.,~:*£#@##                                          ##@#£*:~,.
¨^»*§¤¤@##                                          ##@¤¤§*»^¨
.,..¨~==%§                                          §%==~¨..,.
,,~;$&§§&#                                          #&§§&$;~,,
¨,~;*¤####                                          ####¤*;~,¨
,~~::†\=$@                                          @$=\†::~~,
.¨,,,»†^*@           #†%¨¨,.¨.,,¨,¨,,¨*%#           @*^†»,,,¨.
.,,--*=*†¤          #=%  "digitality"  %†#          ¤†*=*--,,.
¨-«^%&¤###           #*†,¨¨¨¨¨,¨,,¨,,.*†#           ###¤&%^«-¨
¨¨..~;*&¤@                                          @¤&*;~..¨¨
¨~~†§#£###                    ^                     ###£#§†~~¨
,.=†&¤@###                                          ###@¤&†=.,
,.=^=@@### digital,  the digital, to become digital ###@@=^=.,
¨:-=%$#@##                                          ##@#$%=-:¨
,..-::/&£#                    =                     #£&/::-..,
¨-=;%£@@##                                          ##@@£%;=-¨
..¨~«^†§@#    ancient (mesopothamia) knot made of   #@§†^«~¨..
,~=$$§@###    symbols. the english translation is   ###@§$$=~,
,¨¨^~:;$*£    "through numbers". you can use this   £*$;:~^¨¨,
¨-~††%#¶@#  machine to remember, predict, or hide.  #@¶#%††~-¨
..~:*£§£@#                                          #@£§£*:~..
,,-:§%£###                    †                     ###£%§:-,,
.,,¨~~-:££                                          ££:-~~¨,,.
,~«*^¤&@@@  though it might look like witchcraft,   @@@&¤^*«~,
,,-^*//$&@ the gifted can turn analog signals into  @&$//*^-,,
.:-^%££¶##    digital - the analog is in itself a   ##¶££%^-:.
¨.,~:.^^&¤  representation of the world inside the  ¤&^^.:~,.¨
.,¨,::,=*£   world, which is further encoded into   £*=,::,¨,.
¨,«/*£§%##  digital (encoded in the literal sense;  ##%§£*/«,¨
,-»:%££#@#   the numbers are symbols who carry the  #@#££%:»-,
,--/^%§§#@   meaning semantically and not in their  @#§§%^/--,
,,»;*$@@## shape (analog beings are the opposite.)) ##@@$*;»,,
,~~/*£&¤§#                                          #§¤&£*/~~,
.,,¨,~»%=@                     §                    @=%»~,¨,,.
,,«/=£&&§#                                          #§&&£=/«,,
.:~\†$§£##     various schemes exist for how to     ##£§$†\~:.
.:~\†$§£##   interpret and work further with these  ##£§$†\~:.
....:~\$§§   symbols (such as wav, jpg, nfo, diz,   §§$\~:....
.:~\†$§£##   vor, hyp, mkv). getting familiar with  ##£§$†\~:.
...::~††$£  these is a good start on your journey,  £$††~::...
.:~\†$§§£#     although even a wizard might only    #£§§$†\~:.
...~\††$£#    ~really~ know two or three in their   #£$††\~...
.:~\†$§£££                lifetime.                 £££§$†\~:.
,~=:*££#@#                                          #@#££*:=~,
.~»;$%£###                    †                     ###£%$;»~.
.,«†*@£#@#                                          #@#£@*†«,.
.~-\*£@@@#  some pitfalls include that even if you  #@@@£*\-~.
,.~*=%@@¶@      can encode the digital symbols      @¶@@%=*~.,
¨,.,¨.,†*@  themselves as digital, somehow it must  @*†,.¨,.,¨
.¨,^:=%%@&   terminate in the analog; if knowledge  &@%%=:^,¨.
,:»/$*§###  is lost, you can have symbols with no   ###§*$/»:,
.-~†^§*§&¶   route to their original meaning, and   ¶&§*§^†~-.
,¨,~=:$$*£  that with the right spells and methods  £*$$:=~,¨,
,.=\=*#@##  you can use digital representation for  ##@#*=\=.,
¨..¨^^^~§£   analysis (must be combatted at every   £§~^^^¨..¨
¨:-=*§§@##               opportunity)               ##@§§*=-:¨
¨,.=:%*§££                                          ££§*%:=.,¨
.^~\^%&¶##                                          ##¶&%^\~^.
¨.¨.,«~$%@                                          @%$~«,.¨.¨
,~-//*$%##                                          ##%$*//-~,
.,~**^†%£#                                          #£%†^**~,.