##@@§=~:¨¨                                          ¨¨:~=§@@##
@£$$†=,,¨.                                          .¨,,=†$$£@
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&=†=,,¨¨,,                                          ,,¨¨,,=†=&
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^»,,.,,,,.                                          .,,,,.,,»^
†/»:...¨.,           #§^,.,¨..¨.¨¨,,,¨†$#           ,.¨...:»/†
%^^=,..,¨¨          #$†  "DIGITALITY"  ^†#          ¨¨,..,=^^%
&@$†-,¨,,.           #*=¨,,.¨.,¨,¨.¨¨,*%#           .,,¨,-†$@&
@&£**~,.,,                                          ,,.,~**£&@
##§¤^^«~.,                    =                     ,.~«^^¤§##
###&$=:=..                                          ..=:=$&###
#@#$*/~,¨. DIGITAL,  THE DIGITAL, TO BECOME DIGITAL .¨,~/*$#@#
#¤§=†~~,,¨                                          ¨,,~~†=§¤#
#%*†=~¨.¨,                     $                    ,¨.¨~=†*%#
%§\»,.,,¨.                                          .¨,,.,»\§%
§;«,.¨..¨¨    ANCIENT (MESOPOTHAMIA) KNOT MADE OF   ¨¨..¨.,«;§
†»~,¨.,,¨.   SYMBOLS. THE ENGLISH TRANSLATION IS    .¨,,.¨,~»†
§:»:..,¨¨¨   "THROUGH NUMBERS". YOU CAN USE THIS    ¨¨¨,..:»:§
¤^=«,¨.¨.,  MACHINE TO REMEMBER, PREDICT, OR HIDE.  ,.¨.¨,«=^¤
§$*†-.,,¨¨                                          ¨¨,,.-†*$§
#¤*=;=^¨,¨                     †                    ¨,¨^=;=*¤#
##£&†=»~.,                                          ,.~»=†&£##
###¤*%\~-.   THOUGH IT MIGHT LOOK LIKE WITCHCRAFT,  .-~\%*¤###
#@¤&$/-,,¨  THE GIFTED CAN TURN ANALOG SIGNALS INTO ¨,,-/$&¤@#
#§%%;=,,¨¨   DIGITAL - THE ANALOG IS IN ITSELF A    ¨¨,,=;%%§#
@@**«,.¨.,  REPRESENTATION OF THE WORLD INSIDE THE  ,.¨.,«**@@
¤†^-,¨.¨¨¨   WORLD, WHICH IS FURTHER ENCODED INTO   ¨¨¨.¨,-^†¤
$;»..¨¨,,.  DIGITAL (ENCODED IN THE LITERAL SENSE;  .,,¨¨..»;$
:~,.,...,,  THE NUMBERS ARE SYMBOLS WHO CARRY THE   ,,...,.,~:
§^~,¨.¨..¨   MEANING SEMANTICALLY AND NOT IN THEIR  ¨..¨.¨,~^§
£*†»,¨,,¨, SHAPE (ANALOG BEINGS ARE THE OPPOSITE.)) ,¨,,¨,»†*£
£§=/=,....                                          ....,=/=§£
@££†\=:¨,¨                     §                    ¨,¨:=\†££@
##§£$;~~..                                          ..~~;$£§##
###&%%*».,     VARIOUS SCHEMES EXIST FOR HOW TO     ,.»*%%&###
##&%%*».,,  INTERPRET AND WORK FURTHER WITH THESE   ,,.»*%%&##
#&%%*».,,,   SYMBOLS (SUCH AS WAV, JPG, NFO, DIZ,   ,,,.»*%%&#
&%%*».,,,,   VOR, HYP, MKV). GETTING FAMILIAR WITH  ,,,,.»*%%&
%%*».,,,,,  THESE IS A GOOD START ON YOUR JOURNEY,  ,,,,,.»*%%
%*».,,,,,,     ALTHOUGH EVEN A WIZARD MIGHT ONLY    ,,,,,,.»*%
*».,,,,,,,    »REALLY» KNOW TWO OR THREE IN THEIR   ,,,,,,,.»*
%*».,,,,,,                 LIFETIME.                ,,,,,,.»*%
@$*=,¨¨¨¨,                                          ,¨¨¨¨,=*$@
@@*\»,.¨.¨                     §                    ¨.¨.,»\*@@
#£§*;»...¨                                          ¨...»;*§£#
#@§%†;-~,,  SOME PITFALLS INCLUDE THAT EVEN IF YOU  ,,~-;†%§@#
###£@*/-.,      CAN ENCODE THE DIGITAL SYMBOLS      ,.-/*@£###
###$==~~¨.  THEMSELVES AS DIGITAL, SOMEHOW IT MUST  .¨~~==$###
@§§*/»-,¨,  TERMINATE IN THE ANALOG; IF KNOWLEDGE   ,¨,-»/*§§@
¤*†:=-¨...  IS LOST, YOU CAN HAVE SYMBOLS WITH NO   ...¨-=:†*¤
%^:»:¨,,.,   ROUTE TO THEIR ORIGINAL MEANING, AND   ,.,,¨:»:^%
%=»:¨,.¨,.  THAT WITH THE RIGHT SPELLS AND METHODS  .,¨.,¨:»=%
^»,,,¨¨...  YOU CAN USE DIGITAL REPRESENTATION FOR  ...¨¨,,,»^
$^=,,,.,.¨   ANALYSIS (MUST BE COMBATTED AT EVERY   ¨.,.,,,=^$
¤*;«,,,.¨¨               OPPORTUNITY)               ¨¨.,,,«;*¤
¤§=;~~,.¨,                                          ,¨.,~~;=§¤
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##&%*\~-¨¨                                          ¨¨-~\*%&##