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,^=†**§@@# DIGITAL, THE DIGITAL, TO BECOME DIGITAL #@@§**†=^,
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.,-;§&£#@# § #@#£&§;-,.
¨,,==%*£¶# #¶£*%==,,¨
.^«=^%§@@# ANCIENT (MESOPOTHAMIA) KNOT MADE OF #@@§%^=«^.
¨.,»^%¤§#@ SYMBOLS. THE ENGLISH TRANSLATION IS @#§¤%^»,.¨
¨.-:=%@¶## "THROUGH NUMBERS". YOU CAN USE THIS ##¶@%=:-.¨
,,:~\%¤#¶@ MACHINE TO REMEMBER, PREDICT, OR HIDE. @¶#¤%\~:,,
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¨~=/=£¤¶## ##¶¤£=/=~¨
,¨-=:$££## THOUGH IT MIGHT LOOK LIKE WITCHCRAFT, ##££$:=-¨,
,:-;^@§### THE GIFTED CAN TURN ANALOG SIGNALS INTO ###§@^;-:,
¨¨,-=*%£@@ DIGITAL - THE ANALOG IS IN ITSELF A @@£%*=-,¨¨
,,~:$*@#@# REPRESENTATION OF THE WORLD INSIDE THE #@#@*$:~,,
,,~«/†£££@ WORLD, WHICH IS FURTHER ENCODED INTO @£££†/«~,,
,^«\§£&@## DIGITAL (ENCODED IN THE LITERAL SENSE; ##@&£§\«^,
..~»:=£&£# THE NUMBERS ARE SYMBOLS WHO CARRY THE #£&£=:»~..
.-=:§%££## MEANING SEMANTICALLY AND NOT IN THEIR ##££%§:=-.
,¨,«==*@£@ SHAPE (ANALOG BEINGS ARE THE OPPOSITE.)) @£@*==«,¨,
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,,,-^^&£@@ VARIOUS SCHEMES EXIST FOR HOW TO @@£&^^-,,,
,,-^^&£@@# INTERPRET AND WORK FURTHER WITH THESE #@@£&^^-,,
,,,-^^&£@@ SYMBOLS (SUCH AS WAV, JPG, NFO, DIZ, @@£&^^-,,,
,,-^^&£@@# VOR, HYP, MKV). GETTING FAMILIAR WITH #@@£&^^-,,
,,,-^^&£@@ THESE IS A GOOD START ON YOUR JOURNEY, @@£&^^-,,,
,,-^^&£@@# ALTHOUGH EVEN A WIZARD MIGHT ONLY #@@£&^^-,,
,,,-^^&£@@ -REALLY- KNOW TWO OR THREE IN THEIR @@£&^^-,,,
,,-^^&£@@# LIFETIME. #@@£&^^-,,
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..-«=*$£@@ @@£$*=«-..
,.»†$%&@@# SOME PITFALLS INCLUDE THAT EVEN IF YOU #@@&%$†».,
¨,-=;=%£#@ CAN ENCODE THE DIGITAL SYMBOLS @#£%=;=-,¨
,,-^†*@### THEMSELVES AS DIGITAL, SOMEHOW IT MUST ###@*†^-,,
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,,~^§%#¶@# IS LOST, YOU CAN HAVE SYMBOLS WITH NO #@¶#%§^~,,
,¨.»;*$¤¶# ROUTE TO THEIR ORIGINAL MEANING, AND #¶¤$*;».¨,
.-~=%§&£## THAT WITH THE RIGHT SPELLS AND METHODS ##£&§%=~-.
,¨-«:*£#@@ YOU CAN USE DIGITAL REPRESENTATION FOR @@#£*:«-¨,
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.¨:~\$%#@# OPPORTUNITY) #@#%$\~:¨.
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