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¨:»;†§&¶## ¨LIZARDRY ##¶&§†;»:¨
¨:»;;;††&& » ¶ #¶ ### ################## &&††;;;»:¨
¨¨::»»†§§& ## THE ART OF C:NNECTING &§§†»»::¨¨
¨¨¨:;†§&¶¶ ¨ WITH THE OLD MIND ¶¶&§†;:¨¨¨
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¨:»;†§&&&& MY MIND IS BEING SKEWED. MI &&&&§†;»:¨
¨:»;†§&¶## SKELETON IS STRINGY AND OLD AND ALIEN ##¶&§†;»:¨
¨:»;†&¶### THE SITUATION IS LITERALLY ###¶&†;»:¨
¨:»;†§&¶¶¶ PRESSED OUT THROUGH MY EYES, IT'S ¶¶¶&§†;»:¨
¨:»;§&¶### ECHOING LIKE ###¶&§;»:¨
¨:»;†§&¶## THE SUNSET OF THE ETERNAL ##¶&§†;»:¨
¨:»;†§&¶¶# OCEAN #¶¶&§†;»:¨
¨:»;†§&¶## PERSISTENTLY AGAINST MY EMULSION ##¶&§†;»:¨
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¨:»;†§&¶## IT'S UNGRASPABLE TO ME, WHAT OTHER ##¶&§†;»:¨
¨:»;†§¶### HUMANS ARE DOING AND ABSTRACTING, ###¶§†;»:¨
¨¨¨¨¨¨:;§¶ AND ABOVE ALL ELSE, WHAT TIME THEY USE? ¶§;:¨¨¨¨¨¨
¨¨¨¨:»†&¶# HOW LONG A TIME HAS PASSED, FOR THEM? #¶&†»:¨¨¨¨
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¨:»;†§&¶## CONTINUOUSLY I'M CROWDING THROUGH ##¶&§†;»:¨
¨:»;†§&¶## ¨ THE FOURTH WALL :OUTWARDS IS WHAT ¨ ##¶&§†;»:¨
¨:»;†§&¶## ¨¨ I'M THINKING BUT IT'S WRONG.. A NEW ##¶&§†;»:¨
¨¨::»††&&¶ ¨ ¨ NARRATOR IS INTRODUCED, OCCASIONALLY ¶&&††»::¨¨
¨:»;†§&### : : AWARE OF THE PREVIOUS ONE, DEEPER ¨ ###&§†;»:¨
¨:»;††§§¶¶ : : DOWN IN THE DRAGONS THROAT. ¶¶§§††;»:¨
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