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###@$%;«,,          #$%  "DIGITALITY"  $=#          ,,«;%$@###
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#§*»^¨¨.., DIGITAL, THE DIGITAL, TO  BECOME DIGITAL ,..¨¨^»*§#
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##£@&*:«.,    ANCIENT (MESOPOTHAMIA) KNOT MADE OF   ,.«:*&@£##
###££%†~^,    SYMBOLS. THE ENGLISH TRANSLATION IS   ,^~†%££###
@#&%*†^,,.    "THROUGH NUMBERS". YOU CAN USE THIS   .,,^†*%&#@
##@#&*=«-¨  MACHINE TO REMEMBER, PREDICT, OR HIDE.  ¨-«=*&#@##
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@££$\~¨,¨.   THOUGH IT MIGHT LOOK LIKE WITCHCRAFT,  .¨,¨~\$££@
#@£%%*=«~,  THE GIFTED CAN TURN ANALOG SIGNALS INTO ,~«=*%%£@#
#@#§@%;~,.    DIGITAL - THE ANALOG IS IN ITSELF A   .,~;%@§#@#
#¶¤§%*=-,¨  REPRESENTATION OF THE WORLD INSIDE THE  ¨,-=*%§¤¶#
#@@#$^*~:.   WORLD, WHICH IS FURTHER ENCODED INTO   .:~*^$#@@#
@#§^\~¨..¨  DIGITAL (ENCODED IN THE LITERAL SENSE;  ¨..¨~\^§#@
§$$%£%/~~.  THE NUMBERS ARE SYMBOLS WHO CARRY THE   .~~/%£%$$§
###¤£^:»,.  MEANING SEMANTICALLY AND NOT IN THEIR   .,»:^£¤###
##¶&¤$:=-, SHAPE (ANALOG BEINGS ARE THE OPPOSITE.)) ,-=:$¤&¶##
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##££$*/«,.     VARIOUS SCHEMES EXIST FOR HOW TO     .,«/*$££##
#££***/«,.  INTERPRET AND WORK FURTHER WITH THESE   .,«/***££#
£$$$*/,,..   SYMBOLS (SUCH AS WAV, JPG, NFO, DIZ,   ..,,/*$$$£
##££$*/«,.   VOR, HYP, MKV). GETTING FAMILIAR WITH  .,«/*$££##
##££$*/«,.  THESE IS A GOOD START ON YOUR JOURNEY,  .,«/*$££##
##££$*/«,.    ALTHOUGH EVEN A WIZARD MIGHT ONLY     .,«/*$££##
##££$*/«,.    «REALLY« KNOW TWO OR THREE IN THEIR   .,«/*$££##
##££$*/«,.                 LIFETIME.                .,«/*$££##
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##¶@*$:~,,  SOME PITFALLS INCLUDE THAT EVEN IF YOU  ,,~:$*@¶##
##£@%%:~-,      CAN ENCODE THE DIGITAL SYMBOLS      ,-~:%%@£##
£@@&%%:~~,  THEMSELVES AS DIGITAL, SOMEHOW IT MUST  ,~~:%%&@@£
##@¤%%†«,,  TERMINATE IN THE ANALOG; IF KNOWLEDGE   ,,«†%%¤@##
#§§=»~«..,   IS LOST, YOU CAN HAVE SYMBOLS WITH NO  ,..«~»=§§#
##¶@§†;-:,   ROUTE TO THEIR ORIGINAL MEANING, AND   ,:-;†§@¶##
##¶#£%:~:¨  THAT WITH THE RIGHT SPELLS AND METHODS  ¨:~:%£#¶##
#@#£$††»^.  YOU CAN USE DIGITAL REPRESENTATION FOR  .^»††$£#@#
#@*§*^\~~,   ANALYSIS (MUST BE COMBATTED AT EVERY   ,~~\^*§*@#
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