,@,,@@@,,,                                          ,@@@,,@,,,
,,@,@,@@,,                                          ,@,@@,,@,,
,,,,,,@@@,                                          ,,,@@@,,@,
,,,,,,@,@@                                          @,,@,@@,,@
@,,,,,,,@@                                          @@,,,@@@,,
,@,,,,,,@,                                          @@@,,@,@@,
,,@,,,,,,,                ,,&###&,,                 @,@@,,,@@@
@,,@,,,,,,       ^^ PITTSBURGH ELECTRONICS ^^       ,,@@@,,@,@
@@,,@,,,,,             «« LIFEFORMS ««              ,,@,@@,,,@
,@@,,@,,,,               ^^ SV ONE ^^               ,,,,@@@,,@
,@@@,,@,,,                                          @,,,@,@@,,
,@,@@,,@,, THIS IS A EURORACK  MODULE BUT  I BOUGHT @@,,,,@@@,
,,,@@@,,@, THE  BLACKBOX  ONE  SO  IT'S  ALSO  NOT. @@@,,,@,@@
@,,@,@@,,@                                          @,@@,,,,@@
@@,,,@@@,, IT  SHIPS  WITH  TOO FEW  PATCH  CABLES. ,,@@@,,,@,
@@@,,@,@@,                                          ,,@,@@,,,,
@,@@,,,@@@             ,†# CONTAINS #†,             @,,,@@@,,,
,,@@@,,@,@           MIDI TO CV CONVERTER           @@,,@,@@,,
,,@,@@,,,@                 TWO VCO'S                ,@@,,,@@@,
,,,,@@@,,@ FOUR CHANNEL OR TWO  X TWO CHANNEL MIXER ,@@@,,@,@@
@,,,@,@@,,       TWO SUB OSCILLATORS I THINK        ,@,@@,,,@@
@@,,,,@@@,         TWO ONE TO TWO SPLITTERS         ,,,@@@,,@,
@@@,,,@,@@           WHITE NOISE GENERATOR          @,,@,@@,,,
@,@@,,,,@@              SAMPLE AND HOLD             ,@,,,@@@,,
,,@@@,,,@,          LFO PLUS A DIGITAL LFO          ,,@,,@,@@,
,,@,@@,,,,   FILTER (LOWPASS, BANDPASS, HIGHPASS)   @,,@,,,@@@
@,,,@@@,,,              ADSR ENVELOPE               @@,,@,,@,@
@@,,@,@@,,                 ONE VCA                  @@@,,@,,,@
,@@,,,@@@,               HEADPHONE AMP              @,@@,,@,,@
,@@@,,@,@@         FOURTY NINE PATCHPOINTS!         ,,@@@,,@,,
,@,@@,,,@@                                          ,,@,@@,,@,
,,,@@@,,@,                  ,^###^,                 @,,,@@@,,@
@,,@,@@,,,            «†† SO WHAT NOW ††«           ,@,,@,@@,,
,@,,,@@@,,                 ,^###^,                  ,,@,,,@@@,
,,@,,@,@@,                                          ,,,@,,@,@@
@,,@,,,@@@ CLOCK  IO GOES  TO ASDR IN  I THINK  AND ,,,,@,,,@@
@@,,@,,@,@ MAYBE ALSO  TO THE SAMPLE AND  HOLD. PUT ,,,,,@,,@,
@@@,,@,,,@ SUBBASE  AND NOISE IN CHANNEL THREE  AND ,,,,,,@,,,
@,@@,,@,,@ FOUR.  OSCILLATOR  ONE  SAW  TO  CHANNEL @,,,,,,@,,
,,@@@,,@,, TWO, AND OSCILLATOR  TWO SAW TO  CHANNEL @@,,,,,,@,
,,@,@@,,@, ONE.   SAMPLE   AND  HOLD  OUT   TO  THE ,@@,,,,,,@
@,,,@@@,,@   FILTER... MAYBE... RESONANCE AT HALF.  ,@@@,,,,,,
,@,,@,@@,, SOME FREQUENCY  IN THE FIRST  OSCILLATOR ,@,@@,,,,,
,,@,,,@@@, AND THEN THE  SECOND  OSC FOUR SEMITONES ,,,@@@,,,,
,,,@,,@,@@                 HIGHER.                  ,,,@,@@,,,
,,,,@,,,@@                                          ,,,,,@@@,,
,,,,,@,,@,                  ^«@#@«^                 @,,,,@,@@,
,,,,,,@,,,          ^&& DESKTOP SYNTH &&^           @@,,,,,@@@
@,,,,,,@,,                 ^«@#@«^                  @@@,,,,@,@
@@,,,,,,@,                                          @,@@,,,,,@
,@@,,,,,,@                                          ,,@@@,,,,@
,@@@,,,,,,                                          ,,@,@@,,,,
,@,@@,,,,,                                          ,,,,@@@,,,
,,,@@@,,,,                                          ,,,,@,@@,,
,,,@,@@,,,                                          ,,,,,,@@@,