.@@@.@.@@.                                          @@@@@@@.@.
@..@@@@.@.                                          ......@@@.
@.@...@@@@                                          .....@..@@
@@@..@....                                          ....@@.@..
..@.@@...@                                          ...@.@@@.@
.@@@.@..@@          ....==## VäXJö ##==....         ..@@@..@@@
@..@@@.@..                                          .@..@.@..@
@.@..@@@.@ THE APARTMENT  SMELLS OF OLD COFFEE  AND @@.@@@@.@.
@@@.@..@@@ SWEETENERS. I DON'T  KNOW  HOW I  LET IT .@@...@@@@
..@@@.@..@ GET  LIKE  THIS.  IT'S NOT  INTENTIONAL. @.@..@....
.@..@@@.@.                                          @@@.@@....
@@.@..@@@@ I WEAR YELLOW  TINTED GLASSES. THE  ROOM ..@@.@....
.@@@.@...@ CHANGES  SHAPE A LOT.  RIGHT NOW THERE'S .@.@@@...@
@..@@@..@. A  BLUE   SOFA  WITH   YELLOW  SEAMS.  I @@@..@..@@
@.@..@.@@@     EXPERIMENT WITH DIFFERENT COLORED    ..@.@@.@..
@@@.@@@...       LIGHTS. I'M LEARNING THINGS.       .@@@.@@@.@
..@@..@..@                                          @..@@..@@.
.@.@.@@.@. MY  THOUGHTS  ARE REVOLVING AROUND TIME, @.@.@.@.@.
@@@@@.@@@. AND THE PERCEPTION  OF IT. CAN I MAKE IT @@@@@@@@@.
....@@..@. RIGID? IF I  REALLY WANT TO, CAN I  MAKE ........@@
...@.@.@@@ IT  FEEL LIKE  THERE  IS  ENOUGH  OF IT? .......@.@
..@@@@@...    ALSO, AND MAYBE, ULTIMATELY, MORE     ......@@@@
.@....@... IMPORTANT -  CAN I MAKE IT FEEL LIKE  IT .....@...@
@@...@@...              DOESN'T MATTER?             ....@@..@@
.@..@.@..@                                          ...@.@.@..
@@.@@@@.@@                                          ..@@@@@@..
.@@...@@.@                                          .@.....@.@
@.@..@.@@.                                          @@....@@@@
@@@.@@@.@.                                          .@...@....