¨@¨@@@@@¨@                                          ¨@@¨@¨@¨¨¨
@@¨¨@@@@¨@                                          @¨@¨@¨@¨¨¨
¨@¨@¨@@@¨@                                          @¨@¨@¨@¨¨@
¨@¨@¨¨@@¨@                                          @¨@¨@¨@¨@@
¨@¨@¨@¨@¨@                                          @¨@¨@¨@¨¨@
¨@¨@¨@¨@¨@                                          @¨@¨@¨@¨@@
¨@¨@¨@¨@¨@                ¨¨§@#@§¨¨                 @¨@¨@¨@¨¨@
¨@¨@¨@¨@¨@       ,, Pittsburgh Electronics ,,       @¨@¨@¨@¨@@
¨@¨@¨@¨@¨@             ~~ Lifeforms ~~              @¨@¨@¨@¨¨@
¨@¨@¨@¨@¨@               ** Sv One **               @¨@¨@¨@¨@@
¨@¨@¨@¨@¨@                                          @¨@¨@¨@¨¨@
¨@¨@¨@¨@¨@ This Is  A  Eurorack Module But I Bought @¨@¨@¨@¨@@
¨@¨@¨@¨@¨@ The  Blackbox  One  So  It'S  Also  Not. @¨@¨@¨@¨¨@
¨@¨@¨@¨@¨@                                          @¨@¨@¨@¨@@
¨@¨@¨@¨@¨@ It  Ships  With  Too  Few  Patch Cables. @¨@¨@¨@¨¨@
¨@¨@¨@¨@¨@                                          @¨@¨@¨@¨@@
¨@¨@¨@¨@¨@             ¨=@ Contains @=¨             @¨@¨@¨@¨¨@
¨@¨@¨@¨@¨@           Midi To Cv Converter           @¨@¨@¨@¨@@
¨@¨@¨@¨@¨@                Two Vco'S                 @¨@¨@¨@¨¨@
¨@¨@¨@¨@¨@ Four Channel Or Two X Two  Channel Mixer @¨@¨@¨@¨@@
¨@¨@¨@¨@¨@        Two Sub Oscillators I Think       @¨@¨@¨@¨¨@
¨@¨@¨@¨@¨@         Two One To Two Splitters         @¨@¨@¨@¨@@
¨@¨@¨@¨@¨@          White Noise Generator           @¨@¨@¨@¨¨@
¨@¨@¨@¨@¨@              Sample And Hold             @¨@¨@¨@¨@@
¨@¨@¨@¨@¨@          Lfo Plus A Digital Lfo          @¨@¨@¨@¨¨@
¨@¨@¨@¨@¨@   Filter (Lowpass, Bandpass, Highpass)   @¨@¨@¨@¨@@
¨@¨@¨@¨@¨@               Adsr Envelope              @¨@¨@¨@¨¨@
¨@¨@¨@¨@¨@                 One Vca                  @¨@¨@¨@¨@@
¨@¨@¨@¨@¨@              Headphone Amp               @¨@¨@¨@¨¨@
¨@¨@¨@¨@¨@         Fourty Nine Patchpoints!         @¨@¨@¨@¨@@
¨@¨@¨@¨@¨@                                          @¨@¨@¨@¨¨@
¨@¨@¨@¨@¨@                  ¨,@#@,¨                 @¨@¨@¨@¨@@
¨@¨@¨@¨@¨@           ~== So What Now ==~            @¨@¨@¨@¨¨@
¨@¨@¨@¨@¨@                  ¨,@#@,¨                 @¨@¨@¨@¨@@
¨@¨@¨@¨@¨@                                          @¨@¨@¨@¨¨@
¨@¨@¨@¨@¨@ Clock  Io Goes  To Asdr  In I Think  And @¨@¨@¨@¨@@
¨@¨@¨@¨@¨@ Maybe Also To  The Sample And Hold.  Put @¨@¨@¨@¨¨@
¨@¨@¨@¨@¨@ Subbase And  Noise  In Channel Three And @¨@¨@¨@¨@@
¨@¨@¨@¨@¨@ Four.  Oscillator  One  Saw  To  Channel @¨@¨@¨@¨¨@
¨@¨@¨@¨@¨@ Two,  And Oscillator Two Saw To  Channel @¨@¨@¨@¨@@
¨@¨@¨@¨@¨@ One.  Sample   And  Hold  Out   To   The @¨@¨@¨@¨¨@
¨@¨@¨@¨@¨@  Filter... Maybe... Resonance At Half.   @¨@¨@¨@¨@@
¨@¨@¨@¨@¨@ Some Frequency In  The  First Oscillator @¨@¨@¨@¨¨@
¨@¨@¨@¨@¨@ And Then The Second Osc  Four  Semitones @¨@¨@¨@¨@@
¨@¨@¨@¨@¨@                 Higher.                  @¨@¨@¨@¨¨@
¨@¨@¨@¨@¨@                                          @¨@¨@¨@¨@@
¨@¨@¨@¨@¨@                 ,~@@@~,                  @¨@¨@¨@¨¨@
¨@¨@¨@¨@¨@          *§§ Desktop Synth §§*           @¨@¨@¨@¨@@
¨@¨@¨@¨@¨@                  ,~@@@~,                 @¨@¨@¨@¨¨@
¨@¨@¨@¨@¨@                                          @¨@¨@¨@¨@@
¨@¨@¨@¨@¨@                                          @¨@¨@¨@¨¨@
¨@¨@¨@¨@¨@                                          @¨@¨@¨@¨@@
¨@¨@¨@¨@¨@                                          @¨@¨@¨@¨¨@
¨@¨@¨@¨@¨@                                          @¨@¨@¨@¨@@
¨@¨@¨@¨@¨@                                          @¨@¨@¨@¨¨@