¨-~:^£&###                                          ###&£^:~-¨
,.,«;$&&##                                          ##&&$;«,.,
¨¨,:=/§*¤@                                          @¤*§/=:,¨¨
.¨.¨--\$¤¤                                          ¤¤$\--¨.¨.
,¨.,~:§*@#                                          #@*§:~,.¨,
¨¨^~/†§¤£#                                          #£¤§†/~^¨¨
.,»\*$##@#           #*†,¨,..¨¨..¨..,¨%%#           #@##$*\»,.
,.~~†%£££#          #$*  "digitality"  %%#          #£££%†~~.,
..¨-=:§%¤#           #=^¨,,.,¨,¨.,..¨¨$^#           #¤%§:=-¨..
.¨.,,»**@#                                          #@**»,,.¨.
¨¨.,-\*£¤#                    §                     #¤£*\-,.¨¨
..^«\%£#@#                                          #@#£%\«^..
,,=*^%@@@# digital, the  digital, to become digital #@@@%^*=,,
¨,:»:§&@£#                                          #£@&§:»:,¨
,.,:~^$%§£                    =                     £§%$^~:,.,
¨.¨¨,=;^¤&                                          &¤^;=,¨¨.¨
...^~=*¤&#    ancient (mesopothamia) knot made of   #&¤*=~^...
.¨:~\§&&¶#   symbols. the english translation is    #¶&&§\~:¨.
.,-**§§###    "through numbers". you can use this   ###§§**-,.
¨.,~=*&¤@#  machine to remember, predict, or hide.  #@¤&*=~,.¨
¨¨.--:§£§#                                          #§£§:--.¨¨
.,,,~~=†&@                     %                    @&†=~~,,,.
¨,,-~\^£¤£                                          £¤£^\~-,,¨
¨,:==%$¤@#   though it might look like witchcraft,  #@¤$%==:,¨
..-***§@## the gifted can turn analog signals into  ##@§***-..
¨.-~:†@###    digital - the analog is in itself a   ###@†:~-.¨
¨.,:«=$§§#  representation of the world inside the  #§§$=«:,.¨
,.¨¨.=:*$#   world, which is further encoded into   #$*:=.¨¨.,
¨..^=:*%££  digital (encoded in the literal sense;  ££%*:=^..¨
..,=:**###  the numbers are symbols who carry the   ###**:=,..
.,~=$*&£##  meaning semantically and not in their   ##£&*$=~,.
..:~**£#¶@ shape (analog beings are the opposite.)) @¶#£**~:..
,,¨,»/=§£¶                                          ¶£§=/»,¨,,
,..¨,~:%%@                     =                    @%%:~,¨..,
,¨,~»\=¤§¶                                          ¶§¤=\»~,¨,
¨¨,«;†%&¶#     various schemes exist for how to     #¶&%†;«,¨¨
¨,«;†%&¶##  interpret and work further with these   ##¶&%†;«,¨
¨¨,«;†%&¶#   symbols (such as wav, jpg, nfo, diz,   #¶&%†;«,¨¨
¨¨¨,«;†%&¶   vor, hyp, mkv). getting familiar with  ¶&%†;«,¨¨¨
¨¨¨¨,«;†%&  these is a good start on your journey,  &%†;«,¨¨¨¨
¨¨¨,«;†%&¶     although even a wizard might only    ¶&%†;«,¨¨¨
¨¨,«;†%&¶#   «really« know two or three in their    #¶&%†;«,¨¨
¨,«;†%&¶##                 lifetime.                ##¶&%†;«,¨
,.^«/=%£##                                          ##£%=/«^.,
..,.==§§#£                     §                    £#§§==.,..
¨,¨,.~/=@@                                          @@=/~.,¨,¨
,,¨~=;§%§@  some pitfalls include that even if you  @§%§;=~¨,,
..-~\**@##      can encode the digital symbols      ##@**\~-..
.^=**£§###  themselves as digital, somehow it must  ###§£**=^.
¨¨.«*=*#@#  terminate in the analog; if knowledge   #@#*=*«.¨¨
.,,--=**@#   is lost, you can have symbols with no  #@**=--,,.
.,,,:»/§¤#   route to their original meaning, and   #¤§/»:,,,.
.,.,«;*£§@  that with the right spells and methods  @§£*;«,.,.
¨.^«/^§£@#  you can use digital representation for  #@£§^/«^.¨
.^~=**¤#@#   analysis (must be combatted at every   #@#¤**=~^.
,¨-~**@&##               opportunity)               ##&@**~-¨,
¨¨.,«†*£¤@                                          @¤£*†«,.¨¨
,,..:~\^$£                                          £$^\~:..,,
,.¨,-=**#£                                          £#**=-,¨.,
.¨,=/*£§£@                                          @£§£*/=,¨.
.,=;=@@#@#                                          #@#@@=;=,.