.-~=*§¤### ###¤§*=~-.
....-~=*¤¤ ¤¤*=~-....
.....~=§§# #§§=~.....
.-~=*§¤### ###¤§*=~-.
.-~=*§¤### ###¤§*=~-.
.-~=*§¤### TRAIN DREAM ###¤§*=~-.
.-~=*§¤### ######....-~--..##################### ###¤§*=~-.
.-~=*§¤### === ###¤§*=~-.
...--~*§¤¤ ~ ¤¤§*~--...
.-~=*§¤### ~ ###¤§*=~-.
.-~=*§¤### ###¤§*=~-.
....--~=*¤ (SITUATION) ¤*=~--....
.......~*¤ ¤*~.......
....~=§¤¤¤ YOU FIND YOURSELF IN A RIFT - A ¤¤¤§=~....
.-~=*§¤### CLEARING, NARROW BUT IMMEASURABLY LONG. ###¤§*=~-.
......-~*¤ TO YOUR SIDES ARE WALLS MADE OF TREES, ¤*~-......
.-~=*§¤### THICK AND READY TO SWALLOW YOU. THE SUN ###¤§*=~-.
.-~=*§¤### IS NOWHERE TO BE SEEN, BUT NONTHELESS ###¤§*=~-.
.-~=*§¤### IT IS VERY BRIGHT - THE AIR FEELS LIGHT ###¤§*=~-.
.-~=*§¤### BLUE, ALMOST WHITE. ###¤§*=~-.
....-~=§§# #§§=~-....
.-~=*§¤### ALONG THE SPAN OF THE CLEARING LAY TWO ###¤§*=~-.
.-~=*§¤### PARALLEL SILVERY LINES, DARK HARD ###¤§*=~-.
.-~=***§## METAL. SOMEHOW YOU CAN SEE HOW HEAVY ##§***=~-.
.-~=*§¤### THEY ARE. ###¤§*=~-.
.-~=*§¤### ###¤§*=~-.
.-~=*§¤### THEY EMIT A HIGH PITCHED WHINE... ###¤§*=~-.
...~~~==*¤ ¤*==~~~...
.-~=*¤#### ~ ####¤*=~-.
.-~=*§¤### ..*.. ###¤§*=~-.
.-~==***¤¤ ~ ¤¤***==~-.
....-~**¤¤ ¤¤**~-....
.-~=*§¤### (SITUATION) ###¤§*=~-.
.-~=*§¤### ###¤§*=~-.
.-~=*§¤### YOURE AT THE TRAIN STATION, ON A ###¤§*=~-.
.....~=§¤# CATWALK ABOVE THE RAILS. YOUR TRAIN IS #¤§=~.....
....-=**§¤ LATE, OR YOU ARE LATE TO THE TRAIN. ¤§**=-....
.-~=*§¤### IT'S A SUMMER AFTERNOON AND THE STATION ###¤§*=~-.
.-~=*§¤### IS BUSY, FULL OF RELAXED CONFIDENCE. ###¤§*=~-.
.-~=*§¤### ###¤§*=~-.
.-~=*§¤### YOU'RE IN HIGH SPIRITS, ALTHOUGH A BIT ###¤§*=~-.
.-~=*§¤### STRESSED ABOUT THE TIME, WHILE MOVING ###¤§*=~-.
.....-~*¤# UP THE STAIRS TO YOUR PLATFORM. THE #¤*~-.....
.--~====*¤ STATION IS IN SEVERAL LEVELS, ALL ¤*====~--.
.-~=*§¤### PLACED WITHIN EACHOTHER BY SOME ###¤§*=~-.
.....-~*§# INTELLIGENT DESIGNER, AND FULL OF #§*~-.....
..---~**¤# STAIRS, ELEVATORS, SHORTCUTS, #¤**~---..
.-~=*§¤### BAZAARS... YOU SIGHT YOUR TRAIN THROUGH ###¤§*=~-.
.-~=*§¤### SOME GLASS WINDOWS. IT'S... NOT WHERE ###¤§*=~-.
.-~=*§¤### IT'S SUPPOSED TO BE? ###¤§*=~-.
.-~=*§¤### ###¤§*=~-.
....-~=*¤¤ ~ ¤¤*=~-....
.-~=*§#### --§-- ####§*=~-.
.-~=*§¤¤## ~ ##¤¤§*=~-.
.-~=*§¤### ###¤§*=~-.
.....~*¤¤# (SITUATION) #¤¤*~.....
.-~=*§¤### ###¤§*=~-.
.-~==*§¤## YOU'RE FINALLY ENTERING THE CITY. WHILE ##¤§*==~-.
.-~=*§¤### IT IS INDEED A VERY HIGH SPEED TRAIN ###¤§*=~-.
.-~=*§¤### YOU'RE TRAVELING IN, THE JOURNEY HAS ###¤§*=~-.
.-~=*§¤### BEEN LONG. BUT IT'S ABOUT TO END! ###¤§*=~-.
.-~=**§§§¤ ¤§§§**=~-.
....~=§¤## SOCIETY IS GROWING DENSER AROUND YOU, ##¤§=~....
.-~=*§¤### THROUGH THE WINDOWS YOU SEE FIRST SMALL ###¤§*=~-.
.-~=*§¤### SHACKS, BUILT OF METAL AND STONE, THEN ###¤§*=~-.
....~~=*§¤ PROPER HOUSES WITH MORTAR TO KEEP THEM ¤§*=~~....
.-~=*§¤### TOGETHER... WHO IN TURN MAKE WAY FOR ###¤§*=~-.
.-~=*§§§§¤ THE INDUSTRIAL BUILDINGS, THE URBAN ¤§§§§*=~-.
....-=***¤ MAZE, PROTECTIVE WALLS, JUNGLE ¤***=-....
.....-~~*¤ NETWORK... ¤*~~-.....
.-~=*§¤### ###¤§*=~-.
.-~=*§¤### THE TRACKS LEAVE THE GROUND, WHICH IS ###¤§*=~-.
.....-=§¤# NEEDED FOR OTHER PURPOSES. YOU ARE #¤§=-.....
......-~*¤ CARRIED GENTLY, CURVING UPWARDS UNTIL ¤*~-......
....-=*§§¤ YOU'RE MOVING UPWARD ALONG THE WALL OF ¤§§*=-....
.....-~=§# A BUILDING. IT'S MADE OF SLABBY STONE, #§=~-.....
.-~=*§#### WITH GREAT GLASSLESS WINDOW HOLES ####§*=~-.
.-~=*§¤### LOOKING OUT THE WAY YOU CAME. IT IS ###¤§*=~-.
.-~=*§¤### PITCH BLACK INSIDE. ###¤§*=~-.
.-~=*§¤¤¤# #¤¤¤§*=~-.
.-~=*§¤### ###¤§*=~-.
.-~=*§#### ####§*=~-.
.-~=*§¤### ###¤§*=~-.
.-~=*§¤### ###¤§*=~-.