#@#&§*:-~, ,~-:*§@#
@#&§*:-~,, ,,~-:*§@
#@#&§*:-~, ,~-:*§@#
@#&§*:-~,, ,,~-:*§@
#@#&§*:-~, ,~-:*§@#
@#&§*:-~,, train dream ,,~-:*§@
#@#&§*:-~, ######,,,,~-~~,,##################### ,~-:*§@#
@#&§*:-~,, ::: ,,~-:*§@
#@#&§*:-~, - ,~-:*§@#
@#&§*:-~,, - ,,~-:*§@
#@#&§*:-~, ,~-:*§@#
@#&§*:-~,, (situation) ,,~-:*§@
#@#&§*:-~, ,~-:*§@#
@#&§*:-~,, you find yourself in a rift - a ,,~-:*§@
#@#&§*:-~, clearing, narrow but immeasurably long. ,~-:*§@#
@#&§*:-~,, to your sides are walls made of trees, ,,~-:*§@
#@#&§*:-~, thick and ready to swallow you. the sun ,~-:*§@#
@#&§*:-~,, is nowhere to be seen, but nontheless ,,~-:*§@
#@#&§*:-~, it is very bright - the air feels light ,~-:*§@#
@#&§*:-~,, blue, almost white. ,,~-:*§@
#@#&§*:-~, ,~-:*§@#
@#&§*:-~,, along the span of the clearing lay two ,,~-:*§@
#@#&§*:-~, parallel silvery lines, dark hard ,~-:*§@#
@#&§*:-~,, metal. somehow you can see how heavy ,,~-:*§@
#@#&§*:-~, they are. ,~-:*§@#
@#&§*:-~,, ,,~-:*§@
#@#&§*:-~, they emit a high pitched whine... ,~-:*§@#
@#&§*:-~,, ,,~-:*§@
#@#&§*:-~, - ,~-:*§@#
@#&§*:-~,, ,,*,, ,,~-:*§@
#@#&§*:-~, - ,~-:*§@#
@#&§*:-~,, ,,~-:*§@
#@#&§*:-~, (situation) ,~-:*§@#
@#&§*:-~,, ,,~-:*§@
#@#&§*:-~, youre at the train station, on a ,~-:*§@#
@#&§*:-~,, catwalk above the rails. your train is ,,~-:*§@
#@#&§*:-~, late, or you are late to the train. ,~-:*§@#
@#&§*:-~,, it's a summer afternoon and the station ,,~-:*§@
#@#&§*:-~, is busy, full of relaxed confidence. ,~-:*§@#
@#&§*:-~,, ,,~-:*§@
#@#&§*:-~, you're in high spirits, although a bit ,~-:*§@#
@#&§*:-~,, stressed about the time, while moving ,,~-:*§@
#@#&§*:-~, up the stairs to your platform. the ,~-:*§@#
@#&§*:-~,, station is in several levels, all ,,~-:*§@
#@#&§*:-~, placed within eachother by some ,~-:*§@#
@#&§*:-~,, intelligent designer, and full of ,,~-:*§@
#@#&§*:-~, stairs, elevators, shortcuts, ,~-:*§@#
@#&§*:-~,, bazaars... you sight your train through ,,~-:*§@
#@#&§*:-~, some glass windows. it's... not where ,~-:*§@#
@#&§*:-~,, it's supposed to be? ,,~-:*§@
#@#&§*:-~, ,~-:*§@#
@#&§*:-~,, - ,,~-:*§@
#@#&§*:-~, ~~§~~ ,~-:*§@#
@#&§*:-~,, - ,,~-:*§@
#@#&§*:-~, ,~-:*§@#
@#&§*:-~,, (situation) ,,~-:*§@
#@#&§*:-~, ,~-:*§@#
@#&§*:-~,, you're finally entering the city. while ,,~-:*§@
#@#&§*:-~, it is indeed a very high speed train ,~-:*§@#
@#&§*:-~,, you're traveling in, the journey has ,,~-:*§@
#@#&§*:-~, been long. but it's about to end! ,~-:*§@#
@#&§*:-~,, ,,~-:*§@
#@#&§*:-~, society is growing denser around you, ,~-:*§@#
@#&§*:-~,, through the windows you see first small ,,~-:*§@
#@#&§*:-~, shacks, built of metal and stone, then ,~-:*§@#
@#&§*:-~,, proper houses with mortar to keep them ,,~-:*§@
#@#&§*:-~, together... who in turn make way for ,~-:*§@#
@#&§*:-~,, the industrial buildings, the urban ,,~-:*§@
#@#&§*:-~, maze, protective walls, jungle ,~-:*§@#
@#&§*:-~,, network... ,,~-:*§@
#@#&§*:-~, ,~-:*§@#
@#&§*:-~,, the tracks leave the ground, which is ,,~-:*§@
#@#&§*:-~, needed for other purposes. you are ,~-:*§@#
@#&§*:-~,, carried gently, curving upwards until ,,~-:*§@
#@#&§*:-~, you're moving upward along the wall of ,~-:*§@#
@#&§*:-~,, a building. it's made of slabby stone, ,,~-:*§@
#@#&§*:-~, with great glassless window holes ,~-:*§@#
@#&§*:-~,, looking out the way you came. it is ,,~-:*§@
#@#&§*:-~, pitch black inside. ,~-:*§@#
@#&§*:-~,, ,,~-:*§@
#@#&§*:-~, ,~-:*§@#
@#&§*:-~,, ,,~-:*§@
#@#&§*:-~, ,~-:*§@#
@#&§*:-~,, ,,~-:*§@