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£¨¨§,&.@@.          #**  "DIGITALITY"  =§#          .§,,§¨§.#,
¤,@§.#¨¨#.           #=§¨..¨¨,.,¨.,...%*#           .&¨&#,@.§,
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£¨@£,§..¤. DIGITAL, THE DIGITAL,  TO BECOME DIGITAL .¤.£§,@¨#.
@¨,£,£,#@.                                          ¨§,.#.§.&¨
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@.&#¨¤¨,#¨   ANCIENT (MESOPOTHAMIA) KNOT MADE OF    .@.#§¨@.¤.
¤.,@¨¤,@@¨    SYMBOLS. THE ENGLISH TRANSLATION IS   ¨#.,#¨§¨#¨
&,&¤,§¨,#¨    "THROUGH NUMBERS". YOU CAN USE THIS   .£.¤@,¤.£¨
¤,.§.¤¨#£¨  MACHINE TO REMEMBER, PREDICT, OR HIDE.  ¨¤¨.#¨£¨&,
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£¨§§,@¨.@,                                          ¨§.£¤¨#.§.
§¨¨&.@,#§¨   THOUGH IT MIGHT LOOK LIKE WITCHCRAFT,  .£¨,@,&¨£,
&,@#,&,¨£,  THE GIFTED CAN TURN ANALOG SIGNALS INTO ¨§.@#.#,#.
#¨¨&¨&.@@¨    DIGITAL - THE ANALOG IS IN ITSELF A   ,§¨¨@,¤¨&.
£,¤#¨#..¤¨  REPRESENTATION OF THE WORLD INSIDE THE  .#.@#.&.£.
£,¨&.¤.@#¨   WORLD, WHICH IS FURTHER ENCODED INTO   .&.¨&.£.&¨
¤.§£,#¨.@¨  DIGITAL (ENCODED IN THE LITERAL SENSE;  ¨¤,££.&¨§,
#,¨@¨&,&§¨   THE NUMBERS ARE SYMBOLS WHO CARRY THE  ¨¤.¨§¨£,@.
§¨£¤,§¨¨£¨  MEANING SEMANTICALLY AND NOT IN THEIR   ,#¨§¤¨§¨#,
§,,§¨@¨@#¨ SHAPE (ANALOG BEINGS ARE THE OPPOSITE.)) ,§¨,§,&.#,
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#,,#,#,##,     VARIOUS SCHEMES EXIST FOR HOW TO     ,#,,#,#,#,
#,##,#,,#,  INTERPRET AND WORK FURTHER WITH THESE   ,#,##,#,#,
#,,#,#,##,   SYMBOLS (SUCH AS WAV, JPG, NFO, DIZ,   ,#,,#,#,#,
#,##,#,,#,   VOR, HYP, MKV). GETTING FAMILIAR WITH  ,#,##,#,#,
#,,#,#,##,  THESE IS A GOOD START ON YOUR JOURNEY,  ,#,,#,#,#,
#,##,#,,#,     ALTHOUGH EVEN A WIZARD MIGHT ONLY    ,#,##,#,#,
#,,#,#,##,    ~REALLY~ KNOW TWO OR THREE IN THEIR   ,#,,#,#,#,
#,##,#,,#,                LIFETIME.                 ,#,##,#,#,
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§,¤£,#,¨&¨  SOME PITFALLS INCLUDE THAT EVEN IF YOU  .¤¨§£.§,#,
&,,§,&,#§.      CAN ENCODE THE DIGITAL SYMBOLS      ¨@,¨§,¤.§¨
&,££¨&.,&,  THEMSELVES AS DIGITAL, SOMEHOW IT MUST  .§.§£,#,§,
@¨,&¨§¨£§¨  TERMINATE IN THE ANALOG; IF KNOWLEDGE   .£.¨#¨@¨¤¨
£.&¤,&¨,£,   IS LOST, YOU CAN HAVE SYMBOLS WITH NO  .¤,§&,@,&.
¤,,§¨#.£@.   ROUTE TO THEIR ORIGINAL MEANING, AND   .£.¨§,@.@,
@.£@,§¨.£¨  THAT WITH THE RIGHT SPELLS AND METHODS  ,£¨@@,@,§,
£,.#,£.£§,  YOU CAN USE DIGITAL REPRESENTATION FOR  ,¤¨¨£,¤.@,
#,£#,#¨.#¨   ANALYSIS (MUST BE COMBATTED AT EVERY   .#.&#¨&.£,
&,¨£.#,§#¨               OPPORTUNITY)               ¨¤¨,£¨¤.@¨
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