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##@§£*^~:¨ it's very dark in here. dark and big, a ¨:~^*£§@##
#@§*:/^:,, few colored lights scattered in an ,,:^/:*§@#
#@#@%*=~^¨ enormous hall. coincidentally, this is ¨^~=*%@#@#
##¶££$;~~. where i work. .~~;$££¶##
##¶£%*†~:. .:~†*%£¶##
#¤%^«::.¨¨ i must have eaten a drug, or maybe it's ¨¨.::«^%¤#
###£§=*«~¨ just the nature of the place, but it ¨~«*=§£###
§§%**^\~-, feels like i have eaten a drug. too ,-~\^**%§§
###&¤*/=~. confident, too malleable. i feel good, .~=/*¤##
¶£¤†.¨¨.¨, too good to be bored, which i guess is ,¨.¨¨.†¤£¶
##@££$/«~¨ the point. ¨~«/$££@##
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££†^=,,.,. i doze off, daydream... or maybe i fall .,.,,=^†££
####@$$†«, asleep for real. i dream of work, and ,«†$$@####
##£&@=^~., wake up at work, so the line is blurry. ,.~^=@&£##
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#%%=^/=:,. someone new has come when i was out. .,:=/^=%%#
@£§=/~,.,, their black sillhouette contrasts with ,,.,~/=§£@
¤%~,¨.,¨¨. the hazy nebulosas mirrored in the .¨¨,.¨,~%¤
###£$=;=., obsidian floor. i take their money, ,.=;=$£###
##@#£^\=:. which i don't understand, but the .:=\^£#@##
##@@*§=~,. machine accepts it. .,~=§*@@##
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##@#%*/-., from outside there's a bunch of whining ,.-/*%#@##
@***/~««:¨ tones, like a chord. the beverage ¨:««~/***@
@#§¤:»«,,. fridge adds a sharp, dark drone. the .,,«»:¤§#@
###¤£§*~,¨ dining area is vast and people are ¨,~*§£¤###
#@£&&*^«-, cluttered like charcoal islands, their ,-«^*&&£@#
##@§@*;~:, voices in another language. or in ,:~;*@§@##
@=/.-,,¨¨. another medium, and i'm only able to .¨¨,,-./=@
&$«=~¨¨.,. percieve the wake of their words. .,.¨¨~=«$&
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