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#.#.#.#..#                                          #.#.##.#.#
#.#.#.#.#.               TRAIN DREAM                #.#..#.#..
#.#.#.#.#.   ######....,=,,..#####################  #.#.##.#.#
#.#.#.#.#.                    ;;;                   #.#..#.#..
#.#.#.#.#.                     =                    #.#.##.#.#
#.#.#.#.#.                    =                     #.#..#.#..
#.#.#.#.#.                                          #.#.##.#.#
#.#.#.#.#.                (SITUATION)               #.#..#.#..
#.#.#.#.#.                                          #.#.##.#.#
#.#.#.#.#. YOU  FIND   YOURSELF  IN  A   RIFT  -  A #.#..#.#..
#.#.#.#.#.  CLEARING, NARROW BUT IMMEASURABLY LONG. #.#.##.#.#
#.#.#.#.#. TO YOUR  SIDES ARE  WALLS MADE OF TREES, #.#..#.#..
#.#.#.#.#. THICK AND READY  TO SWALLOW YOU. THE SUN #.#.##.#.#
#.#.#.#.#. IS NOWHERE  TO BE  SEEN,  BUT NONTHELESS #.#..#.#..
#.#.#.#.#. IT IS VERY BRIGHT -  THE AIR FEELS LIGHT #.#.##.#.#
#.#.#.#.#.           BLUE, ALMOST WHITE.            #.#..#.#..
#.#.#.#.#.                                          #.#.##.#.#
#.#.#.#.#. ALONG THE SPAN OF THE  CLEARING  LAY TWO #.#..#.#..
#.#.#.#.#.     PARALLEL SILVERY LINES, DARK HARD    #.#.##.#.#
#.#.#.#.#. METAL.  SOMEHOW YOU  CAN  SEE  HOW HEAVY #.#..#.#..
#.#.#.#.#.                THEY ARE.                 #.#.##.#.#
#.#.#.#.#.                                          #.#..#.#..
#.#.#.#.#. THEY  EMIT  A   HIGH   PITCHED  WHINE... #.#.##.#.#
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#.#.#.#.#.                    =                     #.#.##.#.#
#.#.#.#.#.                   ..*..                  #.#..#.#..
#.#.#.#.#.                     =                    #.#.##.#.#
#.#.#.#.#.                                          #.#..#.#..
#.#.#.#.#.                (SITUATION)               #.#.##.#.#
#.#.#.#.#.                                          #.#..#.#..
#.#.#.#.#. YOURE   AT  THE  TRAIN STATION,   ON   A #.#.##.#.#
#.#.#.#.#. CATWALK  ABOVE THE RAILS.  YOUR TRAIN IS #.#..#.#..
#.#.#.#.#. LATE,  OR  YOU  ARE  LATE TO  THE TRAIN. #.#.##.#.#
#.#.#.#.#. IT'S A SUMMER  AFTERNOON AND THE STATION #.#..#.#..
#.#.#.#.#. IS  BUSY,  FULL  OF RELAXED  CONFIDENCE. #.#.##.#.#
#.#.#.#.#.                                          #.#..#.#..
#.#.#.#.#. YOU'RE IN HIGH SPIRITS,  ALTHOUGH A  BIT #.#.##.#.#
#.#.#.#.#. STRESSED  ABOUT THE  TIME, WHILE  MOVING #.#..#.#..
#.#.#.#.#. UP  THE  STAIRS  TO  YOUR PLATFORM.  THE #.#.##.#.#
#.#.#.#.#. STATION   IS   IN  SEVERAL  LEVELS,  ALL #.#..#.#..
#.#.#.#.#.     PLACED WITHIN EACHOTHER BY SOME      #.#.##.#.#
#.#.#.#.#.    INTELLIGENT DESIGNER, AND FULL OF     #.#..#.#..
#.#.#.#.#.       STAIRS, ELEVATORS, SHORTCUTS,      #.#.##.#.#
#.#.#.#.#. BAZAARS... YOU SIGHT YOUR TRAIN  THROUGH #.#..#.#..
#.#.#.#.#. SOME  GLASS  WINDOWS.  IT'S... NOT WHERE #.#.##.#.#
#.#.#.#.#.           IT'S SUPPOSED TO BE?           #.#..#.#..
#.#.#.#.#.                                          #.#.##.#.#
#.#.#.#.#.                     =                    #.#..#.#..
#.#.#.#.#.                  ,,§,,                   #.#.##.#.#
#.#.#.#.#.                    =                     #.#..#.#..
#.#.#.#.#.                                          #.#.##.#.#
#.#.#.#.#.               (SITUATION)                #.#..#.#..
#.#.#.#.#.                                          #.#.##.#.#
#.#.#.#.#. YOU'RE FINALLY ENTERING THE  CITY. WHILE #.#..#.#..
#.#.#.#.#. IT  IS  INDEED A  VERY HIGH  SPEED TRAIN #.#.##.#.#
#.#.#.#.#. YOU'RE  TRAVELING IN,  THE  JOURNEY  HAS #.#..#.#..
#.#.#.#.#. BEEN   LONG.  BUT  IT'S  ABOUT  TO  END! #.#.##.#.#
#.#.#.#.#.                                          #.#..#.#..
#.#.#.#.#. SOCIETY IS  GROWING DENSER  AROUND  YOU, #.#.##.#.#
#.#.#.#.#. THROUGH THE  WINDOWS YOU SEE FIRST SMALL #.#..#.#..
#.#.#.#.#. SHACKS, BUILT OF  METAL AND  STONE, THEN #.#.##.#.#
#.#.#.#.#. PROPER  HOUSES WITH  MORTAR TO KEEP THEM #.#..#.#..
#.#.#.#.#. TOGETHER...  WHO IN  TURN MAKE  WAY  FOR #.#.##.#.#
#.#.#.#.#.    THE INDUSTRIAL BUILDINGS, THE URBAN   #.#..#.#..
#.#.#.#.#.      MAZE, PROTECTIVE WALLS, JUNGLE      #.#.##.#.#
#.#.#.#.#.                NETWORK...                #.#..#.#..
#.#.#.#.#.                                          #.#.##.#.#
#.#.#.#.#. THE TRACKS  LEAVE  THE GROUND, WHICH  IS #.#..#.#..
#.#.#.#.#. NEEDED  FOR  OTHER  PURPOSES.  YOU   ARE #.#.##.#.#
#.#.#.#.#.   CARRIED GENTLY, CURVING UPWARDS UNTIL  #.#..#.#..
#.#.#.#.#. YOU'RE MOVING  UPWARD ALONG THE  WALL OF #.#.##.#.#
#.#.#.#.#. A  BUILDING. IT'S MADE  OF SLABBY STONE, #.#..#.#..
#.#.#.#.#.    WITH GREAT GLASSLESS WINDOW HOLES     #.#.##.#.#
#.#.#.#.#. LOOKING  OUT  THE WAY YOU  CAME.  IT  IS #.#..#.#..
#.#.#.#.#.            PITCH BLACK INSIDE.           #.#.##.#.#
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