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¨¨.=:§%§@#           #*§.¨.,¨¨¨,,,,¨¨¨††#           #@§%§:=.¨¨
,,~^%££###          #†*  "DIGITALITY"  =%#          ###££%^~,,
¨,~~:^§@£@           #*%,,..¨¨,,.¨¨,¨¨$%#           @£@§^:~~,¨
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,,¨¨:~^$$#                    §                     #$$^~:¨¨,,
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,¨¨¨~-^$%£ DIGITAL, THE DIGITAL, TO  BECOME DIGITAL £%$^-~¨¨¨,
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.,,»/%@#@#   ANCIENT (MESOPOTHAMIA) KNOT MADE OF    #@#@%/»,,.
,.¨,»;*$§@    SYMBOLS. THE ENGLISH TRANSLATION IS   @§$*;»,¨.,
,¨,,~=;§%£   "THROUGH NUMBERS". YOU CAN USE THIS    £%§;=~,,¨,
..,¨¨~=;§$  MACHINE TO REMEMBER, PREDICT, OR HIDE.  $§;=~¨¨,..
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.:~†*£&¶@#   THOUGH IT MIGHT LOOK LIKE WITCHCRAFT,  #@¶&£*†~:.
¨¨.»:†$&£# THE GIFTED CAN TURN ANALOG SIGNALS INTO  #£&$†:».¨¨
...~=:%$¤¶   DIGITAL - THE ANALOG IS IN ITSELF A    ¶¤$%:=~...
¨.,.~-†^&#  REPRESENTATION OF THE WORLD INSIDE THE  #&^†-~.,.¨
..¨.¨:~^**   WORLD, WHICH IS FURTHER ENCODED INTO   **^~:¨.¨..
,.,,--^%%@  DIGITAL (ENCODED IN THE LITERAL SENSE;  @%%^--,,.,
.,.,~:=@@¶  THE NUMBERS ARE SYMBOLS WHO CARRY THE   ¶@@=:~,.,.
¨¨:=*%$£@#  MEANING SEMANTICALLY AND NOT IN THEIR   #@£$%*=:¨¨
,:«;^£¤### SHAPE (ANALOG BEINGS ARE THE OPPOSITE.)) ###¤£^;«:,
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.....^»*†$     VARIOUS SCHEMES EXIST FOR HOW TO     $†*»^.....
....^»*†$§   INTERPRET AND WORK FURTHER WITH THESE  §$†*»^....
...^»*†$§£   SYMBOLS (SUCH AS WAV, JPG, NFO, DIZ,   £§$†*»^...
..^»*†$§£@   VOR, HYP, MKV). GETTING FAMILIAR WITH  @£§$†*»^..
.^»*†$§£@#  THESE IS A GOOD START ON YOUR JOURNEY,  #@£§$†*»^.
..^»*†$§£@    ALTHOUGH EVEN A WIZARD MIGHT ONLY     @£§$†*»^..
...^»*†$§£   »REALLY» KNOW TWO OR THREE IN THEIR    £§$†*»^...
....^»*†$§                 LIFETIME.                §$†*»^....
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.¨-~*%*###  SOME PITFALLS INCLUDE THAT EVEN IF YOU  ###*%*~-¨.
,,~*=&@###      CAN ENCODE THE DIGITAL SYMBOLS      ###@&=*~,,
.,-~;=%#¶#  THEMSELVES AS DIGITAL, SOMEHOW IT MUST  #¶#%=;~-,.
,.,,«:*££¶  TERMINATE IN THE ANALOG; IF KNOWLEDGE   ¶££*:«,,.,
.,.¨,«^§$#   IS LOST, YOU CAN HAVE SYMBOLS WITH NO  #$§^«,¨.,.
..,¨,--=§&   ROUTE TO THEIR ORIGINAL MEANING, AND   &§=--,¨,..
¨¨,¨:-*^*£  THAT WITH THE RIGHT SPELLS AND METHODS  £*^*-:¨,¨¨
.,,:«:§&¤#  YOU CAN USE DIGITAL REPRESENTATION FOR  #¤&§:«:,,.
,..-*†$@@#   ANALYSIS (MUST BE COMBATTED AT EVERY   #@@$†*-..,
,,~/%%¤@@#               OPPORTUNITY)               #@@¤%%/~,,
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