....~»^**& &**^»~....
...~»^**&@ @&**^»~...
..~»^**&@# #@&**^»~..
.~»^**&@## ##@&**^»~.
~»^**&@### ###@&**^»~
.~»^**&@## delay delay d.la# & *a. ~ .@ » ~ ##@&**^»~.
..~»^**&@# #@&**^»~..
...~»^**&@ @&**^»~...
....~»^**& &**^»~....
.....~»^** **^»~.....
......~»^* "delay" means repetiton or likewise, *^»~......
.....~»^** but it's mainly useless without **^»~.....
....~»^**& feedback, &**^»~....
...~»^**&@ to allow the delay to eat of it's own @&**^»~...
..~»^**&@# tail, like one of those eaty serpents. #@&**^»~..
.~»^**&@## thus: it's the serpent effect! ##@&**^»~.
~»^**&@### ###@&**^»~
.~»^**&@## it's to be revered as a creator of ##@&**^»~.
..~»^**&@# ambience and of space, if you treat it #@&**^»~..
...~»^**&@ right. a somewhat more solid and @&**^»~...
....~»^**& slippery sibling of reverb. &**^»~....
.....~»^** **^»~.....
......~»^* *^»~......
.....~»^** **^»~.....
....~»^**& &**^»~....
...~»^**&@ @&**^»~...