%/«^......                                          ......^«/%
/«^.......                                          .......^«/
%/«^......                                          ......^«/%
#%/«^.....                                          .....^«/%#
¶#%/«^....                                          ....^«/%#¶
#¶#%/«^... delay  delay  d.la#  # %a.  ^ .¶   «   ^ ...^«/%#¶#
##¶#%/«^..                                          ..^«/%#¶##
###¶#%/«^.                                          .^«/%#¶###
##¶#%/«^..                                          ..^«/%#¶##
#¶#%/«^...                                          ...^«/%#¶#
¶#%/«^.... "delay" means repetiton or likewise,     ....^«/%#¶
#%/«^..... but it's mainly useless without          .....^«/%#
%/«^...... feedback,                                ......^«/%
/«^....... to allow the delay to eat of it's own    .......^«/
%/«^...... tail, like one of those eaty serpents.   ......^«/%
#%/«^..... thus: it's the serpent effect!           .....^«/%#
¶#%/«^....                                          ....^«/%#¶
#¶#%/«^... it's to be revered as a creator of       ...^«/%#¶#
##¶#%/«^.. ambience and of space, if you treat it   ..^«/%#¶##
###¶#%/«^. right. a somewhat more solid and         .^«/%#¶###
##¶#%/«^.. slippery sibling of reverb.              ..^«/%#¶##
#¶#%/«^...                                          ...^«/%#¶#
¶#%/«^....                                          ....^«/%#¶
#%/«^.....                                          .....^«/%#
%/«^......                                          ......^«/%
/«^.......                                          .......^«/