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¨¤,@¨.§,#§ ANCIENT (MESOPOTHAMIA) KNOT MADE OF §¤,¤&¨¨#,&
.&¨#¨##,.# SYMBOLS. THE ENGLISH TRANSLATION IS ,¤¨.&.£§,£
.#,§.¨£.@& "THROUGH NUMBERS". YOU CAN USE THIS ¤§,£#..§.§
¨¤.£,£#,.& MACHINE TO REMEMBER, PREDICT, OR HIDE. ,£¨,¤.¤§.#
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,@.&¨§#.,§ * ¨#¨.@.§§¨&
.¤,&,.§¨&@ ¤£,§@.,#¨&
¨@,§,£@¨¨@ THOUGH IT MIGHT LOOK LIKE WITCHCRAFT, ¨&.¨£¨#£.@
.&.§¨¨£¨&& THE GIFTED CAN TURN ANALOG SIGNALS INTO £¤.@#,.@¨#
,@.£,££,.@ DIGITAL - THE ANALOG IS IN ITSELF A ,§¨.#¨£@,¤
¨§,&.¨£¨§# REPRESENTATION OF THE WORLD INSIDE THE @#¨&@,.§,£
.#,&,§¤.¨@ WORLD, WHICH IS FURTHER ENCODED INTO .¤,.#.@&.@
.¤.§,,&,¤¤ DIGITAL (ENCODED IN THE LITERAL SENSE; §#.@#,¨§¨£
.&¨¤,£¤¨,£ THE NUMBERS ARE SYMBOLS WHO CARRY THE ¨&..&,£#¨@
,#,¤..&,&# MEANING SEMANTICALLY AND NOT IN THEIR #@¨#@..£¨@
¨£¨¤,#¤,¨§ SHAPE (ANALOG BEINGS ARE THE OPPOSITE.)) .@¨,&.£§¨§
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,¤,¤,¤¤,,¤ VARIOUS SCHEMES EXIST FOR HOW TO ,¤,,¤,¤¤,¤
,¤,¤,,¤,¤¤ INTERPRET AND WORK FURTHER WITH THESE ¤¤,¤¤,,¤,¤
,¤,¤,¤¤,,¤ SYMBOLS (SUCH AS WAV, JPG, NFO, DIZ, ,¤,,¤,¤¤,¤
,¤,¤,,¤,¤¤ VOR, HYP, MKV). GETTING FAMILIAR WITH ¤¤,¤¤,,¤,¤
,¤,¤,¤¤,,¤ THESE IS A GOOD START ON YOUR JOURNEY, ,¤,,¤,¤¤,¤
,¤,¤,,¤,¤¤ ALTHOUGH EVEN A WIZARD MIGHT ONLY ¤¤,¤¤,,¤,¤
,¤,¤,¤¤,,¤ ~REALLY~ KNOW TWO OR THREE IN THEIR ,¤,,¤,¤¤,¤
,¤,¤,,¤,¤¤ LIFETIME. ¤¤,¤¤,,¤,¤
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,¤.¤..#.§@ = #£.@§..&¨&
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.@¨¤,,£¨§& SOME PITFALLS INCLUDE THAT EVEN IF YOU &@.§#¨,@¨¤
,&,#.#&..§ CAN ENCODE THE DIGITAL SYMBOLS ,&,.&¨¤@.&
.£.§¨¨@.@@ THEMSELVES AS DIGITAL, SOMEHOW IT MUST @£,##.¨£,¤
¨§,&.@&,.¤ TERMINATE IN THE ANALOG; IF KNOWLEDGE ¨¤,.£¨##¨§
¨£,#.,¤.¤# IS LOST, YOU CAN HAVE SYMBOLS WITH NO #&,@¤..@¨&
.#¨£.££,¨£ ROUTE TO THEIR ORIGINAL MEANING, AND .£,.&,£&.§
¨£.¤,¨§¨¤& THAT WITH THE RIGHT SPELLS AND METHODS &&,§&.,¤¨£
.£¨§,§#¨¨£ YOU CAN USE DIGITAL REPRESENTATION FOR ,§..@¨¤£.¤
.&,§¨.&¨&& ANALYSIS (MUST BE COMBATTED AT EVERY §@¨&§¨,@,§
.&.@.¤§¨,§ OPPORTUNITY) ¨@¨¨@.£@.#
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