#####@*=^,                                          ,^=*@#####
##£#§††»^.                                          .^»††§#£##
£#@%£†=~~,                                          ,~~=†£%@#£
@¤£$^,,¨..                                          ..¨,,^$£¤@
@§£#@*=«:.                                          .:«=*@#£§@
##£§£^:~,.                                          .,~:^£§£##
##@§@%;»~,           #*%,.,,.¨¨,¨¨,,,¨=§#           ,~»;%@§@##
###§**:~-.          #%=  "digitality"  ==#          .-~:**§###
#@¶@£==«~¨           #%$¨¨,.¨¨¨,¨.,¨.,†%#           ¨~«==£@¶@#
###¤%%=»-¨                                          ¨-»=%%¤###
@*^*=*~-,,                    $                     ,,-~*=*^*@
£*-^.,,¨,¨                                          ¨,¨,,.^-*£
&^%^=\^»:, digital, the digital, to become  digital ,:»^\=^%^&
@@#¤¤*:=-¨                                          ¨-=:*¤¤#@@
##§£¤$=~,¨                    %                     ¨,~=$¤£§##
##£§&^*~.,                                          ,.~*^&§£##
@§§~-..¨.,    ancient (mesopothamia) knot made of   ,.¨..-~§§@
@*%=~«¨.,.   symbols. the english translation is    .,.¨«~=%*@
#@£#$§:~,¨    "through numbers". you can use this   ¨,~:§$#£@#
##@£§§*~~.  machine to remember, predict, or hide.  .~~*§§£@##
###£&£%=»,                                          ,»=%£&£###
#£^«--....                     *                    ....--«^£#
§=^~..,,,,                                          ,,,,..~^=§
##@§£^:~-.  though it might look like witchcraft,   .-~:^£§@##
#@#&$§==~¨ the gifted can turn analog signals into  ¨~==§$&#@#
##@#$$;~~,    digital - the analog is in itself a   ,~~;$$#@##
#@¶£&$;~,.  representation of the world inside the  .,~;$&£¶@#
##¶§@††«,,   world, which is further encoded into   ,,«††@§¶##
¤%£%$%\«^¨  digital (encoded in the literal sense;  ¨^«\%$%£%¤
####%§:»^.  the numbers are symbols who carry the   .^»:§%####
£#$¤*=...,   meaning semantically and not in their  ,...=*¤$#£
¤%$*^†:,¨, shape (analog beings are the opposite.)) ,¨,:†^*$%¤
#§§=»,¨¨,¨                                          ¨,¨¨,»=§§#
@^%*~.,,..                    =                     ..,,.~*%^@
###@¤¤;«,.                                          .,«;¤¤@###
##£¤§^:«,,     various schemes exist for how to     ,,«:^§¤£##
##£¤§^:«,,  interpret and work further with these   ,,«:^§¤£##
#£§§:«,,,,   symbols (such as wav, jpg, nfo, diz,   ,,,,«:§§£#
¤¤§^«,,,,,  vor, hyp, mkv). getting familiar with   ,,,,,«^§¤¤
¤¤^««,,,,,  these is a good start on your journey,  ,,,,,««^¤¤
¤§::::,,,,    although even a wizard might only     ,,,,::::§¤
##£¤§^:«,,    «really« know two or three in their   ,,«:^§¤£##
¤^^::,,,,,                 lifetime.                ,,,,,::^^¤
###&**†~^.                                          .^~†**&###
@@@%»,..¨.                    †                     .¨..,»%@@@
¤**%†,.,¨,                                          ,¨,.,†%**¤
&%/~¨,,¨¨.  some pitfalls include that even if you  .¨¨,,¨~/%&
@&§*..¨,,¨      can encode the digital symbols      ¨,,¨..*§&@
&*»^:..¨.,  themselves as digital, somehow it must  ,.¨..:^»*&
##@%/.-,^.  terminate in the analog; if knowledge   .^,-./%@##
##@££*=~~¨  is lost, you can have symbols with no   ¨~~=*££@##
##¶§§*:=^.   route to their original meaning, and   .^=:*§§¶##
&¤;«.,...,  that with the right spells and methods  ,...,.«;¤&
¤**~¨¨¨,¨,  you can use digital representation for  ,¨,¨¨¨~**¤
####&^*~.,   analysis (must be combatted at every   ,.~*^&####
¶@%*==†=^.               opportunity)               .^=†==*%@¶
##@@@%\»:,                                          ,:»\%@@@##
#*=~..,,.¨                                          ¨.,,..~=*#
##¶&$†^«:,                                          ,:«^†$&¶##
#@£§%§†~.,                                          ,.~†§%§£@#
@&*»~,,¨¨.                                          .¨¨,,~»*&@