#@¤%§^«~.,                                          ,.~«^§%¤@#
#@#&¤^=»..                                          ..»=^¤&#@#
###¶£@*;«,                                          ,«;*@£¶###
##@§£%*~,¨                                          ¨,~*%£§@##
#£@£†\=.,,                                          ,,.=\†£@£#
¶¤£*\-,¨,¨                                          ¨,¨,-\*£¤¶
&%*^=,.,¨.           #%*.,,,¨.,,,,....^$#           .¨,.,=^*%&
@§:-:¨,.¨¨          #*$  "digitality"  ^^#          ¨¨.,¨:-:§@
*†~-,.,¨¨.           #^$..¨...,¨,¨,,,¨=*#           .¨¨,.,-~†*
*-,.¨¨..¨¨                                          ¨¨..¨¨.,-*
*=~..,.,¨,                     †                    ,¨,.,..~=*
£^/~:.,.,¨                                          ¨,.,.:~/^£
&$$†-,..,. digital,  the digital, to become digital .,..,-†$$&
@@§%*=^¨,,                                          ,,¨^=*%§@@
#@§£**--¨.                     $                    .¨--**£§@#
##@&¤%†~~,                                          ,~~†%¤&@##
####@%†/=:   ancient (mesopothamia) knot made of    :=/†%@####
##¶#%^/=:¨    symbols. the english translation is   ¨:=/^%#¶##
#@@£^†-,,.   "through numbers". you can use this    .,,-†^£@@#
@££%^=-,,¨  machine to remember, predict, or hide.  ¨,,-=^%££@
&$$†»,¨.¨.                                          .¨.¨,»†$$&
£%/»:,¨..¨                     *                    ¨..¨,:»/%£
%;~^,¨,,.,                                          ,.,,¨,^~;%
*=~,,¨.¨,.   though it might look like witchcraft,  .,¨.¨,,~=*
†\~,,.,.,¨  the gifted can turn analog signals into ¨,.,.,,~\†
$$\~-,.,..    digital - the analog is in itself a   ..,.,-~\$$
¤%%;»,.,¨,  representation of the world inside the  ,¨,.,»;%%¤
£§%^/«:,..   world, which is further encoded into   ..,:«/^%§£
#¶§¤*:»-,,  digital (encoded in the literal sense;  ,,-»:*¤§¶#
###¤@=;«,¨  the numbers are symbols who carry the   ¨,«;=@¤###
####§%=/-,  meaning semantically and not in their   ,-/=%§####
##£¤@$:~.. shape (analog beings are the opposite.)) ..~:$@¤£##
#¶@&$*~..¨                                          ¨..~*$&@¶#
#@$**«-,¨¨                    ^                     ¨¨,-«**$@#
£§%†~..,.,                                          ,.,..~†%§£
£*†«,.....     various schemes exist for how to     .....,«†*£
*†«,......   interpret and work further with these  ......,«†*
†«,.......   symbols (such as wav, jpg, nfo, diz,   .......,«†
*†«,......   vor, hyp, mkv). getting familiar with  ......,«†*
£*†«,.....  these is a good start on your journey,  .....,«†*£
#£*†«,....    although even a wizard might only     ....,«†*£#
@#£*†«,...    «really« know two or three in their   ...,«†*£#@
@@#£*†«,..                lifetime.                 ..,«†*£#@@
##¶&$%^~.¨                                          ¨.~^%$&¶##
#####%%/~,                    %                     ,~/%%#####
#@@#¤*:»:.                                          .:»:*¤#@@#
##£$§/«^¨¨  some pitfalls include that even if you  ¨¨^«/§$£##
#£$%:~,¨¨.      can encode the digital symbols      .¨¨,~:%$£#
@%%/~^...¨  themselves as digital, somehow it must  ¨...^~/%%@
§§/~^.¨¨¨,  terminate in the analog; if knowledge   ,¨¨¨.^~/§§
$*»,.,¨,.,  is lost, you can have symbols with no   ,.,¨,.,»*$
*=~.¨¨,¨¨¨   route to their original meaning, and   ¨¨¨,¨¨.~=*
=:«:..¨,.,  that with the right spells and methods  ,.,¨..:«:=
$§†~.,¨¨..  you can use digital representation for  ..¨¨,.~†§$
#@*†-,¨,.¨   analysis (must be combatted at every   ¨.,¨,-†*@#
£&*§/=-.,.               opportunity)               .,.-=/§*&£
#@&£$^=^,,                                          ,,^=^$£&@#
##£@**=»~,                                          ,~»=**@£##
###££%††-.                                          .-††%££###
##@#$§:-:,                                          ,:-:§$#@##
#¶&%%†«^.¨                                          ¨.^«†%%&¶#