¨,«**$@@@#                                          #@@@$**«,¨
¨¨¨¨¨,,«*@                                          @*«,,¨¨¨¨¨
¨,«**$@@@@                                          @@@@$**«,¨
¨¨¨¨¨¨¨«*@                                          @*«¨¨¨¨¨¨¨
¨,«**$@@@#                                          #@@@$**«,¨
¨,**$@@@##                                          ##@@@$**,¨
¨¨¨¨¨«*$@@                ¨¨$@#@$¨¨                 @@$*«¨¨¨¨¨
¨,«**$@@@#       ,, pittsburgh electronics ,,       #@@@$**«,¨
¨¨¨¨¨,«**@             «« lifeforms ««              @**«,¨¨¨¨¨
¨,«**$@@@@               ** sv one **               @@@@$**«,¨
¨,«**$@@@@                                          @@@@$**«,¨
¨,«**$@@@# this is  a eurorack module but  i bought #@@@$**«,¨
¨¨¨«***$@@ the  blackbox  one  so  it's  also  not. @@$***«¨¨¨
¨,«**$@@##                                          ##@@$**«,¨
¨,«**$@@## it  ships  with  too  few  patch cables. ##@@$**«,¨
¨¨¨«**$$@@                                          @@$$**«¨¨¨
¨¨¨¨,«*$@@             ¨*@ contains @*¨             @@$*«,¨¨¨¨
¨¨¨¨¨,«*$@           midi to cv converter           @$*«,¨¨¨¨¨
¨,«**$@@@@                two vco's                 @@@@$**«,¨
¨«**$@@@## four channel  or two x two channel mixer ##@@@$**«¨
¨,«**$@@@#       two sub oscillators i think        #@@@$**«,¨
¨¨¨¨«*$$$@         two one to two splitters         @$$$*«¨¨¨¨
¨¨¨,,«*@@@          white noise generator           @@@*«,,¨¨¨
¨,«**$@@@@             sample and hold              @@@@$**«,¨
¨,«**$@@@@          lfo plus a digital lfo          @@@@$**«,¨
¨,«**$@@@@   filter (lowpass, bandpass, highpass)   @@@@$**«,¨
¨,«*$@@@##               adsr envelope              ##@@@$*«,¨
¨,«**$@@##                  one vca                 ##@@$**«,¨
¨¨,,«***@@               headphone amp              @@***«,,¨¨
¨¨¨¨«**@@@         fourty nine patchpoints!         @@@**«¨¨¨¨
¨¨¨«**$$@@                                          @@$$**«¨¨¨
¨¨¨¨,***$@                  ¨,@#@,¨                 @$***,¨¨¨¨
¨¨¨¨¨«*$$@            «** so what now **«           @$$*«¨¨¨¨¨
¨¨¨¨,**@@@                  ¨,@#@,¨                 @@@**,¨¨¨¨
¨,«**$@@@#                                          #@@@$**«,¨
¨,««***$@@ clock io  goes  to asdr  in  i think and @@$***««,¨
¨¨¨,,,,*$@ maybe also  to  the sample and hold. put @$*,,,,¨¨¨
¨¨¨¨,«**@@ subbase and  noise in  channel three and @@**«,¨¨¨¨
¨¨¨¨,««*@@ four.  oscillator  one  saw  to  channel @@*««,¨¨¨¨
¨,«**$@@@# two, and  oscillator two saw  to channel #@@@$**«,¨
¨,«**$$@@@ one.   sample  and   hold  out  to   the @@@$$**«,¨
¨,«**$@@@@   filter... maybe... resonance at half.  @@@@$**«,¨
¨,«**$@@@@ some frequency in the  first  oscillator @@@@$**«,¨
¨,«**$@@@@ and then the second  osc four  semitones @@@@$**«,¨
¨¨¨¨«**@@@                 higher.                  @@@**«¨¨¨¨
¨¨¨¨,«*$@@                                          @@$*«,¨¨¨¨
¨,«**$@@##                  ,«@@@«,                 ##@@$**«,¨
¨,«**$@@@#          *$$ desktop synth $$*           #@@@$**«,¨
¨,«**$@@@#                 ,«@@@«,                  #@@@$**«,¨
¨,«**$@@@#                                          #@@@$**«,¨
¨¨¨,*****@                                          @*****,¨¨¨
¨¨¨,«*$$@@                                          @@$$*«,¨¨¨
¨¨¨¨¨,**$@                                          @$**,¨¨¨¨¨
¨¨¨¨¨¨,«*@                                          @*«,¨¨¨¨¨¨
¨,«**$@@@#                                          #@@@$**«,¨