,¨~~=^£&£@                                          @£&£^=~~¨,
,-»†=£&¶@#                                          #@¶&£=†»-,
,.,==%$¤@#                                          #@¤$%==,.,
,..:=/^£¤@                                          @¤£^/=:..,
¨,:~\*¤@##                                          ##@¤*\~:,¨
,,~=*&¤###                                          ###¤&*=~,,
¨,:=:=@££@           #=^¨.,..¨,,¨.¨...^%#           @££@=:=:,¨
..,.«/%£##          #§§  "DIGITALITY"  %*#          ##£%/«.,..
,.~»;†*&£@           #*$¨.,,.¨,¨,,,.,¨§=#           @£&*†;»~.,
.^-*§@&¶##                                          ##¶&@§*-^.
,¨,~\%§§¶#                    †                     #¶§§%\~,¨,
.,,~=*†£#¶                                          ¶#£†*=~,,.
.,:»*†%¤#@ DIGITAL,  THE DIGITAL, TO BECOME DIGITAL @#¤%†*»:,.
¨^~*=$£#@#                                          #@#£$=*~^¨
,,,~=%%££#                     %                    #££%%=~,,,
¨¨.^~/=$£¶                                          ¶£$=/~^.¨¨
¨,,=^$@#£@   ANCIENT (MESOPOTHAMIA) KNOT MADE OF    @£#@$^=,,¨
,,=\*$&@##    SYMBOLS. THE ENGLISH TRANSLATION IS   ##@&$*\=,,
¨.:~:^&&£#    "THROUGH NUMBERS". YOU CAN USE THIS   #£&&^:~:.¨
..,,»†$@§¶  MACHINE TO REMEMBER, PREDICT, OR HIDE.  ¶§@$†»,,..
.¨:~;=@@@#                                          #@@@=;~:¨.
.-~^%&¤£##                     †                    ##£¤&%^~-.
.,,=:^$#@#                                          #@#$^:=,,.
,,,,»:*£§@  THOUGH IT MIGHT LOOK LIKE WITCHCRAFT,   @§£*:»,,,,
.¨.=^$§@£@  THE GIFTED CAN TURN ANALOG SIGNALS INTO @£@§$^=.¨.
.,«*†%#@@#   DIGITAL - THE ANALOG IS IN ITSELF A    #@@#%†*«,.
¨.,=;%$¤¶@  REPRESENTATION OF THE WORLD INSIDE THE  @¶¤$%;=,.¨
..¨:~:†¤##   WORLD, WHICH IS FURTHER ENCODED INTO   ##¤†:~:¨..
..--:=&§##  DIGITAL (ENCODED IN THE LITERAL SENSE;  ##§&=:--..
¨-~=*%#£@#  THE NUMBERS ARE SYMBOLS WHO CARRY THE   #@£#%*=~-¨
,..~\**#£@   MEANING SEMANTICALLY AND NOT IN THEIR  @£#**\~..,
¨,,~=*%¤@¶ SHAPE (ANALOG BEINGS ARE THE OPPOSITE.)) ¶@¤%*=~,,¨
.¨,=^=%&@#                                          #@&%=^=,¨.
,,~:$%£¶@#                     ^                    #@¶£%$:~,,
,.,«;†@@@@                                          @@@@†;«,.,
...:==§$¤£     VARIOUS SCHEMES EXIST FOR HOW TO     £¤$§==:...
..:==§$¤£#  INTERPRET AND WORK FURTHER WITH THESE   #£¤$§==:..
.:==§$¤£##   SYMBOLS (SUCH AS WAV, JPG, NFO, DIZ,   ##£¤$§==:.
..:==§$¤£#  VOR, HYP, MKV). GETTING FAMILIAR WITH   #£¤$§==:..
...:==§$¤£  THESE IS A GOOD START ON YOUR JOURNEY,  £¤$§==:...
..:==§$¤£#     ALTHOUGH EVEN A WIZARD MIGHT ONLY    #£¤$§==:..
.:==§$¤£##    =REALLY= KNOW TWO OR THREE IN THEIR   ##£¤$§==:.
..:==§$¤£#                 LIFETIME.                #£¤$§==:..
¨,¨--^%$#@                                          @#$%^--¨,¨
¨.~«†§$#£#                     %                    #£#$§†«~.¨
¨,~**£§£@#                                          #@£§£**~,¨
¨¨,==%$¤#@  SOME PITFALLS INCLUDE THAT EVEN IF YOU  @#¤$%==,¨¨
,..,-††*£#      CAN ENCODE THE DIGITAL SYMBOLS      #£*††-,..,
,¨~«/§%#£@  THEMSELVES AS DIGITAL, SOMEHOW IT MUST  @£#%§/«~¨,
,,-;%%@###   TERMINATE IN THE ANALOG; IF KNOWLEDGE  ###@%%;-,,
,¨.~:*%#¶#   IS LOST, YOU CAN HAVE SYMBOLS WITH NO  #¶#%*:~.¨,
..,.-=†@&#   ROUTE TO THEIR ORIGINAL MEANING, AND   #&@†=-.,..
¨.,»^§@¤@#  THAT WITH THE RIGHT SPELLS AND METHODS  #@¤@§^»,.¨
¨,~^=%£@##  YOU CAN USE DIGITAL REPRESENTATION FOR  ##@£%=^~,¨
¨¨~»=†@@##   ANALYSIS (MUST BE COMBATTED AT EVERY   ##@@†=»~¨¨
.,.,»*=$#£               OPPORTUNITY)               £#$=*»,.,.
,¨-«*%%§@#                                          #@§%%*«-¨,
,,=*^¤§£##                                          ##£§¤^*=,,
,.,=/†¤@@@                                          @@@¤†/=,.,
¨..,-^**£@                                          @£**^-,..¨
¨¨,=/%$##@                                          @##$%/=,¨¨