$†-...,.,¨                                          ¨,.,...-†$
/»..,,¨,.¨                                          ¨.,¨,,..»/
~,¨.¨,,¨,¨                                          ¨,¨,,¨.¨,~
^..¨,¨,¨¨.                                          .¨¨,¨,¨..^
«..,.,,..,                                          ,..,,.,..«
*-:,..,.,,                                          ,,.,..,:-*
%†«~.,,¨,.           #=§¨,.¨,.¨¨.,,,,,**#           .,¨,,.~«†%
§$*~,¨¨.,¨          #†%  "DIGITALITY"  %%#          ¨,.¨¨,~*$§
&$*/~~¨¨¨,           #$§....,.¨¨.,¨¨..†*#           ,¨¨¨~~/*$&
¶£%==~^¨.¨                                          ¨.¨^~==%£¶
#££¤§^«,,¨                     %                    ¨,,«^§¤££#
#@£@$*^-~,                                          ,~-^*$@£@#
##§$*\~,,¨ DIGITAL, THE  DIGITAL, TO BECOME DIGITAL ¨,,~\*$§##
¶#§=/~:¨,,                                          ,,¨:~/=§#¶
¤$**-^¨.¨,                     %                    ,¨.¨^-**$¤
@=^-.,.,,.                                          .,,.,.-^=@
$†=.¨¨.,..    ANCIENT (MESOPOTHAMIA) KNOT MADE OF   ..,.¨¨.=†$
;~,.,,,.,¨    SYMBOLS. THE ENGLISH TRANSLATION IS   ¨,.,,,.,~;
-,¨¨,.,,,.   "THROUGH NUMBERS". YOU CAN USE THIS    .,,,.,¨¨,-
-..¨¨,.,.¨  MACHINE TO REMEMBER, PREDICT, OR HIDE.  ¨.,.,¨¨..-
~,.¨..,.¨¨                                          ¨¨.,..¨.,~
:»:¨,¨,,,.                     †                    .,,,¨,¨:»:
=^=:¨,.¨,.                                          .,¨.,¨:=^=
§*;~^,,,.,  THOUGH IT MIGHT LOOK LIKE WITCHCRAFT,   ,.,,,^~;*§
¤£^:~-..¨¨ THE GIFTED CAN TURN ANALOG SIGNALS INTO  ¨¨..-~:^£¤
@@£*\-^¨,,   DIGITAL - THE ANALOG IS IN ITSELF A    ,,¨^-\*£@@
#¶@£*^--¨¨  REPRESENTATION OF THE WORLD INSIDE THE  ¨¨--^*£@¶#
##£¤¤†;-,¨   WORLD, WHICH IS FURTHER ENCODED INTO   ¨,-;†¤¤£##
#@@@§:«:¨¨  DIGITAL (ENCODED IN THE LITERAL SENSE;  ¨¨:«:§@@@#
#§@%=-,.,.   THE NUMBERS ARE SYMBOLS WHO CARRY THE  .,.,-=%@§#
#%^/«-¨.¨¨   MEANING SEMANTICALLY AND NOT IN THEIR  ¨¨.¨-«/^%#
*§†-,,,... SHAPE (ANALOG BEINGS ARE THE OPPOSITE.)) ...,,,-†§*
%/~^¨.¨.,¨                                          ¨,.¨.¨^~/%
\~-.,,,,..                    *                     ..,,,,.-~\
-,.,¨,,¨,.                                          .,¨,,¨,.,-
^.........     VARIOUS SCHEMES EXIST FOR HOW TO     .........^
«^........  INTERPRET AND WORK FURTHER WITH THESE   ........^«
^«^.......   SYMBOLS (SUCH AS WAV, JPG, NFO, DIZ,   .......^«^
=^«^......   VOR, HYP, MKV). GETTING FAMILIAR WITH  ......^«^=
£=^«^.....  THESE IS A GOOD START ON YOUR JOURNEY,  .....^«^=£
@£=^«^....     ALTHOUGH EVEN A WIZARD MIGHT ONLY    ....^«^=£@
£@£=^«^...    «REALLY« KNOW TWO OR THREE IN THEIR   ...^«^=£@£
#£@£=^«^..                LIFETIME.                 ..^«^=£@£#
###&*%^~-,                                          ,-~^%*&###
@#@¤*†-:.,                    %                     ,.:-†*¤@#@
@£&=:«.,.¨                                          ¨.,.«:=&£@
&%%*-.,¨¨,  SOME PITFALLS INCLUDE THAT EVEN IF YOU  ,¨¨,.-*%%&
$^:=:..,,¨      CAN ENCODE THE DIGITAL SYMBOLS      ¨,,..:=:^$
§*=,¨.,,.,  THEMSELVES AS DIGITAL, SOMEHOW IT MUST  ,.,,.¨,=*§
†=,.,,...¨   TERMINATE IN THE ANALOG; IF KNOWLEDGE  ¨...,,.,=†
~,¨.,...,.   IS LOST, YOU CAN HAVE SYMBOLS WITH NO  .,...,.¨,~
-..¨¨¨.¨.¨   ROUTE TO THEIR ORIGINAL MEANING, AND   ¨.¨.¨¨¨..-
»^,,,.,¨¨¨  THAT WITH THE RIGHT SPELLS AND METHODS  ¨¨¨,.,,,^»
;-^..¨.,.,  YOU CAN USE DIGITAL REPRESENTATION FOR  ,.,.¨..^-;
*/~-¨¨,,¨.   ANALYSIS (MUST BE COMBATTED AT EVERY   .¨,,¨¨-~/*
*%:~.,¨¨¨.               OPPORTUNITY)               .¨¨¨,.~:%*
¤*§\=,¨¨..                                          ..¨¨,=\§*¤
@&$*†=^¨..                                          ..¨^=†*$&@
#@¤@†;~:¨.                                          .¨:~;†@¤@#
#@¶#@==«~¨                                          ¨~«==@#¶@#
@@§£%^»~¨,                                          ,¨~»^%£§@@