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¨.,»:=$¤## ##¤$=:»,.¨
.,«\†§£### #%*.¨,¨.,,,¨¨¨,..=†# ###£§†\«,.
¨..«;$¤#£# #** "digitality" $%# #£#¤$;«..¨
,-«:*@&¶## #^=¨....,,¨¨.¨.,.†^# ##¶&@*:«-,
..~»\§&@## ##@&§\»~..
.:«^^*#@## ^ ##@#*^^«:.
¨,,-†$§§@# #@§§$†-,,¨
..-\**#¶## digital, the digital, to become digital ##¶#**\-..
¨,.«:*£@@# #@@£*:«.,¨
¨.~=%*§£## † ##£§*%=~.¨
,¨-«†%%# ##&%%†«-¨,
¨:~:$£## ancient (mesopothamia) knot made of ##£#&$:~:¨
¨¨-«^^*#£# symbols. the english translation is #£#*^^«-¨¨
¨-~*^£¤£## "through numbers". you can use this ##£¤£^*~-¨
.¨,==**@£# machine to remember, predict, or hide. #£@**==,¨.
,,»^%$@¶## ##¶@$%^»,,
¨.--:*§#@# ^ #@#§*:--.¨
,,=*$%#@## ##@#%$*=,,
¨¨,~†§%### though it might look like witchcraft, ###%§†~,¨¨
¨,»=§§&£## the gifted can turn analog signals into ##£&§§=»,¨
.¨,~==££@# digital - the analog is in itself a #@££==~,¨.
¨-~†%¤£@## representation of the world inside the ##@£¤%†~-¨
,.,=^%$§@# world, which is further encoded into #@§$%^=,.,
,.~;%*&@## digital (encoded in the literal sense; ##@&*%;~.,
¨.--*†£@## the numbers are symbols who carry the ##@£†*--.¨
¨^-=*@§@## meaning semantically and not in their ##@§@*=-^¨
,.^~/^&§¶# shape (analog beings are the opposite.)) #¶§&^/~^.,
¨^=:=%£### ###£%=:=^¨
.¨.~*=£¤## § ##¤£=*~.¨.
.~~^%%#£## ##£#%%^~~.
,,--/%§§@# various schemes exist for how to #@§§%/--,,
,--/%§§@## interpret and work further with these ##@§§%/--,
,,--/%§§@# symbols (such as wav, jpg, nfo, diz, #@§§%/--,,
,--/%§§@## vor, hyp, mkv). getting familiar with ##@§§%/--,
,,--/%§§@# these is a good start on your journey, #@§§%/--,,
,--/%§§@## although even a wizard might only ##@§§%/--,
,,--/%§§@# -really- know two or three in their #@§§%/--,,
,--/%§§@## lifetime. ##@§§%/--,
.,,«\†@@@# #@@@†\«,,.
.:-/*$#### * ####$*/-:.
,..==*@¤¶# #¶¤@*==..,
.^«;%¤¤@## some pitfalls include that even if you ##@¤¤%;«^.
,.,«/%&¤## can encode the digital symbols ##¤&%/«,.,
,-«:*&§¶## themselves as digital, somehow it must ##¶§&*:«-,
,,-~*$$### terminate in the analog; if knowledge ###$$*~-,,
,.»;%*£@## is lost, you can have symbols with no ##@£*%;».,
¨.,»=^%¤@# route to their original meaning, and #@¤%^=»,.¨
.--^*£#¶## that with the right spells and methods ##¶#£*^--.
¨.,«=§$£## you can use digital representation for ##£$§=«,.¨
.,~;*¤#@## analysis (must be combatted at every ##@#¤*;~,.
,..~:%@§@# opportunity) #@§@%:~..,
.:~†*%£### ###£%*†~:.
,¨^»\%$@¶# #¶@$%\»^¨,
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¨¨.«;=£§@# #@§£=;«.¨¨
.^«*§$#### ####$§*«^.