@¤§†,,¨¨¨¨                                          ¨¨¨¨,,†§¤@
@#¤$§~~~,¨                                          ¨,~~~§$¤#@
##@#$§†~,¨                                          ¨,~†§$#@##
@¤¤§~,¨¨¨¨                                          ¨¨¨¨,~§¤¤@
#$$$$§†~,¨                                          ¨,~†§$$$$#
#¤§†,¨¨¨¨¨ delay  delay  d¨la@  ¤ §a¨  , ¨#   ~   , ¨¨¨¨¨,†§¤#
@@#¤$§†~,¨                                          ¨,~†§$¤#@@
###¤$§†~,¨                                          ¨,~†§$¤###
¤§~¨¨¨¨¨¨¨                                          ¨¨¨¨¨¨¨~§¤
¤$§~~~¨¨¨¨                                          ¨¨¨¨~~~§$¤
@@#¤$§†~,¨ "delay" means repetiton or likewise,     ¨,~†§$¤#@@
@#$††,¨¨¨¨ but it's mainly useless without          ¨¨¨¨,††$#@
#¤$$†,¨¨¨¨ feedback,                                ¨¨¨¨,†$$¤#
#¤§~,,¨¨¨¨ to allow the delay to eat of it's own    ¨¨¨¨,,~§¤#
#$†~¨¨¨¨¨¨ tail, like one of those eaty serpents.   ¨¨¨¨¨¨~†$#
##@#¤§†~,¨ thus: it's the serpent effect!           ¨,~†§¤#@##
###¤$§†~,¨                                          ¨,~†§$¤###
#@#¤$§†~,¨ it's to be revered as a creator of       ¨,~†§$¤#@#
¤§§†~¨¨¨¨¨ ambience and of space, if you treat it   ¨¨¨¨¨~†§§¤
#@#¤$§†~,¨ right. a somewhat more solid and         ¨,~†§$¤#@#
@¤$††~~,¨¨ slippery sibling of reverb.              ¨¨,~~††$¤@
##¤§~¨¨¨¨¨                                          ¨¨¨¨¨~§¤##
@#$†~,¨¨¨¨                                          ¨¨¨¨,~†$#@
@¤$§§§†~,¨                                          ¨,~†§§§$¤@
@¤§§~,¨¨¨¨                                          ¨¨¨¨,~§§¤@
¤§§§~,¨¨¨¨                                          ¨¨¨¨,~§§§¤