.~=*$§@### ###@§$*=~.
.~=*$****§ §****$*=~.
....=**§§# #§§**=....
.~=*$*§@## ##@§*$*=~.
.~=*$*§@## ##@§*$*=~.
.~=*$*§@## TRAIN DREAM ##@§*$*=~.
....~~*$§@ ######....~=~~..##################### @§$*~~....
.~=*$*§@## *** ##@§*$*=~.
.~=*$*§@## = ##@§*$*=~.
.....~**$§ = §$**~.....
.~=*$*§§@@ @@§§*$*=~.
...~=$$$§§ (SITUATION) §§$$$=~...
....=****@ @****=....
.~=*$*§§@@ YOU FIND YOURSELF IN A RIFT - A @@§§*$*=~.
.~=*$*§@## CLEARING, NARROW BUT IMMEASURABLY LONG. ##@§*$*=~.
.~==*$**§@ TO YOUR SIDES ARE WALLS MADE OF TREES, @§**$*==~.
......=$§@ THICK AND READY TO SWALLOW YOU. THE SUN @§$=......
.~=*$*§@## IS NOWHERE TO BE SEEN, BUT NONTHELESS ##@§*$*=~.
.~=*$*@### IT IS VERY BRIGHT - THE AIR FEELS LIGHT ###@*$*=~.
.~=*$*§@## BLUE, ALMOST WHITE. ##@§*$*=~.
.~=*$*§§§§ §§§§*$*=~.
.~=*$*§@@@ ALONG THE SPAN OF THE CLEARING LAY TWO @@@§*$*=~.
.~~=*$**§# PARALLEL SILVERY LINES, DARK HARD #§**$*=~~.
...~*$$*@# METAL. SOMEHOW YOU CAN SEE HOW HEAVY #@*$$*~...
......=*$§ THEY ARE. §$*=......
.~=*$*§@## ##@§*$*=~.
...~~*$$*§ THEY EMIT A HIGH PITCHED WHINE... §*$$*~~...
...~~=**@# #@**=~~...
.~=*$*§@## = ##@§*$*=~.
......=**@ ..$.. @**=......
.~=*$*§@## = ##@§*$*=~.
.~=*$*§@## ##@§*$*=~.
....~*$$*§ (SITUATION) §*$$*~....
.~=*$*§@## ##@§*$*=~.
......=$§§ YOURE AT THE TRAIN STATION, ON A §§$=......
.~=*$*§@## CATWALK ABOVE THE RAILS. YOUR TRAIN IS ##@§*$*=~.
..~~==**§§ LATE, OR YOU ARE LATE TO THE TRAIN. §§**==~~..
....~=**§# IT'S A SUMMER AFTERNOON AND THE STATION #§**=~....
.~=******@ IS BUSY, FULL OF RELAXED CONFIDENCE. @******=~.
....~*$*§@ @§*$*~....
.~=*$*§@## YOU'RE IN HIGH SPIRITS, ALTHOUGH A BIT ##@§*$*=~.
....~**$§# STRESSED ABOUT THE TIME, WHILE MOVING #§$**~....
...~~*$$$§ UP THE STAIRS TO YOUR PLATFORM. THE §$$$*~~...
.~=*$*§@## STATION IS IN SEVERAL LEVELS, ALL ##@§*$*=~.
.~=*$*§§@@ PLACED WITHIN EACHOTHER BY SOME @@§§*$*=~.
.~=*$*§@## INTELLIGENT DESIGNER, AND FULL OF ##@§*$*=~.
.~=*$*§@## STAIRS, ELEVATORS, SHORTCUTS, ##@§*$*=~.
.~=*$*§@## BAZAARS... YOU SIGHT YOUR TRAIN THROUGH ##@§*$*=~.
.~=*$*§@## SOME GLASS WINDOWS. IT'S... NOT WHERE ##@§*$*=~.
.~=*$*§@## IT'S SUPPOSED TO BE? ##@§*$*=~.
.~=*$*§@## ##@§*$*=~.
..~==**$*@ = @*$**==~..
.~=*$*§@## ~~*~~ ##@§*$*=~.
.~=*$*§@## = ##@§*$*=~.
.~=**§@### ###@§**=~.
.~=*$*§@## (SITUATION) ##@§*$*=~.
.~=*$*§@## ##@§*$*=~.
.~=*$*§### YOU'RE FINALLY ENTERING THE CITY. WHILE ###§*$*=~.
.~=*$*§@## IT IS INDEED A VERY HIGH SPEED TRAIN ##@§*$*=~.
.~=*$*§@## YOU'RE TRAVELING IN, THE JOURNEY HAS ##@§*$*=~.
.~=*$*§@## BEEN LONG. BUT IT'S ABOUT TO END! ##@§*$*=~.
.~=*$*§@## ##@§*$*=~.
.~=*$**§§# SOCIETY IS GROWING DENSER AROUND YOU, #§§**$*=~.
.~=*$*§@## THROUGH THE WINDOWS YOU SEE FIRST SMALL ##@§*$*=~.
.~=*$*§@## SHACKS, BUILT OF METAL AND STONE, THEN ##@§*$*=~.
.~=*$*§@## PROPER HOUSES WITH MORTAR TO KEEP THEM ##@§*$*=~.
.~=*$*§§§§ TOGETHER... WHO IN TURN MAKE WAY FOR §§§§*$*=~.
.~=*$$$*@@ THE INDUSTRIAL BUILDINGS, THE URBAN @@*$$$*=~.
.~=*$*§@## MAZE, PROTECTIVE WALLS, JUNGLE ##@§*$*=~.
.~=*$*§@## NETWORK... ##@§*$*=~.
.~=*$*§@## ##@§*$*=~.
...~=***$§ THE TRACKS LEAVE THE GROUND, WHICH IS §$***=~...
.~=*$*§@## NEEDED FOR OTHER PURPOSES. YOU ARE ##@§*$*=~.
.~=*$*§@@# CARRIED GENTLY, CURVING UPWARDS UNTIL #@@§*$*=~.
.~=*$***@# YOU'RE MOVING UPWARD ALONG THE WALL OF #@***$*=~.
...~=$$$§# A BUILDING. IT'S MADE OF SLABBY STONE, #§$$$=~...
...~==$§@@ WITH GREAT GLASSLESS WINDOW HOLES @@§$==~...
.~=*$*§@## LOOKING OUT THE WAY YOU CAME. IT IS ##@§*$*=~.
.~=*$*§@## PITCH BLACK INSIDE. ##@§*$*=~.
.~=*$*§### ###§*$*=~.
....~~***@ @***~~....
.~=*$*§@## ##@§*$*=~.
.~=*$*§### ###§*$*=~.
.~=*$*@### ###@*$*=~.