#@£$†=~,.¨                                          ¨.,~=†$£@#
@£#*%\=~..                                          ..~=\%*#£@
##@¤%$=»,,                                          ,,»=$%¤@##
#@£%$^~.,¨                                          ¨,.~^$%£@#
#§¤*=«~¨¨¨                                          ¨¨¨~«=*¤§#
¤§$†~,,...                                          ...,,~†$§¤
§%\~,.,...           #*=.,,¨,,,¨.,.¨¨.§†#           ...,.,~\%§
†^«,¨,¨..,          #=*  "digitality"  %=#          ,..¨,¨,«^†
£%/~~,,¨,¨           #$§¨.,,,.,¨.,...,$=#           ¨,¨,,~~/%£
§&%^-.¨,,.                                          .,,¨.-^%&§
@§*%*~,,.¨                    †                     ¨.,,~*%*§@
@@§%**-~,¨                                          ¨,~-**%§@@
##@#*†\~^, digital,  the digital, to become digital ,^~\†*#@##
@@&£=^-,,.                                          .,,-^=£&@@
@§**^~,,¨¨                    *                     ¨¨,,~^**§@
£@%/»,¨,¨,                                          ,¨,¨,»/%@£
&$†~-,..,,   ancient (mesopothamia) knot made of    ,,..,-~†$&
%;~~¨,¨¨,,    symbols. the english translation is   ,,¨¨,¨~~;%
§*:«..,..,   "through numbers". you can use this    ,..,..«:*§
&%$=~-.¨..  machine to remember, predict, or hide.  ..¨.-~=$%&
#@@%:=,,,,                                          ,,,,=:%@@#
#@&£%=~^¨¨                    ^                     ¨¨^~=%£&@#
###¤¤**=:¨                                          ¨:=**¤¤###
@@§%†*--.,  though it might look like witchcraft,   ,.--*†%§@@
¶&%$:~,... the gifted can turn analog signals into  ...,~:$%&¶
¤$=/-,.,,.    digital - the analog is in itself a   .,,.,-/=$¤
$=\»~,¨,¨¨  representation of the world inside the  ¨¨,¨,~»\=$
^^«^,,¨¨,¨   world, which is further encoded into   ¨,¨¨,,^«^^
§*=-~,,,.,  digital (encoded in the literal sense;  ,.,,,~-=*§
§£*:«:,.,.  the numbers are symbols who carry the   .,.,:«:*£§
##%**=:¨..   meaning semantically and not in their  ..¨:=**%##
###%*\«-,. shape (analog beings are the opposite.)) .,-«\*%###
##¶#%*/-,,                                          ,,-/*%#¶##
#@£%$=~-.,                     ^                    ,.-~=$%£@#
¶@@=:«~,..                                          ..,~«:=@@¶
§&*:«,¨¨¨¨     various schemes exist for how to     ¨¨¨¨,«:*&§
&*:«,¨¨¨¨¨  interpret and work further with these   ¨¨¨¨¨,«:*&
*:«,¨¨¨¨¨¨   symbols (such as wav, jpg, nfo, diz,   ¨¨¨¨¨¨,«:*
&*:«,¨¨¨¨¨   vor, hyp, mkv). getting familiar with  ¨¨¨¨¨,«:*&
§&*:«,¨¨¨¨  these is a good start on your journey,  ¨¨¨¨,«:*&§
¶§&*:«,¨¨¨    although even a wizard might only     ¨¨¨,«:*&§¶
#¶§&*:«,¨¨   «really« know two or three in their    ¨¨,«:*&§¶#
##¶§&*:«,¨                lifetime.                 ¨,«:*&§¶##
###**^~.,.                                          .,.~^**###
##%^/«~,,.                     †                    .,,~«/^%##
&¤%\».,¨,.                                          .,¨,.»\%¤&
¤^/--.,.,.  some pitfalls include that even if you  .,.,.--/^¤
**«~¨,,,,,      can encode the digital symbols      ,,,,,¨~«**
¤*=~,.,...  themselves as digital, somehow it must  ...,.,~=*¤
@&^^»,..,.  terminate in the analog; if knowledge   .,..,»^^&@
#&%*^«...¨   is lost, you can have symbols with no  ¨...«^*%&#
#£¤**/=,,.   route to their original meaning, and   .,,=/**¤£#
##@§*^*-^.  that with the right spells and methods  .^-*^*§@##
@¶#@^\«~,¨  you can use digital representation for  ¨,~«\^@#¶@
¶@¤$^=^,.,   analysis (must be combatted at every   ,.,^=^$¤@¶
@¤†;«,¨.¨,               opportunity)               ,¨.¨,«;†¤@
£%†=,,.,.,                                          ,.,.,,=†%£
*/=.¨.,..,                                          ,..,.¨.=/*
£*/=,,,,,.                                          .,,,,,=/*£
&£=/~.,.,¨                                          ¨,.,.~/=£&
#&£^==,.¨¨                                          ¨¨.,==^£&#