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§*;«,¨,..,                                          ,..,¨,«;*§
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##@£%†==-¨           #$$,,,,.¨,¨¨¨¨¨,.%*#           ¨-==†%£@##
##&%=\~~.,          #^§  "DIGITALITY"  %†#          ,.~~\=%&##
#§¤^=~~¨,.           #%†¨,.,¨,,,,.¨,,,*§#           .,¨~~=^¤§#
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@=†-^¨.¨,.                    §                     .,¨.¨^-†=@
&¤†:~,¨.,¨                                          ¨,.¨,~:†¤&
#£%§*=^.¨, DIGITAL,  THE DIGITAL, TO BECOME DIGITAL ,¨.^=*§%£#
#£@&†;--.¨                                          ¨.--;†&@£#
##££@$;~^.                    %                     .^~;$@££##
##£¤*;=,¨¨                                          ¨¨,=;*¤£##
@¤@=\-,¨,.   ANCIENT (MESOPOTHAMIA) KNOT MADE OF    .,¨,-\=@¤@
§*$:»,,¨..    SYMBOLS. THE ENGLISH TRANSLATION IS   ..¨,,»:$*§
%^/~,..,.¨    "THROUGH NUMBERS". YOU CAN USE THIS   ¨.,..,~/^%
¤$=:-,¨,¨¨  MACHINE TO REMEMBER, PREDICT, OR HIDE.  ¨¨,¨,-:=$¤
##&§^-,...                                          ...,-^§&##
#¶@***=:,¨                     §                    ¨,:=***@¶#
####$^*«..                                          ..«*^$####
#@#@†/~.,¨   THOUGH IT MIGHT LOOK LIKE WITCHCRAFT,  ¨,.~/†@#@#
@&*%;~^... THE GIFTED CAN TURN ANALOG SIGNALS INTO  ...^~;%*&@
§£*=~^,...   DIGITAL - THE ANALOG IS IN ITSELF A    ...,^~=*£§
§*†«^¨.,,.  REPRESENTATION OF THE WORLD INSIDE THE  .,,.¨^«†*§
¤¤$;»:,,,¨   WORLD, WHICH IS FURTHER ENCODED INTO   ¨,,,:»;$¤¤
##£%†=^¨¨¨  DIGITAL (ENCODED IN THE LITERAL SENSE;  ¨¨¨^=†%£##
#@&*^†~:.¨  THE NUMBERS ARE SYMBOLS WHO CARRY THE   ¨.:~†^*&@#
##@¤@*;=~,  MEANING SEMANTICALLY AND NOT IN THEIR   ,~=;*@¤@##
##@¤%=«... SHAPE (ANALOG BEINGS ARE THE OPPOSITE.)) ...«=%¤@##
##@=^-~,,,                                          ,,,~-^=@##
£§§*»-..¨¨                    =                     ¨¨..-»*§§£
&^:«~¨.¨¨,                                          ,¨¨.¨~«:^&
§£§=-.¨¨¨¨     VARIOUS SCHEMES EXIST FOR HOW TO     ¨¨¨¨.-=§£§
#§£§=-.¨¨¨  INTERPRET AND WORK FURTHER WITH THESE   ¨¨¨.-=§£§#
##§£§=-.¨¨   SYMBOLS (SUCH AS WAV, JPG, NFO, DIZ,   ¨¨.-=§£§##
###§£§=-.¨  VOR, HYP, MKV). GETTING FAMILIAR WITH   ¨.-=§£§###
##§£§=-.¨¨  THESE IS A GOOD START ON YOUR JOURNEY,  ¨¨.-=§£§##
#§£§=-.¨¨¨    ALTHOUGH EVEN A WIZARD MIGHT ONLY     ¨¨¨.-=§£§#
§£§=-.¨¨¨¨    -REALLY- KNOW TWO OR THREE IN THEIR   ¨¨¨¨.-=§£§
£§=-.¨¨¨¨¨                 LIFETIME.                ¨¨¨¨¨.-=§£
#£=\«^,¨,,                                          ,,¨,^«\=£#
£@%%^=,¨¨¨                    %                     ¨¨¨,=^%%@£
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##@§£%^~:,  SOME PITFALLS INCLUDE THAT EVEN IF YOU  ,:~^%£§@##
#@#*§\«^.¨      CAN ENCODE THE DIGITAL SYMBOLS      ¨.^«\§*#@#
#@¤*;-^,..  THEMSELVES AS DIGITAL, SOMEHOW IT MUST  ..,^-;*¤@#
¤$^^~,,,..  TERMINATE IN THE ANALOG; IF KNOWLEDGE   ..,,,~^^$¤
£*/-^.,.,.  IS LOST, YOU CAN HAVE SYMBOLS WITH NO   .,.,.^-/*£
#***~,¨,¨¨   ROUTE TO THEIR ORIGINAL MEANING, AND   ¨¨,¨,~***#
@@$**--¨¨,  THAT WITH THE RIGHT SPELLS AND METHODS  ,¨¨--**$@@
###%^:~:¨,  YOU CAN USE DIGITAL REPRESENTATION FOR  ,¨:~:^%###
##@#$%\»,¨   ANALYSIS (MUST BE COMBATTED AT EVERY   ¨,»\%$#@##
#@&¤†\=:,.               OPPORTUNITY)               .,:=\†¤&@#
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@£%†==^¨.¨                                          ¨.¨^==†%£@