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.¨,.,,^/*¤           #^*,¨¨....,.,,...%*#           ¤*/^,,.,¨.
,,«:§@§@##          #§§  "DIGITALITY"  *^#          ##@§@§:«,,
,,»\=§£@##           #^=.¨,,.,.¨¨¨¨¨¨,%*#           ##@£§=\»,,
,^-†%$¤@@#                                          #@@¤$%†-^,
¨^=*%££#@#                    $                     #@#££%*=^¨
,,.:-»=§&@                                          @&§=»-:.,,
,-~=%$@£¤@ DIGITAL, THE  DIGITAL, TO BECOME DIGITAL @¤£@$%=~-,
,~«/%*#@##                                          ##@#*%/«~,
..¨.^,\/@¶                     §                    ¶@/\,^.¨..
¨,«/%%&¶@#                                          #@¶&%%/«,¨
.:«=^%£¶##   ANCIENT (MESOPOTHAMIA) KNOT MADE OF    ##¶£%^=«:.
,-»»^†%#@£   SYMBOLS. THE ENGLISH TRANSLATION IS    £@#%†^»»-,
.,»«---%$&    "THROUGH NUMBERS". YOU CAN USE THIS   &$%---«»,.
.,~:*§&@#@  MACHINE TO REMEMBER, PREDICT, OR HIDE.  @#@&§*:~,.
,,¨¨.:/$@£                                          £@$/:.¨¨,,
¨,=\†%@%¶@                     =                    @¶%@%†\=,¨
,-=:=&*&#¶                                          ¶#&*&=:=-,
¨.,.¨::££@  THOUGH IT MIGHT LOOK LIKE WITCHCRAFT,   @££::¨.,.¨
.-«*^£&¶##  THE GIFTED CAN TURN ANALOG SIGNALS INTO ##¶&£^*«-.
¨:-;=%#§##    DIGITAL - THE ANALOG IS IN ITSELF A   ##§#%=;-:¨
¨.-:§£¤@##  REPRESENTATION OF THE WORLD INSIDE THE  ##@¤£§:-.¨
,,=\;††^§£   WORLD, WHICH IS FURTHER ENCODED INTO   £§^††;\=,,
,,«=%&¤¶##  DIGITAL (ENCODED IN THE LITERAL SENSE;  ##¶¤&%=«,,
.:»:*%£@##   THE NUMBERS ARE SYMBOLS WHO CARRY THE  ##@£%*:»:.
,,=†$£¤###  MEANING SEMANTICALLY AND NOT IN THEIR   ###¤£$†=,,
..,¨^.=%¤@ SHAPE (ANALOG BEINGS ARE THE OPPOSITE.)) @¤%=.^¨,..
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¨,¨,./%§##                                          ##§%/.,¨,¨
¨-=*$#####     VARIOUS SCHEMES EXIST FOR HOW TO     #####$*=-¨
¨¨¨¨¨-=$##   INTERPRET AND WORK FURTHER WITH THESE  ##$=-¨¨¨¨¨
¨-==***$##   SYMBOLS (SUCH AS WAV, JPG, NFO, DIZ,   ##$***==-¨
¨¨¨¨-===$#   VOR, HYP, MKV). GETTING FAMILIAR WITH  #$===-¨¨¨¨
¨¨--=**$##  THESE IS A GOOD START ON YOUR JOURNEY,  ##$**=--¨¨
¨-==*$####     ALTHOUGH EVEN A WIZARD MIGHT ONLY    ####$*==-¨
¨-==*$####   =REALLY= KNOW TWO OR THREE IN THEIR    ####$*==-¨
¨¨¨---=*##                 LIFETIME.                ##*=---¨¨¨
..¨¨,~-^@#                                          #@^-~,¨¨..
¨-~†$%%§@@                     ^                    @@§%%$†~-¨
..,.:/=&##                                          ##&=/:.,..
.,-\§§%$§@  SOME PITFALLS INCLUDE THAT EVEN IF YOU  @§$%§§\-,.
¨-«\=$@@##      CAN ENCODE THE DIGITAL SYMBOLS      ##@@$=\«-¨
.,~/§%£@##  THEMSELVES AS DIGITAL, SOMEHOW IT MUST  ##@£%§/~,.
.,.¨,.»^=#  TERMINATE IN THE ANALOG; IF KNOWLEDGE   #=^».,¨.,.
,~»/**¤¶@#  IS LOST, YOU CAN HAVE SYMBOLS WITH NO   #@¶¤**/»~,
.,»/=*%@§&   ROUTE TO THEIR ORIGINAL MEANING, AND   &§@%*=/»,.
,¨¨,.^~^$¤  THAT WITH THE RIGHT SPELLS AND METHODS  ¤$^~^.,¨¨,
,,..~-~†£#  YOU CAN USE DIGITAL REPRESENTATION FOR  #£†~-~..,,
.,,.,.^;%£   ANALYSIS (MUST BE COMBATTED AT EVERY   £%;^.,.,,.
¨.»;*§§£##               OPPORTUNITY)               ##£§§*;».¨
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