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£%;~,,¨.,,                                          ,,.¨,,~;%£
%†=~¨¨,,..           #=$¨..¨,,.,,..¨,.§=#           ..,,¨¨~=†%
=».¨,,¨¨,¨          #=%  "DIGITALITY"  †§#          ¨,¨¨,,¨.»=
*†»~.,.¨¨,           #$%,¨¨..,,,.¨..,¨$*#           ,¨¨.,.~»†*
$§†-,¨,¨¨,                                          ,¨¨,¨,-†§$
¤$=\~-,¨.¨                    §                     ¨.¨,-~\=$¤
##£†=~~,¨¨                                          ¨¨,~~=†£##
##&@†;-:.. DIGITAL, THE DIGITAL, TO  BECOME DIGITAL ..:-;†@&##
###&£=:~^,                                          ,^~:=£&###
#@£%=†«~.¨                    §                     ¨.~«†=%£@#
#@*^/~^¨.¨                                          ¨.¨^~/^*@#
§£*=-,¨,.,   ANCIENT (MESOPOTHAMIA) KNOT MADE OF    ,.,¨,-=*£§
%%^»:...¨.   SYMBOLS. THE ENGLISH TRANSLATION IS    .¨...:»^%%
=;~,...,,.   "THROUGH NUMBERS". YOU CAN USE THIS    .,,...,~;=
:~-..¨¨¨¨¨  MACHINE TO REMEMBER, PREDICT, OR HIDE.  ¨¨¨¨¨..-~:
%*~,¨.¨.¨.                                          .¨.¨.¨,~*%
*^:=,¨¨.,,                    ^                     ,,.¨¨,=:^*
&£*^=.,¨¨¨                                          ¨¨¨,.=^*£&
##¤*^«-,¨.  THOUGH IT MIGHT LOOK LIKE WITCHCRAFT,   .¨,-«^*¤##
##@£†;«,..  THE GIFTED CAN TURN ANALOG SIGNALS INTO ..,«;†£@##
##@@£%†«.,    DIGITAL - THE ANALOG IS IN ITSELF A   ,.«†%£@@##
#@&$$=~:.,  REPRESENTATION OF THE WORLD INSIDE THE  ,.:~=$$&@#
#&£†^~,.¨,   WORLD, WHICH IS FURTHER ENCODED INTO   ,¨.,~^†£&#
&$%*«:¨.¨¨  DIGITAL (ENCODED IN THE LITERAL SENSE;  ¨¨.¨:«*%$&
£%\~:,,,,,  THE NUMBERS ARE SYMBOLS WHO CARRY THE   ,,,,,:~\%£
*†=-....,.   MEANING SEMANTICALLY AND NOT IN THEIR  .,....-=†*
=--¨.¨¨,¨, SHAPE (ANALOG BEINGS ARE THE OPPOSITE.)) ,¨,¨¨.¨--=
%=«,,,..,¨                                          ¨,..,,,«=%
&*=~-¨,,¨.                    ^                     .¨,,¨-~=*&
&§§=~^¨.¨¨                                          ¨¨.¨^~=§§&
#¤$*=»,¨¨¨     VARIOUS SCHEMES EXIST FOR HOW TO     ¨¨¨,»=*$¤#
##¤$*=»,¨¨  INTERPRET AND WORK FURTHER WITH THESE   ¨¨,»=*$¤##
###¤$*=»,¨   SYMBOLS (SUCH AS WAV, JPG, NFO, DIZ,   ¨,»=*$¤###
##¤$*=»,¨¨  VOR, HYP, MKV). GETTING FAMILIAR WITH   ¨¨,»=*$¤##
#¤$*=»,¨¨¨  THESE IS A GOOD START ON YOUR JOURNEY,  ¨¨¨,»=*$¤#
¤$*=»,¨¨¨¨    ALTHOUGH EVEN A WIZARD MIGHT ONLY     ¨¨¨¨,»=*$¤
$*=»,¨¨¨¨¨   »REALLY» KNOW TWO OR THREE IN THEIR    ¨¨¨¨¨,»=*$
*=»,¨¨¨¨¨¨                 LIFETIME.                ¨¨¨¨¨¨,»=*
\=:,,¨,¨¨¨                                          ¨¨¨,¨,,:=\
§:»,,.¨.¨¨                    *                     ¨¨.¨.,,»:§
¤$;«-,.¨..                                          ..¨.,-«;$¤
#%%;=~¨,.¨  SOME PITFALLS INCLUDE THAT EVEN IF YOU  ¨.,¨~=;%%#
#&£$\=,...      CAN ENCODE THE DIGITAL SYMBOLS      ...,=\$£&#
##§**:~,..  THEMSELVES AS DIGITAL, SOMEHOW IT MUST  ..,~:**§##
###@£$\~^.  TERMINATE IN THE ANALOG; IF KNOWLEDGE   .^~\$£@###
##§§§*».¨,  IS LOST, YOU CAN HAVE SYMBOLS WITH NO   ,¨.»*§§§##
#£%*;=~.¨¨   ROUTE TO THEIR ORIGINAL MEANING, AND   ¨¨.~=;*%£#
@%%*~,,¨,,  THAT WITH THE RIGHT SPELLS AND METHODS  ,,¨,,~*%%@
*†*~,,,,¨.  YOU CAN USE DIGITAL REPRESENTATION FOR  .¨,,,,~*†*
%;»....,¨¨   ANALYSIS (MUST BE COMBATTED AT EVERY   ¨¨,....»;%
:»,,,.,,.¨               OPPORTUNITY)               ¨.,,.,,,»:
%/«~,¨,¨¨,                                          ,¨¨,¨,~«/%
£*†=-.¨,.¨                                          ¨.,¨.-=†*£
§&*=~,,,,¨                                          ¨,,,,~=*&§
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##&£*:=.¨.                                          .¨.=:*£&##