&$%^=:,,,, ,,,,:=^%$&
#&$%^=:,,, ,,,:=^%$&#
##&$%^=:,, ,,:=^%$&##
###&$%^=:, ,:=^%$&###
##&$%^=:,, ,,:=^%$&##
#&$%^=:,,, delay delay d,la# & %a, : ,@ = : ,,,:=^%$&#
&$%^=:,,,, ,,,,:=^%$&
$%^=:,,,,, ,,,,,:=^%$
&$%^=:,,,, ,,,,:=^%$&
#&$%^=:,,, ,,,:=^%$&#
##&$%^=:,, "delay" means repetiton or likewise, ,,:=^%$&##
###&$%^=:, but it's mainly useless without ,:=^%$&###
##&$%^=:,, feedback, ,,:=^%$&##
#&$%^=:,,, to allow the delay to eat of it's own ,,,:=^%$&#
&$%^=:,,,, tail, like one of those eaty serpents. ,,,,:=^%$&
$%^=:,,,,, thus: it's the serpent effect! ,,,,,:=^%$
&$%^=:,,,, ,,,,:=^%$&
#&$%^=:,,, it's to be revered as a creator of ,,,:=^%$&#
##&$%^=:,, ambience and of space, if you treat it ,,:=^%$&##
###&$%^=:, right. a somewhat more solid and ,:=^%$&###
##&$%^=:,, slippery sibling of reverb. ,,:=^%$&##
#&$%^=:,,, ,,,:=^%$&#
&$%^=:,,,, ,,,,:=^%$&
$%^=:,,,,, ,,,,,:=^%$
&$%^=:,,,, ,,,,:=^%$&
#&$%^=:,,, ,,,:=^%$&#