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~undefined TWENTY-FOUR/SEVEN? SO CLOSE-MINDED. SO undefined~
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###££*:«~¨ IT'S VERY DARK IN HERE. DARK AND BIG, A ¨~«:*££###
##£¤$§\=~¨ FEW COLORED LIGHTS SCATTERED IN AN ¨~=\§$¤£##
#@@@£*;~-¨ ENORMOUS HALL. COINCIDENTALLY, THIS IS ¨-~;*£@@@#
##¶@&$==., WHERE I WORK. ,.==$&@¶##
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##£¤¤%\~,¨ I MUST HAVE EATEN A DRUG, OR MAYBE IT'S ¨,~\%¤¤£##
###@£†*»^. JUST THE NATURE OF THE PLACE, BUT IT .^»*†£@###
@@*=-¨.... FEELS LIKE I HAVE EATEN A DRUG. TOO ....¨-=*@@
##@£¤%=-,, CONFIDENT, TOO MALLEABLE. I FEEL GOOD, ,,-=%¤£@##
£§§$=~::,. TOO GOOD TO BE BORED, WHICH I GUESS IS .,::~=$§§£
@@£*~-~.¨, THE POINT. ,¨.~-~*£@@
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@@$†*†=-^, I DOZE OFF, DAYDREAM... OR MAYBE I FALL ,^-=†*†$@@
¶£==:~~«-¨ ASLEEP FOR REAL. I DREAM OF WORK, AND ¨-«~~:==£¶
###&¤%;«:¨ WAKE UP AT WORK, SO THE LINE IS BLURRY. ¨:«;%¤##
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§=~^,.,,¨, SOMEONE NEW HAS COME WHEN I WAS OUT. ,¨,,.,^~=§
§%†~-,¨, THEIR BLACK SILLHOUETTE CONTRASTS WITH ,¨,-~†%§#&
£¤$*//:.., THE HAZY NEBULOSAS MIRRORED IN THE ,..://*$¤£
&§†^/^¨.¨¨ OBSIDIAN FLOOR. I TAKE THEIR MONEY, ¨¨.¨^/^†§&
¶@\«.¨,¨.¨ WHICH I DON'T UNDERSTAND, BUT THE ¨.¨,¨.«\@¶
§§§§**=~,¨ MACHINE ACCEPTS IT. ¨,~=**§§§§
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@@£=;\\~^, FROM OUTSIDE THERE'S A BUNCH OF WHINING ,^~\\;=£@@
#@@&§†==-, TONES, LIKE A CHORD. THE BEVERAGE ,-==†§&@@#
##¶¤£*\»^. FRIDGE ADDS A SHARP, DARK DRONE. THE .^»\*£¤¶##
###¤§%=-~¨ DINING AREA IS VAST AND PEOPLE ARE ¨~-=%§¤###
#@@@*%*~~¨ CLUTTERED LIKE CHARCOAL ISLANDS, THEIR ¨~~*%*@@@#
£&$~~=-... VOICES IN ANOTHER LANGUAGE. OR IN ...-=~~$&£
##§†;\^«., ANOTHER MEDIUM, AND I'M ONLY ABLE TO ,.«^\;†§##
¶§\†^,.¨,, PERCIEVE THE WAKE OF THEIR WORDS. ,,¨.,^†\§¶
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