¨¨,.«=†%%#                                          #%%†=«.,¨¨
¨¨¨,,~-%&#                                          #&%-~,,¨¨¨
,.«/*%£#@#                                          #@#£%*/«.,
.,~*^&£#£#                                          #£#£&^*~,.
,.¨¨,,==*&                                          &*==,,¨¨.,
¨,-:=¤§£##                                          ##£§¤=:-,¨
,.~==*§*£@           #=§¨¨.,¨,¨.,,¨.,,*§#           @£*§*==~.,
¨,,.,:$=§&          #†=  "DIGITALITY"  †=#          &§=$:,.,,¨
¨,¨¨¨.~\¤@           #$%.,.,,..,,¨,,..**#           @¤\~.¨¨¨,¨
,---/^%@@£                                          £@@%^/---,
,-«=%%#£#@                    §                     @#£#%%=«-,
,.~/%*¤#@#                                          #@#¤*%/~.,
.-»=*&£@@# DIGITAL, THE DIGITAL,  TO BECOME DIGITAL #@@£&*=»-.
.,,,,==¤£@                                          @£¤==,,,,.
.,~\**¤¤¤@                    =                     @¤¤¤**\~,.
,¨,¨,,=/£#                                          #£/=,,¨,¨,
,.»\*¤§$@¶   ANCIENT (MESOPOTHAMIA) KNOT MADE OF    ¶@$§¤*\».,
,:~,-^^§@#    SYMBOLS. THE ENGLISH TRANSLATION IS   #@§^^-,~:,
.¨¨,:\§&@@    "THROUGH NUMBERS". YOU CAN USE THIS   @@&§\:,¨¨.
,^-=»**%&&  MACHINE TO REMEMBER, PREDICT, OR HIDE.  &&%**»=-^,
..-^%†%$@@                                          @@$%†%^-..
¨,«^^&£#@#                    %                     #@#£&^^«,¨
.¨.,¨«=%*@                                          @*%=«¨,.¨.
¨^«^=£££##   THOUGH IT MIGHT LOOK LIKE WITCHCRAFT,  ##£££=^«^¨
¨¨,¨¨~†£%£ THE GIFTED CAN TURN ANALOG SIGNALS INTO  £%£†~¨¨,¨¨
¨.~/*£¤£##   DIGITAL - THE ANALOG IS IN ITSELF A    ##£¤£*/~.¨
¨~~††%&###  REPRESENTATION OF THE WORLD INSIDE THE  ###&%††~~¨
¨.¨,,-^§£&   WORLD, WHICH IS FURTHER ENCODED INTO   &£§^-,,¨.¨
¨-~=%$@£@#  DIGITAL (ENCODED IN THE LITERAL SENSE;  #@£@$%=~-¨
^-†^§#¶###   THE NUMBERS ARE SYMBOLS WHO CARRY THE  ###¶#§^†-^
..--~*$#£#   MEANING SEMANTICALLY AND NOT IN THEIR  #£#$*~--..
,^«/$$@¶## SHAPE (ANALOG BEINGS ARE THE OPPOSITE.)) ##¶@$$/«^,
.-~;†%¤###                                          ###¤%†;~-.
..~«^†*$§@                    $                     @§$*†^«~..
,:-†$%@£@#                                          #@£@%$†-:,
.:«\=*&###     VARIOUS SCHEMES EXIST FOR HOW TO     ###&*=\«:.
.:«\=*&###   INTERPRET AND WORK FURTHER WITH THESE  ###&*=\«:.
.:«\=*&###   SYMBOLS (SUCH AS WAV, JPG, NFO, DIZ,   ###&*=\«:.
.:«\=*&###  VOR, HYP, MKV). GETTING FAMILIAR WITH   ###&*=\«:.
.:«\===**&  THESE IS A GOOD START ON YOUR JOURNEY,  &**===\«:.
.:«\=*&###    ALTHOUGH EVEN A WIZARD MIGHT ONLY     ###&*=\«:.
.:«\=*&###    «REALLY« KNOW TWO OR THREE IN THEIR   ###&*=\«:.
.:«\=*&###                 LIFETIME.                ###&*=\«:.
.¨^.»=%¤@@                                          @@¤%=».^¨.
,,-:§*@###                    §                     ###@*§:-,,
¨¨.,~:&££&                                          &££&:~,.¨¨
¨.~:^¤&@@#  SOME PITFALLS INCLUDE THAT EVEN IF YOU  #@@&¤^:~.¨
.¨¨.,.~=§#      CAN ENCODE THE DIGITAL SYMBOLS      #§=~.,.¨¨.
¨¨,^-:†$$@  THEMSELVES AS DIGITAL, SOMEHOW IT MUST  @$$†:-^,¨¨
.¨¨,¨-$£##  TERMINATE IN THE ANALOG; IF KNOWLEDGE   ##£$-¨,¨¨.
,,/†%£####  IS LOST, YOU CAN HAVE SYMBOLS WITH NO   ####£%†/,,
¨~==%$£@##   ROUTE TO THEIR ORIGINAL MEANING, AND   ##@£$%==~¨
.,~;*§¤@##  THAT WITH THE RIGHT SPELLS AND METHODS  ##@¤§*;~,.
.,¨.--:%£&  YOU CAN USE DIGITAL REPRESENTATION FOR  &£%:--.¨,.
..=\%@§#¶@   ANALYSIS (MUST BE COMBATTED AT EVERY   @¶#§@%\=..
.¨,-~=†%*§               OPPORTUNITY)               §*%†=~-,¨.
¨^-/§£#¶#@                                          @#¶#£§/-^¨
,,.~*:/%$#                                          #$%/:*~.,,
,,=;†%§£§@                                          @§£§%†;=,,
¨.,,~~~^¤@                                          @¤^~~~,,.¨
.¨-~~:^*&&                                          &&*^:~~-¨.