&%:~:¨¨¨.,                                          ,.¨¨¨:~:%&
^=«~¨¨..¨,                                          ,¨..¨¨~«=^
:».,¨.,,,,                                          ,,,,.¨,.»:
~-....¨,..                                          ..,¨....-~
:,,¨¨¨...,                                          ,...¨¨¨,,:
.¨,¨.,.¨.,                                          ,.¨.,.¨,¨.
,¨,¨,.,...           #$^¨,,¨,..,.,.,.,*$#           ...,.,¨,¨,
,¨¨.,,¨¨,.          #%%  "DIGITALITY"  **#          .,¨¨,,.¨¨,
.,..,.¨..,           #†%¨¨.,..¨¨,,,¨,,%$#           ,..¨.,..,.
¨¨¨¨,,..,.                                          .,..,,¨¨¨¨
.¨¨.,¨...,                     ^                    ,...¨,.¨¨.
,,.,,.,¨,¨                                          ¨,¨,.,,.,,
,..,¨,,.¨, DIGITAL, THE DIGITAL,  TO BECOME DIGITAL ,¨.,,¨,..,
»,.¨¨,,,,.                                          .,,,,¨¨.,»
*-,,.,¨...                    *                     ...¨,.,,-*
=;»...,¨.¨                                          ¨.¨,...»;=
@**-.,,,.,    ANCIENT (MESOPOTHAMIA) KNOT MADE OF   ,.,,,.-**@
#§**-^¨,,,    SYMBOLS. THE ENGLISH TRANSLATION IS   ,,,¨^-**§#
#££*/-~¨,.    "THROUGH NUMBERS". YOU CAN USE THIS   .,¨~-/*££#
#@¤&†*«^..  MACHINE TO REMEMBER, PREDICT, OR HIDE.  ..^«*†&¤@#
#@#£@=*~:¨                                          ¨:~*=@£#@#
#@&*†/~:¨¨                     $                    ¨¨:~/†*&@#
£@%*:~~¨¨¨                                          ¨¨¨~~:*%@£
£$†:-:,,.¨  THOUGH IT MIGHT LOOK LIKE WITCHCRAFT,   ¨.,,:-:†$£
%=/«-....,  THE GIFTED CAN TURN ANALOG SIGNALS INTO ,....-«/=%
%;~,,¨...,   DIGITAL - THE ANALOG IS IN ITSELF A    ,...¨,,~;%
/~^,.¨.,,¨  REPRESENTATION OF THE WORLD INSIDE THE  ¨,,.¨.,^~/
=,,,,¨¨.,,   WORLD, WHICH IS FURTHER ENCODED INTO   ,,.¨¨,,,,=
,¨¨,..¨,.¨  DIGITAL (ENCODED IN THE LITERAL SENSE;  ¨.,¨..,¨¨,
¨,¨¨.,¨¨.¨   THE NUMBERS ARE SYMBOLS WHO CARRY THE  ¨.¨¨,.¨¨,¨
.,.,,¨¨.,.  MEANING SEMANTICALLY AND NOT IN THEIR   .,.¨¨,,.,.
.,¨,,.¨¨¨, SHAPE (ANALOG BEINGS ARE THE OPPOSITE.)) ,¨¨¨.,,¨,.
¨,,,.,¨¨¨,                                          ,¨¨¨,.,,,¨
,.,,¨¨,,..                    §                     ..,,¨¨,,.,
¨.¨¨,,.,,¨                                          ¨,,.,,¨¨.¨
¨¨¨¨¨¨¨¨¨¨     VARIOUS SCHEMES EXIST FOR HOW TO     ¨¨¨¨¨¨¨¨¨¨
:¨¨¨¨¨¨¨¨¨  INTERPRET AND WORK FURTHER WITH THESE   ¨¨¨¨¨¨¨¨¨:
«:¨¨¨¨¨¨¨¨   SYMBOLS (SUCH AS WAV, JPG, NFO, DIZ,   ¨¨¨¨¨¨¨¨:«
:«:¨¨¨¨¨¨¨  VOR, HYP, MKV). GETTING FAMILIAR WITH   ¨¨¨¨¨¨¨:«:
§:«:¨¨¨¨¨¨  THESE IS A GOOD START ON YOUR JOURNEY,  ¨¨¨¨¨¨:«:§
%§:«:¨¨¨¨¨    ALTHOUGH EVEN A WIZARD MIGHT ONLY     ¨¨¨¨¨:«:§%
@%§:«:¨¨¨¨   «REALLY« KNOW TWO OR THREE IN THEIR    ¨¨¨¨:«:§%@
#@%§:«:¨¨¨                LIFETIME.                 ¨¨¨:«:§%@#
@#£&§;«,..                                          ..,«;§&£#@
###&%=:~,¨                    *                     ¨,~:=%&###
#£#%^\».¨.                                          .¨.»\^%#£#
¶§$*^~,¨.,  SOME PITFALLS INCLUDE THAT EVEN IF YOU  ,.¨,~^*$§¶
@**/=-.,,¨      CAN ENCODE THE DIGITAL SYMBOLS      ¨,,.-=/**@
%*:~~.¨,¨¨  THEMSELVES AS DIGITAL, SOMEHOW IT MUST  ¨¨,¨.~~:*%
§^~.¨.,.¨,  TERMINATE IN THE ANALOG; IF KNOWLEDGE   ,¨.,.¨.~^§
*-,,.¨.¨.,   IS LOST, YOU CAN HAVE SYMBOLS WITH NO  ,.¨.¨.,,-*
-,,¨¨..¨,.   ROUTE TO THEIR ORIGINAL MEANING, AND   .,¨..¨¨,,-
~.,,.¨....  THAT WITH THE RIGHT SPELLS AND METHODS  ....¨.,,.~
.,¨..,.,..  YOU CAN USE DIGITAL REPRESENTATION FOR  ..,.,..¨,.
.,.¨,,¨.,,   ANALYSIS (MUST BE COMBATTED AT EVERY   ,,.¨,,¨.,.
¨.¨,¨...¨,               OPPORTUNITY)               ,¨...¨,¨.¨
,.,.¨...,¨                                          ¨,...¨.,.,
¨,....,.,¨                                          ¨,.,....,¨
¨¨.,.,.,,¨                                          ¨,,.,.,.¨¨
¨.,¨,...,.                                          .,...,¨,.¨
-¨,¨.¨¨¨¨.                                          .¨¨¨¨.¨,¨-