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¨.¨¨,,~^§%           #$§¨.,¨¨¨.¨¨,,¨,.%§#           %§^~,,¨¨.¨
,,,¨¨,^~^^          #%^  "DIGITALITY"  %$#          ^^~^,¨¨,,,
,¨.¨,.,,~;           #=$.¨,..,¨,¨,...,†^#           ;~,,.,¨.¨,
¨,¨,¨.¨¨--                                          --¨¨.¨,¨,¨
,.,.....~*                     *                    *~.....,.,
,,,¨¨,.~=*                                          *=~.,¨¨,,,
¨¨...^»*%* DIGITAL, THE DIGITAL, TO  BECOME DIGITAL *%*»^...¨¨
,¨,¨-~*§$&                                          &$§*~-¨,¨,
,¨¨-=\=£¤#                    %                     #¤£=\=-¨¨,
¨,-=;$§¤¶#                                          #¶¤§$;=-,¨
¨:»*%$&£##   ANCIENT (MESOPOTHAMIA) KNOT MADE OF    ##£&$%*»:¨
,,,~\%£&##    SYMBOLS. THE ENGLISH TRANSLATION IS   ##&£%\~,,,
¨,,-«†$¤@@   "THROUGH NUMBERS". YOU CAN USE THIS    @@¤$†«-,,¨
¨¨¨..»:=&£  MACHINE TO REMEMBER, PREDICT, OR HIDE.  £&=:»..¨¨¨
,,,.¨^»\*$                                          $*\»^¨.,,,
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¨¨.,¨.¨-«:                                          :«-¨.¨,.¨¨
.,.¨,,,¨:«   THOUGH IT MIGHT LOOK LIKE WITCHCRAFT,  «:¨,,,¨.,.
,..,¨,,~«=  THE GIFTED CAN TURN ANALOG SIGNALS INTO =«~,,¨,..,
.....¨,~*†    DIGITAL - THE ANALOG IS IN ITSELF A   †*~,¨.....
¨¨¨,,.~:$¤  REPRESENTATION OF THE WORLD INSIDE THE  ¤$:~.,,¨¨¨
¨,¨.,-*%*¤   WORLD, WHICH IS FURTHER ENCODED INTO   ¤*%*-,.¨,¨
,,.--†^@£#  DIGITAL (ENCODED IN THE LITERAL SENSE;  #£@^†--.,,
.¨-»/$$&@#   THE NUMBERS ARE SYMBOLS WHO CARRY THE  #@&$$/»-¨.
,,==†¤@@##   MEANING SEMANTICALLY AND NOT IN THEIR  ##@@¤†==,,
.¨-~\^£@@# SHAPE (ANALOG BEINGS ARE THE OPPOSITE.)) #@@£^\~-¨.
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,,,,,,-~^$     VARIOUS SCHEMES EXIST FOR HOW TO     $^~-,,,,,,
,,,,,,,-~^   INTERPRET AND WORK FURTHER WITH THESE  ^~-,,,,,,,
,,,,,,,,-~   SYMBOLS (SUCH AS WAV, JPG, NFO, DIZ,   ~-,,,,,,,,
,,,,,,,-~^  VOR, HYP, MKV). GETTING FAMILIAR WITH   ^~-,,,,,,,
,,,,,,-~^$  THESE IS A GOOD START ON YOUR JOURNEY,  $^~-,,,,,,
,,,,,-~^$%     ALTHOUGH EVEN A WIZARD MIGHT ONLY    %$^~-,,,,,
,,,,-~^$%£   ~REALLY~ KNOW TWO OR THREE IN THEIR    £%$^~-,,,,
,,,-~^$%£¶                LIFETIME.                 ¶£%$^~-,,,
,¨,«=*$@£#                                          #£@$*=«,¨,
¨-=^$&&@##                     §                    ##@&&$^=-¨
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,¨¨,»\*&&@  SOME PITFALLS INCLUDE THAT EVEN IF YOU  @&&*\»,¨¨,
..¨¨:=^*@£      CAN ENCODE THE DIGITAL SYMBOLS      £@*^=:¨¨..
.,¨,,^~**%  THEMSELVES AS DIGITAL, SOMEHOW IT MUST  %**~^,,¨,.
..,¨.,:~*†  TERMINATE IN THE ANALOG; IF KNOWLEDGE   †*~:,.¨,..
.¨.,,¨,~-\  IS LOST, YOU CAN HAVE SYMBOLS WITH NO   \-~,¨,,.¨.
..,,.¨,.~~   ROUTE TO THEIR ORIGINAL MEANING, AND   ~~.,¨.,,..
,¨¨,¨,,~~†  THAT WITH THE RIGHT SPELLS AND METHODS  †~~,,¨,¨¨,
¨,¨,..^-:†  YOU CAN USE DIGITAL REPRESENTATION FOR  †:-^..,¨,¨
,.¨¨¨,~^$£   ANALYSIS (MUST BE COMBATTED AT EVERY   £$^~,¨¨¨.,
¨.,,^«†*£#               OPPORTUNITY)               #£*†«^,,.¨
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