,,,,,,~«/$ $/«~,,,,,,
,,,,,~«/$% %$/«~,,,,,
,,,,~«/$%¤ ¤%$/«~,,,,
,,,~«/$%¤@ @¤%$/«~,,,
,,~«/$%¤@# #@¤%$/«~,,
,~«/$%¤@## ««« ««« ««« ««« ##@¤%$/«~,
,,~«/$%¤@# /M/IDI /I/S (A) /D/UMB /I/NTERFACE #@¤%$/«~,,
,,,~«/$%¤@ ««« ««« ««« ««« @¤%$/«~,,,
,,,,~«/$%¤ ¤%$/«~,,,,
,,,,,~«/$% ~~ OR ,MIDI, FOR SHORT ~~ %$/«~,,,,,
,,,,,,~«/$ $/«~,,,,,,
,,,,,,,~«/ /«~,,,,,,,
,,,,,,,,~« IS A WAY TO TRANSFER MUSICAL INTENT «~,,,,,,,,
,,,,,,,~«/ THROUGH A TUBE. IT'S SUPPOSED TO HAVE A /«~,,,,,,,
,,,,,,~«/$ FIVE-POLE DIN CONNECTOR BUT IT HAPPENS $/«~,,,,,,
,,,,,~«/$% THAT PEOPLE USE THREE POINT FIVE %$/«~,,,,,
,,,,~«/$%¤ MILLIMETER TRS INSTEAD. ¤%$/«~,,,,
,,,~«/$%¤@ @¤%$/«~,,,
,,~«/$%¤@# #@¤%$/«~,,
,~«/$%¤@## ##@¤%$/«~,
,,~«/$%¤@# #@¤%$/«~,,
,,,~«/$%¤@ @¤%$/«~,,,
,,,,~«/$%¤ ¤%$/«~,,,,
,,,,,~«/$% %$/«~,,,,,
,,,,,,~«/$ $/«~,,,,,,