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##§&*=~-., #§* "DIGITALITY" %=# ,.-~=*&§##
###&*=:~^, #§%,,...,.¨¨,¨¨,¨$§# ,^~:=*&###
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#@&%\--¨., % ,.¨--\%&@#
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@@%*/=,,¨, DIGITAL, THE DIGITAL, TO BECOME DIGITAL ,¨,,=/*%@@
#¶¤$†=-,.¨ ¨.,-=†$¤¶#
##@¤*%^~~¨ $ ¨~~^%*¤@##
#¶§@%\=-¨¨ ¨¨-=\%@§¶#
#¤&%†~-.., ANCIENT (MESOPOTHAMIA) KNOT MADE OF ,..-~†%&¤#
§§%/-^..¨, SYMBOLS. THE ENGLISH TRANSLATION IS ,¨..^-/%§§
#£&*;=^.¨¨ "THROUGH NUMBERS". YOU CAN USE THIS ¨¨.^=;*&£#
##§£^\=,¨. MACHINE TO REMEMBER, PREDICT, OR HIDE. .¨,=\^£§##
###£&^/«:, ,:«/^&£###
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&%%*~~¨.., THOUGH IT MIGHT LOOK LIKE WITCHCRAFT, ,..¨~~*%%&
#¤&%*~-,,, THE GIFTED CAN TURN ANALOG SIGNALS INTO ,,,-~*%&¤#
#£@¤%*~:¨¨ DIGITAL - THE ANALOG IS IN ITSELF A ¨¨:~*%¤@£#
####§**~~. REPRESENTATION OF THE WORLD INSIDE THE .~~**§####
##£&%=«.,. WORLD, WHICH IS FURTHER ENCODED INTO .,.«=%&£##
@§@^\~:.,. DIGITAL (ENCODED IN THE LITERAL SENSE; .,.:~\^@§@
¤§*/«,¨,¨¨ THE NUMBERS ARE SYMBOLS WHO CARRY THE ¨¨,¨,«/*§¤
@&¤=/~~.,. MEANING SEMANTICALLY AND NOT IN THEIR .,.~~/=¤&@
#£¤%*\=:.¨ SHAPE (ANALOG BEINGS ARE THE OPPOSITE.)) ¨.:=\*%¤£#
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&@%*~,,,,, VARIOUS SCHEMES EXIST FOR HOW TO ,,,,,~*%@&
@&@%*~,,,, INTERPRET AND WORK FURTHER WITH THESE ,,,,~*%@&@
#@&@%*~,,, SYMBOLS (SUCH AS WAV, JPG, NFO, DIZ, ,,,~*%@&@#
##@&@%*~,, VOR, HYP, MKV). GETTING FAMILIAR WITH ,,~*%@&@##
#@&@%*~,,, THESE IS A GOOD START ON YOUR JOURNEY, ,,,~*%@&@#
@&@%*~,,,, ALTHOUGH EVEN A WIZARD MIGHT ONLY ,,,,~*%@&@
&@%*~,,,,, ~REALLY~ KNOW TWO OR THREE IN THEIR ,,,,,~*%@&
@&@%*~,,,, LIFETIME. ,,,,~*%@&@
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@£$%;=.¨,, SOME PITFALLS INCLUDE THAT EVEN IF YOU ,,¨.=;%$£@
#¤=\~~¨¨¨, CAN ENCODE THE DIGITAL SYMBOLS ,¨¨¨~~\=¤#
#@@$\«^¨,, THEMSELVES AS DIGITAL, SOMEHOW IT MUST ,,¨^«\$@@#
#@@£*:~-¨¨ TERMINATE IN THE ANALOG; IF KNOWLEDGE ¨¨-~:*£@@#
###§&=†=^¨ IS LOST, YOU CAN HAVE SYMBOLS WITH NO ¨^=†=&§###
##&$$=~,.. ROUTE TO THEIR ORIGINAL MEANING, AND ..,~=$$&##
#§*$\«~,¨. THAT WITH THE RIGHT SPELLS AND METHODS .¨,~«\$*§#
&&%=~,,,., YOU CAN USE DIGITAL REPRESENTATION FOR ,.,,,~=%&&
#&&$:-,..¨ ANALYSIS (MUST BE COMBATTED AT EVERY ¨..,-:$&&#
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