,,,,,~**§& &§**~,,,,,
,,~**§&@## ##@&§**~,,
,,~*§&@### ###@&§*~,,
,,~**§&@@# #@@&§**~,,
,,~*§&@### ###@&§*~,,
,,,,,*§§§@ Delay Delay D,La# & *A, , ,@ ~ , @§§§*,,,,,
,,~*§&@### ###@&§*~,,
,,~**§&@## ##@&§**~,,
,,,,,,~*&& &&*~,,,,,,
,,~**§&&&# #&&&§**~,,
,,~**&@### "Delay" Means Repetiton Or Likewise, ###@&**~,,
,~**§&@### But It'S Mainly Useless Without ###@&§**~,
,,,,***&&# Feedback, #&&***,,,,
,,,,~**&@@ To Allow The Delay To Eat Of It'S Own @@&**~,,,,
,,~*§&@### Tail, Like One Of Those Eaty Serpents. ###@&§*~,,
,,,,~~**§& Thus: It'S The Serpent Effect! &§**~~,,,,
,,,,,~*&@@ @@&*~,,,,,
,,,,,~~*§@ It'S To Be Revered As A Creator Of @§*~~,,,,,
,,~**§@### Ambience And Of Space, If You Treat It ###@§**~,,
,,~**§&@## Right. A Somewhat More Solid And ##@&§**~,,
,,~**§@### Slippery Sibling Of Reverb. ###@§**~,,
,,~**§&@@@ @@@&§**~,,
,,,,,~**&& &&**~,,,,,
,,~**§§&@@ @@&§§**~,,
,,,,,**§&@ @&§**,,,,,
,,~**§&@## ##@&§**~,,