###@&§*~., ,.~*§&@###
&&%*.,,,,, ,,,,,.*%&&
#@@&§%*~., ,.~*%§&@@#
##@&§%*~., ,.~*%§&@##
&%%*~~,,,, ,,,,~~*%%&
##@&§%*~., %%%%%%%%%% ,.~*%§&@##
###@§%*~., ,.~*%§@###
##@&§%*~., LYRA EIGHT ,.~*%§&@##
@@&%*.,,,, ,,,,.*%&@@
##@&§%*~., ,, ,.~*%§&@##
##@&§%*~., . . ,.~*%§&@##
##@&§%*~., ~ ~ ,.~*%§&@##
##@&§%*~., * * ,.~*%§&@##
#&&&§%*~., % % ,.~*%§&&&#
##@&§%*~., ,.~*%§&@##
&§§%***~., CAVE SCULPTER ,.~***%§§&
#&%%*~~~., DREAM TO CHORD TRANSLATOR ,.~~~*%%&#
##@&§%*~., ,.~*%§&@##
@&%**.,,,, EIGHT VOICED BLEEDING FORTUNE TELLER ,,,,.**%&@
##@&§%*~., ,.~*%§&@##
&%%~,,,,,, DUAL SELF-MODULATING DELAY LINE ,,,,,,~%%&
##@&§%*~., SWITCH FOR "TOTAL FEEDBACK" ,.~*%§&@##
@&%~,,,,,, ,,,,,,~%&@
&§*~~~,,,, LICK THE CONTACT PADS ,,,,~~~*§&
##@&§%*~., ,.~*%§&@##
##@&§%*~., % % ,.~*%§&@##
@§§§§%*~., * * ,.~*%§§§§@
&§§*.,,,,, ~ ~ ,,,,,.*§§&
##@&§%*~., . . ,.~*%§&@##
##@&§%*~., ,, ,.~*%§&@##
@@@&§%*~., ,.~*%§&@@@
##@&§%*~., GEARLIST , ANOTHER SYNTH ,.~*%§&@##
##@&§%*~., ,.~*%§&@##
##@&§%*~., %%%%%%%%%%%%%%%%%%%%%%%%% ,.~*%§&@##
###@&%*~., ,.~*%&@###
##@&§%*~., ,.~*%§&@##
#&&§%*~~., ,.~~*%§&&#
##@&§%*~., ,.~*%§&@##
@@§*~~~,,, ,,,~~~*§@@