@@@#%*†~~. .~~†*%#@@@
@@@#%*†~~. .~~†*%#@@@
@%*††~.... ....~††*%@
#%*†~..... .....~†*%#
@#*††~~... ...~~††*#@
#@@#%*†~~. delay delay d.la@ # *a. ~ .@ ~ ~ .~~†*%#@@#
#@@#%*†~~. .~~†*%#@@#
@#%%†~.... ....~†%%#@
@@@#%*†~~. .~~†*%#@@@
@@%†††~~.. ..~~†††%@@
@@@#%*†~~. "delay" means repetiton or likewise, .~~†*%#@@@
@%%%**†~~. but it's mainly useless without .~~†**%%%@
@@##%*†~~. feedback, .~~†*%##@@
#@@#%*†~~. to allow the delay to eat of it's own .~~†*%#@@#
@#%*†~.... tail, like one of those eaty serpents. ....~†*%#@
#@@#%*†~~. thus: it's the serpent effect! .~~†*%#@@#
#%%††~.... ....~††%%#
@#%*††~~~. it's to be revered as a creator of .~~~††*%#@
##@#%*†~~. ambience and of space, if you treat it .~~†*%#@##
@##***†~~. right. a somewhat more solid and .~~†***##@
#**†~~.... slippery sibling of reverb. ....~~†**#
#*†~...... ......~†*#
@#%*†~.... ....~†*%#@
#%**†~~... ...~~†**%#
#@@#%*†~~. .~~†*%#@@#
#**†~~.... ....~~†**#