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@,£¨@£,@,@           #^*¨¨¨,¨¨.¨...¨¨.%§#           #¨&.#.#,@.
¤¨&.¨¤.&¨&          #§=  "DIGITALITY"  **#          @¨§¨@.&¨#.
¤¨§.@@,§¨§           #*$,,,¨,¨¨,..,.¨.††#           £¨§¨£¨§¨£.
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@,§¨@§,£,£                     †                    &,§,§.#,&,
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¤.#¨¤§¨£¨# DIGITAL, THE DIGITAL, TO BECOME  DIGITAL &.§¨#.¤¨£,
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&.¤,#§¨¤¨&   ANCIENT (MESOPOTHAMIA) KNOT MADE OF    &.#.§¨£¨#.
¤¨¤..§.#¨§    SYMBOLS. THE ENGLISH TRANSLATION IS   §,@,£,@,@,
@¨§¨££,@,#    "THROUGH NUMBERS". YOU CAN USE THIS   £¨§.@,&¨#.
§.#,,£¨&.¤  MACHINE TO REMEMBER, PREDICT, OR HIDE.  £¨&.@¨£,@.
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&,@,.§.§.#                    *                     @,§,§.§,§.
&.¤.¤#,@,@                                          &¨£.@,&¨#.
§.¤..£¨§.@  THOUGH IT MIGHT LOOK LIKE WITCHCRAFT,   §,¤,£¨¤.£¨
§.¤¨¤@.#¨& THE GIFTED CAN TURN ANALOG SIGNALS INTO  #¨¤¨£.@.&.
&¨#¨,&¨&.£    DIGITAL - THE ANALOG IS IN ITSELF A   @,§,&¨£,£,
#,¤,§¤,@¨¤  REPRESENTATION OF THE WORLD INSIDE THE  §.§¨#,&,§.
@¨¤¨¨¤,#,¤   WORLD, WHICH IS FURTHER ENCODED INTO   #.¤.@.¤,#¨
§¨£.#@¨@¨@  DIGITAL (ENCODED IN THE LITERAL SENSE;  @,&¨&,&,£.
¤,£,¨&,¤¨£   THE NUMBERS ARE SYMBOLS WHO CARRY THE  &,¤.#,§¨§¨
§,¤¨£§.§¨£   MEANING SEMANTICALLY AND NOT IN THEIR  #.¤.¤¨£.§,
¤¨£.,£,¤,£ SHAPE (ANALOG BEINGS ARE THE OPPOSITE.)) §,§¨&,&¨¤.
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@,@,,@,@,@     VARIOUS SCHEMES EXIST FOR HOW TO     @,@,@,@,@,
@,@,@@,@,@   INTERPRET AND WORK FURTHER WITH THESE  @,@,@,@,@,
@,@,,@,@,@   SYMBOLS (SUCH AS WAV, JPG, NFO, DIZ,   @,@,@,@,@,
@,@,@@,@,@   VOR, HYP, MKV). GETTING FAMILIAR WITH  @,@,@,@,@,
@,@,,@,@,@  THESE IS A GOOD START ON YOUR JOURNEY,  @,@,@,@,@,
@,@,@@,@,@     ALTHOUGH EVEN A WIZARD MIGHT ONLY    @,@,@,@,@,
@,@,,@,@,@   -REALLY- KNOW TWO OR THREE IN THEIR    @,@,@,@,@,
@,@,@@,@,@                LIFETIME.                 @,@,@,@,@,
§¨£¨,@,@,&                                          &¨&.@.@,#,
&,¤,§¤.#¨£                    %                     #,&,£¨@.£.
&.&¨,£,@.#                                          @,@¨£,&¨¤¨
§¨£¨§£.@¨£  SOME PITFALLS INCLUDE THAT EVEN IF YOU  @,#.£.¤.¤,
@¨§.,§.§,#      CAN ENCODE THE DIGITAL SYMBOLS      @¨§¨&¨¤,¤.
£,&,&¤.@,@  THEMSELVES AS DIGITAL, SOMEHOW IT MUST  ¤.£,@.§,#¨
&,§¨,£¨§¨§   TERMINATE IN THE ANALOG; IF KNOWLEDGE  §,#.¤,§,£¨
@,&¨¤£,&¨¤   IS LOST, YOU CAN HAVE SYMBOLS WITH NO  §,£¨§¨£.&,
§,£,¨£.&¨£   ROUTE TO THEIR ORIGINAL MEANING, AND   #.&.#¨#.@¨
&.#.##,&,&  THAT WITH THE RIGHT SPELLS AND METHODS  @,¤.&¨§,&.
£.£¨,¤¨¤¨&  YOU CAN USE DIGITAL REPRESENTATION FOR  #.§,#,@.&,
£.#,¤¤¨@¨&   ANALYSIS (MUST BE COMBATTED AT EVERY   #.§¨¤¨§¨#.
£,£,.¤,¤.&               OPPORTUNITY)               &¨&,#,§.£¨
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