.,~/*@@@@@ @@@@@*/~,.
.,~/*@@@## ##@@@*/~,.
.,~/**@@@@ @@@@**/~,.
.......~*@ @*~.......
....,~/@@@ @@@/~,....
...~~/@@@# ....**## VäXJö ##**.... #@@@/~~...
.,~/*@@@## ##@@@*/~,.
.,~/***@@@ THE APARTMENT SMELLS OF OLD COFFEE AND @@@***/~,.
.,~/*@@@## SWEETENERS. I DON'T KNOW HOW I LET IT ##@@@*/~,.
.,~/*@@@## GET LIKE THIS. IT'S NOT INTENTIONAL. ##@@@*/~,.
.....~~~*@ @*~~~.....
.,~/*@@@@@ I WEAR YELLOW TINTED GLASSES. THE ROOM @@@@@*/~,.
.,~/*@@@## CHANGES SHAPE A LOT. RIGHT NOW THERE'S ##@@@*/~,.
.....~**@@ A BLUE SOFA WITH YELLOW SEAMS. I @@**~.....
.,~/*@@@## EXPERIMENT WITH DIFFERENT COLORED ##@@@*/~,.
.,~/*@@@## LIGHTS. I'M LEARNING THINGS. ##@@@*/~,.
.....~*@@# #@@*~.....
.,~/*@@@@# MY THOUGHTS ARE REVOLVING AROUND TIME, #@@@@*/~,.
.,~/*@@@@# AND THE PERCEPTION OF IT. CAN I MAKE IT #@@@@*/~,.
.,~/*@@@## RIGID? IF I REALLY WANT TO, CAN I MAKE ##@@@*/~,.
.,~////*@@ IT FEEL LIKE THERE IS ENOUGH OF IT? @@*////~,.
......~**@ ALSO, AND MAYBE, ULTIMATELY, MORE @**~......
.,~/*@@@## IMPORTANT - CAN I MAKE IT FEEL LIKE IT ##@@@*/~,.
.....~/@@@ DOESN'T MATTER? @@@/~.....
....,/*@@@ @@@*/,....
.,~/*@@@## ##@@@*/~,.
.....,/*@@ @@*/,.....
.,~/*@@@## ##@@@*/~,.
.,~/*@@@## ##@@@*/~,.