.-=;*$###@ @###$*;=-.
.....=*$@@ @@$*=.....
.-=;*$#@@# #@@#$*;=-.
.-=;*$#@@# #@@#$*;=-.
.-=;*$#@@# #@@#$*;=-.
.-=;*$#@## TRAIN DREAM ##@#$*;=-.
.-=;*$#### ######....-=--..##################### ####$*;=-.
.-=;*$#@@# ;;; #@@#$*;=-.
.-=;*$#@@# = #@@#$*;=-.
.....-=;$# = #$;=-.....
....--=*#@ @#*=--....
......=;$@ (SITUATION) @$;=......
.-=;*$#@@# #@@#$*;=-.
.-=;*$#@@# YOU FIND YOURSELF IN A RIFT - A #@@#$*;=-.
.....=;$#@ CLEARING, NARROW BUT IMMEASURABLY LONG. @#$;=.....
.-=;*$#@@# TO YOUR SIDES ARE WALLS MADE OF TREES, #@@#$*;=-.
.-=;*$#@@@ THICK AND READY TO SWALLOW YOU. THE SUN @@@#$*;=-.
.......=*# IS NOWHERE TO BE SEEN, BUT NONTHELESS #*=.......
.......=*# IT IS VERY BRIGHT - THE AIR FEELS LIGHT #*=.......
.-=;;*$##@ BLUE, ALMOST WHITE. @##$*;;=-.
......=*$# #$*=......
.....-=;$@ ALONG THE SPAN OF THE CLEARING LAY TWO @$;=-.....
.-=;*$#@@# PARALLEL SILVERY LINES, DARK HARD #@@#$*;=-.
..-=;*$$#@ METAL. SOMEHOW YOU CAN SEE HOW HEAVY @#$$*;=-..
.-=;*$#@@# THEY ARE. #@@#$*;=-.
...--;$$#@ @#$$;--...
...-=*$### THEY EMIT A HIGH PITCHED WHINE... ###$*=-...
.-=;*$###@ @###$*;=-.
.-=;*$#@## = ##@#$*;=-.
.-=;*$#@@@ ..*.. @@@#$*;=-.
.-=;*$#@@# = #@@#$*;=-.
..--;**$@@ @@$**;--..
.-=;*$@@## (SITUATION) ##@@$*;=-.
.-=;*$#### ####$*;=-.
.-=;*$#@@# YOURE AT THE TRAIN STATION, ON A #@@#$*;=-.
.-=;*$#@@# CATWALK ABOVE THE RAILS. YOUR TRAIN IS #@@#$*;=-.
.-=;*$$$#@ LATE, OR YOU ARE LATE TO THE TRAIN. @#$$$*;=-.
...-=;$$#@ IT'S A SUMMER AFTERNOON AND THE STATION @#$$;=-...
....--;$## IS BUSY, FULL OF RELAXED CONFIDENCE. ##$;--....
.-=;*$@@## ##@@$*;=-.
.--==*$#@@ YOU'RE IN HIGH SPIRITS, ALTHOUGH A BIT @@#$*==--.
....-;*##@ STRESSED ABOUT THE TIME, WHILE MOVING @##*;-....
.-=;*$#@@@ UP THE STAIRS TO YOUR PLATFORM. THE @@@#$*;=-.
.-;*$#@@## STATION IS IN SEVERAL LEVELS, ALL ##@@#$*;-.
....=;;;*# PLACED WITHIN EACHOTHER BY SOME #*;;;=....
.-=;*$#@@@ INTELLIGENT DESIGNER, AND FULL OF @@@#$*;=-.
.-=;***#@@ STAIRS, ELEVATORS, SHORTCUTS, @@#***;=-.
......=;*# BAZAARS... YOU SIGHT YOUR TRAIN THROUGH #*;=......
.-=;*$$#@@ SOME GLASS WINDOWS. IT'S... NOT WHERE @@#$$*;=-.
....-;*#@@ IT'S SUPPOSED TO BE? @@#*;-....
....--=*#@ @#*=--....
..--;*$#@@ = @@#$*;--..
.-=;*$#@@# --$-- #@@#$*;=-.
.-=;*$#@@@ = @@@#$*;=-.
.-=;*$@@## ##@@$*;=-.
..-====*$@ (SITUATION) @$*====-..
.....-=**# #**=-.....
.-=;*$#@## YOU'RE FINALLY ENTERING THE CITY. WHILE ##@#$*;=-.
.-=;*$#@@# IT IS INDEED A VERY HIGH SPEED TRAIN #@@#$*;=-.
......=*#@ YOU'RE TRAVELING IN, THE JOURNEY HAS @#*=......
.-=;*$#@@@ BEEN LONG. BUT IT'S ABOUT TO END! @@@#$*;=-.
....=;$##@ @##$;=....
.-=;*$#### SOCIETY IS GROWING DENSER AROUND YOU, ####$*;=-.
.-=;*$@@## THROUGH THE WINDOWS YOU SEE FIRST SMALL ##@@$*;=-.
.-=;*$#@@@ SHACKS, BUILT OF METAL AND STONE, THEN @@@#$*;=-.
...-;;*$#@ PROPER HOUSES WITH MORTAR TO KEEP THEM @#$*;;-...
.-=;*$#@@# TOGETHER... WHO IN TURN MAKE WAY FOR #@@#$*;=-.
.-=;;;;$$# THE INDUSTRIAL BUILDINGS, THE URBAN #$$;;;;=-.
..---;$$$# MAZE, PROTECTIVE WALLS, JUNGLE #$$$;---..
.-=;*$#@@# NETWORK... #@@#$*;=-.
...-=;;*$# #$*;;=-...
.-=;*$#@@# THE TRACKS LEAVE THE GROUND, WHICH IS #@@#$*;=-.
.-=;*$#@## NEEDED FOR OTHER PURPOSES. YOU ARE ##@#$*;=-.
....---;*# CARRIED GENTLY, CURVING UPWARDS UNTIL #*;---....
.-=;*$#@@# YOU'RE MOVING UPWARD ALONG THE WALL OF #@@#$*;=-.
...-;;;$#@ A BUILDING. IT'S MADE OF SLABBY STONE, @#$;;;-...
....-;$##@ WITH GREAT GLASSLESS WINDOW HOLES @##$;-....
.-=;*$##@@ LOOKING OUT THE WAY YOU CAME. IT IS @@##$*;=-.
.-=;*$#@@# PITCH BLACK INSIDE. #@@#$*;=-.
.-====**#@ @#**====-.
.-=;*$#@@# #@@#$*;=-.
...-;;*$$@ @$$*;;-...
.-=;*$#@@@ @@@#$*;=-.
....===*#@ @#*===....