¨¨¨¨~~^§%§                                          §%§^~~¨¨¨¨
¨¨¨¨¨~~^§%                                          %§^~~¨¨¨¨¨
¨¨¨¨¨¨~~^§                                          §^~~¨¨¨¨¨¨
¨¨¨¨¨~~^§%                                          %§^~~¨¨¨¨¨
¨¨¨¨~~^§%§                                          §%§^~~¨¨¨¨
¨¨¨~~^§%§@                                          @§%§^~~¨¨¨
¨¨~~^§%§@#                 ¨¨%@#@%¨¨                #@§%§^~~¨¨
¨~~^§%§@##       ~~ Pittsburgh Electronics ~~       ##@§%§^~~¨
¨¨~~^§%§@#              ~~ Lifeforms ~~             #@§%§^~~¨¨
¨¨¨~~^§%§@               ^^ Sv One ^^               @§%§^~~¨¨¨
¨¨¨¨~~^§%§                                          §%§^~~¨¨¨¨
¨¨¨¨¨~~^§% This Is A Eurorack Module  But  I Bought %§^~~¨¨¨¨¨
¨¨¨¨¨¨~~^§ The  Blackbox  One  So  It'S  Also  Not. §^~~¨¨¨¨¨¨
¨¨¨¨¨~~^§%                                          %§^~~¨¨¨¨¨
¨¨¨¨~~^§%§ It  Ships  With  Too  Few Patch  Cables. §%§^~~¨¨¨¨
¨¨¨~~^§%§@                                          @§%§^~~¨¨¨
¨¨~~^§%§@#             ¨§@ Contains @§¨             #@§%§^~~¨¨
¨~~^§%§@##           Midi To Cv Converter           ##@§%§^~~¨
¨¨~~^§%§@#                Two Vco'S                 #@§%§^~~¨¨
¨¨¨~~^§%§@ Four Channel Or Two X Two Channel  Mixer @§%§^~~¨¨¨
¨¨¨¨~~^§%§       Two Sub Oscillators I Think        §%§^~~¨¨¨¨
¨¨¨¨¨~~^§%         Two One To Two Splitters         %§^~~¨¨¨¨¨
¨¨¨¨¨¨~~^§          White Noise Generator           §^~~¨¨¨¨¨¨
¨¨¨¨¨~~^§%             Sample And Hold              %§^~~¨¨¨¨¨
¨¨¨¨~~^§%§          Lfo Plus A Digital Lfo          §%§^~~¨¨¨¨
¨¨¨~~^§%§@   Filter (Lowpass, Bandpass, Highpass)   @§%§^~~¨¨¨
¨¨~~^§%§@#              Adsr Envelope               #@§%§^~~¨¨
¨~~^§%§@##                 One Vca                  ##@§%§^~~¨
¨¨~~^§%§@#               Headphone Amp              #@§%§^~~¨¨
¨¨¨~~^§%§@         Fourty Nine Patchpoints!         @§%§^~~¨¨¨
¨¨¨¨~~^§%§                                          §%§^~~¨¨¨¨
¨¨¨¨¨~~^§%                 ¨~@#@~¨                  %§^~~¨¨¨¨¨
¨¨¨¨¨¨~~^§            ~§§ So What Now §§~           §^~~¨¨¨¨¨¨
¨¨¨¨¨~~^§%                 ¨~@#@~¨                  %§^~~¨¨¨¨¨
¨¨¨¨~~^§%§                                          §%§^~~¨¨¨¨
¨¨¨~~^§%§@ Clock Io Goes  To Asdr  In  I Think  And @§%§^~~¨¨¨
¨¨~~^§%§@# Maybe Also To The  Sample  And Hold. Put #@§%§^~~¨¨
¨~~^§%§@## Subbase And  Noise  In Channel Three And ##@§%§^~~¨
¨¨~~^§%§@# Four.  Oscillator  One  Saw  To  Channel #@§%§^~~¨¨
¨¨¨~~^§%§@ Two,  And Oscillator  Two Saw To Channel @§%§^~~¨¨¨
¨¨¨¨~~^§%§ One.   Sample   And  Hold   Out  To  The §%§^~~¨¨¨¨
¨¨¨¨¨~~^§%   Filter... Maybe... Resonance At Half.  %§^~~¨¨¨¨¨
¨¨¨¨¨¨~~^§ Some  Frequency In  The First Oscillator §^~~¨¨¨¨¨¨
¨¨¨¨¨~~^§% And Then The  Second Osc Four  Semitones %§^~~¨¨¨¨¨
¨¨¨¨~~^§%§                 Higher.                  §%§^~~¨¨¨¨
¨¨¨~~^§%§@                                          @§%§^~~¨¨¨
¨¨~~^§%§@#                 ~~§@§~~                  #@§%§^~~¨¨
¨~~^§%§@##           ^%% Desktop Synth %%^          ##@§%§^~~¨
¨¨~~^§%§@#                  ~~§@§~~                 #@§%§^~~¨¨
¨¨¨~~^§%§@                                          @§%§^~~¨¨¨
¨¨¨¨~~^§%§                                          §%§^~~¨¨¨¨
¨¨¨¨¨~~^§%                                          %§^~~¨¨¨¨¨
¨¨¨¨¨¨~~^§                                          §^~~¨¨¨¨¨¨
¨¨¨¨¨~~^§%                                          %§^~~¨¨¨¨¨
¨¨¨¨~~^§%§                                          §%§^~~¨¨¨¨