¨:=\**&&££                                          ££&&**\=:¨
¨¨¨¨¨=*&&£                                          £&&*=¨¨¨¨¨
¨:=\\\\**£                                          £**\\\\=:¨
¨:=\*&££##                                          ##££&*\=:¨
¨:=\*&££##                                          ##££&*\=:¨
¨¨¨¨¨:\&£#                                          #£&\:¨¨¨¨¨
¨:=\\\&££#                ¨¨&###&¨¨                 #££&\\\=:¨
¨:=\*&££##       :: PITTSBURGH ELECTRONICS ::       ##££&*\=:¨
¨:=\*&££##             == LIFEFORMS ==              ##££&*\=:¨
¨¨¨¨¨=\*&£               \\ SV ONE \\               £&*\=¨¨¨¨¨
¨:=\*&££##                                          ##££&*\=:¨
¨:=\***££# THIS IS  A EURORACK MODULE BUT  I BOUGHT #££***\=:¨
¨:=\*&££## THE  BLACKBOX  ONE  SO  IT'S  ALSO  NOT. ##££&*\=:¨
¨:=\*&££££                                          ££££&*\=:¨
¨=\*&££### IT  SHIPS WITH  TOO  FEW  PATCH  CABLES. ###££&*\=¨
¨¨¨¨==*££#                                          #££*==¨¨¨¨
¨:=\*££###             ¨*£ CONTAINS £*¨             ###££*\=:¨
¨:=\*&££##           MIDI TO CV CONVERTER           ##££&*\=:¨
¨:=\*&££##                TWO VCO'S                 ##££&*\=:¨
¨¨¨¨¨¨:=*£ FOUR CHANNEL OR TWO X TWO  CHANNEL MIXER £*=:¨¨¨¨¨¨
¨:=\*&££##       TWO SUB OSCILLATORS I THINK        ##££&*\=:¨
¨:=\*&££##         TWO ONE TO TWO SPLITTERS         ##££&*\=:¨
¨:=\*&££##          WHITE NOISE GENERATOR           ##££&*\=:¨
¨:=\*&££##              SAMPLE AND HOLD             ##££&*\=:¨
¨:=\*&££##          LFO PLUS A DIGITAL LFO          ##££&*\=:¨
¨¨¨¨:==*&£   FILTER (LOWPASS, BANDPASS, HIGHPASS)   £&*==:¨¨¨¨
¨:=\*&££##              ADSR ENVELOPE               ##££&*\=:¨
¨:=\*&££##                  ONE VCA                 ##££&*\=:¨
¨¨¨¨¨:\&&£               HEADPHONE AMP              £&&\:¨¨¨¨¨
¨:=\*&££##         FOURTY NINE PATCHPOINTS!         ##££&*\=:¨
¨¨¨:\**&£#                                          #£&**\:¨¨¨
¨¨¨¨¨:=\&£                 ¨:###:¨                  £&\=:¨¨¨¨¨
¨¨¨¨¨:\\&£           =** SO WHAT NOW **=            £&\\:¨¨¨¨¨
¨:::\\&&££                  ¨:###:¨                 ££&&\\:::¨
¨:=\*&&&£#                                          #£&&&*\=:¨
¨¨¨:==*&£# CLOCK  IO  GOES  TO ASDR IN I  THINK AND #£&*==:¨¨¨
¨:=\*&£### MAYBE ALSO  TO THE SAMPLE  AND HOLD. PUT ###£&*\=:¨
¨¨¨¨:=\&&£ SUBBASE AND  NOISE IN  CHANNEL THREE AND £&&\=:¨¨¨¨
¨:=\*&££## FOUR.  OSCILLATOR  ONE  SAW  TO  CHANNEL ##££&*\=:¨
¨:=\*&££## TWO,  AND OSCILLATOR TWO  SAW TO CHANNEL ##££&*\=:¨
¨:=\*&££## ONE.   SAMPLE   AND  HOLD   OUT  TO  THE ##££&*\=:¨
¨¨¨¨¨=\**£  FILTER... MAYBE... RESONANCE AT HALF.   £**\=¨¨¨¨¨
¨¨¨¨:=\&££ SOME  FREQUENCY  IN THE FIRST OSCILLATOR ££&\=:¨¨¨¨
¨¨¨¨==\*&£ AND  THEN THE SECOND  OSC FOUR SEMITONES £&*\==¨¨¨¨
¨:=\*&££££                  HIGHER.                 ££££&*\=:¨
¨¨¨:=***£#                                          #£***=:¨¨¨
¨¨¨:=**££#                 :=£££=:                  #££**=:¨¨¨
¨¨::==**&£          \&& DESKTOP SYNTH &&\           £&**==::¨¨
¨:=\***£££                  :=£££=:                 £££***\=:¨
¨:=\*&£###                                          ###£&*\=:¨
¨¨¨¨=\&£££                                          £££&\=¨¨¨¨
¨¨¨:=\*££#                                          #££*\=:¨¨¨
¨¨::\**£££                                          £££**\::¨¨
¨:=\*&££££                                          ££££&*\=:¨
¨:=\*&££##                                          ##££&*\=:¨