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*»~.¨.¨¨¨. #†% "DIGITALITY" $†# .¨¨¨.¨.~»*
--,.,¨.,., #*=.¨.,,,,...,.¨,%$# ,.,.¨,.,--
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*\~^¨¨.,.. DIGITAL, THE DIGITAL, TO BECOME DIGITAL ..,.¨¨^~\*
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#@£%*/~^¨. ANCIENT (MESOPOTHAMIA) KNOT MADE OF .¨^~/*%£@#
##¶&¤^:~,¨ SYMBOLS. THE ENGLISH TRANSLATION IS ¨,~:^¤&¶##
##££%*-:¨¨ "THROUGH NUMBERS". YOU CAN USE THIS ¨¨:-*%££##
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*=-,,..,.¨ THOUGH IT MIGHT LOOK LIKE WITCHCRAFT, ¨.,..,,-=*
=,,¨..¨¨.. THE GIFTED CAN TURN ANALOG SIGNALS INTO ..¨¨..¨,,=
~¨,¨.,,,¨. DIGITAL - THE ANALOG IS IN ITSELF A .¨,,,.¨,¨~
«.,,,,.¨,. REPRESENTATION OF THE WORLD INSIDE THE .,¨.,,,,.«
^«,¨,¨.,.¨ WORLD, WHICH IS FURTHER ENCODED INTO ¨.,.¨,¨,«^
%†»,¨,..,, DIGITAL (ENCODED IN THE LITERAL SENSE; ,,..,¨,»†%
$%/~,.,..¨ THE NUMBERS ARE SYMBOLS WHO CARRY THE ¨..,.,~/%$
§@%*=,¨,¨¨ MEANING SEMANTICALLY AND NOT IN THEIR ¨¨,¨,=*%@§
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#§§*;~,,,, VARIOUS SCHEMES EXIST FOR HOW TO ,,,,~;*§§#
§§*;~,,,,, INTERPRET AND WORK FURTHER WITH THESE ,,,,,~;*§§
§*;~,,,,,, SYMBOLS (SUCH AS WAV, JPG, NFO, DIZ, ,,,,,,~;*§
*;~,,,,,,, VOR, HYP, MKV). GETTING FAMILIAR WITH ,,,,,,,~;*
;~,,,,,,,, THESE IS A GOOD START ON YOUR JOURNEY, ,,,,,,,,~;
~,,,,,,,,, ALTHOUGH EVEN A WIZARD MIGHT ONLY ,,,,,,,,,~
,,,,,,,,,, ~REALLY~ KNOW TWO OR THREE IN THEIR ,,,,,,,,,,
~,,,,,,,,, LIFETIME. ,,,,,,,,,~
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¤$*/~:,¨¨. SOME PITFALLS INCLUDE THAT EVEN IF YOU .¨¨,:~/*$¤
@¤§^=~-.., CAN ENCODE THE DIGITAL SYMBOLS ,..-~=^§¤@
#¶£§^/»,,, THEMSELVES AS DIGITAL, SOMEHOW IT MUST ,,,»/^§£¶#
###&§^:«., TERMINATE IN THE ANALOG; IF KNOWLEDGE ,.«:^§&###
#¶§§§/~.,¨ IS LOST, YOU CAN HAVE SYMBOLS WITH NO ¨,.~/§§§¶#
££$%\«..,. ROUTE TO THEIR ORIGINAL MEANING, AND .,..«\%$££
@¤%/»:¨¨,. THAT WITH THE RIGHT SPELLS AND METHODS .,¨¨:»/%¤@
£*/»-.,.¨¨ YOU CAN USE DIGITAL REPRESENTATION FOR ¨¨.,.-»/*£
%\»~.,.... ANALYSIS (MUST BE COMBATTED AT EVERY ....,.~»\%
^»...¨.¨¨, OPPORTUNITY) ,¨¨.¨...»^
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