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.:~=§@¤£@# ##@@££££££¤@§=~:. CAVE .:~=§@¤££££££@@## #@£¤@§=~:.
...::~§@@£ #####@@£¤@§=~:. GEOMETRY .:~=§@¤£@@##### £@@§~::...
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.::~~~~§¤¤ # THE NAME IS A LITTLE MIS- # ¤¤§~~~~::.
.:~=§¤£@## ~ GIVING, BECAUSE OF COURSE THERE IS ~ ##@£¤§=~:.
...::===§¤ NO REAL GEOMETRY IN THE CAVES. YOU MAY ¤§===::...
.:~=§@¤£@@ FEEL AS IF YOU ARE VENTURING INTO SOME @@£¤@§=~:.
.:~=§§§@££ VAST STRUCTURE, BUT YOU ARE IN FACT ££@§§§=~:.
.:~=§@¤£@# LEAVING ANY SUCH THING AT THE ENTRANCE. #@£¤@§=~:.
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.......~§¤ LEAVING PHYSICAL TETHERS BEHIND, ¤§~.......
.:~=§@¤£@@ SUBMITTING TO AN INESCAPABLE DARKNESS, @@£¤@§=~:.
.:~=§@¤£## THE WORLD AROUND YOU BECOMES MORE OF A ##£¤@§=~:.
.:~=§@¤£@@ MANIFESTATION OF YOUR MIND, OR A @@£¤@§=~:.
.:~=§@¤££@ COLLECTIVE MIND, WITH A SHAPE AND A @££¤@§=~:.
..:~~===@¤ DIRECTION AND A TASTE. ¤@===~~:..
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.....~§@¤@ LIGHTS, THE WALLS ONLY SERVES AS @¤@§~.....
.:~=§@¤¤¤@ MARKERS TO WHERE THE TINY SPATIAL @¤¤¤@§=~:.
....:=§¤£@ EXISTENCE ENDS AND THE DARKNESS BENEATH @£¤§=:....
.:~=@¤£@## IT BEGINS. ##@£¤@=~:.
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....:=§§@£ LIKE AN INVERTED MANDELBROT, THE REAL £@§§=:....
.....:~§§¤ CAVE IS ACTUALLY NOT THE POCKETS, BUT ¤§§~:.....
......~§¤¤ THE BLACK AROUND THEM. KEEP THAT IN ¤¤§~......
.:~=§@¤£@# MIND. #@£¤@§=~:.
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.....~§§@£ THE MOISTURE THAT PERMEATES ANY CAVE £@§§~.....
....::=@¤£ WORTH IT'S NAME... IT'S THE WATER THE £¤@=::....
......~§¤£ WORLD ROSE FROM. IT'S THE WATER YOU £¤§~......
..:~~~§§@£ DROWN IN, IN YOUR DREAMS. £@§§~~~:..
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.:~=§@¤£@# THE ONLY SOUNDS IN THE CAVE ARE THOSE #@£¤@§=~:.
...:~=§¤£@ THAT YOU MAKE YOURSELVES. THEY MAY BE @£¤§=~:...
.:~=§@¤£@# DISTORTED BY THE STONE STRUCTURE, AND #@£¤@§=~:.
.:~=§@@¤££ AMPLIFIED BY YOUR MIND. TRY NOT TO BE ££¤@@§=~:.
.:~=§@¤££@ ALARMED, TRY TO REMEMBER THE PERSONS @££¤@§=~:.
.:~=§@¤£@# AND OBJECTS AROUND YOU, AND YOU CAN #@£¤@§=~:.
.:~=§@¤£@# DISCERN A MIRAGE FROM A FRIEND. #@£¤@§=~:.
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