...^~/%££@ @££%/~^...
..^~/%££@@ @@££%/~^..
.^~/%££@@# #@@££%/~^.
..^~/%££@@ @@££%/~^..
...^~/%££@ @££%/~^...
....^~/%££ TRAIN DREAM ££%/~^....
...^~/%££@ ######....^~^^..##################### @££%/~^...
..^~/%££@@ /// @@££%/~^..
.^~/%££@@# ~ #@@££%/~^.
..^~/%££@@ ~ @@££%/~^..
...^~/%££@ @££%/~^...
....^~/%££ (SITUATION) ££%/~^....
...^~/%££@ @££%/~^...
..^~/%££@@ YOU FIND YOURSELF IN A RIFT - A @@££%/~^..
.^~/%££@@# CLEARING, NARROW BUT IMMEASURABLY LONG. #@@££%/~^.
..^~/%££@@ TO YOUR SIDES ARE WALLS MADE OF TREES, @@££%/~^..
...^~/%££@ THICK AND READY TO SWALLOW YOU. THE SUN @££%/~^...
....^~/%££ IS NOWHERE TO BE SEEN, BUT NONTHELESS ££%/~^....
...^~/%££@ IT IS VERY BRIGHT - THE AIR FEELS LIGHT @££%/~^...
..^~/%££@@ BLUE, ALMOST WHITE. @@££%/~^..
.^~/%££@@# #@@££%/~^.
..^~/%££@@ ALONG THE SPAN OF THE CLEARING LAY TWO @@££%/~^..
...^~/%££@ PARALLEL SILVERY LINES, DARK HARD @££%/~^...
....^~/%££ METAL. SOMEHOW YOU CAN SEE HOW HEAVY ££%/~^....
...^~/%££@ THEY ARE. @££%/~^...
..^~/%££@@ @@££%/~^..
.^~/%££@@# THEY EMIT A HIGH PITCHED WHINE... #@@££%/~^.
..^~/%££@@ @@££%/~^..
...^~/%££@ ~ @££%/~^...
....^~/%££ ..%.. ££%/~^....
...^~/%££@ ~ @££%/~^...
..^~/%££@@ @@££%/~^..
.^~/%££@@# (SITUATION) #@@££%/~^.
..^~/%££@@ @@££%/~^..
...^~/%££@ YOURE AT THE TRAIN STATION, ON A @££%/~^...
....^~/%££ CATWALK ABOVE THE RAILS. YOUR TRAIN IS ££%/~^....
...^~/%££@ LATE, OR YOU ARE LATE TO THE TRAIN. @££%/~^...
..^~/%££@@ IT'S A SUMMER AFTERNOON AND THE STATION @@££%/~^..
.^~/%££@@# IS BUSY, FULL OF RELAXED CONFIDENCE. #@@££%/~^.
..^~/%££@@ @@££%/~^..
...^~/%££@ YOU'RE IN HIGH SPIRITS, ALTHOUGH A BIT @££%/~^...
....^~/%££ STRESSED ABOUT THE TIME, WHILE MOVING ££%/~^....
...^~/%££@ UP THE STAIRS TO YOUR PLATFORM. THE @££%/~^...
..^~/%££@@ STATION IS IN SEVERAL LEVELS, ALL @@££%/~^..
.^~/%££@@# PLACED WITHIN EACHOTHER BY SOME #@@££%/~^.
..^~/%££@@ INTELLIGENT DESIGNER, AND FULL OF @@££%/~^..
...^~/%££@ STAIRS, ELEVATORS, SHORTCUTS, @££%/~^...
....^~/%££ BAZAARS... YOU SIGHT YOUR TRAIN THROUGH ££%/~^....
...^~/%££@ SOME GLASS WINDOWS. IT'S... NOT WHERE @££%/~^...
..^~/%££@@ IT'S SUPPOSED TO BE? @@££%/~^..
.^~/%££@@# #@@££%/~^.
..^~/%££@@ ~ @@££%/~^..
...^~/%££@ ^^£^^ @££%/~^...
....^~/%££ ~ ££%/~^....
...^~/%££@ @££%/~^...
..^~/%££@@ (SITUATION) @@££%/~^..
.^~/%££@@# #@@££%/~^.
..^~/%££@@ YOU'RE FINALLY ENTERING THE CITY. WHILE @@££%/~^..
...^~/%££@ IT IS INDEED A VERY HIGH SPEED TRAIN @££%/~^...
....^~/%££ YOU'RE TRAVELING IN, THE JOURNEY HAS ££%/~^....
...^~/%££@ BEEN LONG. BUT IT'S ABOUT TO END! @££%/~^...
..^~/%££@@ @@££%/~^..
.^~/%££@@# SOCIETY IS GROWING DENSER AROUND YOU, #@@££%/~^.
..^~/%££@@ THROUGH THE WINDOWS YOU SEE FIRST SMALL @@££%/~^..
...^~/%££@ SHACKS, BUILT OF METAL AND STONE, THEN @££%/~^...
....^~/%££ PROPER HOUSES WITH MORTAR TO KEEP THEM ££%/~^....
...^~/%££@ TOGETHER... WHO IN TURN MAKE WAY FOR @££%/~^...
..^~/%££@@ THE INDUSTRIAL BUILDINGS, THE URBAN @@££%/~^..
.^~/%££@@# MAZE, PROTECTIVE WALLS, JUNGLE #@@££%/~^.
..^~/%££@@ NETWORK... @@££%/~^..
...^~/%££@ @££%/~^...
....^~/%££ THE TRACKS LEAVE THE GROUND, WHICH IS ££%/~^....
...^~/%££@ NEEDED FOR OTHER PURPOSES. YOU ARE @££%/~^...
..^~/%££@@ CARRIED GENTLY, CURVING UPWARDS UNTIL @@££%/~^..
.^~/%££@@# YOU'RE MOVING UPWARD ALONG THE WALL OF #@@££%/~^.
..^~/%££@@ A BUILDING. IT'S MADE OF SLABBY STONE, @@££%/~^..
...^~/%££@ WITH GREAT GLASSLESS WINDOW HOLES @££%/~^...
....^~/%££ LOOKING OUT THE WAY YOU CAME. IT IS ££%/~^....
...^~/%££@ PITCH BLACK INSIDE. @££%/~^...
..^~/%££@@ @@££%/~^..
.^~/%££@@# #@@££%/~^.
..^~/%££@@ @@££%/~^..
...^~/%££@ @££%/~^...
....^~/%££ ££%/~^....