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¨,-^$$&§#§                                          §#§&$$^-,¨
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¨:~†=@&£##                                          ##£&@=†~:¨
.^=;$£####                                          ####£$;=^.
¨..«/:=¤##           #†=,.¨.¨.,,...,,¨§$#           ##¤=:/«..¨
.¨.,¨..†*&          #†*  "digitality"  =%#          &*†..¨,.¨.
¨.¨¨,*§¤§§           #%=,.¨.¨¨.¨.,¨¨¨¨$$#           §§¤§*,¨¨.¨
¨..¨^»$†*@                                          @*†$»^¨..¨
..«:§$£###                     =                    ###£$§:«..
,.,-«»~$£#                                          #£$~»«-,.,
,¨,,«»«^$@ digital, the digital,  to become digital @$^«»«,,¨,
..¨«~;*$¤&                                          &¤$*;~«¨..
¨,.¨~††*%¤                    *                     ¤%*††~¨.,¨
¨.»^=%*&¤£                                          £¤&*%=^».¨
¨,~^$¤§@##   ancient (mesopothamia) knot made of    ##@§¤$^~,¨
...,*/*%@#   symbols. the english translation is    #@%*/*,...
.,~*=¤##@#   "through numbers". you can use this    #@##¤=*~,.
.,.¨.=†%$#  machine to remember, predict, or hide.  #$%†=.¨.,.
,,-=*$££##                                          ##££$*=-,,
.,,~^»;*¶#                     †                    #¶*;»^~,,.
.¨.,~;§*&¤                                          ¤&*§;~,.¨.
,:~;$&#@##   though it might look like witchcraft,  ##@#&$;~:,
.¨.¨¨~=†£¶  the gifted can turn analog signals into ¶£†=~¨¨.¨.
..=^$$¤@¶#   digital - the analog is in itself a    #¶@¤$$^=..
.-«;%@£#@#  representation of the world inside the  #@#£@%;«-.
,.,.,~*#@#   world, which is further encoded into   #@#*~,.,.,
¨-~==§#£##  digital (encoded in the literal sense;  ##£#§==~-¨
.~~;%£&¶##  the numbers are symbols who carry the   ##¶&£%;~~.
,.¨¨.;^^¤#  meaning semantically and not in their   #¤^^;.¨¨.,
.,«:*£&### shape (analog beings are the opposite.)) ###&£*:«,.
¨,,¨¨-=:£¤                                          ¤£:=-¨¨,,¨
.:«†^§&#@#                     §                    #@#&§^†«:.
..»\%$@¶@#                                          #@¶@$%\»..
,,,,-†¤¤@@     various schemes exist for how to     @@¤¤†-,,,,
,,,,,,.:†§   interpret and work further with these  §†:.,,,,,,
,.-:†¤§@@#   symbols (such as wav, jpg, nfo, diz,   #@@§¤†:-.,
,.-:†¤§@##   vor, hyp, mkv). getting familiar with  ##@§¤†:-.,
,.-:†¤§@##  these is a good start on your journey,  ##@§¤†:-.,
,.-:†¤§@##    although even a wizard might only     ##@§¤†:-.,
,.-:†¤¤§@@    -really- know two or three in their   @@§¤¤†:-.,
,.-:†¤§@##                 lifetime.                ##@§¤†:-.,
¨..,.~=\$@                                          @$\=~.,..¨
¨,.,»^¤@§£                    †                     £§@¤^»,.,¨
,,~/*$#¶##                                          ##¶#$*/~,,
,,~^%&@###  some pitfalls include that even if you  ###@&%^~,,
¨^«^§@§###      can encode the digital symbols      ###§@§^«^¨
.,¨.¨.,†*@  themselves as digital, somehow it must  @*†,.¨.¨,.
¨¨.¨,/^%@#   terminate in the analog; if knowledge  #@%^/,¨.¨¨
,:~=*&&@##   is lost, you can have symbols with no  ##@&&*=~:,
¨~»=$@¤#£#   route to their original meaning, and   #£#¤@$=»~¨
.:»*%$¤#@#  that with the right spells and methods  #@#¤$%*»:.
¨.,.*\@&@§  you can use digital representation for  §@&@\*.,.¨
¨:»;*@@@##   analysis (must be combatted at every   ##@@@*;»:¨
,,=\=$§###               opportunity)               ###§$=\=,,
¨,.¨~=^#££                                          ££#^=~¨.,¨
,^-†§$§£##                                          ##£§$§†-^,
¨.,,.,¨«%@                                          @%«¨,.,,.¨
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.,,.¨»«$†§                                          §†$«»¨.,,.