#@@#%=^»^,                                          ,^»^=%#@@#
#¶&%=/-,¨,                                          ,¨,-/=%&¶#
#§%†*~~¨,.                                          .,¨~~*†%§#
@£*†«-¨..,                                          ,..¨-«†*£@
$*:=,¨,¨,,                                          ,,¨,¨,=:*$
§%%:-~,.,¨                                          ¨,.,~-:%%§
@#£*^~:¨,,           #%^¨¨¨,,¨.¨.,¨.,.=$#           ,,¨:~^*£#@
#¶#%†\»^,¨          #=†  "DIGITALITY"  *=#          ¨,^»\†%#¶#
#@#&$%:=-,           #%^,,¨¨,¨¨¨,.,.,¨%*#           ,-=:%$&#@#
##£$===.¨.                                          .¨.===$£##
#¤$%*»:.¨.                     §                    .¨.:»*%$¤#
£***~-¨¨.¨                                          ¨.¨¨-~***£
@$:»-..,¨, DIGITAL, THE  DIGITAL, TO BECOME DIGITAL ,¨,..-»:$@
&%*\=^,,.¨                                          ¨.,,^=\*%&
@§%=;~:¨.¨                    *                     ¨.¨:~;=%§@
##§*$:-~¨,                                          ,¨~-:$*§##
###§&%*~~¨    ANCIENT (MESOPOTHAMIA) KNOT MADE OF   ¨~~*%&§###
###£%*».¨.    SYMBOLS. THE ENGLISH TRANSLATION IS   .¨.»*%£###
@#%§==^..¨    "THROUGH NUMBERS". YOU CAN USE THIS   ¨..^==§%#@
£$*†~^¨,¨.  MACHINE TO REMEMBER, PREDICT, OR HIDE.  .¨,¨^~†*$£
&*/«,¨,¨,¨                                          ¨,¨,¨,«/*&
§%§†~^,¨,,                    ^                     ,,¨,^~†§%§
@¤%%†~:.,,                                          ,,.:~†%%¤@
#@§@=†~:¨¨   THOUGH IT MIGHT LOOK LIKE WITCHCRAFT,  ¨¨:~†=@§@#
###£$$\~:. THE GIFTED CAN TURN ANALOG SIGNALS INTO  .:~\$$£###
@#§£§==~.¨   DIGITAL - THE ANALOG IS IN ITSELF A    ¨.~==§£§#@
@£$*=».,.¨  REPRESENTATION OF THE WORLD INSIDE THE  ¨.,.»=*$£@
@¤$^»-..¨,   WORLD, WHICH IS FURTHER ENCODED INTO   ,¨..-»^$¤@
*=:-,,¨¨¨¨  DIGITAL (ENCODED IN THE LITERAL SENSE;  ¨¨¨¨,,-:=*
@£**«.¨,..  THE NUMBERS ARE SYMBOLS WHO CARRY THE   ..,¨.«**£@
¶£$*:~:¨,¨  MEANING SEMANTICALLY AND NOT IN THEIR   ¨,¨:~:*$£¶
#@§**\~^,. SHAPE (ANALOG BEINGS ARE THE OPPOSITE.)) .,^~\**§@#
#@£¤£%;~-.                                          .-~;%£¤£@#
##&§=\=.,¨                     †                    ¨,.=\=§&##
#§£†*«^.,.                                          .,.^«*†£§#
¤$=;=:,,,,     VARIOUS SCHEMES EXIST FOR HOW TO     ,,,,:=;=$¤
$=;=:,,,,,  INTERPRET AND WORK FURTHER WITH THESE   ,,,,,:=;=$
¤$=;=:,,,,   SYMBOLS (SUCH AS WAV, JPG, NFO, DIZ,   ,,,,:=;=$¤
#¤$=;=:,,,   VOR, HYP, MKV). GETTING FAMILIAR WITH  ,,,:=;=$¤#
##¤$=;=:,,  THESE IS A GOOD START ON YOUR JOURNEY,  ,,:=;=$¤##
###¤$=;=:,    ALTHOUGH EVEN A WIZARD MIGHT ONLY     ,:=;=$¤###
##¤$=;=:,,   =REALLY= KNOW TWO OR THREE IN THEIR    ,,:=;=$¤##
#¤$=;=:,,,                LIFETIME.                 ,,,:=;=$¤#
&$†*~,¨¨¨¨                                          ¨¨¨¨,~*†$&
&%/»,..¨¨.                     §                    .¨¨..,»/%&
£$%:=:,,¨¨                                          ¨¨,,:=:%$£
@£%=*»~.,.  SOME PITFALLS INCLUDE THAT EVEN IF YOU  .,.~»*=%£@
@£&§^/~~,¨      CAN ENCODE THE DIGITAL SYMBOLS      ¨,~~/^§&£@
##@&£*;«-¨  THEMSELVES AS DIGITAL, SOMEHOW IT MUST  ¨-«;*£&@##
@#£$=/~:,.   TERMINATE IN THE ANALOG; IF KNOWLEDGE  .,:~/=$£#@
@¤£§;~:¨.,  IS LOST, YOU CAN HAVE SYMBOLS WITH NO   ,.¨:~;§£¤@
#&%/~~,¨,,   ROUTE TO THEIR ORIGINAL MEANING, AND   ,,¨,~~/%&#
£*/~,...,,  THAT WITH THE RIGHT SPELLS AND METHODS  ,,...,~/*£
¤&%:«,,,¨¨  YOU CAN USE DIGITAL REPRESENTATION FOR  ¨¨,,,«:%&¤
¶£¤%/»^¨.,   ANALYSIS (MUST BE COMBATTED AT EVERY   ,.¨^»/%¤£¶
##££*:=,.,               OPPORTUNITY)               ,.,=:*££##
#@@§£%\=.,                                          ,.=\%£§@@#
@#§$%/--.¨                                          ¨.--/%$§#@
#¤@†\=-,¨,                                          ,¨,-=\†@¤#
§&§†«-.¨,.                                          .,¨.-«†§&§
$=\~,¨,.,,                                          ,,.,¨,~\=$