.,.»;†%£@#                                          #@£%†;».,.
,..--\%*££                                          ££*%\--..,
¨,..^=:%$§                                          §$%:=^..,¨
,¨¨.,,»/*@                                          @*/»,,.¨¨,
¨....¨^~\$                                          $\~^¨....¨
.,,¨..,,~:                                          :~,,..¨,,.
.,.,.¨^«*§           #==¨.¨.¨,.¨¨,,,.,^$#           §*«^¨.,.,.
,.¨.,,~;*£          #†%  "DIGITALITY"  *$#          £*;~,,.¨.,
,..,,=\$*@           #%†,.,¨.¨....¨¨,,^%#           @*$\=,,..,
..¨~«=%§¤¶                                          ¶¤§%=«~¨..
..~«*%¤¤¶#                     ^                    #¶¤¤%*«~..
..=:%%#@##                                          ##@#%%:=..
,¨.-/$%§## DIGITAL,  THE DIGITAL, TO BECOME DIGITAL ##§%$/-.¨,
....=†*%¤@                                          @¤%*†=....
¨,¨.-==§*@                    $                     @*§==-.¨,¨
¨.,¨,^«=%¤                                          ¤%=«^,¨,.¨
¨.¨,¨,-~;*   ANCIENT (MESOPOTHAMIA) KNOT MADE OF    *;~-,¨,¨.¨
,,..¨..^=:   SYMBOLS. THE ENGLISH TRANSLATION IS    :=^..¨..,,
.¨¨.,.:»\%   "THROUGH NUMBERS". YOU CAN USE THIS    %\»:.,.¨¨.
,,...^»*§§  MACHINE TO REMEMBER, PREDICT, OR HIDE.  §§*»^...,,
,..,-»:*£@                                          @£*:»-,..,
¨,,,»\%$@£                    †                     £@$%\»,,,¨
¨¨,~/$$&##                                          ##&$$/~,¨¨
,^=^†¤####   THOUGH IT MIGHT LOOK LIKE WITCHCRAFT,  ####¤†^=^,
¨.,~;*$@¶#  THE GIFTED CAN TURN ANALOG SIGNALS INTO #¶@$*;~,.¨
,.,~-*§$§@    DIGITAL - THE ANALOG IS IN ITSELF A   @§$§*-~,.,
¨¨¨¨^«^^$§  REPRESENTATION OF THE WORLD INSIDE THE  §$^^«^¨¨¨¨
¨¨.,¨-»*^%   WORLD, WHICH IS FURTHER ENCODED INTO   %^*»-¨,.¨¨
¨¨,,,.,~/§  DIGITAL (ENCODED IN THE LITERAL SENSE;  §/~,.,,,¨¨
¨.,...¨-«;  THE NUMBERS ARE SYMBOLS WHO CARRY THE   ;«-¨...,.¨
¨.¨¨.,~=\^  MEANING SEMANTICALLY AND NOT IN THEIR   ^\=~,.¨¨.¨
,¨¨¨..«;^¤ SHAPE (ANALOG BEINGS ARE THE OPPOSITE.)) ¤^;«..¨¨¨,
¨,,,,»\%¤@                                          @¤%\»,,,,¨
,¨.:«\*@&@                    §                     @&@*\«:.¨,
..^~:*$#@#                                          #@#$*:~^..
¨,«;%§#£@#     VARIOUS SCHEMES EXIST FOR HOW TO     #@£#§%;«,¨
¨¨,«;%§#£@   INTERPRET AND WORK FURTHER WITH THESE  @£#§%;«,¨¨
¨¨¨,«;%§#£   SYMBOLS (SUCH AS WAV, JPG, NFO, DIZ,   £#§%;«,¨¨¨
¨¨¨¨,«;%§#  VOR, HYP, MKV). GETTING FAMILIAR WITH   #§%;«,¨¨¨¨
¨¨¨¨¨,«;%§  THESE IS A GOOD START ON YOUR JOURNEY,  §%;«,¨¨¨¨¨
¨¨¨¨¨¨,«;%    ALTHOUGH EVEN A WIZARD MIGHT ONLY     %;«,¨¨¨¨¨¨
¨¨¨¨¨¨¨,«;   «REALLY« KNOW TWO OR THREE IN THEIR    ;«,¨¨¨¨¨¨¨
¨¨¨¨¨¨,«;%                 LIFETIME.                %;«,¨¨¨¨¨¨
.¨,.¨,»†*$                                          $*†»,¨.,¨.
.,¨.,~;^%#                     %                    #%^;~,.¨,.
...~«==*&@                                          @&*==«~...
.¨,~*^&£@@  SOME PITFALLS INCLUDE THAT EVEN IF YOU  @@£&^*~,¨.
¨:~;†@&###      CAN ENCODE THE DIGITAL SYMBOLS      ###&@†;~:¨
..,»†*£#¶@  THEMSELVES AS DIGITAL, SOMEHOW IT MUST  @¶#£*†»,..
¨.,,~\=§§#   TERMINATE IN THE ANALOG; IF KNOWLEDGE  #§§=\~,,.¨
.,¨¨~~==&¤  IS LOST, YOU CAN HAVE SYMBOLS WITH NO   ¤&==~~¨¨,.
,.¨.,--;%$   ROUTE TO THEIR ORIGINAL MEANING, AND   $%;--,.¨.,
.¨..¨.~-=*  THAT WITH THE RIGHT SPELLS AND METHODS  *=-~.¨..¨.
.,,¨..,,~\  YOU CAN USE DIGITAL REPRESENTATION FOR  \~,,..¨,,.
.¨,..,.=\%   ANALYSIS (MUST BE COMBATTED AT EVERY   %\=.,..,¨.
¨,..,,»†§¤               OPPORTUNITY)               ¤§†»,,..,¨
.¨,¨,«:=££                                          ££=:«,¨,¨.
.¨,,«==§§¶                                          ¶§§==«,,¨.
¨¨~-†=$£##                                          ##£$=†-~¨¨
,,«=*£§@##                                          ##@§£*=«,,
¨¨.~/*%###                                          ###%*/~.¨¨