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£¨#,@£.§,&                                          ¨@¨@,@#.#,
§,&,¨§¨£,¤                                          ,@¨¤,.&.@¨
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@.£.&@,@.@           #^†¨,....,.¨..,.,%§#           .£,&¨£#,£.
¤.&¨¨£¨£¨@          #$^  "digitality"  †%#          ¨&.¤¨,£.#,
¤,&.@§¨@¨¤           #*%,,.¨.¨¨,¨,¨,.,%†#           ,§¨¤,£#,@.
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¤¨¤.&£.£¨£                    ^                     .@,#¨@§,&,
#¨£.,§¨§.£                                          ¨£.¤¨.@¨&,
¤,§¨&#.@,& digital, the digital, to  become digital ¨§,@.&£¨#¨
@¨£¨.§.&,@                                          ,£.¤¨¨#,&¨
&¨¤¨§£.¤¨¤                     *                    ¨@.&.£¤,&.
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§,¤¨£§.§.£   ancient (mesopothamia) knot made of    ,@,&,@§¨§.
@.£.¨&,§¨£   symbols. the english translation is    .§.&¨,@,§¨
§¨#,#&,@.&   "through numbers". you can use this    ,§.§,&@.£¨
&.¤¨,&¨@,@  machine to remember, predict, or hide.  .£¨£¨.@¨§.
&¨§.@@¨§¨£                                          ,#¨¤.##.£.
§.@..£,£.#                     %                    ,#¨§..&.&¨
§¨¤¨£&.§¨£                                          .¤.&.@@.@¨
§¨¤¨,¤.#.@  though it might look like witchcraft,   .£¨§,.£,@¨
£.¤,§§,¤.¤ the gifted can turn analog signals into  .¤¨§¨§¤¨@¨
#.£,.¤.¤¨#    digital - the analog is in itself a   ¨£¨&¨¨@.§.
§¨¤.£§.@,¤  representation of the world inside the  .£.&¨¤¤.£¨
£¨&,¨#.¤¨¤   world, which is further encoded into   ,¤,§,,¤,#¨
#,@,¤£,&.@  digital (encoded in the literal sense;  ,#,#¨&#¨&¨
&.&,,§.@¨&  the numbers are symbols who carry the   ¨&,@,.§¨@,
&,#,@£.¤.&   meaning semantically and not in their  ¨§¨¤.@£,#.
@,#.¨§¨¤,& shape (analog beings are the opposite.)) .£.¤¨¨§.£¨
£.#.§£,¤.¤                                          ,#,£,¤¤.§¨
£,#,,#,£.&                    *                     ,£.&,¨¤.@,
£,§.#¤.§,#                                          .§,&¨£¤.@,
#.#..#.#.#     various schemes exist for how to     .#.#..#.#.
#.#.##.#.#   interpret and work further with these  .#.#.##.#.
#.#..#.#.#   symbols (such as wav, jpg, nfo, diz,   .#.#..#.#.
#.#.##.#.#   vor, hyp, mkv). getting familiar with  .#.#.##.#.
#.#..#.#.#  these is a good start on your journey,  .#.#..#.#.
#.#.##.#.#    although even a wizard might only     .#.#.##.#.
#.#..#.#.#    »really» know two or three in their   .#.#..#.#.
#.#.##.#.#                 lifetime.                .#.#.##.#.
¤¨§,.¤¨@,#                                          .@.#,,@,¤.
£,&,#£.@.§                     %                    .@,#¨§#¨£¨
&¨§,¨#¨¤¨£                                          ,¤,£¨.¤,§¨
¤.§¨@&.£,£  some pitfalls include that even if you  .&.&,#@,§,
¤,#,,¤.¤¨¤      can encode the digital symbols      ¨¤,§¨,§,#.
§¨&¨¤#.£¨§  themselves as digital, somehow it must  ,&.¤,@&¨@,
@.§,,@¨£.£  terminate in the analog; if knowledge   .§.§,¨#.¤.
&.§.§¤.¤,#   is lost, you can have symbols with no  ,@,§,#¤¨£.
#.#,.§¨&¨#   route to their original meaning, and   ,£¨§..&,¤,
£¨¤.@£,#.¤  that with the right spells and methods  ¨&.£.&#.&,
&.¤.,¤,#¨@  you can use digital representation for  ,£,£,,§¨@.
@.&.&#.§¨@   analysis (must be combatted at every   ,§¨#¨£@.@,
#¨¤.,&.&.#               opportunity)               ,&.@..§,¤.
&.£,@#¨#¨§                                          .§,§.&¤¨§,
£.&¨,§.#¨&                                          .#¨¤¨,#,@.
@.§¨§&.@.#                                          .§.¤.§@¨&,
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