£***~¨¨¨¨¨ ¨¨¨¨¨~***£
#£%*///~.¨ ¨.~///*%£#
###£%*/~.¨ ¨.~/*%£###
###£%*/~.¨ ¨.~/*%£###
##££%*/~.¨ ¨.~/*%££##
#£%/~.¨¨¨¨ ~~~ ~~~ ~~~ ~~~ ¨¨¨¨.~/%£#
###£%*/~.¨ /M/IDI /I/S (A) /D/UMB /I/NTERFACE ¨.~/*%£###
#£*/~~.¨¨¨ ~~~ ~~~ ~~~ ~~~ ¨¨¨.~~/*£#
###£%*/~.¨ ¨.~/*%£###
####£*/~.¨ .. OR ¨MIDI¨ FOR SHORT .. ¨.~/*£####
###£%*/~.¨ ¨.~/*%£###
#%%*~~~¨¨¨ ¨¨¨~~~*%%#
££*/.¨¨¨¨¨ IS A WAY TO TRANSFER MUSICAL INTENT ¨¨¨¨¨./*££
###£%*/~.¨ THROUGH A TUBE. IT'S SUPPOSED TO HAVE A ¨.~/*%£###
###£%*/~.¨ FIVE-POLE DIN CONNECTOR BUT IT HAPPENS ¨.~/*%£###
###£%*/~.¨ THAT PEOPLE USE THREE POINT FIVE ¨.~/*%£###
#£**/.¨¨¨¨ MILLIMETER TRS INSTEAD. ¨¨¨¨./**£#
###£%*/~.¨ ¨.~/*%£###
#£%*/...¨¨ ¨¨.../*%£#
#%*//~~¨¨¨ ¨¨¨~~//*%#
###£%*/~.¨ ¨.~/*%£###
###£%*/~.¨ ¨.~/*%£###
###£%*/~.¨ ¨.~/*%£###
£%%%**/~.¨ ¨.~/**%%%£
####£%*/~. .~/*%£####