,,,..~**$£ £$**~..,,,
,,,...**@£ £@**...,,,
,.~*$@£### ###£@$*~.,
,.~**$@@££ ££@@$**~.,
,,,,~**$$@ @$$**~,,,,
,.~**$@£## train dream ##£@$**~.,
,.~**$@### ######,,,,.~..,,##################### ###@$**~.,
,,,~~~*$£# *** #£$*~~~,,,
,,,,.~**$@ ~ @$**~.,,,,
,,,,.~*@£# ~ #£@*~.,,,,
.~**$@£### ###£@$**~.
,,,,,~*$££ (situation) ££$*~,,,,,
,.~**$@£## ##£@$**~.,
,,,,,.***@ you find yourself in a rift - a @***.,,,,,
,.~**@£### clearing, narrow but immeasurably long. ###£@**~.,
,,,,,~*$@# to your sides are walls made of trees, #@$*~,,,,,
,.~**$@£## thick and ready to swallow you. the sun ##£@$**~.,
,.~**$@£## is nowhere to be seen, but nontheless ##£@$**~.,
,.~**$@£## it is very bright - the air feels light ##£@$**~.,
,,,,,~**@£ blue, almost white. £@**~,,,,,
,.~**$@£## ##£@$**~.,
,.~**$@£## along the span of the clearing lay two ##£@$**~.,
,.~**$£### parallel silvery lines, dark hard ###£$**~.,
,.~**$@£## metal. somehow you can see how heavy ##£@$**~.,
,.~**$@£## they are. ##£@$**~.,
,.~**$@£## ##£@$**~.,
,.~**$@£## they emit a high pitched whine... ##£@$**~.,
,.~**$@£## ##£@$**~.,
,,,,,.*$@# ~ #@$*.,,,,,
,.~**$@£## ,,*,, ##£@$**~.,
,,.~~*$@££ ~ ££@$*~~.,,
,.~**$£### ###£$**~.,
,.~**@£### (situation) ###£@**~.,
,.~**$@@@# #@@@$**~.,
,.~***$@££ youre at the train station, on a ££@$***~.,
,.~**$@@@# catwalk above the rails. your train is #@@@$**~.,
,.~*$@£### late, or you are late to the train. ###£@$*~.,
,.~**$@### it's a summer afternoon and the station ###@$**~.,
,.~**$@£## is busy, full of relaxed confidence. ##£@$**~.,
,,,..~***@ @***~..,,,
,,,.**$@@# you're in high spirits, although a bit #@@$**.,,,
,.~**$@£## stressed about the time, while moving ##£@$**~.,
,.~**$@£## up the stairs to your platform. the ##£@$**~.,
,.~**$@£## station is in several levels, all ##£@$**~.,
,.~**$@£## placed within eachother by some ##£@$**~.,
,.~**$@£## intelligent designer, and full of ##£@$**~.,
,.~**$@@@@ stairs, elevators, shortcuts, @@@@$**~.,
,,,,,,.*$£ bazaars... you sight your train through £$*.,,,,,,
,.~**$@£## some glass windows. it's... not where ##£@$**~.,
,,,,~***@@ it's supposed to be? @@***~,,,,
,.~***$$@@ @@$$***~.,
,,,,,,,~*@ ~ @*~,,,,,,,
,,,,,~*$$£ ..$.. £$$*~,,,,,
,.~**$@£## ~ ##£@$**~.,
,.~*$@£### ###£@$*~.,
,.~**@£### (situation) ###£@**~.,
,.~**$@£## ##£@$**~.,
,,,,~~**$@ you're finally entering the city. while @$**~~,,,,
,.~****$@@ it is indeed a very high speed train @@$****~.,
,.~**$@£## you're traveling in, the journey has ##£@$**~.,
,.~**$@£## been long. but it's about to end! ##£@$**~.,
,.~**$@£## ##£@$**~.,
,,,,,,.*$£ society is growing denser around you, £$*.,,,,,,
,,,,,,.**@ through the windows you see first small @**.,,,,,,
,.~**$@£## shacks, built of metal and stone, then ##£@$**~.,
,.~**$@£## proper houses with mortar to keep them ##£@$**~.,
,,,,,~*@@£ together... who in turn make way for £@@*~,,,,,
,.~**$@££# the industrial buildings, the urban #££@$**~.,
,.~**$@@@@ maze, protective walls, jungle @@@@$**~.,
,.~**$@£## network... ##£@$**~.,
,...****$@ @$****...,
,.~**$@£## the tracks leave the ground, which is ##£@$**~.,
,.~**$@£## needed for other purposes. you are ##£@$**~.,
,.~**$@£## carried gently, curving upwards until ##£@$**~.,
,.~****$$£ you're moving upward along the wall of £$$****~.,
,,,,.**$@£ a building. it's made of slabby stone, £@$**.,,,,
,.~**$@£## with great glassless window holes ##£@$**~.,
,.~****$@# looking out the way you came. it is #@$****~.,
,.~**$@£## pitch black inside. ##£@$**~.,
,,,,~****@ @****~,,,,
,.~**$@£## ##£@$**~.,
,,,,~*$@£# #£@$*~,,,,
,.~**$@£## ##£@$**~.,
,.....~**@ @**~.....,