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¨§£§.§£@£# DIGITAL, THE DIGITAL, TO BECOME DIGITAL ¨¨#,§@&¤@£
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#§¤&@,.§¨, &,¤£..,@§&
,,.,&¨§¤¨¤ ANCIENT (MESOPOTHAMIA) KNOT MADE OF &¤,@¨.#.¨.
.¨,£#¤,§&@ SYMBOLS. THE ENGLISH TRANSLATION IS ¨#§¤.@#.,¨
¨.¤,,&§¨¨. "THROUGH NUMBERS". YOU CAN USE THIS §,.&@,£¨,,
¨£#,§¨§,.. MACHINE TO REMEMBER, PREDICT, OR HIDE. @,£.##&,.¨
&,¤##@&¨,. @&£§.,#¨.,
¤#¨.¨.¤,,¨ § ¨,¨#¨£§.¨&
¨§¨¨.£¤¨¨@ ,¨#&§,#¨&,
@@¨¨@¨¤,&. THOUGH IT MIGHT LOOK LIKE WITCHCRAFT, ,¤¨¨£££#¤¨
¨¤¨¤£@¤£&¤ THE GIFTED CAN TURN ANALOG SIGNALS INTO #&.@..¨.&¤
#&§.¨,,¨.£ DIGITAL - THE ANALOG IS IN ITSELF A ,¤¤&..¨¤,£
,.£,¨.,¨§@ REPRESENTATION OF THE WORLD INSIDE THE £,.§..§§§,
.¤¤¨..¨#,¨ WORLD, WHICH IS FURTHER ENCODED INTO @.&&,@.¨&,
#,¤¨¨,¤£¨, DIGITAL (ENCODED IN THE LITERAL SENSE; @&,¤£#.¤&.
§¤@¨,@¨&.& THE NUMBERS ARE SYMBOLS WHO CARRY THE ¨#@..@@¨&£
¨.@.¤¤#§&# MEANING SEMANTICALLY AND NOT IN THEIR ¤¨&.@¨£§.,
,£§#.¨,¨,& SHAPE (ANALOG BEINGS ARE THE OPPOSITE.)) £¤@§§&.£¨.
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#¤.&..§,@, .¨¨£@.§¤£.
.###.####. VARIOUS SCHEMES EXIST FOR HOW TO ..#.##..##
#..##...#. INTERPRET AND WORK FURTHER WITH THESE .###.#.#.#
#.#.#..### SYMBOLS (SUCH AS WAV, JPG, NFO, DIZ, #..######.
#####.#... VOR, HYP, MKV). GETTING FAMILIAR WITH #.#.....##
....###... THESE IS A GOOD START ON YOUR JOURNEY, ###....#..
...#..#... ALTHOUGH EVEN A WIZARD MIGHT ONLY ..#...##..
..##.##..# =REALLY= KNOW TWO OR THREE IN THEIR .##..#.#..
.#.##.#.## LIFETIME. #.#.####..
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.&¨£¨¨@.,, ¨.£@,£¨&¤@
§&&¤¨£@,,. SOME PITFALLS INCLUDE THAT EVEN IF YOU ¨§,@@¤¤.,&
,.,¤§,¤¨¨# CAN ENCODE THE DIGITAL SYMBOLS ¤§#.,¨§.£.
¨,§¨£&@,&, THEMSELVES AS DIGITAL, SOMEHOW IT MUST ¨,@,¨#§¤&,
¨£#£,¨#@§@ TERMINATE IN THE ANALOG; IF KNOWLEDGE .#&.¤¨¨¨£,
§..#¨£,¨¨§ IS LOST, YOU CAN HAVE SYMBOLS WITH NO &¨£&£,¨&§,
#,§@£§,¨§¨ ROUTE TO THEIR ORIGINAL MEANING, AND §§,¨¤¨&,§§
¤§.,,#¨¤§, THAT WITH THE RIGHT SPELLS AND METHODS .&,£¤@§&.¨
,£¨.£&#.§§ YOU CAN USE DIGITAL REPRESENTATION FOR #@£¨,¨,¤¨#
§@,#,,#&¨& ANALYSIS (MUST BE COMBATTED AT EVERY ,¨&,¨¨#@£@
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