....--\$&& &&$\--....
.-=\*$## ###&$*\=-.
...===\$&& &&$\===...
.....-=*&& &&*=-.....
.=\*$### ####&$*\=.
.-=\*$## ....**## VäXJö ##**.... ###&$*\=-.
.-=\*$## ###&$*\=-.
...---=\$& THE APARTMENT SMELLS OF OLD COFFEE AND &$\=---...
.-=\*$## SWEETENERS. I DON'T KNOW HOW I LET IT ###&$*\=-.
.-=\*$## GET LIKE THIS. IT'S NOT INTENTIONAL. ###&$*\=-.
......=* #&*=......
.-=\*$## I WEAR YELLOW TINTED GLASSES. THE ROOM ###&$*\=-.
..--\**& CHANGES SHAPE A LOT. RIGHT NOW THERE'S #&&**\--..
.-=\*$## A BLUE SOFA WITH YELLOW SEAMS. I ###&$*\=-.
.-=\*$## EXPERIMENT WITH DIFFERENT COLORED ###&$*\=-.
...--=\\$# LIGHTS. I'M LEARNING THINGS. #$\\=--...
.-=\\\\**& &**\\\\=-.
.-=\*$## MY THOUGHTS ARE REVOLVING AROUND TIME, ###&$*\=-.
...-\\\$## AND THE PERCEPTION OF IT. CAN I MAKE IT ##$\\\-...
.-=\\\*# RIGID? IF I REALLY WANT TO, CAN I MAKE ##&*\\\=-.
.....-=*$# IT FEEL LIKE THERE IS ENOUGH OF IT? #$*=-.....
.-=\*$## ALSO, AND MAYBE, ULTIMATELY, MORE ###&$*\=-.
.-=\*$## IMPORTANT - CAN I MAKE IT FEEL LIKE IT ###&$*\=-.
......==*& DOESN'T MATTER? &*==......
.-=\*$## ###&$*\=-.
.-===***$& &$***===-.
.-=\*$## ###&$*\=-.
...-=\*$ #&$*\=-...
..-==\\*&& &&*\\==-..