.@@.@..@.@                                          @@@@..@@@.
@.@.@.@@..                                          .@@@.@.@@.
@.@.@..@.@                                          @.@@.@..@.
@.@.@.@@.@                                          @..@.@.@@.
@.@.@..@.@                                          @.@@.@..@.
@.@.@.@@.@         ....%%@# VäXJö #@%%....          @..@.@.@@.
@.@.@..@.@                                          @.@@.@..@.
@.@.@.@@.@ THE APARTMENT  SMELLS  OF OLD COFFEE AND @..@.@.@@.
@.@.@..@.@ SWEETENERS.  I DON'T  KNOW  HOW I LET IT @.@@.@..@.
@.@.@.@@.@ GET  LIKE THIS.  IT'S  NOT  INTENTIONAL. @..@.@.@@.
@.@.@..@.@                                          @.@@.@..@.
@.@.@.@@.@ I WEAR  YELLOW TINTED GLASSES.  THE ROOM @..@.@.@@.
@.@.@..@.@ CHANGES SHAPE  A LOT. RIGHT NOW  THERE'S @.@@.@..@.
@.@.@.@@.@ A  BLUE  SOFA  WITH   YELLOW  SEAMS.   I @..@.@.@@.
@.@.@..@.@    EXPERIMENT WITH DIFFERENT COLORED     @.@@.@..@.
@.@.@.@@.@       LIGHTS. I'M LEARNING THINGS.       @..@.@.@@.
@.@.@..@.@                                          @.@@.@..@.
@.@.@.@@.@ MY  THOUGHTS ARE REVOLVING AROUND  TIME, @..@.@.@@.
@.@.@..@.@ AND THE PERCEPTION OF IT.  CAN I MAKE IT @.@@.@..@.
@.@.@.@@.@ RIGID? IF I REALLY WANT TO, CAN  I  MAKE @..@.@.@@.
@.@.@..@.@ IT  FEEL  LIKE THERE  IS ENOUGH  OF  IT? @.@@.@..@.
@.@.@.@@.@    ALSO, AND MAYBE, ULTIMATELY, MORE     @..@.@.@@.
@.@.@..@.@ IMPORTANT - CAN I MAKE IT FEEL  LIKE  IT @.@@.@..@.
@.@.@.@@.@             DOESN'T MATTER?              @..@.@.@@.
@.@.@..@.@                                          @.@@.@..@.
@.@.@.@@.@                                          @..@.@.@@.
@.@.@..@.@                                          @.@@.@..@.
@.@.@.@@.@                                          @..@.@.@@.
@.@.@..@.@                                          @.@@.@..@.