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£&¨¨§¤§,.. #¨¨&#§#,&§
¨¨£.@¨,&¨¨ * .¤¨@¨¨.@#.
,,#@@&.§¤¨ ,&&£§,,£,&
£¨#¨,¨£#.§ ANCIENT (MESOPOTHAMIA) KNOT MADE OF ,¤¨¨.@,@§@
,§££¨,§.&§ SYMBOLS. THE ENGLISH TRANSLATION IS .#§.¨##&.,
.#,.§.¤#£. "THROUGH NUMBERS". YOU CAN USE THIS ¤#,§,§¨.§.
.¤§,&&¤,¨& MACHINE TO REMEMBER, PREDICT, OR HIDE. ,,@&§&@¨&§
&£¨&£..@¨§ ¤¨#¨.,,¤&¨
@.¤§.&.§§§ * &@§&¨.¨¤,@
.¤#¨#@&¤¨. §,.¨@,¨@¤£
¤§¨¤£,¨,&. THOUGH IT MIGHT LOOK LIKE WITCHCRAFT, @§..¤¤.§,.
£,&@.#,,¤@ THE GIFTED CAN TURN ANALOG SIGNALS INTO @¨£,£.&¤@,
#@@¨§§&¨¤, DIGITAL - THE ANALOG IS IN ITSELF A §£#¤#&§.,¤
,,¨&&¨,§@& REPRESENTATION OF THE WORLD INSIDE THE ...,,¨¨&,¤
&¨¨£,£,&., WORLD, WHICH IS FURTHER ENCODED INTO ¨¨..,,.&§£
¨£¨§£&¤&@¨ DIGITAL (ENCODED IN THE LITERAL SENSE; ¤¨,,...&..
¨£&£,,.¨,# THE NUMBERS ARE SYMBOLS WHO CARRY THE ££¨¨..¨&&.
¨#.,&,.,.@ MEANING SEMANTICALLY AND NOT IN THEIR .,£¨,¨,#.¤
¤£#¨#&¨.,@ SHAPE (ANALOG BEINGS ARE THE OPPOSITE.)) £¨¤&,.¨&§¤
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¨,¨¤,@&&.¤ % @¨¨¤#¤¨&@¨
,,¨£#¤..## ¨&¨&.¨#&.&
@¨¨@¨¨@¨@¨ VARIOUS SCHEMES EXIST FOR HOW TO @@@@@¨@¨@@
¨@¨@@¨@@@@ INTERPRET AND WORK FURTHER WITH THESE @¨¨¨¨@@@@¨
¨@@@¨@@¨¨¨ SYMBOLS (SUCH AS WAV, JPG, NFO, DIZ, ¨@¨¨¨@¨¨¨@
@@¨¨@@¨@¨¨ VOR, HYP, MKV). GETTING FAMILIAR WITH @@@¨¨@@¨¨@
¨¨@¨@¨@@@¨ THESE IS A GOOD START ON YOUR JOURNEY, ¨¨¨@¨@¨@¨@
@¨@@@@@¨¨@ ALTHOUGH EVEN A WIZARD MIGHT ONLY ¨¨¨@@@@@@@
¨@@¨¨¨¨@¨@ ~REALLY~ KNOW TWO OR THREE IN THEIR ¨¨¨@¨¨¨¨¨¨
¨@¨@¨¨¨@@@ LIFETIME. @¨¨@@¨¨¨¨¨
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,&¨,¨&.££¨ * ¤§¤#§@£,,¨
¨££,¨&#@¨¤ #.,,,..¤,,
.§¨£.§,.§£ SOME PITFALLS INCLUDE THAT EVEN IF YOU &#,¨.¨.@§,
¨§¤£&¤@,£, CAN ENCODE THE DIGITAL SYMBOLS @.£,.¨,£¨&
&£¨.¨¨¨¤§§ THEMSELVES AS DIGITAL, SOMEHOW IT MUST §@§§..,@¤#
,,£,¨,¨&., TERMINATE IN THE ANALOG; IF KNOWLEDGE @,.¨#,¨@,,
¨,£&¨¨¨@¤. IS LOST, YOU CAN HAVE SYMBOLS WITH NO #£,¨¤#.@§,
¨,¤¨#,¨&,§ ROUTE TO THEIR ORIGINAL MEANING, AND @¨#¨¤¨#¤,£
@,££#@.£#£ THAT WITH THE RIGHT SPELLS AND METHODS §&§£¤@£¨#§
.@§..,#¤,¨ YOU CAN USE DIGITAL REPRESENTATION FOR ¨...,..¤&.
¨£¨&¨,§.£, ANALYSIS (MUST BE COMBATTED AT EVERY .¨¨.,.,#.#
&§¤&§¨¤¤§# OPPORTUNITY) §,,.,¨,@¤£
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