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¨¨#¨#¨¨#¨#                                          #¨¨#¨¨##¨¨
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#¨##¨¨#¨#¨       ^^ PITTSBURGH ELECTRONICS ^^       #¨#¨##¨¨¨¨
###¨#¨####              ~~ LIFEFORMS ~~             ¨####¨#¨¨¨
#¨¨####¨¨¨               †† SV ONE ††               ¨#¨¨¨###¨¨
##¨#¨¨¨#¨¨                                          ###¨¨#¨¨#¨
#¨###¨¨##¨ THIS  IS A EURORACK MODULE  BUT I BOUGHT ¨¨¨#¨##¨##
¨##¨¨#¨#¨# THE  BLACKBOX  ONE  SO  IT'S  ALSO  NOT. #¨¨###¨##¨
¨#¨#¨#####                                          ¨#¨#¨¨##¨#
######¨¨¨¨ IT SHIPS  WITH  TOO  FEW  PATCH  CABLES. ¨####¨#¨##
¨¨¨¨¨¨#¨¨¨                                          ##¨¨¨####¨
¨¨¨¨¨¨##¨¨             ¨$@ CONTAINS @$¨             #¨#¨¨#¨¨¨#
#¨¨¨¨¨#¨#¨           MIDI TO CV CONVERTER           ¨###¨##¨¨#
¨#¨¨¨¨####                 TWO VCO'S                ##¨¨##¨#¨#
###¨¨¨#¨¨¨ FOUR CHANNEL OR TWO X TWO  CHANNEL MIXER #¨#¨#¨####
¨¨¨#¨¨##¨¨       TWO SUB OSCILLATORS I THINK        ¨######¨¨¨
¨¨¨##¨#¨#¨         TWO ONE TO TWO SPLITTERS         ##¨¨¨¨¨#¨¨
¨¨¨#¨#####          WHITE NOISE GENERATOR           #¨#¨¨¨¨##¨
¨¨¨###¨¨¨¨             SAMPLE AND HOLD              ¨###¨¨¨#¨#
#¨¨#¨¨#¨¨¨          LFO PLUS A DIGITAL LFO          ¨#¨¨#¨¨###
¨#¨##¨##¨¨   FILTER (LOWPASS, BANDPASS, HIGHPASS)   ¨##¨##¨#¨¨
¨###¨##¨#¨               ADSR ENVELOPE              ##¨##¨###¨
¨#¨¨##¨###                  ONE VCA                 #¨##¨##¨¨#
###¨#¨##¨¨               HEADPHONE AMP              ¨##¨##¨#¨#
¨¨¨####¨#¨         FOURTY NINE PATCHPOINTS!         ##¨##¨####
#¨¨#¨¨¨###                                          #¨##¨##¨¨¨
##¨##¨¨#¨¨                  ¨^###^¨                 ¨##¨##¨#¨¨
#¨##¨#¨##¨           ~$$ SO WHAT NOW $$~            ##¨##¨###¨
###¨####¨#                  ¨^###^¨                 #¨##¨##¨¨#
¨¨¨##¨¨¨##                                          ###¨##¨#¨#
#¨¨#¨#¨¨#¨ CLOCK  IO GOES TO ASDR IN  I  THINK  AND ¨¨¨##¨####
¨#¨####¨## MAYBE  ALSO TO THE SAMPLE AND HOLD.  PUT ¨¨¨#¨##¨¨¨
¨###¨¨¨##¨ SUBBASE AND NOISE IN  CHANNEL THREE  AND ¨¨¨###¨#¨¨
¨#¨¨#¨¨#¨# FOUR.  OSCILLATOR  ONE  SAW  TO  CHANNEL ¨¨¨#¨¨###¨
¨##¨##¨### TWO,  AND OSCILLATOR TWO  SAW TO CHANNEL #¨¨##¨#¨¨#
##¨##¨##¨¨ ONE.  SAMPLE   AND   HOLD  OUT  TO   THE ##¨#¨###¨#
¨¨##¨##¨#¨  FILTER... MAYBE... RESONANCE AT HALF.   ¨¨####¨¨##
#¨#¨##¨### SOME FREQUENCY  IN THE FIRST  OSCILLATOR #¨#¨¨¨#¨#¨
#####¨##¨¨ AND THEN THE SECOND  OSC  FOUR SEMITONES ¨###¨¨####
¨¨¨¨¨##¨#¨                  HIGHER.                 ##¨¨#¨#¨¨¨
¨¨¨¨¨#¨###                                          #¨#¨####¨¨
¨¨¨¨¨###¨¨                  ^~#@#~^                 ¨####¨¨¨#¨
¨¨¨¨¨#¨¨#¨          †@@ DESKTOP SYNTH @@†           ##¨¨¨#¨¨##
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