.:»\*£@@##                                          ##@@£*\»:.
,»^%¤§£###                                          ###£§¤%^»,
¨,=*†@&###                                          ###&@†*=,¨
¨¨¨.,«:£*#                                          #*£:«,.¨¨¨
,^«:%£¤@##                                          ##@¤£%:«^,
¨,-^§=%^@@                                          @@^%=§^-,¨
¨:-=§§§###           #**,¨¨,.¨,,,,¨¨..*=#           ###§§§=-:¨
.,¨..,;%&#          #=§  "DIGITALITY"  %*#          #&%;,..¨,.
¨~«*%@%&§@           #**.,,,¨.¨¨..¨..,*$#           @§&%@%*«~¨
.¨¨,¨.,†$@                                          @$†,.¨,¨¨.
,,~^*=§£¤#                    ^                     #¤£§=*^~,,
.,~/^%####                                          ####%^/~,.
,.=;*&¤@## DIGITAL, THE DIGITAL, TO BECOME  DIGITAL ##@¤&*;=.,
¨~†%&£#@##                                          ##@#£&%†~¨
¨,,¨==*&&£                     §                    £&&*==¨,,¨
¨.~\†@§#@@                                          @@#§@†\~.¨
¨¨¨«;%§@@@    ANCIENT (MESOPOTHAMIA) KNOT MADE OF   @@@§%;«¨¨¨
¨,~^$$#£@#   SYMBOLS. THE ENGLISH TRANSLATION IS    #@£#$$^~,¨
.~~=**#£##    "THROUGH NUMBERS". YOU CAN USE THIS   ##£#**=~~.
..,=*^%¤@#  MACHINE TO REMEMBER, PREDICT, OR HIDE.  #@¤%^*=,..
.^=\;†^*££                                          ££*^†;\=^.
,,-:†*#¶##                    $                     ##¶#*†:-,,
,-«:%@@###                                          ###@@%:«-,
¨,~=%@£###   THOUGH IT MIGHT LOOK LIKE WITCHCRAFT,  ###£@%=~,¨
.,~/=@¤@## THE GIFTED CAN TURN ANALOG SIGNALS INTO  ##@¤@=/~,.
.,»;^£@###    DIGITAL - THE ANALOG IS IN ITSELF A   ###@£^;»,.
,^~;§$####  REPRESENTATION OF THE WORLD INSIDE THE  ####$§;~^,
¨^~*=¤&@#@   WORLD, WHICH IS FURTHER ENCODED INTO   @#@&¤=*~^¨
,,,,~=»*&£  DIGITAL (ENCODED IN THE LITERAL SENSE;  £&*»=~,,,,
.:~*%@¤@##   THE NUMBERS ARE SYMBOLS WHO CARRY THE  ##@¤@%*~:.
,.¨:»;†$@#  MEANING SEMANTICALLY AND NOT IN THEIR   #@$†;»:¨.,
.:-;§££@#£ SHAPE (ANALOG BEINGS ARE THE OPPOSITE.)) £#@££§;-:.
,-~*^¤§¶##                                          ##¶§¤^*~-,
...,»»§&¶#                     †                    #¶&§»»,...
.^~/=£¤££@                                          @££¤£=/~^.
¨^=\%%&@##     VARIOUS SCHEMES EXIST FOR HOW TO     ##@&%%\=^¨
¨¨¨¨^\\%&@   INTERPRET AND WORK FURTHER WITH THESE  @&%\\^¨¨¨¨
¨¨¨=====%&   SYMBOLS (SUCH AS WAV, JPG, NFO, DIZ,   &%=====¨¨¨
¨^=\%%&@##  VOR, HYP, MKV). GETTING FAMILIAR WITH   ##@&%%\=^¨
¨^=\%%&@##  THESE IS A GOOD START ON YOUR JOURNEY,  ##@&%%\=^¨
¨¨¨¨¨¨=\%&    ALTHOUGH EVEN A WIZARD MIGHT ONLY     &%\=¨¨¨¨¨¨
¨^=\%%&&@@    =REALLY= KNOW TWO OR THREE IN THEIR   @@&&%%\=^¨
¨¨¨¨¨^\%%&                LIFETIME.                 &%%\^¨¨¨¨¨
,^«\$$&£@#                                          #@£&$$\«^,
..,,\†=§#£                    %                     £#§=†\,,..
¨.,~»*^@@@                                          @@@^*»~,.¨
.¨.¨,«*£¤£  SOME PITFALLS INCLUDE THAT EVEN IF YOU  £¤£*«,¨.¨.
..--»§$§@@      CAN ENCODE THE DIGITAL SYMBOLS      @@§$§»--..
,,«\†*¤#¶#  THEMSELVES AS DIGITAL, SOMEHOW IT MUST  #¶#¤*†\«,,
,.~†*¤£¶##  TERMINATE IN THE ANALOG; IF KNOWLEDGE   ##¶£¤*†~.,
¨,,..==:=£  IS LOST, YOU CAN HAVE SYMBOLS WITH NO   £=:==..,,¨
¨~«=~=«$¤¤   ROUTE TO THEIR ORIGINAL MEANING, AND   ¤¤$«=~=«~¨
,~~:%§£#@@  THAT WITH THE RIGHT SPELLS AND METHODS  @@#£§%:~~,
¨¨,,¨,=%§@  YOU CAN USE DIGITAL REPRESENTATION FOR  @§%=,¨,,¨¨
,~=\%%@###   ANALYSIS (MUST BE COMBATTED AT EVERY   ###@%%\=~,
.:~\=£&£@#               OPPORTUNITY)               #@£&£=\~:.
,^=*§£§###                                          ###§£§*=^,
,:=;%£¤###                                          ###¤£%;=:,
.,.¨.,~§£@                                          @£§~,.¨.,.
.-=;$§&¶@#                                          #@¶&§$;=-.
,.¨.,~^*¤#                                          #¤*^~,.¨.,