.,~/*@@@@@                                          @@@@@*/~,.
.,~/*@@@##                                          ##@@@*/~,.
.,~/**@@@@                                          @@@@**/~,.
.......~*@                                          @*~.......
....,~/@@@                                          @@@/~,....
...~~/@@@#         ....**## VäXJö ##**....          #@@@/~~...
.,~/*@@@##                                          ##@@@*/~,.
.,~/***@@@ THE  APARTMENT SMELLS OF OLD COFFEE  AND @@@***/~,.
.,~/*@@@## SWEETENERS.  I DON'T  KNOW HOW I LET  IT ##@@@*/~,.
.,~/*@@@## GET  LIKE  THIS. IT'S  NOT  INTENTIONAL. ##@@@*/~,.
.....~~~*@                                          @*~~~.....
.,~/*@@@@@ I  WEAR YELLOW TINTED  GLASSES. THE ROOM @@@@@*/~,.
.,~/*@@@## CHANGES  SHAPE A LOT. RIGHT  NOW THERE'S ##@@@*/~,.
.....~**@@ A   BLUE  SOFA  WITH   YELLOW  SEAMS.  I @@**~.....
.,~/*@@@##    EXPERIMENT WITH DIFFERENT COLORED     ##@@@*/~,.
.,~/*@@@##       LIGHTS. I'M LEARNING THINGS.       ##@@@*/~,.
.....~*@@#                                          #@@*~.....
.,~/*@@@@# MY THOUGHTS ARE  REVOLVING AROUND  TIME, #@@@@*/~,.
.,~/*@@@@# AND THE  PERCEPTION OF IT. CAN I MAKE IT #@@@@*/~,.
.,~/*@@@## RIGID? IF  I  REALLY WANT TO, CAN I MAKE ##@@@*/~,.
.,~////*@@ IT  FEEL  LIKE  THERE IS ENOUGH  OF  IT? @@*////~,.
......~**@     ALSO, AND MAYBE, ULTIMATELY, MORE    @**~......
.,~/*@@@## IMPORTANT - CAN  I MAKE IT FEEL  LIKE IT ##@@@*/~,.
.....~/@@@              DOESN'T MATTER?             @@@/~.....
....,/*@@@                                          @@@*/,....
.,~/*@@@##                                          ##@@@*/~,.
.....,/*@@                                          @@*/,.....
.,~/*@@@##                                          ##@@@*/~,.
.,~/*@@@##                                          ##@@@*/~,.