNITY)               #£&†:=:~.,
¨,-=%¤¶###                                          ###¶¤%=-,¨
,-~†§@&###                                          ###&@§†~-,
,,==^¤£@##                                          ##@£¤^==,,
¨¨,,.¨,/*@                                          @*/,¨.,,¨¨
.~«^^&@###                                          ###@&^^«~.