¨¨.=»†§&£@                                          @£&§†»=.¨¨
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,,~;§&£@##           #%=¨..¨¨.¨.,.¨¨,¨=§#           ##@£&§;~,,
,.¨--=*%¤@          #%^  "DIGITALITY"  **#          @¤%*=--¨.,
¨~-^†*§#¶@           #$=...¨.,,.¨¨,,¨,^%#           @¶#§*†^-~¨
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.~»\^$$&¤#                    †                     #¤&$$^\»~.
.¨¨.^^$$§#                                          #§$$^^.¨¨.
¨,~^$¤§@¤£ DIGITAL, THE  DIGITAL, TO BECOME DIGITAL £¤@§¤$^~,¨
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.,»\%¤£#@#                    §                     #@#£¤%\»,.
.¨¨,.-%£@#                                          #@£%-.,¨¨.
.~«\$¤@@##   ANCIENT (MESOPOTHAMIA) KNOT MADE OF    ##@@¤$\«~.
...~^†$££#    SYMBOLS. THE ENGLISH TRANSLATION IS   #££$†^~...
.~»\%$§###   "THROUGH NUMBERS". YOU CAN USE THIS    ###§$%\»~.
.^~†$$#@##  MACHINE TO REMEMBER, PREDICT, OR HIDE.  ##@#$$†~^.
.:«=^££@##                                          ##@££^=«:.
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.-~»-%%%@£                                          £@%%%-»~-.
¨-»:§*¤@#@  THOUGH IT MIGHT LOOK LIKE WITCHCRAFT,   @#@¤*§:»-¨
.:-^*@§###  THE GIFTED CAN TURN ANALOG SIGNALS INTO ###§@*^-:.
,¨,.«=**@¤   DIGITAL - THE ANALOG IS IN ITSELF A    ¤@**=«.,¨,
.:-†*¤###@  REPRESENTATION OF THE WORLD INSIDE THE  @###¤*†-:.
¨,~**$£###   WORLD, WHICH IS FURTHER ENCODED INTO   ###£$**~,¨
.¨,:^=~†££  DIGITAL (ENCODED IN THE LITERAL SENSE;  ££†~=^:,¨.
.,:»=%%%§#   THE NUMBERS ARE SYMBOLS WHO CARRY THE  #§%%%=»:,.
¨^=;†%¤###  MEANING SEMANTICALLY AND NOT IN THEIR   ###¤%†;=^¨
.~»:=$#@## SHAPE (ANALOG BEINGS ARE THE OPPOSITE.)) ##@#$=:»~.
.,.,~»«=¤#                                          #¤=«»~,.,.
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.^=\*%£#@#                                          #@#£%*\=^.
.....^=*%@     VARIOUS SCHEMES EXIST FOR HOW TO     @%*=^.....
..^==***=&  INTERPRET AND WORK FURTHER WITH THESE   &=***==^..
.^=*=%&@@@   SYMBOLS (SUCH AS WAV, JPG, NFO, DIZ,   @@@&%=*=^.
.^=*=%&@@#  VOR, HYP, MKV). GETTING FAMILIAR WITH   #@@&%=*=^.
......===&  THESE IS A GOOD START ON YOUR JOURNEY,  &===......
....^^==&@    ALTHOUGH EVEN A WIZARD MIGHT ONLY     @&==^^....
.^=*=%&@@#    =REALLY= KNOW TWO OR THREE IN THEIR   #@@&%=*=^.
.^=*=%&@##                LIFETIME.                 ##@&%=*=^.
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.¨¨.»-^¤@&                     ^                    &@¤^-».¨¨.
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,.,.,~^$#@  SOME PITFALLS INCLUDE THAT EVEN IF YOU  @#$^~,.,.,
¨~=^^£§#£@      CAN ENCODE THE DIGITAL SYMBOLS      @£#§£^^=~¨
¨,..«*^*@@  THEMSELVES AS DIGITAL, SOMEHOW IT MUST  @@*^*«..,¨
,,~\*£*&@#  TERMINATE IN THE ANALOG; IF KNOWLEDGE   #@&*£*\~,,
.,~^*%£@@#   IS LOST, YOU CAN HAVE SYMBOLS WITH NO  #@@£%*^~,.
.,.,~:†^£#   ROUTE TO THEIR ORIGINAL MEANING, AND   #£^†:~,.,.
.^~«^*%$§#  THAT WITH THE RIGHT SPELLS AND METHODS  #§$%*^«~^.
.:»^=@§@@#  YOU CAN USE DIGITAL REPRESENTATION FOR  #@@§@=^»:.
,^-^%££###   ANALYSIS (MUST BE COMBATTED AT EVERY   ###££%^-^,
,,.¨¨,«*@#               OPPORTUNITY)               #@*«,¨¨.,,
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