..:~:%%@##                                          ##@%%:~:..
.:~:%%@###                                          ###@%%:~:.
..:~:%%@##                                          ##@%%:~:..
...:~:%%@#                                          #@%%:~:...
..:~:%%@##                                          ##@%%:~:..
.:~:%%@###    ~~~    ~~~      ~~~    ~~~            ###@%%:~:.
..:~:%%@##    :M:IDI :I:S (A) :D:UMB :I:NTERFACE    ##@%%:~:..
...:~:%%@#    ~~~    ~~~      ~~~    ~~~            #@%%:~:...
..:~:%%@##                                          ##@%%:~:..
.:~:%%@### ::    OR    .MIDI.    FOR    SHORT    :: ###@%%:~:.
..:~:%%@##                                          ##@%%:~:..
...:~:%%@#                                          #@%%:~:...
..:~:%%@## IS  A  WAY  TO  TRANSFER MUSICAL  INTENT ##@%%:~:..
.:~:%%@### THROUGH A  TUBE. IT'S SUPPOSED TO HAVE A ###@%%:~:.
..:~:%%@## FIVE-POLE DIN  CONNECTOR BUT  IT HAPPENS ##@%%:~:..
...:~:%%@# THAT  PEOPLE   USE   THREE   POINT  FIVE #@%%:~:...
..:~:%%@##          MILLIMETER TRS INSTEAD.         ##@%%:~:..
.:~:%%@###                                          ###@%%:~:.
..:~:%%@##                                          ##@%%:~:..
...:~:%%@#                                          #@%%:~:...
..:~:%%@##                                          ##@%%:~:..
.:~:%%@###                                          ###@%%:~:.
..:~:%%@##                                          ##@%%:~:..
...:~:%%@#                                          #@%%:~:...
..:~:%%@##                                          ##@%%:~:..