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,..¨~»†*%@                                          @%*†»~¨..,
..¨,.~«/^£                                          £^/«~.,¨..
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¨¨.,.¨.~-;                                          ;-~.¨.,.¨¨
.¨¨¨....,«                                          «,....¨¨¨.
.,,,.,.,.^           #§†¨¨¨.¨,¨..,,..,†*#           ^.,.,.,,,.
¨¨¨,,.¨.,.          #%*  "DIGITALITY"  §*#          .,.¨.,,¨¨¨
¨¨,...,¨.¨           #§%,,¨¨,¨¨¨.¨,,¨.%†#           ¨.¨,...,¨¨
,¨,,.,,.,,                                          ,,.,,.,,¨,
¨,.¨.¨,¨,.                     %                    .,¨,¨.¨.,¨
¨.¨,,..,,.                                          .,,..,,¨.¨
,......¨,, DIGITAL, THE DIGITAL, TO  BECOME DIGITAL ,,¨......,
,¨¨¨¨.¨¨-»                                          »-¨¨.¨¨¨¨,
.,.¨.¨,,«\                     ^                    \«,,¨.¨.,.
.,,.¨,,«†§                                          §†«,,¨.,,.
¨.¨...~†^£    ANCIENT (MESOPOTHAMIA) KNOT MADE OF   £^†~...¨.¨
,..¨,»/§£#    SYMBOLS. THE ENGLISH TRANSLATION IS   #£§/»,¨..,
,,.,~=†§##   "THROUGH NUMBERS". YOU CAN USE THIS    ##§†=~,.,,
¨¨,~*%£@##  MACHINE TO REMEMBER, PREDICT, OR HIDE.  ##@£%*~,¨¨
¨.«=$£¶###                                          ###¶£$=«.¨
.,:~\$$¶##                    %                     ##¶$$\~:,.
¨,,^~*†¤##                                          ##¤†*~^,,¨
¨,¨¨,=†%¤¶  THOUGH IT MIGHT LOOK LIKE WITCHCRAFT,   ¶¤%†=,¨¨,¨
¨..,¨-»;=£  THE GIFTED CAN TURN ANALOG SIGNALS INTO £=;»-¨,..¨
¨¨¨¨.¨.«:%    DIGITAL - THE ANALOG IS IN ITSELF A   %:«.¨.¨¨¨¨
.,,,¨¨¨^«:  REPRESENTATION OF THE WORLD INSIDE THE  :«^¨¨¨,,,.
,¨.¨¨,¨¨~-   WORLD, WHICH IS FURTHER ENCODED INTO   -~¨¨,¨¨.¨,
.¨¨¨¨.¨¨,-  DIGITAL (ENCODED IN THE LITERAL SENSE;  -,¨¨.¨¨¨¨.
,.....,¨.¨   THE NUMBERS ARE SYMBOLS WHO CARRY THE  ¨.¨,.....,
.,.¨¨¨,,.¨  MEANING SEMANTICALLY AND NOT IN THEIR   ¨.,,¨¨¨.,.
,.¨.¨,,¨.. SHAPE (ANALOG BEINGS ARE THE OPPOSITE.)) ..¨,,¨.¨.,
,.¨¨.¨...¨                                          ¨...¨.¨¨.,
.,,¨,¨,..¨                    $                     ¨..,¨,¨,,.
,.,..,,¨.~                                          ~.¨,,..,.,
,,,,,,,,,»     VARIOUS SCHEMES EXIST FOR HOW TO     »,,,,,,,,,
,,,,,,,,»/  INTERPRET AND WORK FURTHER WITH THESE   /»,,,,,,,,
,,,,,,,»/^   SYMBOLS (SUCH AS WAV, JPG, NFO, DIZ,   ^/»,,,,,,,
,,,,,,»/^@   VOR, HYP, MKV). GETTING FAMILIAR WITH  @^/»,,,,,,
,,,,,»/^@£  THESE IS A GOOD START ON YOUR JOURNEY,  £@^/»,,,,,
,,,,»/^@£#     ALTHOUGH EVEN A WIZARD MIGHT ONLY    #£@^/»,,,,
,,,»/^@£##   »REALLY» KNOW TWO OR THREE IN THEIR    ##£@^/»,,,
,,»/^@£###                 LIFETIME.                ###£@^/»,,
¨,,=\$$@@#                                          #@@$$\=,,¨
,,,-~^%%@#                     $                    #@%%^~-,,,
¨..,,»;%¤£                                          £¤%;»,,..¨
....¨~»^%$  SOME PITFALLS INCLUDE THAT EVEN IF YOU  $%^»~¨....
¨.,.,¨-~†%      CAN ENCODE THE DIGITAL SYMBOLS      %†~-¨,.,.¨
¨¨¨,.,¨^»\  THEMSELVES AS DIGITAL, SOMEHOW IT MUST  \»^¨,.,¨¨¨
,¨¨,.¨¨.~-  TERMINATE IN THE ANALOG; IF KNOWLEDGE   -~.¨¨.,¨¨,
.¨,¨,.¨,,,  IS LOST, YOU CAN HAVE SYMBOLS WITH NO   ,,,¨.,¨,¨.
,¨,¨,,,..,   ROUTE TO THEIR ORIGINAL MEANING, AND   ,..,,,¨,¨,
.¨,,...,,¨  THAT WITH THE RIGHT SPELLS AND METHODS  ¨,,...,,¨.
..,.,¨,.¨,  YOU CAN USE DIGITAL REPRESENTATION FOR  ,¨.,¨,.,..
¨,...,,,,¨   ANALYSIS (MUST BE COMBATTED AT EVERY   ¨,,,,...,¨
,,¨,¨,.¨,.               OPPORTUNITY)               .,¨.,¨,¨,,
...,¨.,,.-                                          -.,,.¨,...
.,,..¨..,-                                          -,..¨..,,.
,¨..,,¨.-†                                          †-.¨,,..¨,
¨.¨¨¨.,~;=                                          =;~,.¨¨¨.¨
¨,¨¨,.»/*$                                          $*/».,¨¨,¨