,.,,=†*%@#                                          #@%*†=,,.,
..,~;%£££@                                          @£££%;~,..
,,~=†$#@##                                          ##@#$†=~,,
.¨.~\%££#@                                          @#££%\~.¨.
¨,¨-»:%§@£                                          £@§%:»-¨,¨
¨¨,¨-~††$¤                                          ¤$††~-¨,¨¨
¨,¨¨,,~^%%           #%=,¨,,¨¨..,¨,,,.§=#           %%^~,,¨¨,¨
.,,,,¨:~\=          #**  "DIGITALITY"  §$#          =\~:¨,,,,.
,¨.¨¨¨,:«\           #**.,..,,...,,¨,.*=#           \«:,¨¨¨.¨,
¨,,.¨.,¨,~                                          ~,¨,.¨.,,¨
¨,¨.¨.¨,¨:                     ^                    :¨,¨.¨.¨,¨
¨,¨.¨,¨.,=                                          =,.¨,¨.¨,¨
,¨...¨,:~* DIGITAL, THE DIGITAL, TO BECOME  DIGITAL *~:,¨...¨,
,,,¨¨¨~»/^                                          ^/»~¨¨¨,,,
.,,¨,,~/=&                     %                    &=/~,,¨,,.
,,,¨-~=%*¤                                          ¤*%=~-¨,,,
.¨¨,=/^%¤#   ANCIENT (MESOPOTHAMIA) KNOT MADE OF    #¤%^/=,¨¨.
,¨-=:=*§¶#    SYMBOLS. THE ENGLISH TRANSLATION IS   #¶§*=:=-¨,
¨,-*$¤#¶@#   "THROUGH NUMBERS". YOU CAN USE THIS    #@¶#¤$*-,¨
¨,,=/^¤£@#  MACHINE TO REMEMBER, PREDICT, OR HIDE.  #@£¤^/=,,¨
.,,^~†=&##                                          ##&=†~^,,.
....^~†*$&                     §                    &$*†~^....
,¨.¨¨,~^%§                                          §%^~,¨¨.¨,
¨¨,¨¨,^»^=  THOUGH IT MIGHT LOOK LIKE WITCHCRAFT,   =^»^,¨¨,¨¨
¨.,,...^«:  THE GIFTED CAN TURN ANALOG SIGNALS INTO :«^...,,.¨
.,,¨,,.¨,=    DIGITAL - THE ANALOG IS IN ITSELF A   =,¨.,,¨,,.
,.,¨,¨,,,,  REPRESENTATION OF THE WORLD INSIDE THE  ,,,,¨,¨,.,
.,¨,¨,,¨~-   WORLD, WHICH IS FURTHER ENCODED INTO   -~¨,,¨,¨,.
.¨,¨...~«=  DIGITAL (ENCODED IN THE LITERAL SENSE;  =«~...¨,¨.
...¨.¨,~^*  THE NUMBERS ARE SYMBOLS WHO CARRY THE   *^~,¨.¨...
.,¨.,-~/=£   MEANING SEMANTICALLY AND NOT IN THEIR  £=/~-,.¨,.
.¨.¨.=:%@§ SHAPE (ANALOG BEINGS ARE THE OPPOSITE.)) §@%:=.¨.¨.
¨¨.:«=%%§£                                          £§%%=«:.¨¨
.,--†$¤¤##                    *                     ##¤¤$†--,.
.,~;=@¤@@#                                          #@@¤@=;~,.
,,,~^†£#@#     VARIOUS SCHEMES EXIST FOR HOW TO     #@#£†^~,,,
,,,,~^†£#@   INTERPRET AND WORK FURTHER WITH THESE  @#£†^~,,,,
,,,,,~^†£#   SYMBOLS (SUCH AS WAV, JPG, NFO, DIZ,   #£†^~,,,,,
,,,,,,~^†£   VOR, HYP, MKV). GETTING FAMILIAR WITH  £†^~,,,,,,
,,,,,,,~^†  THESE IS A GOOD START ON YOUR JOURNEY,  †^~,,,,,,,
,,,,,,,,~^    ALTHOUGH EVEN A WIZARD MIGHT ONLY     ^~,,,,,,,,
,,,,,,,,,~   ~REALLY~ KNOW TWO OR THREE IN THEIR    ~,,,,,,,,,
,,,,,,,,,,                 LIFETIME.                ,,,,,,,,,,
...,.¨¨,--                                          --,¨¨.,...
,,¨¨.,¨-«/                     =                    /«-¨,.¨¨,,
,,..,,^«;*                                          *;«^,,..,,
,,¨,.-~\^&  SOME PITFALLS INCLUDE THAT EVEN IF YOU  &^\~-.,¨,,
.¨..,«:§£@      CAN ENCODE THE DIGITAL SYMBOLS      @£§:«,..¨.
,,¨.~†$$@#  THEMSELVES AS DIGITAL, SOMEHOW IT MUST  #@$$†~.¨,,
.¨-»/%£§¶#   TERMINATE IN THE ANALOG; IF KNOWLEDGE  #¶§£%/»-¨.
,,~/=&££##   IS LOST, YOU CAN HAVE SYMBOLS WITH NO  ##££&=/~,,
¨¨,=;†§@@#   ROUTE TO THEIR ORIGINAL MEANING, AND   #@@§†;=,¨¨
.¨.^~;$$£#  THAT WITH THE RIGHT SPELLS AND METHODS  #£$$;~^.¨.
.,,,-«†§@§  YOU CAN USE DIGITAL REPRESENTATION FOR  §@§†«-,,,.
,,.¨,^~/*%   ANALYSIS (MUST BE COMBATTED AT EVERY   %*/~^,¨.,,
,..¨¨.,»\$               OPPORTUNITY)               $\»,.¨¨..,
¨,.¨,¨¨-«;                                          ;«-¨¨,¨.,¨
,,,,,¨,¨.-                                          -.¨,¨,,,,,
.¨¨¨.,,¨,-                                          -,¨,,.¨¨¨.
,.,.¨.,,^~                                          ~^,,.¨.,.,
.¨..¨¨.~=:                                          :=~.¨¨..¨.