@@@@@@,@,,                                          @,@,@,@@,,
,@@@@@,@,,                                          @,@,@,,@,@
,,@@@@,@,@                                          @,@,@,@@,@
,@,@@@,@,@                                          @,@,@,,@,@
,@,,@@,@,@                                          @,@,@,@@,@
,@,@,@,@,@                                          @,@,@,,@,@
,@,@,@,@,@                 ,,%###%,,                @,@,@,@@,@
,@,@,@,@,@       ~~ PITTSBURGH ELECTRONICS ~~       @,@,@,,@,@
,@,@,@,@,@             -- LIFEFORMS --              @,@,@,@@,@
,@,@,@,@,@               // SV ONE //               @,@,@,,@,@
,@,@,@,@,@                                          @,@,@,@@,@
,@,@,@,@,@ THIS  IS  A EURORACK MODULE BUT I BOUGHT @,@,@,,@,@
,@,@,@,@,@ THE  BLACKBOX  ONE  SO  IT'S  ALSO  NOT. @,@,@,@@,@
,@,@,@,@,@                                          @,@,@,,@,@
,@,@,@,@,@ IT SHIPS  WITH  TOO  FEW  PATCH  CABLES. @,@,@,@@,@
,@,@,@,@,@                                          @,@,@,,@,@
,@,@,@,@,@             ,%@ CONTAINS @%,             @,@,@,@@,@
,@,@,@,@,@           MIDI TO CV CONVERTER           @,@,@,,@,@
,@,@,@,@,@                 TWO VCO'S                @,@,@,@@,@
,@,@,@,@,@ FOUR CHANNEL  OR TWO X TWO CHANNEL MIXER @,@,@,,@,@
,@,@,@,@,@        TWO SUB OSCILLATORS I THINK       @,@,@,@@,@
,@,@,@,@,@         TWO ONE TO TWO SPLITTERS         @,@,@,,@,@
,@,@,@,@,@           WHITE NOISE GENERATOR          @,@,@,@@,@
,@,@,@,@,@              SAMPLE AND HOLD             @,@,@,,@,@
,@,@,@,@,@          LFO PLUS A DIGITAL LFO          @,@,@,@@,@
,@,@,@,@,@   FILTER (LOWPASS, BANDPASS, HIGHPASS)   @,@,@,,@,@
,@,@,@,@,@              ADSR ENVELOPE               @,@,@,@@,@
,@,@,@,@,@                  ONE VCA                 @,@,@,,@,@
,@,@,@,@,@               HEADPHONE AMP              @,@,@,@@,@
,@,@,@,@,@         FOURTY NINE PATCHPOINTS!         @,@,@,,@,@
,@,@,@,@,@                                          @,@,@,@@,@
,@,@,@,@,@                 ,~###~,                  @,@,@,,@,@
,@,@,@,@,@           -%% SO WHAT NOW %%-            @,@,@,@@,@
,@,@,@,@,@                  ,~###~,                 @,@,@,,@,@
,@,@,@,@,@                                          @,@,@,@@,@
,@,@,@,@,@ CLOCK IO  GOES  TO ASDR IN  I THINK  AND @,@,@,,@,@
,@,@,@,@,@ MAYBE  ALSO TO THE SAMPLE  AND HOLD. PUT @,@,@,@@,@
,@,@,@,@,@ SUBBASE  AND NOISE IN  CHANNEL THREE AND @,@,@,,@,@
,@,@,@,@,@ FOUR.  OSCILLATOR  ONE  SAW  TO  CHANNEL @,@,@,@@,@
,@,@,@,@,@ TWO, AND OSCILLATOR TWO  SAW TO  CHANNEL @,@,@,,@,@
,@,@,@,@,@ ONE.  SAMPLE  AND   HOLD   OUT  TO   THE @,@,@,@@,@
,@,@,@,@,@   FILTER... MAYBE... RESONANCE AT HALF.  @,@,@,,@,@
,@,@,@,@,@ SOME  FREQUENCY IN THE  FIRST OSCILLATOR @,@,@,@@,@
,@,@,@,@,@ AND  THEN THE SECOND OSC FOUR  SEMITONES @,@,@,,@,@
,@,@,@,@,@                  HIGHER.                 @,@,@,@@,@
,@,@,@,@,@                                          @,@,@,,@,@
,@,@,@,@,@                 ~-@@@-~                  @,@,@,@@,@
,@,@,@,@,@          /%% DESKTOP SYNTH %%/           @,@,@,,@,@
,@,@,@,@,@                 ~-@@@-~                  @,@,@,@@,@
,@,@,@,@,@                                          @,@,@,,@,@
,@,@,@,@,@                                          @,@,@,@@,@
,@,@,@,@,@                                          @,@,@,,@,@
,@,@,@,@,@                                          @,@,@,@@,@
,@,@,@,@,@                                          @,@,@,,@,@
,@,@,@,@,@                                          @,@,@,@@,@