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¨,=/=%£#@@                                          @@#£%=/=,¨
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.,¨¨~~=%@@           #§%,¨.¨.¨,,,,.¨,.^%#           @@%=~~¨¨,.
.--*=@@###          #§%  "DIGITALITY"  %*#          ###@@=*--.
¨:~=†$£#¶#           #§%,.¨.,.¨.¨¨.¨,¨$%#           #¶#£$†=~:¨
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¨.,¨¨,:&££                     %                    ££&:,¨¨,.¨
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,,-\†&@@## DIGITAL, THE DIGITAL, TO BECOME  DIGITAL ##@@&†\-,,
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.,=/%@£@##                     †                    ##@£@%/=,.
¨-=\$%&@##                                          ##@&%$\=-¨
,¨,.~-=§£§   ANCIENT (MESOPOTHAMIA) KNOT MADE OF    §£§=-~.,¨,
¨.:»»/§$¤@    SYMBOLS. THE ENGLISH TRANSLATION IS   @¤$§/»»:.¨
.:~†=%#@##   "THROUGH NUMBERS". YOU CAN USE THIS    ##@#%=†~:.
,.,--=£@#@  MACHINE TO REMEMBER, PREDICT, OR HIDE.  @#@£=--,.,
,-«**%#@##                                          ##@#%**«-,
¨.¨.¨»§%£@                     *                    @£%§»¨.¨.¨
¨,=\=$%%#£                                          £#%%$=\=,¨
,.¨..-~~$#  THOUGH IT MIGHT LOOK LIKE WITCHCRAFT,   #$~~-..¨.,
.,..¨.,;*&  THE GIFTED CAN TURN ANALOG SIGNALS INTO &*;,.¨..,.
¨,¨,¨,*%#@    DIGITAL - THE ANALOG IS IN ITSELF A   @#%*,¨,¨,¨
¨,.¨:,;%$£  REPRESENTATION OF THE WORLD INSIDE THE  £$%;,:¨.,¨
,~«\%§&###   WORLD, WHICH IS FURTHER ENCODED INTO   ###&§%\«~,
,-=†^@####  DIGITAL (ENCODED IN THE LITERAL SENSE;  ####@^†=-,
.,~=$¤&#@#   THE NUMBERS ARE SYMBOLS WHO CARRY THE  #@#&¤$=~,.
.,¨,¨.«/¤&   MEANING SEMANTICALLY AND NOT IN THEIR  &¤/«.¨,¨,.
,,~^=§§¶@# SHAPE (ANALOG BEINGS ARE THE OPPOSITE.)) #@¶§§=^~,,
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.^=;%*¶###     VARIOUS SCHEMES EXIST FOR HOW TO     ###¶*%;=^.
....^=;%*¶  INTERPRET AND WORK FURTHER WITH THESE   ¶*%;=^....
.^=;%*§¶##   SYMBOLS (SUCH AS WAV, JPG, NFO, DIZ,   ##¶§*%;=^.
.^=;%*§¶¶#   VOR, HYP, MKV). GETTING FAMILIAR WITH  #¶¶§*%;=^.
.=;%*§¶###  THESE IS A GOOD START ON YOUR JOURNEY,  ###¶§*%;=.
.^=;%*§¶##     ALTHOUGH EVEN A WIZARD MIGHT ONLY    ##¶§*%;=^.
......^;*§   =REALLY= KNOW TWO OR THREE IN THEIR    §*;^......
.^=;%*§¶##                 LIFETIME.                ##¶§*%;=^.
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¨,~=%%¤&@@  SOME PITFALLS INCLUDE THAT EVEN IF YOU  @@&¤%%=~,¨
..«;$§£###      CAN ENCODE THE DIGITAL SYMBOLS      ###£§$;«..
,.¨,¨¨,†¤#  THEMSELVES AS DIGITAL, SOMEHOW IT MUST  #¤†,¨¨,¨.,
¨«=*%¤¶###   TERMINATE IN THE ANALOG; IF KNOWLEDGE  ###¶¤%*=«¨
,--*^£#@@#  IS LOST, YOU CAN HAVE SYMBOLS WITH NO   #@@#£^*--,
,^»^/\£&¶@   ROUTE TO THEIR ORIGINAL MEANING, AND   @¶&£\/^»^,
...,¨,.^%¤  THAT WITH THE RIGHT SPELLS AND METHODS  ¤%^.,¨,...
¨,«*†@§#@#  YOU CAN USE DIGITAL REPRESENTATION FOR  #@#§@†*«,¨
¨:~\%¤&###   ANALYSIS (MUST BE COMBATTED AT EVERY   ###&¤%\~:¨
,~=;*@££##               OPPORTUNITY)               ##££@*;=~,
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