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@,,@,@@,@,    @                                     ,@@,@,@,@,
@,@@,,@,@,              ,LIZARDRY                   ,,@,@,@,@,
@,,@,@@,@, «           # @# @@@  @@@@@@@@@@@@@@@@@@ ,@@,@,@,@,
@,@@,,@,@, @@      THE ART OF C~NNECTING            ,,@,@,@,@,
@,,@,@@,@,        ,    WITH THE OLD MIND            ,@@,@,@,@,
@,@@,,@,@,                                          ,,@,@,@,@,
@,,@,@@,@,             MY MIND IS BEING SKEWED. MI  ,@@,@,@,@,
@,@@,,@,@,  SKELETON IS STRINGY AND OLD AND ALIEN   ,,@,@,@,@,
@,,@,@@,@,             THE SITUATION IS LITERALLY   ,@@,@,@,@,
@,@@,,@,@, PRESSED OUT THROUGH MY EYES, IT'S        ,,@,@,@,@,
@,,@,@@,@, ECHOING LIKE                             ,@@,@,@,@,
@,@@,,@,@,             THE SUNSET OF THE ETERNAL    ,,@,@,@,@,
@,,@,@@,@, OCEAN                                    ,@@,@,@,@,
@,@@,,@,@,         PERSISTENTLY AGAINST MY EMULSION ,,@,@,@,@,
@,,@,@@,@,                                          ,@@,@,@,@,
@,@@,,@,@,    IT'S UNGRASPABLE TO ME, WHAT OTHER    ,,@,@,@,@,
@,,@,@@,@,   HUMANS ARE DOING AND ABSTRACTING,      ,@@,@,@,@,
@,@@,,@,@,  AND ABOVE ALL ELSE, WHAT TIME THEY USE? ,,@,@,@,@,
@,,@,@@,@, HOW LONG A TIME HAS PASSED, FOR THEM?    ,@@,@,@,@,
@,@@,,@,@,                                     ,    ,,@,@,@,@,
@,,@,@@,@,  , ,,, ,  ,,,,,,,,,,,,,,,,   #######     ,@@,@,@,@,
@,@@,,@,@,   CONTINUOUSLY I'M CROWDING THROUGH      ,,@,@,@,@,
@,,@,@@,@, , THE FOURTH WALL  ~OUTWARDS IS WHAT   , ,@@,@,@,@,
@,@@,,@,@, ,, I'M THINKING BUT IT'S WRONG.. A NEW   ,,@,@,@,@,
@,,@,@@,@, , , NARRATOR IS INTRODUCED, OCCASIONALLY ,@@,@,@,@,
@,@@,,@,@, ~  ~ AWARE OF THE PREVIOUS ONE, DEEPER , ,,@,@,@,@,
@,,@,@@,@, ~   ~ DOWN IN THE DRAGONS THROAT.        ,@@,@,@,@,
@,@@,,@,@,      ~                                   ,,@,@,@,@,
@,,@,@@,@,       ~                                  ,@@,@,@,@,
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@,,@,@@,@,                                          ,@@,@,@,@,