,,~/†¤&£## ##£&¤†/~,,
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,,,,,//†&& &&†//,,,,,
,,~/†¤&££# #££&¤†/~,,
,,~/†¤&£## TRAIN DREAM ##£&¤†/~,,
,,~/†¤&££# ######,,,,,~,,,,##################### #££&¤†/~,,
,,~/†¤&£££ /// £££&¤†/~,,
,,,,,~/¤¤& ~ &¤¤/~,,,,,
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,,~~~††¤&£ £&¤††~~~,,
,,~/†¤&£## (SITUATION) ##£&¤†/~,,
,,~/†¤&£## ##£&¤†/~,,
,,~/†¤&£## YOU FIND YOURSELF IN A RIFT - A ##£&¤†/~,,
,,~/†¤&£## CLEARING, NARROW BUT IMMEASURABLY LONG. ##£&¤†/~,,
,,,,,~/¤££ TO YOUR SIDES ARE WALLS MADE OF TREES, ££¤/~,,,,,
,,,,,~††&# THICK AND READY TO SWALLOW YOU. THE SUN #&††~,,,,,
,,,,~//††& IS NOWHERE TO BE SEEN, BUT NONTHELESS &††//~,,,,
,,~/†¤&££# IT IS VERY BRIGHT - THE AIR FEELS LIGHT #££&¤†/~,,
,,,,,,,~†& BLUE, ALMOST WHITE. &†~,,,,,,,
,,~/†¤&£## ##£&¤†/~,,
,,,,,~//¤& ALONG THE SPAN OF THE CLEARING LAY TWO &¤//~,,,,,
,,~/†¤&£## PARALLEL SILVERY LINES, DARK HARD ##£&¤†/~,,
,,~/†¤&£## METAL. SOMEHOW YOU CAN SEE HOW HEAVY ##£&¤†/~,,
,,,,~/¤¤&£ THEY ARE. £&¤¤/~,,,,
,,~/†¤&£££ £££&¤†/~,,
,,,,,,,/¤£ THEY EMIT A HIGH PITCHED WHINE... £¤/,,,,,,,
,,,~//†&£# #£&†//~,,,
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,,,~~/¤&&£ (SITUATION) £&&¤/~~,,,
,,,,,/†&&& &&&†/,,,,,
,,~/†††¤&# YOURE AT THE TRAIN STATION, ON A #&¤†††/~,,
,,,,,~/†&& CATWALK ABOVE THE RAILS. YOUR TRAIN IS &&†/~,,,,,
,,~/†††¤££ LATE, OR YOU ARE LATE TO THE TRAIN. ££¤†††/~,,
,,~/†¤&£## IT'S A SUMMER AFTERNOON AND THE STATION ##£&¤†/~,,
,,,,,~/†&# IS BUSY, FULL OF RELAXED CONFIDENCE. #&†/~,,,,,
,,~/†¤&£## ##£&¤†/~,,
,,~/†¤&£## YOU'RE IN HIGH SPIRITS, ALTHOUGH A BIT ##£&¤†/~,,
,,~/†¤&&£# STRESSED ABOUT THE TIME, WHILE MOVING #£&&¤†/~,,
,,~/†¤&£## UP THE STAIRS TO YOUR PLATFORM. THE ##£&¤†/~,,
,,~~~††¤&# STATION IS IN SEVERAL LEVELS, ALL #&¤††~~~,,
,,~/†¤¤¤&# PLACED WITHIN EACHOTHER BY SOME #&¤¤¤†/~,,
,,~/†¤&### INTELLIGENT DESIGNER, AND FULL OF ###&¤†/~,,
,,~†¤&£### STAIRS, ELEVATORS, SHORTCUTS, ###£&¤†~,,
,,~/†¤&£## BAZAARS... YOU SIGHT YOUR TRAIN THROUGH ##£&¤†/~,,
,,~/†¤&£## SOME GLASS WINDOWS. IT'S... NOT WHERE ##£&¤†/~,,
,,~/†¤£### IT'S SUPPOSED TO BE? ###£¤†/~,,
,,~/†¤&£## ##£&¤†/~,,
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,,,,,,~/†& ,,¤,, &†/~,,,,,,
,,,,,///¤£ ~ £¤///,,,,,
,,~/†¤&£££ £££&¤†/~,,
,,~/†¤£### (SITUATION) ###£¤†/~,,
,,,,///††& &††///,,,,
,,~/†¤&£££ YOU'RE FINALLY ENTERING THE CITY. WHILE £££&¤†/~,,
,,~/†¤&£## IT IS INDEED A VERY HIGH SPEED TRAIN ##£&¤†/~,,
,,,,~~/†&£ YOU'RE TRAVELING IN, THE JOURNEY HAS £&†/~~,,,,
,,,,,,~†¤& BEEN LONG. BUT IT'S ABOUT TO END! &¤†~,,,,,,
,,~/†¤&£## ##£&¤†/~,,
,,,~~//†¤& SOCIETY IS GROWING DENSER AROUND YOU, &¤†//~~,,,
,,,,,~††&# THROUGH THE WINDOWS YOU SEE FIRST SMALL #&††~,,,,,
,,~/†¤&£## SHACKS, BUILT OF METAL AND STONE, THEN ##£&¤†/~,,
,,~/†¤&£## PROPER HOUSES WITH MORTAR TO KEEP THEM ##£&¤†/~,,
,,~/†¤&£## TOGETHER... WHO IN TURN MAKE WAY FOR ##£&¤†/~,,
,,,,,/¤¤££ THE INDUSTRIAL BUILDINGS, THE URBAN ££¤¤/,,,,,
,,,,,,,~†& MAZE, PROTECTIVE WALLS, JUNGLE &†~,,,,,,,
,,,,~///¤£ NETWORK... £¤///~,,,,
,,~/†¤&&&£ £&&&¤†/~,,
,,~/†¤&### THE TRACKS LEAVE THE GROUND, WHICH IS ###&¤†/~,,
,,~/†¤&&&£ NEEDED FOR OTHER PURPOSES. YOU ARE £&&&¤†/~,,
,,~/†¤&£## CARRIED GENTLY, CURVING UPWARDS UNTIL ##£&¤†/~,,
,,~/†¤&£## YOU'RE MOVING UPWARD ALONG THE WALL OF ##£&¤†/~,,
,,~/†¤&£## A BUILDING. IT'S MADE OF SLABBY STONE, ##£&¤†/~,,
,,~/†¤&££# WITH GREAT GLASSLESS WINDOW HOLES #££&¤†/~,,
,,,,/†¤¤¤£ LOOKING OUT THE WAY YOU CAME. IT IS £¤¤¤†/,,,,
,,~/†¤&£## PITCH BLACK INSIDE. ##£&¤†/~,,
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