¨.--/%*&£#                                          #£&*%/--.¨
.~«;*$¤¶##                                          ##¶¤$*;«~.
,,^==^§#¶#                                          #¶#§^==^,,
,,,^~^†@&@                                          @&@†^~^,,,
..¨¨--;%@&                                          &@%;--¨¨..
¨.¨,.,~\*£                                          £*\~,.,¨.¨
¨.¨,,¨^»:=           #^*,.,,,,...,,,.,%*#           =:»^¨,,¨.¨
,.,,.¨.:«;          #*%  "digitality"  *=#          ;«:.¨.,,.,
.¨¨¨¨,.¨:-           #$§.,,¨,¨.¨,,.,.,^%#           -:¨.,¨¨¨¨.
,,,,,,...,                                          ,...,,,,,,
¨¨¨.,.¨.,«                    †                     «,.¨.,.¨¨¨
¨¨,.¨¨,,~;                                          ;~,,¨¨.,¨¨
¨¨¨..,-=*% digital, the digital, to become  digital %*=-,..¨¨¨
.,¨,,,-;^¤                                          ¤^;-,,,¨,.
.,..^-*%$#                     %                    #$%*-^..,.
..¨.«*%@££                                          ££@%*«.¨..
.¨^«*†*@@@    ancient (mesopothamia) knot made of   @@@*†*«^¨.
¨-==§%#£@#    symbols. the english translation is   #@£#%§==-¨
¨¨~=*$@&##   "through numbers". you can use this    ##&@$*=~¨¨
,,¨~«;%¤£@  machine to remember, predict, or hide.  @£¤%;«~¨,,
,..¨,»\$§@                                          @§$\»,¨..,
,,¨¨.^-;†%                    *                     %†;-^.¨¨,,
,..,.,^==†                                          †==^,.,..,
,,¨,,,,^«;  though it might look like witchcraft,   ;«^,,,,¨,,
..,,,¨¨,:=  the gifted can turn analog signals into =:,¨¨,,,..
¨,..¨,.¨¨-    digital - the analog is in itself a   -¨¨.,¨..,¨
,¨¨.,.¨¨.~  representation of the world inside the  ~.¨¨.,.¨¨,
¨¨.¨,.,^~/   world, which is further encoded into   /~^,.,¨.¨¨
,.¨¨¨,,-*†  digital (encoded in the literal sense;  †*-,,¨¨¨.,
,,,...=:§*  the numbers are symbols who carry the   *§:=...,,,
¨,¨¨^=†=$£   meaning semantically and not in their  £$=†=^¨¨,¨
¨.,~»†%*§@ shape (analog beings are the opposite.)) @§*%†»~,.¨
¨¨,-\%¤§¶#                                          #¶§¤%\-,¨¨
¨^=:%$¤###                    %                     ###¤$%:=^¨
¨.:»;=£&¶#                                          #¶&£=;»:.¨
...,-\^$§@     various schemes exist for how to     @§$^\-,...
....,-\^$§  interpret and work further with these   §$^\-,....
.....,-\^$   symbols (such as wav, jpg, nfo, diz,   $^\-,.....
......,-\^  vor, hyp, mkv). getting familiar with   ^\-,......
.......,-\  these is a good start on your journey,  \-,.......
........,-     although even a wizard might only    -,........
.........,    -really- know two or three in their   ,.........
........,-                 lifetime.                -,........
¨¨,¨,.¨,=/                                          /=,¨.,¨,¨¨
.,,,,,:=;^                     *                    ^;=:,,,,,.
.,.,¨,~†^*                                          *^†~,¨,.,.
.,¨,--\=¤£  some pitfalls include that even if you  £¤=\--,¨,.
¨,.^-*%*@#      can encode the digital symbols      #@*%*-^.,¨
,¨,«*$*&##  themselves as digital, somehow it must  ##&*$*«,¨,
¨,»^§££¶##   terminate in the analog; if knowledge  ##¶££§^»,¨
,¨^-\=@@##   is lost, you can have symbols with no  ##@@=\-^¨,
.,.,=*§$§@   route to their original meaning, and   @§$§*=,.,.
.,¨¨-~^**§  that with the right spells and methods  §**^~-¨¨,.
.,.¨.-~;=§  you can use digital representation for  §=;~-.¨.,.
,.,..¨.-:§   analysis (must be combatted at every   §:-.¨..,.,
.¨¨,¨,,,»;               opportunity)               ;»,,,¨,¨¨.
.,.¨,,.,:«                                          «:,.,,¨.,.
,¨,¨..,.,,                                          ,,.,..¨,¨,
¨¨,,..¨¨~»                                          »~¨¨..,,¨¨
.¨..,¨,:=^                                          ^=:,¨,..¨.
,...,..~/%                                          %/~..,...,