#¶@@¤*;-.¨ ¨.-;*¤@@¶#
##¶@¤*;-.¨ ¨.-;*¤@¶##
###¶@*;-.¨ ¨.-;*@¶###
#¶¶@¤*;-.¨ ¨.-;*¤@¶¶#
###¶¤*;-.¨ ¨.-;*¤¶###
@@¤¤*---.¨ delay delay d¨la# @ *a¨ . ¨¶ - . ¨.---*¤¤@@
##¶@¤*;-.¨ ¨.-;*¤@¶##
##¶@¤*;-.¨ ¨.-;*¤@¶##
@*-¨¨¨¨¨¨¨ ¨¨¨¨¨¨¨-*@
##¶@¤*;-.¨ ¨.-;*¤@¶##
#¶@*;.¨¨¨¨ "delay" means repetiton or likewise, ¨¨¨¨.;*@¶#
###@¤*;-.¨ but it's mainly useless without ¨.-;*¤@###
##¶@¤*;-.¨ feedback, ¨.-;*¤@¶##
¶¤*;..¨¨¨¨ to allow the delay to eat of it's own ¨¨¨¨..;*¤¶
#¶¶@¤*;-.¨ tail, like one of those eaty serpents. ¨.-;*¤@¶¶#
¶¤¤***;-.¨ thus: it's the serpent effect! ¨.-;***¤¤¶
@¤¤¤¤*;-.¨ ¨.-;*¤¤¤¤@
#@*-¨¨¨¨¨¨ it's to be revered as a creator of ¨¨¨¨¨¨-*@#
##¶@¤*;-.¨ ambience and of space, if you treat it ¨.-;*¤@¶##
¶¤¤*;.¨¨¨¨ right. a somewhat more solid and ¨¨¨¨.;*¤¤¶
##¶@¤*;-.¨ slippery sibling of reverb. ¨.-;*¤@¶##
##¶@¤*;-.¨ ¨.-;*¤@¶##
##¶@¤*;-.¨ ¨.-;*¤@¶##
#@¤**-.¨¨¨ ¨¨¨.-**¤@#
¶¶@@¤*;-.¨ ¨.-;*¤@@¶¶
#@*-.¨¨¨¨¨ ¨¨¨¨¨.-*@#