,.,¨..,~=;                                          ;=~,..¨,.,
¨,¨.,...:~                                          ~:...,.¨,¨
¨.,¨,¨¨¨.-                                          -.¨¨¨,¨,.¨
¨.,.,¨¨..~                                          ~..¨¨,.,.¨
¨¨,,¨.¨:=:                                          :=:¨.¨,,¨¨
,¨¨.,¨^«;§                                          §;«^¨,.¨¨,
¨¨,..~==^@           #%%¨,...,..¨,,¨¨¨^%#           @^==~..,¨¨
¨¨.¨.~^†@&          #$*  "DIGITALITY"  ^*#          &@†^~.¨.¨¨
¨,¨,»/%@@@           #§$¨....¨¨..,,.,,**#           @@@%/»,¨,¨
,.,-/§£§@#                                          #@§£§/-,.,
¨:«;§£&¶##                     %                    ##¶&£§;«:¨
¨¨.~:%$¤@#                                          #@¤$%:~.¨¨
¨¨¨^~/$¤¤£ DIGITAL, THE DIGITAL, TO BECOME  DIGITAL £¤¤$/~^¨¨¨
¨.,,~»^%%¤                                          ¤%%^»~,,.¨
.,.,.,=:^$                     *                    $^:=,.,.,.
¨,¨,¨,,~/^                                          ^/~,,¨,¨,¨
¨,,,...:«\    ANCIENT (MESOPOTHAMIA) KNOT MADE OF   \«:...,,,¨
,¨...¨.¨^»   SYMBOLS. THE ENGLISH TRANSLATION IS    »^¨.¨...¨,
,.,¨..¨..,    "THROUGH NUMBERS". YOU CAN USE THIS   ,..¨..¨,.,
,...,¨¨¨-»  MACHINE TO REMEMBER, PREDICT, OR HIDE.  »-¨¨¨,...,
,¨¨¨,.,,=;                                          ;=,,.,¨¨¨,
.,,..,~-†*                     *                    *†-~,..,,.
.,.,.~=\$$                                          $$\=~.,.,.
.,,¨,=\%@&   THOUGH IT MIGHT LOOK LIKE WITCHCRAFT,  &@%\=,¨,,.
,¨,-~:*&£@ THE GIFTED CAN TURN ANALOG SIGNALS INTO  @£&*:~-,¨,
...~\%$#£#   DIGITAL - THE ANALOG IS IN ITSELF A    #£#$%\~...
,^~†%%§£##  REPRESENTATION OF THE WORLD INSIDE THE  ##£§%%†~^,
.¨-~†%@&¶#   WORLD, WHICH IS FURTHER ENCODED INTO   #¶&@%†~-¨.
¨,¨~=:$@£#  DIGITAL (ENCODED IN THE LITERAL SENSE;  #£@$:=~¨,¨
¨.¨,,-^†£&   THE NUMBERS ARE SYMBOLS WHO CARRY THE  &£†^-,,¨.¨
¨,¨¨¨,»/$*  MEANING SEMANTICALLY AND NOT IN THEIR   *$/»,¨¨¨,¨
,,,.,,:»:* SHAPE (ANALOG BEINGS ARE THE OPPOSITE.)) *:»:,,.,,,
¨.,.¨¨.,»:                                          :»,.¨¨.,.¨
,.,¨¨¨,,,«                    *                     «,,,¨¨¨,.,
¨.¨¨¨.,..-                                          -..,.¨¨¨.¨
........-«     VARIOUS SCHEMES EXIST FOR HOW TO     «-........
.......-«=  INTERPRET AND WORK FURTHER WITH THESE   =«-.......
......-«=*   SYMBOLS (SUCH AS WAV, JPG, NFO, DIZ,   *=«-......
.....-«=*&  VOR, HYP, MKV). GETTING FAMILIAR WITH   &*=«-.....
....-«=*&@  THESE IS A GOOD START ON YOUR JOURNEY,  @&*=«-....
...-«=*&@£     ALTHOUGH EVEN A WIZARD MIGHT ONLY    £@&*=«-...
..-«=*&@£#    «REALLY« KNOW TWO OR THREE IN THEIR   #£@&*=«-..
.-«=*&@£##                LIFETIME.                 ##£@&*=«-.
¨.~»*=¤@##                                          ##@¤=*»~.¨
,.,.-:=$¤@                     %                    @¤$=:-.,.,
,..¨--=%££                                          ££%=--¨..,
,.,..^~^*&  SOME PITFALLS INCLUDE THAT EVEN IF YOU  &*^~^..,.,
¨¨¨.¨,~~;%      CAN ENCODE THE DIGITAL SYMBOLS      %;~~,¨.¨¨¨
.¨¨,¨¨.,~;  THEMSELVES AS DIGITAL, SOMEHOW IT MUST  ;~,.¨¨,¨¨.
,¨,,,.¨.:«  TERMINATE IN THE ANALOG; IF KNOWLEDGE   «:.¨.,,,¨,
.¨.¨¨,,.¨~   IS LOST, YOU CAN HAVE SYMBOLS WITH NO  ~¨.,,¨¨.¨.
.¨...¨,¨.~   ROUTE TO THEIR ORIGINAL MEANING, AND   ~.¨,¨...¨.
¨,,.,.,-~\  THAT WITH THE RIGHT SPELLS AND METHODS  \~-,.,.,,¨
,,¨,¨¨,»/%  YOU CAN USE DIGITAL REPRESENTATION FOR  %/»,¨¨,¨,,
.¨.,¨~~:=$   ANALYSIS (MUST BE COMBATTED AT EVERY   $=:~~¨,.¨.
..¨¨~«:%%§               OPPORTUNITY)               §%%:«~¨¨..
¨,¨-»^†¤#£                                          £#¤†^»-¨,¨
¨¨.»=$£###                                          ###£$=».¨¨
,:»†§¤&###                                          ###&¤§†»:,
.,-~;^£###                                          ###£^;~-,.
¨,,,=†%*¤¶                                          ¶¤*%†=,,,¨