,:-\*§@### ###@§*\-:,
,,,,,,:\§# #§\:,,,,,,
,:-\*§@### ###@§*\-:,
,:-\*§@### ###@§*\-:,
,:-\*§@### ###@§*\-:,
,,,,,:\§## --- --- --- --- ##§\:,,,,,
,,,,,:\\§@ \M\IDI \I\S (A) \D\UMB \I\NTERFACE @§\\:,,,,,
,:-\*§@### --- --- --- --- ###@§*\-:,
,,,,,,:\§# #§\:,,,,,,
,:-\*§@### :: OR ,MIDI, FOR SHORT :: ###@§*\-:,
,:-\*§@### ###@§*\-:,
,:-\*§@@## ##@@§*\-:,
,,,,,--\*@ IS A WAY TO TRANSFER MUSICAL INTENT @*\--,,,,,
,:-\*§@### THROUGH A TUBE. IT'S SUPPOSED TO HAVE A ###@§*\-:,
,:-\*§§@@# FIVE-POLE DIN CONNECTOR BUT IT HAPPENS #@@§§*\-:,
,:-\*§@### THAT PEOPLE USE THREE POINT FIVE ###@§*\-:,
,:-\*§@### MILLIMETER TRS INSTEAD. ###@§*\-:,
,,,,:\*@## ##@*\:,,,,
,,,,,:\\§@ @§\\:,,,,,
,:-\*§@### ###@§*\-:,
,:-\**§§## ##§§**\-:,
,,,,,:\*@# #@*\:,,,,,
,:-\*§@@@@ @@@@§*\-:,
,,,,,,,-*@ @*-,,,,,,,
,:-\*§@### ###@§*\-:,