.-~;*&&£@# #@£&&*;~-.
.....--;&& &&;--.....
.-~;*&£@## ##@£&*;~-.
.-~;*&&&&& &&&&&*;~-.
.-~;*&&&££ ££&&&*;~-.
...~~**&&& delay delay d.la@ & *a. - .£ ~ - &&&**~~...
.-~;;**&££ ££&**;;~-.
....---~*& &*~---....
.-~;*&&£@# #@£&&*;~-.
.-~;*&&£@# #@£&&*;~-.
.-~;***&&& "delay" means repetiton or likewise, &&&***;~-.
...~;;**&@ but it's mainly useless without @&**;;~...
.-~;*&£@## feedback, ##@£&*;~-.
....-;&&&£ to allow the delay to eat of it's own £&&&;-....
.-~;*&&££@ tail, like one of those eaty serpents. @££&&*;~-.
.-~*&&£@## thus: it's the serpent effect! ##@£&&*~-.
...-~;;&&& &&&;;~-...
.-~;*&&££@ it's to be revered as a creator of @££&&*;~-.
......~*&@ ambience and of space, if you treat it @&*~......
...~;;*&&£ right. a somewhat more solid and £&&*;;~...
.-~;*&&&&@ slippery sibling of reverb. @&&&&*;~-.
....--~;*& &*;~--....
.-~;*&&£@# #@£&&*;~-.
.-~;*&&£@# #@£&&*;~-.
....~**&&& &&&**~....
......~;&& &&;~......