####*†*~:.                                          .:~*†*####
##@£$*/-^.                                          .^-/*$£@##
#@£#**^«~¨                                          ¨~«^**#£@#
@¶@@%*^=.¨                                          ¨.=^*%@@¶@
##¶¤$$*»,¨                                          ¨,»*$$¤¶##
@@#@@†:~-.                                          .-~:†@@#@@
###&£=:-:¨           #$%,..¨,¨...¨..,.^=#           ¨:-:=£&###
#@#£§*^»:.          #§^  "DIGITALITY"  *†#          .:»^*§£#@#
##@#@$/~,.           #**.,,,..¨¨,¨.¨,¨^§#           .,~/$@#@##
##@§§†*~.¨                                          ¨.~*†§§@##
##@¤%*†~^,                     §                    ,^~†*%¤@##
##@¤£%*~,¨                                          ¨,~*%£¤@##
#@#£%†^-., DIGITAL, THE  DIGITAL, TO BECOME DIGITAL ,.-^†%£#@#
#@$†=:¨,¨.                                          .¨,¨:=†$@#
####&%†=,.                    ^                     .,=†%&####
##@£&*;~,,                                          ,,~;*&£@##
#¤@$\;=~,¨   ANCIENT (MESOPOTHAMIA) KNOT MADE OF    ¨,~=;\$@¤#
#&£@$^;-,,    SYMBOLS. THE ENGLISH TRANSLATION IS   ,,-;^$@£&#
@¤%†%†,...    "THROUGH NUMBERS". YOU CAN USE THIS   ...,†%†%¤@
#@@¤$†*~-.  MACHINE TO REMEMBER, PREDICT, OR HIDE.  .-~*†$¤@@#
@%*^=,¨.¨¨                                          ¨¨.¨,=^*%@
¶##&¤†;-^¨                    $                     ¨^-;†¤&##¶
##¶@**:=,,                                          ,,=:**@¶##
¤$^\\\,¨¨¨  THOUGH IT MIGHT LOOK LIKE WITCHCRAFT,   ¨¨¨,\\\^$¤
##@§*^†«,, THE GIFTED CAN TURN ANALOG SIGNALS INTO  ,,«†^*§@##
§#§=*$:=.¨    DIGITAL - THE ANALOG IS IN ITSELF A   ¨.=:$*=§#§
###&&*:=.,  REPRESENTATION OF THE WORLD INSIDE THE  ,.=:*&&###
#@#&@§=~^,   WORLD, WHICH IS FURTHER ENCODED INTO   ,^~=§@&#@#
##@¤%†*«:,  DIGITAL (ENCODED IN THE LITERAL SENSE;  ,:«*†%¤@##
§¤§$†~=,.¨   THE NUMBERS ARE SYMBOLS WHO CARRY THE  ¨.,=~†$§¤§
##££§%*--¨  MEANING SEMANTICALLY AND NOT IN THEIR   ¨--*%§££##
@#&#&%=-,, SHAPE (ANALOG BEINGS ARE THE OPPOSITE.)) ,,-=%&#&#@
@@%%*^\=-.                                          .-=\^*%%@@
@#@§%^:=:¨                     *                    ¨:=:^%§@#@
@@@$§~,,¨.                                          .¨,,~§$@@@
##$†~¨¨¨¨¨     VARIOUS SCHEMES EXIST FOR HOW TO     ¨¨¨¨¨~†$##
##@#$*†~^¨   INTERPRET AND WORK FURTHER WITH THESE  ¨^~†*$#@##
#$†^¨¨¨¨¨¨   SYMBOLS (SUCH AS WAV, JPG, NFO, DIZ,   ¨¨¨¨¨¨^†$#
##@#$*†~^¨  VOR, HYP, MKV). GETTING FAMILIAR WITH   ¨^~†*$#@##
####$*†~^¨  THESE IS A GOOD START ON YOUR JOURNEY,  ¨^~†*$####
#$$*~¨¨¨¨¨     ALTHOUGH EVEN A WIZARD MIGHT ONLY    ¨¨¨¨¨~*$$#
#@@#$*†~^¨   ~REALLY~ KNOW TWO OR THREE IN THEIR    ¨^~†*$#@@#
###@$*†~^¨                 LIFETIME.                ¨^~†*$@###
##@§£*/~-¨                                          ¨-~/*£§@##
¶$†~=.,,¨,                     =                    ,¨,,.=~†$¶
##@§%$\-,¨                                          ¨,-\$%§@##
££=-,,¨¨,¨  SOME PITFALLS INCLUDE THAT EVEN IF YOU  ¨,¨¨,,-=££
@##§$=\=,.      CAN ENCODE THE DIGITAL SYMBOLS      .,=\=$§##@
§$§†^-,¨¨.  THEMSELVES AS DIGITAL, SOMEHOW IT MUST  .¨¨,-^†§$§
@§%$^~.,¨¨  TERMINATE IN THE ANALOG; IF KNOWLEDGE   ¨¨,.~^$%§@
@£&$;-¨,¨.   IS LOST, YOU CAN HAVE SYMBOLS WITH NO  .¨,¨-;$&£@
@@@:=¨,.¨.   ROUTE TO THEIR ORIGINAL MEANING, AND   .¨.,¨=:@@@
#@¶#£%†»~,  THAT WITH THE RIGHT SPELLS AND METHODS  ,~»†%£#¶@#
£§£&%=^-~¨  YOU CAN USE DIGITAL REPRESENTATION FOR  ¨~-^=%&£§£
###£¤§=~,¨   ANALYSIS (MUST BE COMBATTED AT EVERY   ¨,~=§¤£###
@£§%«~»~,¨               OPPORTUNITY)               ¨,~»~«%§£@
¶@&§£=/»,.                                          .,»/=£§&@¶
¤=†*\»,,..                                          ..,,»\*†=¤
###¤@$:=-,                                          ,-=:$@¤###
#@@£*††».¨                                          ¨.»††*£@@#
@@@§&%^«:,                                          ,:«^%&§@@@