¨¨¨¨:~^%%@ @%%^~:¨¨¨¨
¨¨¨¨¨:~^%% %%^~:¨¨¨¨¨
¨¨¨¨:~^%%@ @%%^~:¨¨¨¨
¨¨¨:~^%%@£ £@%%^~:¨¨¨
¨¨:~^%%@£# #£@%%^~:¨¨
¨:~^%%@£## L U S H ##£@%%^~:¨
¨¨:~^%%@£# A R P E G G I O #£@%%^~:¨¨
¨¨¨:~^%%@£ ¨ ¨ ¨ ¨ ¨ ¨ ¨ ¨ ¨ ¨ £@%%^~:¨¨¨
¨¨¨¨:~^%%@ @%%^~:¨¨¨¨
¨¨¨¨¨:~^%% WHAT ARE THESE THINGS IF NOT BIRDSONG? %%^~:¨¨¨¨¨
¨¨¨¨:~^%%@ BLACKBIRD + NOISE CASCADE. @%%^~:¨¨¨¨
¨¨¨:~^%%@£ £@%%^~:¨¨¨
¨¨:~^%%@£# THE COMMODORE SOUND MAYBE. DIRTY, #£@%%^~:¨¨
¨:~^%%@£## MIRRORING, DISTORTED FLUTE, ##£@%%^~:¨
¨¨:~^%%@£# #£@%%^~:¨¨
¨¨¨:~^%%@£ ¨ ¨ ¨ ¨ ¨ ¨¨ £@%%^~:¨¨¨
¨¨¨¨:~^%%@ @%%^~:¨¨¨¨
¨¨¨¨¨:~^%% DDRREEAAMMYY SSLLIIDDEESS %%^~:¨¨¨¨¨
¨¨¨¨:~^%%@ @%%^~:¨¨¨¨
¨¨¨:~^%%@£ MIRAGES IN SOUND. ARPEGGIOS, CHORDS £@%%^~:¨¨¨
¨¨:~^%%@£# MULTIPLEXED IN THE TIME DOMAIN, #£@%%^~:¨¨
¨:~^%%@£## ##£@%%^~:¨
¨¨:~^%%@£# REFACTORED, REFRACTORED, REMADE #£@%%^~:¨¨
¨¨¨:~^%%@£ : : ¨ ¨ ¨ £@%%^~:¨¨¨
¨¨¨¨:~^%%@ ^ ^ ^ ^ % ^ @%%^~:¨¨¨¨
¨¨¨¨¨:~^%% % % % % % % % % % %%^~:¨¨¨¨¨
¨¨¨¨:~^%%@ # # # # # @%%^~:¨¨¨¨
¨¨¨:~^%%@£ £@%%^~:¨¨¨
¨¨:~^%%@£# #£@%%^~:¨¨
¨:~^%%@£## ##£@%%^~:¨
¨¨:~^%%@£# #£@%%^~:¨¨
¨¨¨:~^%%@£ £@%%^~:¨¨¨
¨¨¨¨:~^%%@ @%%^~:¨¨¨¨