¨¨..~,/*@§                                          §@*/,~..¨¨
.:»^†£@¶##                                          ##¶@£†^»:.
.-==†££###                                          ###££†==-.
.^~*^%§¶@#                                          #@¶§%^*~^.
,,~\=%@¤@@                                          @@¤@%=\~,,
,:~^*&####                                          ####&*^~:,
,~«:%$#@@#           #§†,.¨,.¨.¨.,,,¨,%*#           #@@#$%:«~,
,,~/$%&¶##          #^%  "DIGITALITY"  ^†#          ##¶&%$/~,,
,,~†=£&@##           #^*.,,.¨¨¨,,..¨,¨*^#           ##@&£=†~,,
,,»**£#@@#                                          #@@#£**»,,
..-=%*&¶##                     *                    ##¶&*%=-..
.,¨.-=%$¤#                                          #¤$%=-.¨,.
¨-»/*@#### DIGITAL, THE DIGITAL,  TO BECOME DIGITAL ####@*/»-¨
¨-~**%&###                                          ###&%**~-¨
,=**¤¤@@##                     †                    ##@@¤¤**=,
¨.¨¨,~†$@#                                          #@$†~,¨¨.¨
,.-/$%¤¤#@   ANCIENT (MESOPOTHAMIA) KNOT MADE OF    @#¤¤%$/-.,
.^=:%¤¤@£#    SYMBOLS. THE ENGLISH TRANSLATION IS   #£@¤¤%:=^.
,,~**=$==§   "THROUGH NUMBERS". YOU CAN USE THIS    §==$=**~,,
¨.¨.:\£%¶#  MACHINE TO REMEMBER, PREDICT, OR HIDE.  #¶%£\:.¨.¨
..¨,^»$¤¶@                                          @¶¤$»^,¨..
¨.~*^%&¤##                     †                    ##¤&%^*~.¨
.:=†$@#£@#                                          #@£#@$†=:.
.^=\§%¤¶##   THOUGH IT MIGHT LOOK LIKE WITCHCRAFT,  ##¶¤%§\=^.
,.===*£§¶@  THE GIFTED CAN TURN ANALOG SIGNALS INTO @¶§£*===.,
.,=*†&@###    DIGITAL - THE ANALOG IS IN ITSELF A   ###@&†*=,.
.,¨-,^*^£¶  REPRESENTATION OF THE WORLD INSIDE THE  ¶£^*^,-¨,.
¨¨¨¨^~$†@@   WORLD, WHICH IS FURTHER ENCODED INTO   @@†$~^¨¨¨¨
¨:~\=%#£##  DIGITAL (ENCODED IN THE LITERAL SENSE;  ##£#%=\~:¨
.--/*$%£¶@   THE NUMBERS ARE SYMBOLS WHO CARRY THE  @¶£%$*/--.
,¨.,^«*^¤£   MEANING SEMANTICALLY AND NOT IN THEIR  £¤^*«^,.¨,
.^«;§¤¤¶## SHAPE (ANALOG BEINGS ARE THE OPPOSITE.)) ##¶¤¤§;«^.
.:~†$@#@##                                          ##@#@$†~:.
.,¨¨.¨¨»=&                     *                    &=»¨¨.¨¨,.
¨,~;^$#@##                                          ##@#$^;~,¨
¨.~†§$£¶##     VARIOUS SCHEMES EXIST FOR HOW TO     ##¶£$§†~.¨
¨.~†§$££¶¶  INTERPRET AND WORK FURTHER WITH THESE   ¶¶££$§†~.¨
¨.~†††§§£#   SYMBOLS (SUCH AS WAV, JPG, NFO, DIZ,   #£§§†††~.¨
¨¨¨.~~†$¶#   VOR, HYP, MKV). GETTING FAMILIAR WITH  #¶$†~~.¨¨¨
¨¨..††§§£#  THESE IS A GOOD START ON YOUR JOURNEY,  #£§§††..¨¨
¨.~†§$£¶##    ALTHOUGH EVEN A WIZARD MIGHT ONLY     ##¶£$§†~.¨
¨.~†§$££¶¶    ~REALLY~ KNOW TWO OR THREE IN THEIR   ¶¶££$§†~.¨
¨.~†§§$££#                LIFETIME.                 #££$§§†~.¨
¨:«/$%§###                                          ###§%$/«:¨
,-«:%&¤###                     ^                    ###¤&%:«-,
¨,,,¨^:/¤@                                          @¤/:^¨,,,¨
,,,¨=$¤£#@  SOME PITFALLS INCLUDE THAT EVEN IF YOU  @#£¤$=¨,,,
¨.,..,«*@¶      CAN ENCODE THE DIGITAL SYMBOLS      ¶@*«,..,.¨
,,.¨~»=†^£  THEMSELVES AS DIGITAL, SOMEHOW IT MUST  £^†=»~¨.,,
¨.-;*&§#@#  TERMINATE IN THE ANALOG; IF KNOWLEDGE   #@#§&*;-.¨
,,»=::£@§#   IS LOST, YOU CAN HAVE SYMBOLS WITH NO  #§@£::=»,,
,^~:=£##@#   ROUTE TO THEIR ORIGINAL MEANING, AND   #@##£=:~^,
,~«†*$$*$@  THAT WITH THE RIGHT SPELLS AND METHODS  @$*$$*†«~,
¨,»:†*¤@##  YOU CAN USE DIGITAL REPRESENTATION FOR  ##@¤*†:»,¨
¨^«†*%§†*£   ANALYSIS (MUST BE COMBATTED AT EVERY   £*†§%*†«^¨
¨,»/†§¤@##               OPPORTUNITY)               ##@¤§†/»,¨
¨.~:†%%*@#                                          #@*%%†:~.¨
¨-=/*&#@##                                          ##@#&*/=-¨
,:»^%$####                                          ####$%^»:,
.,»^=*†£@£                                          £@£†*=^»,.
¨,~*§§@###                                          ###@§§*~,¨