¤%*\=,,.¨.                                          .¨.,,=\*%¤
#@*$;«^.,.                                          .,.^«;$*@#
#¶¤¤%†=,¨,                                          ,¨,=†%¤¤¶#
##@#§%/~,¨                                          ¨,~/%§#@##
#@&§**»^,,                                          ,,^»**§&@#
@£&=\»,..¨                                          ¨..,»\=&£@
¤*^†~..,,,           #†%,,,¨,,,,,¨....^§#           ,,,..~†^*¤
%**=,,,¨,,          #%§  "DIGITALITY"  =%#          ,,¨,,,=**%
**~,,,¨¨¨,           #%*,..,.,¨,,.¨...*†#           ,¨¨¨,,,~**
†-..,.¨.,.                                          .,.¨.,..-†
%;=.,,¨¨.¨                    †                     ¨.¨¨,,.=;%
@=^».¨¨.,¨                                          ¨,.¨¨.»^=@
@$$*-,¨¨¨¨ DIGITAL,  THE DIGITAL, TO BECOME DIGITAL ¨¨¨¨,-*$$@
#@&**~.¨,¨                                          ¨,¨.~**&@#
#¶£$*\~:..                    $                     ..:~\*$£¶#
###§%^*~,,                                          ,,~*^%§###
##¤§*;~..,   ANCIENT (MESOPOTHAMIA) KNOT MADE OF    ,..~;*§¤##
#£%†;-:,,,    SYMBOLS. THE ENGLISH TRANSLATION IS   ,,,:-;†%£#
#&*;».,,,,   "THROUGH NUMBERS". YOU CAN USE THIS    ,,,,.»;*&#
%†^»^¨¨¨¨.  MACHINE TO REMEMBER, PREDICT, OR HIDE.  .¨¨¨¨^»^†%
%†-,,¨.,,¨                                          ¨,,.¨,,-†%
:«:,¨¨¨.,¨                     *                    ¨,.¨¨¨,:«:
$=«:,..,,¨                                          ¨,,..,:«=$
$=^--,...¨   THOUGH IT MIGHT LOOK LIKE WITCHCRAFT,  ¨...,--^=$
££=/~~.¨,,  THE GIFTED CAN TURN ANALOG SIGNALS INTO ,,¨.~~/=££
@@£*/=~,..   DIGITAL - THE ANALOG IS IN ITSELF A    ..,~=/*£@@
#£@$*:«-¨¨  REPRESENTATION OF THE WORLD INSIDE THE  ¨¨-«:*$@£#
##@@&%;-:,   WORLD, WHICH IS FURTHER ENCODED INTO   ,:-;%&@@##
#¶&%%^=,.¨  DIGITAL (ENCODED IN THE LITERAL SENSE;  ¨.,=^%%&¶#
¶#¤§†=-¨¨¨  THE NUMBERS ARE SYMBOLS WHO CARRY THE   ¨¨¨-=†§¤#¶
£%$†~.¨..¨   MEANING SEMANTICALLY AND NOT IN THEIR  ¨..¨.~†$%£
£**~,,,¨., SHAPE (ANALOG BEINGS ARE THE OPPOSITE.)) ,.¨,,,~**£
*\«,,,.,¨,                                          ,¨,.,,,«\*
/=~,,.,...                    =                     ...,.,,~=/
$==:.¨.,.¨                                          ¨.,.¨.:==$
*^=~^¨¨¨¨¨     VARIOUS SCHEMES EXIST FOR HOW TO     ¨¨¨¨¨^~=^*
¤*^=~^¨¨¨¨   INTERPRET AND WORK FURTHER WITH THESE  ¨¨¨¨^~=^*¤
#¤*^=~^¨¨¨   SYMBOLS (SUCH AS WAV, JPG, NFO, DIZ,   ¨¨¨^~=^*¤#
##¤*^=~^¨¨  VOR, HYP, MKV). GETTING FAMILIAR WITH   ¨¨^~=^*¤##
###¤*^=~^¨  THESE IS A GOOD START ON YOUR JOURNEY,  ¨^~=^*¤###
##¤*^=~^¨¨     ALTHOUGH EVEN A WIZARD MIGHT ONLY    ¨¨^~=^*¤##
#¤*^=~^¨¨¨   ~REALLY~ KNOW TWO OR THREE IN THEIR    ¨¨¨^~=^*¤#
¤*^=~^¨¨¨¨                LIFETIME.                 ¨¨¨¨^~=^*¤
$§†~-,.,,,                                          ,,,.,-~†§$
%;=.,¨,.,¨                     ^                    ¨,.,¨,.=;%
^«~.,.,,,.                                          .,,,.,.~«^
$;~-.¨¨.,.  SOME PITFALLS INCLUDE THAT EVEN IF YOU  .,.¨¨.-~;$
$%^~.¨,,..      CAN ENCODE THE DIGITAL SYMBOLS      ..,,¨.~^%$
£%§:».,.,¨  THEMSELVES AS DIGITAL, SOMEHOW IT MUST  ¨,.,.»:§%£
@£@*†«,,,¨  TERMINATE IN THE ANALOG; IF KNOWLEDGE   ¨,,,«†*@£@
#@§%%=«:.¨   IS LOST, YOU CAN HAVE SYMBOLS WITH NO  ¨.:«=%%§@#
####£†\=-.   ROUTE TO THEIR ORIGINAL MEANING, AND   .-=\†£####
#@&£§^~:,¨  THAT WITH THE RIGHT SPELLS AND METHODS  ¨,:~^§£&@#
#@£$/=.¨¨,  YOU CAN USE DIGITAL REPRESENTATION FOR  ,¨¨.=/$£@#
&%§/«^,.¨¨   ANALYSIS (MUST BE COMBATTED AT EVERY   ¨¨.,^«/§%&
*=^~,,¨¨¨¨               OPPORTUNITY)               ¨¨¨¨,,~^=*
*\=^¨.¨,.¨                                          ¨.,¨.¨^=\*
/»....,¨.,                                          ,.¨,....»/
*\«,.¨¨¨,¨                                          ¨,¨¨¨.,«\*
@$†~.¨,,,.                                          .,,,¨.~†$@
§**=»^,,¨,                                          ,¨,,^»=**§