.:~††$#£@# #@£#$††~:.
....:~†$££ ££$†~:....
.:~††$#£## ##£#$††~:.
......:†$£ £$†:......
....:††$#£ £#$††:....
.:~††$###@ TRAIN DREAM @###$††~:.
.:~††$#£££ ######....:~::..##################### £££#$††~:.
.:~††#£@## ††† ##@£#††~:.
.:~††$#£@# ~ #@£#$††~:.
....~††### ~ ###††~....
.:~†††$##£ £##$†††~:.
.:~††$#£@# (SITUATION) #@£#$††~:.
.:~††$#### ####$††~:.
....~~†#£@ YOU FIND YOURSELF IN A RIFT - A @£#†~~....
.:~††$#@## CLEARING, NARROW BUT IMMEASURABLY LONG. ##@#$††~:.
.:~††$#£@# TO YOUR SIDES ARE WALLS MADE OF TREES, #@£#$††~:.
......~†$£ THICK AND READY TO SWALLOW YOU. THE SUN £$†~......
......~†$# IS NOWHERE TO BE SEEN, BUT NONTHELESS #$†~......
.:~††$#£@# IT IS VERY BRIGHT - THE AIR FEELS LIGHT #@£#$††~:.
.:~††$#@## BLUE, ALMOST WHITE. ##@#$††~:.
.:~††$#@## ##@#$††~:.
.:~††$#£@# ALONG THE SPAN OF THE CLEARING LAY TWO #@£#$††~:.
..:~~~~†#£ PARALLEL SILVERY LINES, DARK HARD £#†~~~~:..
.:~††$#£@# METAL. SOMEHOW YOU CAN SEE HOW HEAVY #@£#$††~:.
.:~††$#£@# THEY ARE. #@£#$††~:.
.....~†$#£ £#$†~.....
...:~††$£@ THEY EMIT A HIGH PITCHED WHINE... @£$††~:...
.:~††$#£@# #@£#$††~:.
....~~†$#£ ~ £#$†~~....
.:~††$#£## ..†.. ##£#$††~:.
.:~††$#£@# ~ #@£#$††~:.
.:~††$#£@# #@£#$††~:.
.:~††$#£@@ (SITUATION) @@£#$††~:.
.:~††$#£@# #@£#$††~:.
.:~††$#£@# YOURE AT THE TRAIN STATION, ON A #@£#$††~:.
.....:†$## CATWALK ABOVE THE RAILS. YOUR TRAIN IS ##$†:.....
.:~††#£@## LATE, OR YOU ARE LATE TO THE TRAIN. ##@£#††~:.
....::†$## IT'S A SUMMER AFTERNOON AND THE STATION ##$†::....
.:~†††$##@ IS BUSY, FULL OF RELAXED CONFIDENCE. @##$†††~:.
......:††# #††:......
.:~††$#£## YOU'RE IN HIGH SPIRITS, ALTHOUGH A BIT ##£#$††~:.
.:~††$#£## STRESSED ABOUT THE TIME, WHILE MOVING ##£#$††~:.
....:††### UP THE STAIRS TO YOUR PLATFORM. THE ###††:....
.:~††$#@## STATION IS IN SEVERAL LEVELS, ALL ##@#$††~:.
.:~††$$$$£ PLACED WITHIN EACHOTHER BY SOME £$$$$††~:.
.:~††$#£@# INTELLIGENT DESIGNER, AND FULL OF #@£#$††~:.
...::~††#£ STAIRS, ELEVATORS, SHORTCUTS, £#††~::...
.:::~†$$££ BAZAARS... YOU SIGHT YOUR TRAIN THROUGH ££$$†~:::.
.....~††$# SOME GLASS WINDOWS. IT'S... NOT WHERE #$††~.....
.:~††$#£## IT'S SUPPOSED TO BE? ##£#$††~:.
.:~††$#£@@ @@£#$††~:.
.:~††$#£@# ~ #@£#$††~:.
...:~~†$#@ ::$:: @#$†~~:...
.:~††$#£@# ~ #@£#$††~:.
.:~††$#£@# #@£#$††~:.
.....:†$££ (SITUATION) ££$†:.....
....~†$$#@ @#$$†~....
.:~††$###£ YOU'RE FINALLY ENTERING THE CITY. WHILE £###$††~:.
.:~††$#££@ IT IS INDEED A VERY HIGH SPEED TRAIN @££#$††~:.
.:~††$#£@# YOU'RE TRAVELING IN, THE JOURNEY HAS #@£#$††~:.
.:~††$#££@ BEEN LONG. BUT IT'S ABOUT TO END! @££#$††~:.
...:~††$£@ @£$††~:...
.:~††$#£@@ SOCIETY IS GROWING DENSER AROUND YOU, @@£#$††~:.
.:~††$#£££ THROUGH THE WINDOWS YOU SEE FIRST SMALL £££#$††~:.
.:~††$#££@ SHACKS, BUILT OF METAL AND STONE, THEN @££#$††~:.
.....:~~†# PROPER HOUSES WITH MORTAR TO KEEP THEM #†~~:.....
.:~††$#£@# TOGETHER... WHO IN TURN MAKE WAY FOR #@£#$††~:.
.:~††$#£@# THE INDUSTRIAL BUILDINGS, THE URBAN #@£#$††~:.
.:~††$#££@ MAZE, PROTECTIVE WALLS, JUNGLE @££#$††~:.
.:~††$#£@# NETWORK... #@£#$††~:.
.....~††$# #$††~.....
.:~††$#££@ THE TRACKS LEAVE THE GROUND, WHICH IS @££#$††~:.
....:††$££ NEEDED FOR OTHER PURPOSES. YOU ARE ££$††:....
.:~††$#£@# CARRIED GENTLY, CURVING UPWARDS UNTIL #@£#$††~:.
.:~††$#£@# YOU'RE MOVING UPWARD ALONG THE WALL OF #@£#$††~:.
....:††$££ A BUILDING. IT'S MADE OF SLABBY STONE, ££$††:....
....::†$$£ WITH GREAT GLASSLESS WINDOW HOLES £$$†::....
.:~††$#£## LOOKING OUT THE WAY YOU CAME. IT IS ##£#$††~:.
.:~††$#£@# PITCH BLACK INSIDE. #@£#$††~:.
.:~††$#£@# #@£#$††~:.
.....~†††# #†††~.....
......:††# #††:......
.:~††$#£@@ @@£#$††~:.
...~~†$#££ ££#$†~~...