¨,¨¨.~»:^§                                          §^:»~.¨¨,¨
.,¨¨-=\%&£                                          £&%\=-¨¨,.
,,.,~\%¤##                                          ##¤%\~,.,,
¨,.»^=&##@                                          @##&=^».,¨
.,-=%%§@@#                                          #@@§%%=-,.
¨,~«†§¤¤##                                          ##¤¤§†«~,¨
,¨¨,-**¤&#           #%%¨,,.,,,.¨,¨¨.,†*#           #&¤**-,¨¨,
¨.,.,=:%@@          #%†  "DIGITALITY"  %%#          @@%:=,.,.¨
,¨,.¨,-;†&           #%=¨,¨.,¨,¨,,....*%#           &†;-,¨.,¨,
...¨,¨-~:=                                          =:~-¨,¨...
,¨¨,..~*%@                    $                     @%*~..,¨¨,
,.,¨:«\§¤§                                          §¤§\«:¨,.,
¨.,,«=%£¤@ DIGITAL, THE DIGITAL,  TO BECOME DIGITAL @¤£%=«,,.¨
,.~«=%@###                                          ###@%=«~.,
.-«^^$@¶@#                    =                     #@¶@$^^«-.
.,-»/%&@£#                                          #£@&%/»-,.
.,¨~»/$%§¶   ANCIENT (MESOPOTHAMIA) KNOT MADE OF    ¶§%$/»~¨,.
,.¨.-~^§%@    SYMBOLS. THE ENGLISH TRANSLATION IS   @%§^~-.¨.,
¨¨¨.¨:~\^£    "THROUGH NUMBERS". YOU CAN USE THIS   £^\~:¨.¨¨¨
.¨,¨,,,«†^  MACHINE TO REMEMBER, PREDICT, OR HIDE.  ^†«,,,¨,¨.
.¨,¨..~/*&                                          &*/~..¨,¨.
.¨¨.-=\%%§                     *                    §%%\=-.¨¨.
¨..~-:=§&#                                          #&§=:-~..¨
.¨-~=*%###   THOUGH IT MIGHT LOOK LIKE WITCHCRAFT,  ###%*=~-¨.
,-~^$%¤¶@#  THE GIFTED CAN TURN ANALOG SIGNALS INTO #@¶¤%$^~-,
..,«*^%#@@   DIGITAL - THE ANALOG IS IN ITSELF A    @@#%^*«,..
¨..^~**%§#  REPRESENTATION OF THE WORLD INSIDE THE  #§%**~^..¨
.,¨.:«:%%§   WORLD, WHICH IS FURTHER ENCODED INTO   §%%:«:.¨,.
.,,.,--;^*  DIGITAL (ENCODED IN THE LITERAL SENSE;  *^;--,.,,.
¨¨¨¨¨,:~^*  THE NUMBERS ARE SYMBOLS WHO CARRY THE   *^~:,¨¨¨¨¨
¨.¨..,~^=&   MEANING SEMANTICALLY AND NOT IN THEIR  &=^~,..¨.¨
¨.,¨,==%$& SHAPE (ANALOG BEINGS ARE THE OPPOSITE.)) &$%==,¨,.¨
...,«:§%§#                                          #§%§:«,...
¨,-~/†&£#@                    %                     @#£&†/~-,¨
¨--;†$&£@#                                          #@£&$†;--¨
,,:=^%@§¶#     VARIOUS SCHEMES EXIST FOR HOW TO     #¶§@%^=:,,
,,,:=^%@§¶  INTERPRET AND WORK FURTHER WITH THESE   ¶§@%^=:,,,
,,,,:=^%@§   SYMBOLS (SUCH AS WAV, JPG, NFO, DIZ,   §@%^=:,,,,
,,,,,:=^%@   VOR, HYP, MKV). GETTING FAMILIAR WITH  @%^=:,,,,,
,,,,,,:=^%  THESE IS A GOOD START ON YOUR JOURNEY,  %^=:,,,,,,
,,,,,:=^%@    ALTHOUGH EVEN A WIZARD MIGHT ONLY     @%^=:,,,,,
,,,,:=^%@§   =REALLY= KNOW TWO OR THREE IN THEIR    §@%^=:,,,,
,,,:=^%@§¶                 LIFETIME.                ¶§@%^=:,,,
¨¨-«*%$#£#                                          #£#$%*«-¨¨
¨--†^&£¶##                     †                    ##¶£&^†--¨
..,=;%%&#@                                          @#&%%;=,..
¨,.:~:*$@@  SOME PITFALLS INCLUDE THAT EVEN IF YOU  @@$*:~:.,¨
.,¨¨~=:†¤&      CAN ENCODE THE DIGITAL SYMBOLS      &¤†:=~¨¨,.
¨.¨,,,~:*@  THEMSELVES AS DIGITAL, SOMEHOW IT MUST  @*:~,,,¨.¨
,,.¨¨.,-†$  TERMINATE IN THE ANALOG; IF KNOWLEDGE   $†-,.¨¨.,,
¨,,,,,»^=£  IS LOST, YOU CAN HAVE SYMBOLS WITH NO   £=^»,,,,,¨
¨¨¨.:«:=£¤   ROUTE TO THEIR ORIGINAL MEANING, AND   ¤£=:«:.¨¨¨
.,.-~\†¤§#  THAT WITH THE RIGHT SPELLS AND METHODS  #§¤†\~-.,.
.¨,-^$$£@#  YOU CAN USE DIGITAL REPRESENTATION FOR  #@£$$^-,¨.
.:«^$¤¤£##   ANALYSIS (MUST BE COMBATTED AT EVERY   ##£¤¤$^«:.
,¨~«\^$£@#               OPPORTUNITY)               #@£$^\«~¨,
,¨.^-/†%££                                          ££%†/-^.¨,
...¨~~:^$¤                                          ¤$^:~~¨...
.,.¨¨.«*§&                                          &§*«.¨¨.,.
,,,.¨.~«^=                                          =^«~.¨.,,,
,,¨¨,,~;*¤                                          ¤*;~,,¨¨,,