,,,«=*¤@@# #@@¤*=«,,,
,,,,«=*¤@@ @@¤*=«,,,,
,,,,,«=*¤@ @¤*=«,,,,,
,,,,,,«=*¤ ¤*=«,,,,,,
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,,,,«=*¤@@ @¤¤@@¤¤@@¤¤@@¤¤@@¤¤@@¤¤@@¤¤@@¤¤@@¤¤@@¤¤@ @@¤*=«,,,,
,,,«=*¤@@# ¤ buildings, towers in the "golden ¤ #@@¤*=«,,,
,,«=*¤@@## ¤ bay" (everything made of sandstone). ¤ ##@@¤*=«,,
,,,«=*¤@@# @ five particular houses fourty @ #@@¤*=«,,,
,,,,«=*¤@@ @ stories tall, hundred meters apart, @ @@¤*=«,,,,
,,,,,«=*¤@ ¤ in a slight arc inwards. ¤ @¤*=«,,,,,
,,,,,,«=*¤ ¤ ¤ ¤*=«,,,,,,
,,,,,«=*¤@ @ between two mountains; to the right @ @¤*=«,,,,,
,,,,«=*¤@@ @ and left the city climbs quickly. @ @@¤*=«,,,,
,,,«=*¤@@# ¤ the right plateau hosts a lush and ¤ #@@¤*=«,,,
,,«=*¤@@## ¤ shaded garden which morphs into a ¤ ##@@¤*=«,,
,,,«=*¤@@# @ terrace overlooking the sea and @ #@@¤*=«,,,
,,,,«=*¤@@ @ the buildings. @ @@¤*=«,,,,
,,,,,«=*¤@ ¤ ¤ @¤*=«,,,,,
,,,,,,«=*¤ ¤ to the left the houses climb ¤ ¤*=«,,,,,,
,,,,,«=*¤@ @ similarly but a lot of tunnels and @ @¤*=«,,,,,
,,,,«=*¤@@ @ halls have been dug from the @ @@¤*=«,,,,
,,,«=*¤@@# ¤ mountain. some houses stand ¤ #@@¤*=«,,,
,,«=*¤@@## ¤ completely "inside". because of cave ¤ ##@@¤*=«,,
,,,«=*¤@@# @ conditions the lower floors here @ #@@¤*=«,,,
,,,,«=*¤@@ @ are covered in dark algae that the @ @@¤*=«,,,,
,,,,,«=*¤@ ¤ city long ago stopped trying to ¤ @¤*=«,,,,,
,,,,,,«=*¤ ¤ remove. establishments use neon ¤ ¤*=«,,,,,,
,,,,,«=*¤@ @ signs as an accent to the dark. @ @¤*=«,,,,,
,,,,«=*¤@@ @ there's a casino. @ @@¤*=«,,,,
,,,«=*¤@@# ¤ there's an internet cafe. ¤ #@@¤*=«,,,
,,«=*¤@@## ¤ ¤ ##@@¤*=«,,
,,,«=*¤@@# @ most people living here have long @ #@@¤*=«,,,
,,,,«=*¤@@ @ snouts and big ears. all space is @ @@¤*=«,,,,
,,,,,«=*¤@ ¤ shared (few rooms have locks or ¤ @¤*=«,,,,,
,,,,,,«=*¤ ¤ even doors). interior design is ¤ ¤*=«,,,,,,
,,,,,«=*¤@ @ mostly art nouveau and made @ @¤*=«,,,,,
,,,,«=*¤@@ @ out of copper. @ @@¤*=«,,,,
,,,«=*¤@@# ¤¤@@¤¤@@¤¤@@¤¤@@¤¤@@@@¤¤@@¤¤@@¤¤@@¤¤@@¤¤ #@@¤*=«,,,
,,«=*¤@@## ##@@¤*=«,,
,,,«=*¤@@# #@@¤*=«,,,
,,,,«=*¤@@ @@¤*=«,,,,
,,,,,«=*¤@ @¤*=«,,,,,
,,,,,,«=*¤ ¤*=«,,,,,,