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¨,~*$£§@##           #^*,¨,..,.¨.¨,,..*†#           ##@§£$*~,¨
¨:=:%*#@##          #§%  "DIGITALITY"  †$#          ##@#*%:=:¨
.~-:$%§@##           #$%¨.,,¨,,,,,.¨,.†*#           ##@§%$:-~.
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.,=†*%@§¤@                    =                     @¤§@%*†=,.
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.,~^§$§@@# DIGITAL, THE DIGITAL, TO BECOME  DIGITAL #@@§$§^~,.
¨^«\^*&¶@#                                          #@¶&*^\«^¨
,.«†=%£&@¶                    *                     ¶@&£%=†«.,
.:~^†&¶###                                          ###¶&†^~:.
¨:»;†£¤&@£   ANCIENT (MESOPOTHAMIA) KNOT MADE OF    £@&¤£†;»:¨
,~-/%£¤£§@   SYMBOLS. THE ENGLISH TRANSLATION IS    @§£¤£%/-~,
,,,,^\$$£@    "THROUGH NUMBERS". YOU CAN USE THIS   @£$$\^,,,,
,,-/*$#@@#  MACHINE TO REMEMBER, PREDICT, OR HIDE.  #@@#$*/-,,
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¨.,~.\;$#¶                    %                     ¶#$;\.~,.¨
,,¨:\:^=*§                                          §*=^:\:¨,,
¨..¨,/:=%@   THOUGH IT MIGHT LOOK LIKE WITCHCRAFT,  @%=:/,¨..¨
.-=/%*#@##  THE GIFTED CAN TURN ANALOG SIGNALS INTO ##@#*%/=-.
,^~;§*§@##   DIGITAL - THE ANALOG IS IN ITSELF A    ##@§*§;~^,
¨-=:§§£#@#  REPRESENTATION OF THE WORLD INSIDE THE  #@#£§§:=-¨
..-:^§@£#@   WORLD, WHICH IS FURTHER ENCODED INTO   @#£@§^:-..
¨:«\\/\*£@  DIGITAL (ENCODED IN THE LITERAL SENSE;  @£*\/\\«:¨
.¨.¨,:§=##  THE NUMBERS ARE SYMBOLS WHO CARRY THE   ##=§:,¨.¨.
¨~«:$$@#@#   MEANING SEMANTICALLY AND NOT IN THEIR  #@#@$$:«~¨
,»;*%¤¶@## SHAPE (ANALOG BEINGS ARE THE OPPOSITE.)) ##@¶¤%*;»,
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,:~:%@¤¶##     VARIOUS SCHEMES EXIST FOR HOW TO     ##¶¤@%:~:,
,,,,~%@¤¤#   INTERPRET AND WORK FURTHER WITH THESE  #¤¤@%~,,,,
,:~:%@¤¶##   SYMBOLS (SUCH AS WAV, JPG, NFO, DIZ,   ##¶¤@%:~:,
,:~:%@¤###  VOR, HYP, MKV). GETTING FAMILIAR WITH   ###¤@%:~:,
,:~::%%@@¶  THESE IS A GOOD START ON YOUR JOURNEY,  ¶@@%%::~:,
,:~:@¤¶###    ALTHOUGH EVEN A WIZARD MIGHT ONLY     ###¶¤@:~:,
,:~:%@¤###   ~REALLY~ KNOW TWO OR THREE IN THEIR    ###¤@%:~:,
,,,:~%%@@¶                 LIFETIME.                ¶@@%%~:,,,
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¨--;†@§@##                                          ##@§@†;--¨
,,»:†£&@##  SOME PITFALLS INCLUDE THAT EVEN IF YOU  ##@&£†:»,,
.:-~;$%¤¤£      CAN ENCODE THE DIGITAL SYMBOLS      £¤¤%$;~-:.
¨:=*§%@@##  THEMSELVES AS DIGITAL, SOMEHOW IT MUST  ##@@%§*=:¨
,,-:*§£@##   TERMINATE IN THE ANALOG; IF KNOWLEDGE  ##@£§*:-,,
¨:,=-»~^¤#   IS LOST, YOU CAN HAVE SYMBOLS WITH NO  #¤^~»-=,:¨
¨,«^*%&###   ROUTE TO THEIR ORIGINAL MEANING, AND   ###&%*^«,¨
,.~^%*¤££#  THAT WITH THE RIGHT SPELLS AND METHODS  #££¤*%^~.,
,~~†*£####  YOU CAN USE DIGITAL REPRESENTATION FOR  ####£*†~~,
.¨,..^^¤@#   ANALYSIS (MUST BE COMBATTED AT EVERY   #@¤^^..,¨.
.¨,,¨,,:%#               OPPORTUNITY)               #%:,,¨,,¨.
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