#..#.###.#                                          .##.#.#...
#.###..##.                                          #.#####..#
##..#.#.#.                                          ##....#.#.
.#.#######                                          .#...#####
###......#                                          ##..#....#
..#.....#.                                          .#.##...#.
.##....##.                ..$###$..                 ###.#..##.
#.#...#.##       -- PITTSBURGH ELECTRONICS --       ..###.#.#.
###..###.#              == LIFEFORMS ==             .#..######
..#.#..###               \\ SV ONE \\               ##.#......
.####.#..#                                          .###......
#...###.#. THIS IS A EURORACK MODULE BUT  I  BOUGHT #..#......
#..#..#### THE  BLACKBOX  ONE  SO  IT'S  ALSO  NOT. #.##.....#
#.##.#...#                                          ##.#....#.
##.###..## IT  SHIPS  WITH TOO  FEW  PATCH  CABLES. .###...###
.##..#.#..                                          #..#..#...
#.#.####.#             .§# CONTAINS #§.             #.##.##...
####...##.           MIDI TO CV CONVERTER           ##.##.#..#
...#..#.##                TWO VCO'S                 .##.###.#.
..##.###.# FOUR CHANNEL OR TWO X TWO  CHANNEL MIXER #.##..###.
.#.##..###        TWO SUB OSCILLATORS I THINK       ##.#.#..#.
###.#.#...         TWO ONE TO TWO SPLITTERS         .#####.##.
..#####..#           WHITE NOISE GENERATOR          #....##.##
.#....#.#.              SAMPLE AND HOLD             #...#.##.#
##...#####          LFO PLUS A DIGITAL LFO          #..###.###
.#..#.....   FILTER (LOWPASS, BANDPASS, HIGHPASS)   #.#..##...
##.##.....               ADSR ENVELOPE              ###.#.#...
.##.#.....                 ONE VCA                  ..#####..#
#.###....#               HEADPHONE AMP              .#....#.##
##..#...#.         FOURTY NINE PATCHPOINTS!         ##...###..
.#.##..###                                          .#..#..#.#
###.#.#..#                 .-###-.                  ##.##.####
..#####.##            =§§ SO WHAT NOW §§=           .##.##....
.#....##.#                 .-###-.                  #.##.#....
##...#.##.                                          ##.###....
.#..###.## CLOCK  IO  GOES TO  ASDR  IN I THINK AND .##..#...#
##.#..##.# MAYBE ALSO TO  THE  SAMPLE AND HOLD. PUT #.#.##..##
.###.#.##. SUBBASE AND NOISE IN CHANNEL  THREE  AND ####.#.#..
#..####.## FOUR.  OSCILLATOR  ONE  SAW  TO  CHANNEL ...#####..
#.#...##.. TWO,  AND OSCILLATOR  TWO SAW TO CHANNEL ..#....#.#
###..#.#.. ONE.   SAMPLE  AND  HOLD  OUT   TO   THE .##...###.
..#.####.#   FILTER... MAYBE... RESONANCE AT HALF.  #.#..#..##
.###...##. SOME FREQUENCY IN  THE  FIRST OSCILLATOR ###.##.#.#
#..#..#.## AND  THEN  THE SECOND OSC FOUR SEMITONES ..##.#####
#.##.###.#                 HIGHER.                  .#.##.....
##.##..##.                                          ###.#....#
.##.#.#.#.                 -=###=-                  ..###...#.
#.########          \$$ DESKTOP SYNTH $$\           .#..#..##.
##.......#                  -=###=-                 ##.##.#.##
.#......#.                                          .##.####..
##.....###                                          #.##...#..
.#....#...                                          ##.#..##.#
##...##..#                                          .###.#.###
.#..#.#.#.                                          #..####...
##.######.                                          #.#...#...