,.=*%@## ##@#&%*=.,
,,,,,=**%# #%**=,,,,,
,.=*%@## ##@#&%*=.,
,,,,,.*&@@ @@&*.,,,,,
,.=*%@@@ @@@#&%*=.,
,.=*%@## @##@@##@@##@@##@@##@@##@@##@@##@@##@@##@ ##@#&%*=.,
,.=*%@## # BUILDINGS, TOWERS IN THE "GOLDEN # ##@#&%*=.,
,,,...*%%# # BAY" (EVERYTHING MADE OF SANDSTONE). # #%%*...,,,
,,,,,.=*&@ @ FIVE PARTICULAR HOUSES FOURTY @ @&*=.,,,,,
,.=*%@@# @ STORIES TALL, HUNDRED METERS APART, @ #@@#&%*=.,
,.=*%### # IN A SLIGHT ARC INWARDS. # ####&%*=.,
,..=**@# # # #@#&**=..,
,.=====%## @ BETWEEN TWO MOUNTAINS; TO THE RIGHT @ ##%=====.,
,,,,,=%%#@ @ AND LEFT THE CITY CLIMBS QUICKLY. @ @#%%=,,,,,
,.=*%&@### # THE RIGHT PLATEAU HOSTS A LUSH AND # ###@&%*=.,
,.=*@### # SHADED GARDEN WHICH MORPHS INTO A # ###@#&*=.,
,.=*%@## @ TERRACE OVERLOOKING THE SEA AND @ ##@#&%*=.,
,.=*%&#@ @ THE BUILDINGS. @ @##&&%*=.,
,,,,..=%## # # ##%=..,,,,
,.=*%@## # TO THE LEFT THE HOUSES CLIMB # ##@#&%*=.,
.=*%@### @ SIMILARLY BUT A LOT OF TUNNELS AND @ ###@#&%*=.
,.=*%@## @ HALLS HAVE BEEN DUG FROM THE @ ##@#&%*=.,
,.=*%%%##@ # MOUNTAIN. SOME HOUSES STAND # @##%%%*=.,
,,,,.==%#@ # COMPLETELY "INSIDE". BECAUSE OF CAVE # @#%==.,,,,
,.=*%### @ CONDITIONS THE LOWER FLOORS HERE @ ####&%*=.,
,.=*%@## @ ARE COVERED IN DARK ALGAE THAT THE @ ##@#&%*=.,
,,,,,,=%%# # CITY LONG AGO STOPPED TRYING TO # #%%=,,,,,,
,.=*%#@# # REMOVE. ESTABLISHMENTS USE NEON # #@##&%*=.,
,.===%&&@# @ SIGNS AS AN ACCENT TO THE DARK. @ #@&&%===.,
,.=*%@## @ THERE'S A CASINO. @ ##@#&%*=.,
,.=*%@## # THERE'S AN INTERNET CAFE. # ##@#&%*=.,
,.=*%@## # # ##@#&%*=.,
,,,..*%%## @ MOST PEOPLE LIVING HERE HAVE LONG @ ##%%*..,,,
,.=*%@## @ SNOUTS AND BIG EARS. ALL SPACE IS @ ##@#&%*=.,
,.=*%@## # SHARED (FEW ROOMS HAVE LOCKS OR # ##@#&%*=.,
,.=*%&&&@@ # EVEN DOORS). INTERIOR DESIGN IS # @@&&&%*=.,
,.=*%@## @ MOSTLY ART NOUVEAU AND MADE @ ##@#&%*=.,
,.=*%@## @ OUT OF COPPER. @ ##@#&%*=.,
,.=*%@## ##@@##@@##@@##@@##@@@@##@@##@@##@@##@@## ##@#&%*=.,
,.=*%@## ##@#&%*=.,
,.=*%%%&@# #@&%%%*=.,
,.=*%@## ##@#&%*=.,
,,,.==%%## ##%%==.,,,
,,,==%&# ##&&%==,,,