¤$^^~,,,,,                                          ,,,,,~^^$¤
###@¤§^~,,                                          ,,~^§¤@###
#¤§^,,,,,,                                          ,,,,,,^§¤#
##@¤$§^~,,                                          ,,~^§$¤@##
##@¤$§^~,,                                          ,,~^§$¤@##
@¤¤$$§^~,,                                          ,,~^§$$¤¤@
##@¤$§^~,,                ,,$###$,,                 ,,~^§$¤@##
@¤¤¤$§^~,,       ,, PITTSBURGH ELECTRONICS ,,       ,,~^§$¤¤¤@
¤¤§~,,,,,,             ~~ LIFEFORMS ~~              ,,,,,,~§¤¤
@$$^~~~~,,               ^^ SV ONE ^^               ,,~~~~^$$@
¤¤§~,,,,,,                                          ,,,,,,~§¤¤
¤§~,,,,,,, THIS IS A  EURORACK  MODULE BUT I BOUGHT ,,,,,,,~§¤
###@¤$^~,, THE  BLACKBOX  ONE  SO  IT'S  ALSO  NOT. ,,~^$¤@###
##@¤$§^~,,                                          ,,~^§$¤@##
##@¤$§^~,, IT SHIPS  WITH  TOO  FEW  PATCH  CABLES. ,,~^§$¤@##
¤¤$$§^^~,,                                          ,,~^^§$$¤¤
###@$§^~,,             ,§@ CONTAINS @§,             ,,~^§$@###
##@¤$§^~,,           MIDI TO CV CONVERTER           ,,~^§$¤@##
##@¤$§^~,,                 TWO VCO'S                ,,~^§$¤@##
¤§^~,,,,,, FOUR CHANNEL  OR TWO X TWO CHANNEL MIXER ,,,,,,~^§¤
##@¤$§^~,,       TWO SUB OSCILLATORS I THINK        ,,~^§$¤@##
¤$§^^~~,,,         TWO ONE TO TWO SPLITTERS         ,,,~~^^§$¤
##@¤$§^~,,          WHITE NOISE GENERATOR           ,,~^§$¤@##
##@¤$§^~,,             SAMPLE AND HOLD              ,,~^§$¤@##
##@¤$§^~,,          LFO PLUS A DIGITAL LFO          ,,~^§$¤@##
@$§§^~,,,,   FILTER (LOWPASS, BANDPASS, HIGHPASS)   ,,,,~^§§$@
###@$§^~,,               ADSR ENVELOPE              ,,~^§$@###
##@¤$§^~,,                 ONE VCA                  ,,~^§$¤@##
@@¤$$§^~,,               HEADPHONE AMP              ,,~^§$$¤@@
@¤§^,,,,,,         FOURTY NINE PATCHPOINTS!         ,,,,,,^§¤@
###¤$§^~,,                                          ,,~^§$¤###
##@¤$§^~,,                  ,,###,,                 ,,~^§$¤@##
¤§§§~,,,,,            ~§§ SO WHAT NOW §§~           ,,,,,~§§§¤
##@¤$§^~,,                  ,,###,,                 ,,~^§$¤@##
@@$$$§^~,,                                          ,,~^§$$$@@
@$§§§~,,,, CLOCK  IO GOES TO  ASDR IN I  THINK  AND ,,,,~§§§$@
##@¤$§^~,, MAYBE ALSO  TO THE  SAMPLE AND HOLD. PUT ,,~^§$¤@##
@$§~,,,,,, SUBBASE  AND  NOISE IN CHANNEL THREE AND ,,,,,,~§$@
@@@¤$§^~,, FOUR.  OSCILLATOR  ONE  SAW  TO  CHANNEL ,,~^§$¤@@@
##@¤$§^~,, TWO,  AND  OSCILLATOR TWO SAW TO CHANNEL ,,~^§$¤@##
@¤§§~,,,,, ONE.  SAMPLE   AND  HOLD   OUT  TO   THE ,,,,,~§§¤@
@¤¤¤$§^~,,   FILTER... MAYBE... RESONANCE AT HALF.  ,,~^§$¤¤¤@
##@¤$§^~,, SOME FREQUENCY IN  THE  FIRST OSCILLATOR ,,~^§$¤@##
##@¤$§^~,, AND THEN THE SECOND OSC  FOUR  SEMITONES ,,~^§$¤@##
#¤¤¤$§^~,,                 HIGHER.                  ,,~^§$¤¤¤#
##@¤$§^~,,                                          ,,~^§$¤@##
##@¤$§^~,,                 ,~¤@¤~,                  ,,~^§$¤@##
#¤¤¤$§^~,,           ^$$ DESKTOP SYNTH $$^          ,,~^§$¤¤¤#
@@@¤$§^~,,                  ,~¤@¤~,                 ,,~^§$¤@@@
¤¤$$$§^~,,                                          ,,~^§$$$¤¤
###¤$§^~,,                                          ,,~^§$¤###
¤¤¤$§^,,,,                                          ,,,,^§$¤¤¤
###@¤$§~,,                                          ,,~§$¤@###
##@¤$§^~,,                                          ,,~^§$¤@##
@@@¤$§^~,,                                          ,,~^§$¤@@@