##¤=/=-..¨                                          ¨..-=/=¤##
###$%^-.,¨                                          ¨,.-^%$###
###@¤$*-:,                                          ,:-*$¤@###
##@§%*--,.                                          .,--*%§@##
@£%%*~-..¨                                          ¨..-~*%%£@
£$*;»,...¨                                          ¨...,»;*$£
@#$†/»~...           #%*¨¨.,¨¨¨..,...¨*%#           ...~»/†$#@
#@££§=-.,,          #*§  "digitality"  **#          ,,.-=§££@#
##@@$§*~,¨           #**.¨.¨.,,.,¨.,,,§$#           ¨,~*§$@@##
#@@@†;~:,.                                          .,:~;†@@@#
@@$$\-,,,.                     *                    .,,,-\$$@@
£@*:~^¨,,.                                          .,,¨^~:*@£
##¤^/«,,,¨ digital, the digital, to  become digital ¨,,,«/^¤##
###*=/~~.,                                          ,.~~/=*###
###£$%;=:.                     §                    .:=;%$£###
#@#$%*~-..                                          ..-~*%$#@#
#¶£†=~^.¨¨   ancient (mesopothamia) knot made of    ¨¨.^~=†£¶#
@¤*/»,.¨¨,   symbols. the english translation is    ,¨¨.,»/*¤@
#¶$*;»,.¨¨   "through numbers". you can use this    ¨¨.,»;*$¶#
###¤=:~,¨¨  machine to remember, predict, or hide.  ¨¨,~:=¤###
####¤%==-,                                          ,-==%¤####
##@%†/-,¨.                     =                    .¨,-/†%@##
@@&†;-^¨.¨                                          ¨.¨^-;†&@@
££%;»^¨¨¨,   though it might look like witchcraft,  ,¨¨¨^»;%££
#£$§/«.¨,. the gifted can turn analog signals into  .,¨.«/§$£#
##@***~.,.   digital - the analog is in itself a    .,.~***@##
####$%;~,¨  representation of the world inside the  ¨,~;%$####
##@¤*^~^¨.   world, which is further encoded into   .¨^~^*¤@##
##$^:~~,¨.  digital (encoded in the literal sense;  .¨,~~:^$##
¶&^/-~¨¨¨.  the numbers are symbols who carry the   .¨¨¨~-/^&¶
@@&%^=,,¨¨  meaning semantically and not in their   ¨¨,,=^%&@@
##£§=/~:¨¨ shape (analog beings are the opposite.)) ¨¨:~/=§£##
###£*=:-~¨                                          ¨~-:=*£###
###£*=~..,                    %                     ,..~=*£###
#¶%†/-,...                                          ...,-/†%¶#
@£§==^,,,,     various schemes exist for how to     ,,,,^==§£@
#@£§==^,,,   interpret and work further with these  ,,,^==§£@#
##@£§==^,,   symbols (such as wav, jpg, nfo, diz,   ,,^==§£@##
###@£§==^,  vor, hyp, mkv). getting familiar with   ,^==§£@###
##@£§==^,,  these is a good start on your journey,  ,,^==§£@##
#@£§==^,,,     although even a wizard might only    ,,,^==§£@#
@£§==^,,,,   =really= know two or three in their    ,,,,^==§£@
#@£§==^,,,                 lifetime.                ,,,^==§£@#
##@$*†»^,.                                          .,^»†*$@##
###£@*†»~.                     %                    .~»†*@£###
##@&%^~-,,                                          ,,-~^%&@##
#@£%:--¨¨,  some pitfalls include that even if you  ,¨¨--:%£@#
@$*/~.¨¨..      can encode the digital symbols      ..¨¨.~/*$@
##$=:»:¨..  themselves as digital, somehow it must  ..¨:»:=$##
#@@*%^~-.¨  terminate in the analog; if knowledge   ¨.-~^%*@@#
##@@%$;=^,   is lost, you can have symbols with no  ,^=;$%@@##
#@@&†^«..¨   route to their original meaning, and   ¨..«^†&@@#
#@*†^~:.,,  that with the right spells and methods  ,,.:~^†*@#
#&^†~~¨,,,  you can use digital representation for  ,,,¨~~†^&#
#£@%;«-.¨.   analysis (must be combatted at every   .¨.-«;%@£#
##£&%^~.,.               opportunity)               .,.~^%&£##
##@@%=:~~¨                                          ¨~~:=%@@##
###¤†=-..,                                          ,..-=†¤###
#@&*:=~.¨¨                                          ¨¨.~=:*&@#
¶%*/»,.¨..                                          ..¨.,»/*%¶
##@§;»,¨.,                                          ,.¨,»;§@##