@.@......@ @.@..@...@
@..@.....@ @..@..@..@
@@..@....@ @@..@..@.@
.@@..@.... .@@..@...@
.@@@..@... .@@@..@...
.@.@@..@.. TRAIN DREAM .@.@@..@..
...@@@..@. ######....,»,,..##################### ...@@@..@.
...@.@@..@ ;;; ...@.@@..@
@....@@@.. » .....@@@..
.@...@.@@. » .....@.@@.
..@....@@@ .......@@@
@..@...@.@ (SITUATION) .......@.@
@@..@....@ @........@
.@@..@...@ YOU FIND YOURSELF IN A RIFT - A .@.......@
.@@@..@... CLEARING, NARROW BUT IMMEASURABLY LONG. ..@.......
.@.@@..@.. TO YOUR SIDES ARE WALLS MADE OF TREES, @..@......
...@@@..@. THICK AND READY TO SWALLOW YOU. THE SUN @@..@.....
...@.@@..@ IS NOWHERE TO BE SEEN, BUT NONTHELESS @@@..@....
.....@@@.. IT IS VERY BRIGHT - THE AIR FEELS LIGHT @.@@..@...
.....@.@@. BLUE, ALMOST WHITE. ..@@@..@..
.......@@@ ..@.@@..@.
.......@.@ ALONG THE SPAN OF THE CLEARING LAY TWO @...@@@..@
@........@ PARALLEL SILVERY LINES, DARK HARD @@..@.@@..
.@.......@ METAL. SOMEHOW YOU CAN SEE HOW HEAVY .@@...@@@.
..@....... THEY ARE. .@@@..@.@@
@..@...... .@.@@...@@
@@..@..... THEY EMIT A HIGH PITCHED WHINE... ...@@@..@.
@@@..@.... @..@.@@...
@.@@..@... » @@...@@@..
..@@@..@.. ..%.. @@@..@.@@.
..@.@@..@. » @.@@...@@@
@...@@@..@ ..@@@..@.@
@@..@.@@.. (SITUATION) ..@.@@...@
.@@...@@@. ....@@@..@
.@@@..@.@@ YOURE AT THE TRAIN STATION, ON A @...@.@@..
.@.@@...@@ CATWALK ABOVE THE RAILS. YOUR TRAIN IS @@....@@@.
...@@@..@. LATE, OR YOU ARE LATE TO THE TRAIN. @@@...@.@@
@..@.@@... IT'S A SUMMER AFTERNOON AND THE STATION @.@@....@@
@@...@@@.. IS BUSY, FULL OF RELAXED CONFIDENCE. ..@@@...@.
@@@..@.@@. ..@.@@....
@.@@...@@@ YOU'RE IN HIGH SPIRITS, ALTHOUGH A BIT ....@@@...
..@@@..@.@ STRESSED ABOUT THE TIME, WHILE MOVING ....@.@@..
..@.@@...@ UP THE STAIRS TO YOUR PLATFORM. THE @.....@@@.
....@@@..@ STATION IS IN SEVERAL LEVELS, ALL @@....@.@@
@...@.@@.. PLACED WITHIN EACHOTHER BY SOME .@@.....@@
@@....@@@. INTELLIGENT DESIGNER, AND FULL OF .@@@....@.
@@@...@.@@ STAIRS, ELEVATORS, SHORTCUTS, .@.@@.....
@.@@....@@ BAZAARS... YOU SIGHT YOUR TRAIN THROUGH ...@@@....
..@@@...@. SOME GLASS WINDOWS. IT'S... NOT WHERE ...@.@@...
..@.@@.... IT'S SUPPOSED TO BE? .....@@@..
....@@@... @....@.@@.
....@.@@.. » .@.....@@@
@.....@@@. ,,¤,, ..@....@.@
@@....@.@@ » @..@.....@
.@@.....@@ @@..@....@
.@@@....@. (SITUATION) .@@..@....
.@.@@..... .@@@..@...
...@@@.... YOU'RE FINALLY ENTERING THE CITY. WHILE .@.@@..@..
...@.@@... IT IS INDEED A VERY HIGH SPEED TRAIN ...@@@..@.
.....@@@.. YOU'RE TRAVELING IN, THE JOURNEY HAS ...@.@@..@
@....@.@@. BEEN LONG. BUT IT'S ABOUT TO END! @....@@@..
.@.....@@@ .@...@.@@.
..@....@.@ SOCIETY IS GROWING DENSER AROUND YOU, ..@....@@@
@..@.....@ THROUGH THE WINDOWS YOU SEE FIRST SMALL @..@...@.@
@@..@....@ SHACKS, BUILT OF METAL AND STONE, THEN @@..@....@
.@@..@.... PROPER HOUSES WITH MORTAR TO KEEP THEM .@@..@...@
.@@@..@... TOGETHER... WHO IN TURN MAKE WAY FOR .@@@..@...
.@.@@..@.. THE INDUSTRIAL BUILDINGS, THE URBAN .@.@@..@..
...@@@..@. MAZE, PROTECTIVE WALLS, JUNGLE ...@@@..@.
...@.@@..@ NETWORK... ...@.@@..@
@....@@@.. .....@@@..
.@...@.@@. THE TRACKS LEAVE THE GROUND, WHICH IS .....@.@@.
..@....@@@ NEEDED FOR OTHER PURPOSES. YOU ARE .......@@@
@..@...@.@ CARRIED GENTLY, CURVING UPWARDS UNTIL .......@.@
@@..@....@ YOU'RE MOVING UPWARD ALONG THE WALL OF @........@
.@@..@...@ A BUILDING. IT'S MADE OF SLABBY STONE, .@.......@
.@@@..@... WITH GREAT GLASSLESS WINDOW HOLES ..@.......
.@.@@..@.. LOOKING OUT THE WAY YOU CAME. IT IS @..@......
...@@@..@. PITCH BLACK INSIDE. @@..@.....
...@.@@..@ @@@..@....
.....@@@.. @.@@..@...
.....@.@@. ..@@@..@..
.......@@@ ..@.@@..@.
.......@.@ @...@@@..@