,^«\%$§#@# #@#§$%\«^,
,,^«\%$§#@ @#§$%\«^,,
,^«\%$§#@# #@#§$%\«^,
,,^«\%$§#@ @#§$%\«^,,
,^«\%$§#@# #@#§$%\«^,
,,^«\%$§#@ %%%%%%%%%% @#§$%\«^,,
,^«\%$§#@# #@#§$%\«^,
,,^«\%$§#@ lyra eight @#§$%\«^,,
,^«\%$§#@# #@#§$%\«^,
,,^«\%$§#@ ,, @#§$%\«^,,
,^«\%$§#@# ^ ^ #@#§$%\«^,
,,^«\%$§#@ « « @#§$%\«^,,
,^«\%$§#@# \ \ #@#§$%\«^,
,,^«\%$§#@ % % @#§$%\«^,,
,^«\%$§#@# #@#§$%\«^,
,,^«\%$§#@ cave sculpter @#§$%\«^,,
,^«\%$§#@# dream to chord translator #@#§$%\«^,
,,^«\%$§#@ @#§$%\«^,,
,^«\%$§#@# eight voiced bleeding fortune teller #@#§$%\«^,
,,^«\%$§#@ @#§$%\«^,,
,^«\%$§#@# dual self-modulating delay line #@#§$%\«^,
,,^«\%$§#@ switch for "total feedback" @#§$%\«^,,
,^«\%$§#@# #@#§$%\«^,
,,^«\%$§#@ lick the contact pads @#§$%\«^,,
,^«\%$§#@# #@#§$%\«^,
,,^«\%$§#@ % % @#§$%\«^,,
,^«\%$§#@# \ \ #@#§$%\«^,
,,^«\%$§#@ « « @#§$%\«^,,
,^«\%$§#@# ^ ^ #@#§$%\«^,
,,^«\%$§#@ ,, @#§$%\«^,,
,^«\%$§#@# #@#§$%\«^,
,,^«\%$§#@ gearlist , another synth @#§$%\«^,,
,^«\%$§#@# #@#§$%\«^,
,,^«\%$§#@ %%%%%%%%%%%%%%%%%%%%%%%%% @#§$%\«^,,
,^«\%$§#@# #@#§$%\«^,
,,^«\%$§#@ @#§$%\«^,,
,^«\%$§#@# #@#§$%\«^,
,,^«\%$§#@ @#§$%\«^,,
,^«\%$§#@# #@#§$%\«^,