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¤¨@¤.@.£,£ #=*,¨...¨..¨,¨.¨¨*%# §¨§,#.#.&,
¤¨.§¨£.£¨. #$† "DIGITALITY" =*# ¤.@.@.£,¤.
#.&£,§¨@.§ #*†¨¨,¨¨¨.,,,,¨¨,%$# §¨§¨@¨#.@,
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£,§¤¨§,£¨£ ^ ¤.§.§.§,&.
@¨,¤.@.£., £.§.@,§¨§.
&¨££,&.£,# DIGITAL, THE DIGITAL, TO BECOME DIGITAL @¨@,¤,¤.§¨
&.,¤.£,@,¨ £¨&¨¤,¤.&¨
&¨#@.@,&,¤ % #¨&.@.£¨§,
&¨.¤,&,§¨, §.@,@¨#¨@,
§.¤#,§¨§,& ANCIENT (MESOPOTHAMIA) KNOT MADE OF @¨#.¤¨#¨§,
§,¨£¨@,#,¨ SYMBOLS. THE ENGLISH TRANSLATION IS &,&,&,¤.§.
£,£¤.§,@¨£ "THROUGH NUMBERS". YOU CAN USE THIS §.#.£.#¨£¨
@.,§,@¨£¨, MACHINE TO REMEMBER, PREDICT, OR HIDE. ¤.@.#,#,&.
¤.¤@¨¤,&,¤ @.#.¤,@,#,
£¨.¤.£.§,. $ &.§¨§.£.@,
@,&§.¤¨§,£ &¨§¨&¨§,#,
£,.§.#¨&.¨ THOUGH IT MIGHT LOOK LIKE WITCHCRAFT, @,§¨&¨§¨¤.
£.§@¨&.¤.# THE GIFTED CAN TURN ANALOG SIGNALS INTO #.#.@¨@.§.
£¨,£,&.#,. DIGITAL - THE ANALOG IS IN ITSELF A #,&,§,£¨#,
&¨@§,¤¨&¨§ REPRESENTATION OF THE WORLD INSIDE THE @¨¤,&¨§.&.
£,,&,¤¨&,, WORLD, WHICH IS FURTHER ENCODED INTO &.§¨§¨&.§,
&,@£.@¨&,# DIGITAL (ENCODED IN THE LITERAL SENSE; #,§,&.@.@.
&..@.£,£,. THE NUMBERS ARE SYMBOLS WHO CARRY THE ¤.§.@¨£,£.
£¨§@,¤,@,¤ MEANING SEMANTICALLY AND NOT IN THEIR §,#.@,#¨#,
¤¨.@.¤,&¨¨ SHAPE (ANALOG BEINGS ARE THE OPPOSITE.)) ¤,¤¨£.¤¨#.
#,¤&.@,£,£ &¨£.¤¨#,§,
¤.¨@.£,@,. * §.£¨¤.¤¨@.
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¤,,¤,¤,¤,, VARIOUS SCHEMES EXIST FOR HOW TO ¤,¤,¤,¤,¤,
¤,¤¤,¤,¤,¤ INTERPRET AND WORK FURTHER WITH THESE ¤,¤,¤,¤,¤,
¤,,¤,¤,¤,, SYMBOLS (SUCH AS WAV, JPG, NFO, DIZ, ¤,¤,¤,¤,¤,
¤,¤¤,¤,¤,¤ VOR, HYP, MKV). GETTING FAMILIAR WITH ¤,¤,¤,¤,¤,
¤,,¤,¤,¤,, THESE IS A GOOD START ON YOUR JOURNEY, ¤,¤,¤,¤,¤,
¤,¤¤,¤,¤,¤ ALTHOUGH EVEN A WIZARD MIGHT ONLY ¤,¤,¤,¤,¤,
¤,,¤,¤,¤,, ~REALLY~ KNOW TWO OR THREE IN THEIR ¤,¤,¤,¤,¤,
¤,¤¤,¤,¤,¤ LIFETIME. ¤,¤,¤,¤,¤,
@¨.¤.¤¨§.. @,£.#.@,@.
@¨££,§,£,# % @¨&.&.§¨§¨
§.,£¨¤¨¤.¨ &,@.@,§.#¨
@.§#,&,¤.§ SOME PITFALLS INCLUDE THAT EVEN IF YOU &,#¨&¨#.#.
&,.@,@.@¨, CAN ENCODE THE DIGITAL SYMBOLS @¨§¨¤.§,#¨
@.¤£.@¨#¨& THEMSELVES AS DIGITAL, SOMEHOW IT MUST ¤.#,§,&.¤¨
§,.@,@,£¨, TERMINATE IN THE ANALOG; IF KNOWLEDGE £¨¤,§.@¨&.
§.£§¨¤.&.& IS LOST, YOU CAN HAVE SYMBOLS WITH NO ¤¨¤,§.#.#¨
£¨.&¨£,@., ROUTE TO THEIR ORIGINAL MEANING, AND £,@,&.#¨£,
#.§@¨@.£,& THAT WITH THE RIGHT SPELLS AND METHODS &¨¤¨§.£¨#.
&,¨§¨&.¤., YOU CAN USE DIGITAL REPRESENTATION FOR @.£¨&¨&.§¨
§¨##.¤.£¨# ANALYSIS (MUST BE COMBATTED AT EVERY ¤,¤¨&¨&.£¨
§¨¨#.£,¤¨, OPPORTUNITY) ¤.§.&.&.@,
@,¤@,£¨@¨& #,&,&,¤¨@,
£.¨¤¨#¨£,. §¨&¨&¨&¨@.
£,§#.&,£¨@ @¨§,#¨&.¤,
§¨¨&.&.&¨, £.#.§.&¨§,
§.@£,£.@,£ &¨§¨&.¤.@.