@£$\».,.,¨                                          ¨,.,.»\$£@
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@£§¤%^=,..                                          ..,=^%¤§£@
#@@¤&=^-^.                                          .^-^=&¤@@#
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#£%†*~.¨,,                                          ,,¨.~*†%£#
&§$:~:¨,,,           #††,.,,,,.,¨,¨,¨¨%†#           ,,,¨:~:$§&
%§\-^,,.,¨          #^%  "DIGITALITY"  =%#          ¨,.,,^-\§%
@%=:«^,¨,.           #*$.,,.,,¨¨...¨.,**#           .,¨,^«:=%@
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##¤%§;-,¨.                     %                    .¨,-;§%¤##
#@@#$†=~,.                                          .,~=†$#@@#
@#§%^†--¨. DIGITAL, THE DIGITAL, TO BECOME  DIGITAL .¨--†^%§#@
#&£*\»-,.¨                                          ¨.,-»\*£&#
§£^^~^,,,¨                     %                    ¨,,,^~^^£§
@*:-^,..¨¨                                          ¨¨..,^-:*@
£&^/«.,,.,   ANCIENT (MESOPOTHAMIA) KNOT MADE OF    ,.,,.«/^&£
##£*:«,¨¨,    SYMBOLS. THE ENGLISH TRANSLATION IS   ,¨¨,«:*£##
#£&%$^-,,,    "THROUGH NUMBERS". YOU CAN USE THIS   ,,,-^$%&£#
##¶§@**=,¨  MACHINE TO REMEMBER, PREDICT, OR HIDE.  ¨,=**@§¶##
#@¤$^/~:,¨                                          ¨,:~/^$¤@#
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¤£=\=~...¨                                          ¨...~=\=£¤
£**-^...,¨  THOUGH IT MIGHT LOOK LIKE WITCHCRAFT,   ¨,...^-**£
¤¤$\».¨,¨. THE GIFTED CAN TURN ANALOG SIGNALS INTO  .¨,¨.»\$¤¤
@@$§;«..¨¨    DIGITAL - THE ANALOG IS IN ITSELF A   ¨¨..«;§$@@
##@$=*«.,,  REPRESENTATION OF THE WORLD INSIDE THE  ,,.«*=$@##
#@@§£*^-..   WORLD, WHICH IS FURTHER ENCODED INTO   ..-^*£§@@#
##§¤*:~..¨  DIGITAL (ENCODED IN THE LITERAL SENSE;  ¨..~:*¤§##
#§§§:=^.¨¨   THE NUMBERS ARE SYMBOLS WHO CARRY THE  ¨¨.^=:§§§#
§¤%^~-,.,,  MEANING SEMANTICALLY AND NOT IN THEIR   ,,.,-~^%¤§
$=\»,,¨,¨. SHAPE (ANALOG BEINGS ARE THE OPPOSITE.)) .¨,¨,,»\=$
@§*:-.,.,,                                          ,,.,.-:*§@
@@£$\~-¨,,                    †                     ,,¨-~\$£@@
@@£$^^~.¨¨                                          ¨¨.~^^$£@@
##¶¤£=/«~¨     VARIOUS SCHEMES EXIST FOR HOW TO     ¨~«/=£¤¶##
#¶¤£=/«~¨¨  INTERPRET AND WORK FURTHER WITH THESE   ¨¨~«/=£¤¶#
¶¤£=/«~¨¨¨   SYMBOLS (SUCH AS WAV, JPG, NFO, DIZ,   ¨¨¨~«/=£¤¶
¤£=/«~¨¨¨¨   VOR, HYP, MKV). GETTING FAMILIAR WITH  ¨¨¨¨~«/=£¤
£=/«~¨¨¨¨¨  THESE IS A GOOD START ON YOUR JOURNEY,  ¨¨¨¨¨~«/=£
¤£=/«~¨¨¨¨    ALTHOUGH EVEN A WIZARD MIGHT ONLY     ¨¨¨¨~«/=£¤
¶¤£=/«~¨¨¨    «REALLY« KNOW TWO OR THREE IN THEIR   ¨¨¨~«/=£¤¶
#¶¤£=/«~¨¨                 LIFETIME.                ¨¨~«/=£¤¶#
##£§$$;«~.                                          .~«;$$§£##
@#§$^^~,..                    †                     ..,~^^$§#@
@#$*:«~¨,¨                                          ¨,¨~«:*$#@
@£^;»,..¨.  SOME PITFALLS INCLUDE THAT EVEN IF YOU  .¨..,»;^£@
$*\~,.¨.,¨      CAN ENCODE THE DIGITAL SYMBOLS      ¨,.¨.,~\*$
#%*:~:¨.¨.  THEMSELVES AS DIGITAL, SOMEHOW IT MUST  .¨.¨:~:*%#
#¤&$=~^..,   TERMINATE IN THE ANALOG; IF KNOWLEDGE  ,..^~=$&¤#
##£$%*=~¨.   IS LOST, YOU CAN HAVE SYMBOLS WITH NO  .¨~=*%$£##
##@&%=†»~¨   ROUTE TO THEIR ORIGINAL MEANING, AND   ¨~»†=%&@##
@##¤%^~^,¨  THAT WITH THE RIGHT SPELLS AND METHODS  ¨,^~^%¤##@
£&£%\=:..¨  YOU CAN USE DIGITAL REPRESENTATION FOR  ¨..:=\%£&£
#%%:-^,,,¨   ANALYSIS (MUST BE COMBATTED AT EVERY   ¨,,,^-:%%#
$†*~,..,,.               OPPORTUNITY)               .,,..,~*†$
£%%\=-.¨,¨                                          ¨,¨.-=\%%£
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@¶#£*^»,.,                                          ,.,»^*£#¶@