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&,&,&&,&,&                ,,£###£,,                 &,&,&&,&,,
&,&,,&,&,,       .. pittsburgh electronics ..       &,&,,&,&,&
&,&,&&,&,&             «« lifeforms ««              &,&,&&,&,,
&,&,,&,&,,               :: sv one ::               &,&,,&,&,&
&,&,&&,&,&                                          &,&,&&,&,,
&,&,,&,&,, this  is a eurorack module but  i bought &,&,,&,&,&
&,&,&&,&,& the  blackbox  one  so  it's  also  not. &,&,&&,&,,
&,&,,&,&,,                                          &,&,,&,&,&
&,&,&&,&,& it  ships  with  too  few patch  cables. &,&,&&,&,,
&,&,,&,&,,                                          &,&,,&,&,&
&,&,&&,&,&             ,*@ contains @*,             &,&,&&,&,,
&,&,,&,&,,           midi to cv converter           &,&,,&,&,&
&,&,&&,&,&                two vco's                 &,&,&&,&,,
&,&,,&,&,, four channel or two x two  channel mixer &,&,,&,&,&
&,&,&&,&,&        two sub oscillators i think       &,&,&&,&,,
&,&,,&,&,,         two one to two splitters         &,&,,&,&,&
&,&,&&,&,&          white noise generator           &,&,&&,&,,
&,&,,&,&,,              sample and hold             &,&,,&,&,&
&,&,&&,&,&          lfo plus a digital lfo          &,&,&&,&,,
&,&,,&,&,,   filter (lowpass, bandpass, highpass)   &,&,,&,&,&
&,&,&&,&,&              adsr envelope               &,&,&&,&,,
&,&,,&,&,,                  one vca                 &,&,,&,&,&
&,&,&&,&,&              headphone amp               &,&,&&,&,,
&,&,,&,&,,         fourty nine patchpoints!         &,&,,&,&,&
&,&,&&,&,&                                          &,&,&&,&,,
&,&,,&,&,,                 ,.###.,                  &,&,,&,&,&
&,&,&&,&,&            «** so what now **«           &,&,&&,&,,
&,&,,&,&,,                 ,.###.,                  &,&,,&,&,&
&,&,&&,&,&                                          &,&,&&,&,,
&,&,,&,&,, clock io goes to  asdr in  i  think  and &,&,,&,&,&
&,&,&&,&,& maybe also to the sample and  hold.  put &,&,&&,&,,
&,&,,&,&,, subbase  and noise in channel three  and &,&,,&,&,&
&,&,&&,&,& four.  oscillator  one  saw  to  channel &,&,&&,&,,
&,&,,&,&,, two,  and oscillator two saw to  channel &,&,,&,&,&
&,&,&&,&,& one.  sample   and  hold   out  to   the &,&,&&,&,,
&,&,,&,&,,  filter... maybe... resonance at half.   &,&,,&,&,&
&,&,&&,&,& some  frequency in  the first oscillator &,&,&&,&,,
&,&,,&,&,, and then the  second osc  four semitones &,&,,&,&,&
&,&,&&,&,&                 higher.                  &,&,&&,&,,
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&,&,&&,&,&                  .«&@&«.                 &,&,&&,&,,
&,&,,&,&,,          :££ desktop synth ££:           &,&,,&,&,&
&,&,&&,&,&                 .«&@&«.                  &,&,&&,&,,
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