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,¨...,=§£@           #§*,,¨,.,.,,,.¨,.%%#           @£§=,...¨,
,^~==$&#@#          #%$  "DIGITALITY"  †*#          #@#&$==~^,
.^-:=$§@@#           #^§,¨,,¨¨.,¨,,,,.$^#           #@@§$=:-^.
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.^«/=&&£@# DIGITAL, THE DIGITAL, TO BECOME  DIGITAL #@£&&=/«^.
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,¨,,,..~†§    ANCIENT (MESOPOTHAMIA) KNOT MADE OF   §†~..,,,¨,
,..¨...=*¤    SYMBOLS. THE ENGLISH TRANSLATION IS   ¤*=...¨..,
.,==†$@###   "THROUGH NUMBERS". YOU CAN USE THIS    ###@$†==,.
.¨.~-%%¤¤#  MACHINE TO REMEMBER, PREDICT, OR HIDE.  #¤¤%%-~.¨.
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¨,»/=*&@##                    *                     ##@&*=/»,¨
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¨~«*%$&£##   THOUGH IT MIGHT LOOK LIKE WITCHCRAFT,  ##£&$%*«~¨
,~~*§§§### THE GIFTED CAN TURN ANALOG SIGNALS INTO  ###§§§*~~,
.-«:=*@£@#    DIGITAL - THE ANALOG IS IN ITSELF A   #@£@*=:«-.
¨^~\§¤#¤@¶  REPRESENTATION OF THE WORLD INSIDE THE  ¶@¤#¤§\~^¨
.~«†^$¤@##   WORLD, WHICH IS FURTHER ENCODED INTO   ##@¤$^†«~.
,-=†§$####  DIGITAL (ENCODED IN THE LITERAL SENSE;  ####$§†=-,
...,.^¤£&@   THE NUMBERS ARE SYMBOLS WHO CARRY THE  @&£¤^.,...
,:-:†§§@#@  MEANING SEMANTICALLY AND NOT IN THEIR   @#@§§†:-:,
,¨.»^==#££ SHAPE (ANALOG BEINGS ARE THE OPPOSITE.)) ££#==^».¨,
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,,~=%££###     VARIOUS SCHEMES EXIST FOR HOW TO     ###££%=~,,
,,,,,,,~%@  INTERPRET AND WORK FURTHER WITH THESE   @%~,,,,,,,
,,~=%£@£##   SYMBOLS (SUCH AS WAV, JPG, NFO, DIZ,   ##£@£%=~,,
,,~=%£@£##   VOR, HYP, MKV). GETTING FAMILIAR WITH  ##£@£%=~,,
,,~=%£@£##  THESE IS A GOOD START ON YOUR JOURNEY,  ##£@£%=~,,
,,~=%%%%££     ALTHOUGH EVEN A WIZARD MIGHT ONLY    ££%%%%=~,,
,,~=%£@£££   ~REALLY~ KNOW TWO OR THREE IN THEIR    £££@£%=~,,
,,,,,==%@£                LIFETIME.                 £@%==,,,,,
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,,«\§¤&###  SOME PITFALLS INCLUDE THAT EVEN IF YOU  ###&¤§\«,,
,,«\%¤@¶@#      CAN ENCODE THE DIGITAL SYMBOLS      #@¶@¤%\«,,
..,,.:^%$¶  THEMSELVES AS DIGITAL, SOMEHOW IT MUST  ¶$%^:.,,..
¨:~/§@@###  TERMINATE IN THE ANALOG; IF KNOWLEDGE   ###@@§/~:¨
.:-:†¤#¶@#   IS LOST, YOU CAN HAVE SYMBOLS WITH NO  #@¶#¤†:-:.
¨-~;%$@@##   ROUTE TO THEIR ORIGINAL MEANING, AND   ##@@$%;~-¨
.,.¨.»†§£#  THAT WITH THE RIGHT SPELLS AND METHODS  #£§†».¨.,.
¨,¨.=/:†§#  YOU CAN USE DIGITAL REPRESENTATION FOR  #§†:/=.¨,¨
¨.,¨,=§§&#   ANALYSIS (MUST BE COMBATTED AT EVERY   #&§§=,¨,.¨
¨,~\%£&###               OPPORTUNITY)               ###&£%\~,¨
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