##¶@£†^-~.                                          .~-^†£@¶##
#@££†=~,¨,                                          ,¨,~=†££@#
####%*;~,¨                                          ¨,~;*%####
#@¤*†:~-¨¨                                          ¨¨-~:†*¤@#
##@§*^\--.                                          .--\^*§@##
#¶#$$\»,.¨                                          ¨.,»\$$#¶#
###¤%$;-^,           #=*¨,.¨¨¨¨,¨.,¨¨¨*=#           ,^-;$%¤###
#@&£†:~-.,          #=^  "DIGITALITY"  §^#          ,.-~:†£&@#
##£#§^;--.           #%†.¨,¨..¨,,.,¨¨¨$%#           .--;^§#£##
#@§&$:-~.¨                                          ¨.~-:$&§@#
##@¤§=/-:¨                    $                     ¨:-/=§¤@##
#@£§$:»~,¨                                          ¨,~»:$§£@#
###@%$†=,. DIGITAL, THE DIGITAL, TO BECOME  DIGITAL .,=†$%@###
##§$§=-:.,                                          ,.:-=§$§##
##@§£^^-:¨                     *                    ¨:-^^£§@##
#@#£%*~.,¨                                          ¨,.~*%£#@#
##@@%^†~,.    ANCIENT (MESOPOTHAMIA) KNOT MADE OF   .,~†^%@@##
#@§@*/»^¨,    SYMBOLS. THE ENGLISH TRANSLATION IS   ,¨^»/*@§@#
##@¤&%;»-¨    "THROUGH NUMBERS". YOU CAN USE THIS   ¨-»;%&¤@##
###§*:-.¨.  MACHINE TO REMEMBER, PREDICT, OR HIDE.  .¨.-:*§###
####§%†=,.                                          .,=†%§####
###%%†~~.,                    *                     ,.~~†%%###
##£#&%/«-,                                          ,-«/%&#£##
##§£^=»-,,   THOUGH IT MIGHT LOOK LIKE WITCHCRAFT,  ,,-»=^£§##
##£#§^*=-.  THE GIFTED CAN TURN ANALOG SIGNALS INTO .-=*^§#£##
#@@$%^~,¨.   DIGITAL - THE ANALOG IS IN ITSELF A    .¨,~^%$@@#
###£§==-,¨  REPRESENTATION OF THE WORLD INSIDE THE  ¨,-==§£###
###**†~,.¨   WORLD, WHICH IS FURTHER ENCODED INTO   ¨.,~†**###
##¶§£§=~:¨  DIGITAL (ENCODED IN THE LITERAL SENSE;  ¨:~=§£§¶##
##¤%%^»:,¨   THE NUMBERS ARE SYMBOLS WHO CARRY THE  ¨,:»^%%¤##
##@¤§^/-.,  MEANING SEMANTICALLY AND NOT IN THEIR   ,.-/^§¤@##
#@@§*;-:.¨ SHAPE (ANALOG BEINGS ARE THE OPPOSITE.)) ¨.:-;*§@@#
##@&£$;=:,                                          ,:=;$£&@##
#@¤%%*»,,,                     %                    ,,,»*%%¤@#
##@#@%=«-,                                          ,-«=%@#@##
##£*†^»~¨¨     VARIOUS SCHEMES EXIST FOR HOW TO     ¨¨~»^†*£##
###£*†^»~¨   INTERPRET AND WORK FURTHER WITH THESE  ¨~»^†*£###
##£*†^»~¨¨   SYMBOLS (SUCH AS WAV, JPG, NFO, DIZ,   ¨¨~»^†*£##
###£*†^»~¨   VOR, HYP, MKV). GETTING FAMILIAR WITH  ¨~»^†*£###
##£*†^»~¨¨  THESE IS A GOOD START ON YOUR JOURNEY,  ¨¨~»^†*£##
###£*†^»~¨    ALTHOUGH EVEN A WIZARD MIGHT ONLY     ¨~»^†*£###
##£*†^»~¨¨    »REALLY» KNOW TWO OR THREE IN THEIR   ¨¨~»^†*£##
###£*†^»~¨                 LIFETIME.                ¨~»^†*£###
##¤£%\~:.,                                          ,.:~\%£¤##
###&$†\=^.                     †                    .^=\†$&###
#@#$§/~^¨.                                          .¨^~/§$#@#
##¶¤&*^=-.  SOME PITFALLS INCLUDE THAT EVEN IF YOU  .-=^*&¤¶##
#¶&§%*-:¨,      CAN ENCODE THE DIGITAL SYMBOLS      ,¨:-*%§&¶#
##@@£§:-~,  THEMSELVES AS DIGITAL, SOMEHOW IT MUST  ,~-:§£@@##
##£&§==-.,   TERMINATE IN THE ANALOG; IF KNOWLEDGE  ,.-==§&£##
##@@*=†~^.   IS LOST, YOU CAN HAVE SYMBOLS WITH NO  .^~†=*@@##
###%*†~:.¨   ROUTE TO THEIR ORIGINAL MEANING, AND   ¨.:~†*%###
##@§@==--,  THAT WITH THE RIGHT SPELLS AND METHODS  ,--==@§@##
#@£%*=-~¨¨  YOU CAN USE DIGITAL REPRESENTATION FOR  ¨¨~-=*%£@#
##@§*$=«^¨   ANALYSIS (MUST BE COMBATTED AT EVERY   ¨^«=$*§@##
#@#%=/»,.,               OPPORTUNITY)               ,.,»/=%#@#
###&$$^~-,                                          ,-~^$$&###
#@£$*;»^,,                                          ,,^»;*$£@#
##@§&$=~:.                                          .:~=$&§@##
#@#*%†«-..                                          ..-«†%*#@#
##£&£$;=^.                                          .^=;$£&£##