,,,,,..^%#                                          #%^..,,,,,
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,.«^%§####    #                                     ####§%^«.,
,,,,,,.^§#              ,LIZARDRY                   #§^.,,,,,,
,,,.^^^^§# «           # ## ###  ################## #§^^^^.,,,
.«^%§##### ##      THE ART OF C.NNECTING            #####§%^«.
,,,«^^%###        ,    WITH THE OLD MIND            ###%^^«,,,
,,,.^^^%§#                                          #§%^^^.,,,
,.«^%§####             MY MIND IS BEING SKEWED. MI  ####§%^«.,
,,,.««%§§#  SKELETON IS STRINGY AND OLD AND ALIEN   #§§%««.,,,
,,,,,.^%##             THE SITUATION IS LITERALLY   ##%^.,,,,,
,.«^%§#### PRESSED OUT THROUGH MY EYES, IT'S        ####§%^«.,
,.«^%§#### ECHOING LIKE                             ####§%^«.,
,,,,.^^^§#             THE SUNSET OF THE ETERNAL    #§^^^.,,,,
,,,,.^%### OCEAN                                    ###%^.,,,,
,.«^§#####         PERSISTENTLY AGAINST MY EMULSION #####§^«.,
,.«^%%§###                                          ###§%%^«.,
,.«^%§####    IT'S UNGRASPABLE TO ME, WHAT OTHER    ####§%^«.,
,.«^%§§###   HUMANS ARE DOING AND ABSTRACTING,      ###§§%^«.,
,.«^%#####  AND ABOVE ALL ELSE, WHAT TIME THEY USE? #####%^«.,
,.«^%§#### HOW LONG A TIME HAS PASSED, FOR THEM?    ####§%^«.,
,.«^%§####                                     ,    ####§%^«.,
,.«^%§####  , ,,, ,  ,,,,,,,,,,,,,,,,   #######     ####§%^«.,
,.«^%§####   CONTINUOUSLY I'M CROWDING THROUGH      ####§%^«.,
,,...^§§## , THE FOURTH WALL  .OUTWARDS IS WHAT   , ##§§^...,,
,,,,.«^§§# ,, I'M THINKING BUT IT'S WRONG.. A NEW   #§§^«.,,,,
,,,,.^§### , , NARRATOR IS INTRODUCED, OCCASIONALLY ###§^.,,,,
,.«^%§#### .  . AWARE OF THE PREVIOUS ONE, DEEPER , ####§%^«.,
,,,,,,.«%# .   . DOWN IN THE DRAGONS THROAT.        #%«.,,,,,,
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