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,¨¨¨,,,/*&           #=%¨¨¨¨.,¨¨¨..¨¨.=*#           &*/,,,¨¨¨,
.^~*^%@¶##          #=%  "DIGITALITY"  *%#          ##¶@%^*~^.
¨,.¨,,,«†§           #††.,¨¨,.¨,,.¨.,,*%#           §†«,,,¨.,¨
¨~~=†:*¤£@                                          @£¤*:†=~~¨
,¨.¨¨¨-§§#                     †                    #§§-¨¨¨.¨,
¨-~:*§#@##                                          ##@#§*:~-¨
,:»†^££@## DIGITAL,  THE DIGITAL, TO BECOME DIGITAL ##@££^†»:,
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¨,»:†@£###                     $                    ###£@†:»,¨
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,-=:=¤§#@#   ANCIENT (MESOPOTHAMIA) KNOT MADE OF    #@#§¤=:=-,
¨..¨.,:=%@    SYMBOLS. THE ENGLISH TRANSLATION IS   @%=:,.¨..¨
¨¨,.,=*%@£    "THROUGH NUMBERS". YOU CAN USE THIS   £@%*=,.,¨¨
¨¨,..-=¤£@  MACHINE TO REMEMBER, PREDICT, OR HIDE.  @£¤=-..,¨¨
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,,..:/^$@&                    ^                     &@$^/:..,,
.-=:=&&§¶@                                          @¶§&&=:=-.
.~-/§£¶@##  THOUGH IT MIGHT LOOK LIKE WITCHCRAFT,   ##@¶£§/-~.
¨,»^^££@#@  THE GIFTED CAN TURN ANALOG SIGNALS INTO @#@££^^»,¨
¨,,¨¨.^»^&   DIGITAL - THE ANALOG IS IN ITSELF A    &^»^.¨¨,,¨
.,~\*£§@@#  REPRESENTATION OF THE WORLD INSIDE THE  #@@§£*\~,.
.-=^^§@£@#   WORLD, WHICH IS FURTHER ENCODED INTO   #@£@§^^=-.
¨,»\§*§@##  DIGITAL (ENCODED IN THE LITERAL SENSE;  ##@§*§\»,¨
.:«;§%£@¶#  THE NUMBERS ARE SYMBOLS WHO CARRY THE   #¶@£%§;«:.
,,~:^§£@#@   MEANING SEMANTICALLY AND NOT IN THEIR  @#@£§^:~,,
¨¨¨,::§&§@ SHAPE (ANALOG BEINGS ARE THE OPPOSITE.)) @§&§::,¨¨¨
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,~~~~§§&&§     VARIOUS SCHEMES EXIST FOR HOW TO     §&&§§~~~~,
,~/§&§####   INTERPRET AND WORK FURTHER WITH THESE  ####§&§/~,
,~~/§&&&§#   SYMBOLS (SUCH AS WAV, JPG, NFO, DIZ,   #§&&&§/~~,
,,,,,~~/&#   VOR, HYP, MKV). GETTING FAMILIAR WITH  #&/~~,,,,,
,,,,,~~/&§  THESE IS A GOOD START ON YOUR JOURNEY,  §&/~~,,,,,
,,,~~~/§§§     ALTHOUGH EVEN A WIZARD MIGHT ONLY    §§§/~~~,,,
,,,,,~/&§#   ~REALLY~ KNOW TWO OR THREE IN THEIR    #§&/~,,,,,
,~~/&§####                 LIFETIME.                ####§&/~~,
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¨:=†%£@@@#                    §                     #@@@£%†=:¨
¨-=^*£@@#@                                          @#@@£*^=-¨
.,~^$$¤@##  SOME PITFALLS INCLUDE THAT EVEN IF YOU  ##@¤$$^~,.
¨.»†%§§###      CAN ENCODE THE DIGITAL SYMBOLS      ###§§%†».¨
.~»/§*@@##  THEMSELVES AS DIGITAL, SOMEHOW IT MUST  ##@@*§/»~.
.~~:^*§¶@#   TERMINATE IN THE ANALOG; IF KNOWLEDGE  #@¶§*^:~~.
.,~/$$£###  IS LOST, YOU CAN HAVE SYMBOLS WITH NO   ###£$$/~,.
.:~;^$&@##   ROUTE TO THEIR ORIGINAL MEANING, AND   ##@&$^;~:.
¨.,~\^§£¶@  THAT WITH THE RIGHT SPELLS AND METHODS  @¶£§^\~,.¨
¨.=*=£¤###  YOU CAN USE DIGITAL REPRESENTATION FOR  ###¤£=*=.¨
,^-*%§¤@##   ANALYSIS (MUST BE COMBATTED AT EVERY   ##@¤§%*-^,
¨--\†&¤#¤£               OPPORTUNITY)               £¤#¤&†\--¨
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