,,@,,,,,@,                                          ,,@,@,@@,,
,,,@,,,,,,                                          @,,,,,@@@,
,,,,@,,,,,                                          ,@,,,,@,@@
@,,,,@,,,,                                          ,,@,,,,,@@
@@,,,,@,,,                                          ,,,@,,,,@,
@@@,,,,@,,                                          ,,,,@,,,,,
@,@@,,,,@,                ,,§@#@§,,                 @,,,,@,,,,
,,@@@,,,,@       ^^ PITTSBURGH ELECTRONICS ^^       ,@,,,,@,,,
,,@,@@,,,,              == LIFEFORMS ==             ,,@,,,,@,,
,,,,@@@,,,               ;; SV ONE ;;               @,,@,,,,@,
,,,,@,@@,,                                          ,@,,@,,,,@
@,,,,,@@@, THIS IS A EURORACK MODULE  BUT  I BOUGHT ,,@,,@,,,,
,@,,,,@,@@ THE  BLACKBOX  ONE  SO  IT'S  ALSO  NOT. ,,,@,,@,,,
,,@,,,,,@@                                          ,,,,@,,@,,
,,,@,,,,@, IT  SHIPS  WITH  TOO FEW  PATCH  CABLES. @,,,,@,,@,
,,,,@,,,,,                                          ,@,,,,@,,@
@,,,,@,,,,             ,$£ CONTAINS £$,             ,,@,,,,@,,
,@,,,,@,,,           MIDI TO CV CONVERTER           ,,,@,,,,@,
,,@,,,,@,,                 TWO VCO'S                ,,,,@,,,,@
@,,@,,,,@, FOUR CHANNEL OR  TWO X TWO CHANNEL MIXER ,,,,,@,,,,
,@,,@,,,,@        TWO SUB OSCILLATORS I THINK       ,,,,,,@,,,
,,@,,@,,,,         TWO ONE TO TWO SPLITTERS         @,,,,,,@,,
,,,@,,@,,,           WHITE NOISE GENERATOR          ,@,,,,,,@,
,,,,@,,@,,             SAMPLE AND HOLD              ,,@,,,,,,@
@,,,,@,,@,          LFO PLUS A DIGITAL LFO          @,,@,,,,,,
,@,,,,@,,@   FILTER (LOWPASS, BANDPASS, HIGHPASS)   @@,,@,,,,,
,,@,,,,@,,               ADSR ENVELOPE              ,@@,,@,,,,
,,,@,,,,@,                 ONE VCA                  ,@@@,,@,,,
,,,,@,,,,@               HEADPHONE AMP              ,@,@@,,@,,
,,,,,@,,,,         FOURTY NINE PATCHPOINTS!         ,,,@@@,,@,
,,,,,,@,,,                                          @,,@,@@,,@
@,,,,,,@,,                  ,^@#@^,                 @@,,,@@@,,
,@,,,,,,@,            =$$ SO WHAT NOW $$=           @@@,,@,@@,
,,@,,,,,,@                  ,^@#@^,                 @,@@,,,@@@
@,,@,,,,,,                                          ,,@@@,,@,@
@@,,@,,,,, CLOCK  IO GOES  TO ASDR  IN I THINK  AND ,,@,@@,,,@
,@@,,@,,,, MAYBE  ALSO TO THE SAMPLE  AND HOLD. PUT @,,,@@@,,@
,@@@,,@,,, SUBBASE AND NOISE IN  CHANNEL THREE  AND @@,,@,@@,,
,@,@@,,@,, FOUR.  OSCILLATOR  ONE  SAW  TO  CHANNEL ,@@,,,@@@,
,,,@@@,,@, TWO,  AND OSCILLATOR TWO SAW  TO CHANNEL ,@@@,,@,@@
@,,@,@@,,@ ONE.  SAMPLE   AND   HOLD  OUT   TO  THE ,@,@@,,,@@
@@,,,@@@,,   FILTER... MAYBE... RESONANCE AT HALF.  ,,,@@@,,@,
@@@,,@,@@, SOME  FREQUENCY  IN THE FIRST OSCILLATOR @,,@,@@,,,
@,@@,,,@@@ AND  THEN THE SECOND  OSC FOUR SEMITONES @@,,,@@@,,
,,@@@,,@,@                 HIGHER.                  @@@,,@,@@,
,,@,@@,,,@                                          @,@@,,,@@@
@,,,@@@,,@                 ^=@£@=^                  ,,@@@,,@,@
@@,,@,@@,,           ;§§ DESKTOP SYNTH §§;          ,,@,@@,,,@
,@@,,,@@@,                 ^=@£@=^                  ,,,,@@@,,@
,@@@,,@,@@                                          ,,,,@,@@,,
,@,@@,,,@@                                          @,,,,,@@@,
,,,@@@,,@,                                          ,@,,,,@,@@
@,,@,@@,,,                                          ,,@,,,,,@@
@@,,,@@@,,                                          ,,,@,,,,@,
@@@,,@,@@,                                          ,,,,@,,,,,