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.:~«/=%*@#          #$%  "DIGITALITY"  $%#          #@*%=/«~:.
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,~«\^$£@@# DIGITAL,  THE DIGITAL, TO BECOME DIGITAL #@@£$^\«~,
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..¨,,,«§@§   ANCIENT (MESOPOTHAMIA) KNOT MADE OF    §@§«,,,¨..
.^~/*@#@#@   SYMBOLS. THE ENGLISH TRANSLATION IS    @#@#@*/~^.
,,~;§$¤¶##   "THROUGH NUMBERS". YOU CAN USE THIS    ##¶¤$§;~,,
,-=\*£¤#@#  MACHINE TO REMEMBER, PREDICT, OR HIDE.  #@#¤£*\=-,
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.,-:%&@###   THOUGH IT MIGHT LOOK LIKE WITCHCRAFT,  ###@&%:-,.
,.¨:»~=%@@ THE GIFTED CAN TURN ANALOG SIGNALS INTO  @@%=~»:¨.,
¨,~†%$&¶##   DIGITAL - THE ANALOG IS IN ITSELF A    ##¶&$%†~,¨
,.~†^£@@##  REPRESENTATION OF THE WORLD INSIDE THE  ##@@£^†~.,
.-»;$$§£##   WORLD, WHICH IS FURTHER ENCODED INTO   ##£§$$;»-.
,--†=$#&@@  DIGITAL (ENCODED IN THE LITERAL SENSE;  @@&#$=†--,
,~=\$£&&@£   THE NUMBERS ARE SYMBOLS WHO CARRY THE  £@&&£$\=~,
,¨¨.¨,*%%£   MEANING SEMANTICALLY AND NOT IN THEIR  £%%*,¨.¨¨,
,¨¨¨,-†%@@ SHAPE (ANALOG BEINGS ARE THE OPPOSITE.)) @@%†-,¨¨¨,
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¨,»:=£§@@#     VARIOUS SCHEMES EXIST FOR HOW TO     #@@§£=:»,¨
¨,»::=££§@  INTERPRET AND WORK FURTHER WITH THESE   @§££=::»,¨
¨,»:=£§@@@   SYMBOLS (SUCH AS WAV, JPG, NFO, DIZ,   @@@§£=:»,¨
¨,»:=£§@@@  VOR, HYP, MKV). GETTING FAMILIAR WITH   @@@§£=:»,¨
¨,»:=£££§@  THESE IS A GOOD START ON YOUR JOURNEY,  @§£££=:»,¨
¨¨¨¨,»:£§§     ALTHOUGH EVEN A WIZARD MIGHT ONLY    §§£:»,¨¨¨¨
¨,»»»:=£§@    »REALLY» KNOW TWO OR THREE IN THEIR   @§£=:»»»,¨
¨,»:=£§@##                LIFETIME.                 ##@§£=:»,¨
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¨,~/%§¶###  SOME PITFALLS INCLUDE THAT EVEN IF YOU  ###¶§%/~,¨
,--**£§@&£      CAN ENCODE THE DIGITAL SYMBOLS      £&@§£**--,
,,=^§£@@##  THEMSELVES AS DIGITAL, SOMEHOW IT MUST  ##@@£§^=,,
¨,«†*£#@##  TERMINATE IN THE ANALOG; IF KNOWLEDGE   ##@#£*†«,¨
.^~/%%@@@#  IS LOST, YOU CAN HAVE SYMBOLS WITH NO   #@@@%%/~^.
.~~\$§£###   ROUTE TO THEIR ORIGINAL MEANING, AND   ###£§$\~~.
¨:«*^£&#@#  THAT WITH THE RIGHT SPELLS AND METHODS  #@#&£^*«:¨
..»^§£§£@#  YOU CAN USE DIGITAL REPRESENTATION FOR  #@£§£§^»..
¨,,..^*†§@   ANALYSIS (MUST BE COMBATTED AT EVERY   @§†*^..,,¨
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