.^«;$*£### ###£*$;«^.
..^«;$*£## ##£*$;«^..
.^«;$*£### ###£*$;«^.
..^«;$*£## ##£*$;«^..
.^«;$*£### ###£*$;«^.
..^«;$*£## TRAIN DREAM ##£*$;«^..
.^«;$*£### ######....^«^^..##################### ###£*$;«^.
..^«;$*£## ;;; ##£*$;«^..
.^«;$*£### « ###£*$;«^.
..^«;$*£## « ##£*$;«^..
.^«;$*£### ###£*$;«^.
..^«;$*£## (SITUATION) ##£*$;«^..
.^«;$*£### ###£*$;«^.
..^«;$*£## YOU FIND YOURSELF IN A RIFT - A ##£*$;«^..
.^«;$*£### CLEARING, NARROW BUT IMMEASURABLY LONG. ###£*$;«^.
..^«;$*£## TO YOUR SIDES ARE WALLS MADE OF TREES, ##£*$;«^..
.^«;$*£### THICK AND READY TO SWALLOW YOU. THE SUN ###£*$;«^.
..^«;$*£## IS NOWHERE TO BE SEEN, BUT NONTHELESS ##£*$;«^..
.^«;$*£### IT IS VERY BRIGHT - THE AIR FEELS LIGHT ###£*$;«^.
..^«;$*£## BLUE, ALMOST WHITE. ##£*$;«^..
.^«;$*£### ###£*$;«^.
..^«;$*£## ALONG THE SPAN OF THE CLEARING LAY TWO ##£*$;«^..
.^«;$*£### PARALLEL SILVERY LINES, DARK HARD ###£*$;«^.
..^«;$*£## METAL. SOMEHOW YOU CAN SEE HOW HEAVY ##£*$;«^..
.^«;$*£### THEY ARE. ###£*$;«^.
..^«;$*£## ##£*$;«^..
.^«;$*£### THEY EMIT A HIGH PITCHED WHINE... ###£*$;«^.
..^«;$*£## ##£*$;«^..
.^«;$*£### « ###£*$;«^.
..^«;$*£## ..$.. ##£*$;«^..
.^«;$*£### « ###£*$;«^.
..^«;$*£## ##£*$;«^..
.^«;$*£### (SITUATION) ###£*$;«^.
..^«;$*£## ##£*$;«^..
.^«;$*£### YOURE AT THE TRAIN STATION, ON A ###£*$;«^.
..^«;$*£## CATWALK ABOVE THE RAILS. YOUR TRAIN IS ##£*$;«^..
.^«;$*£### LATE, OR YOU ARE LATE TO THE TRAIN. ###£*$;«^.
..^«;$*£## IT'S A SUMMER AFTERNOON AND THE STATION ##£*$;«^..
.^«;$*£### IS BUSY, FULL OF RELAXED CONFIDENCE. ###£*$;«^.
..^«;$*£## ##£*$;«^..
.^«;$*£### YOU'RE IN HIGH SPIRITS, ALTHOUGH A BIT ###£*$;«^.
..^«;$*£## STRESSED ABOUT THE TIME, WHILE MOVING ##£*$;«^..
.^«;$*£### UP THE STAIRS TO YOUR PLATFORM. THE ###£*$;«^.
..^«;$*£## STATION IS IN SEVERAL LEVELS, ALL ##£*$;«^..
.^«;$*£### PLACED WITHIN EACHOTHER BY SOME ###£*$;«^.
..^«;$*£## INTELLIGENT DESIGNER, AND FULL OF ##£*$;«^..
.^«;$*£### STAIRS, ELEVATORS, SHORTCUTS, ###£*$;«^.
..^«;$*£## BAZAARS... YOU SIGHT YOUR TRAIN THROUGH ##£*$;«^..
.^«;$*£### SOME GLASS WINDOWS. IT'S... NOT WHERE ###£*$;«^.
..^«;$*£## IT'S SUPPOSED TO BE? ##£*$;«^..
.^«;$*£### ###£*$;«^.
..^«;$*£## « ##£*$;«^..
.^«;$*£### ^^*^^ ###£*$;«^.
..^«;$*£## « ##£*$;«^..
.^«;$*£### ###£*$;«^.
..^«;$*£## (SITUATION) ##£*$;«^..
.^«;$*£### ###£*$;«^.
..^«;$*£## YOU'RE FINALLY ENTERING THE CITY. WHILE ##£*$;«^..
.^«;$*£### IT IS INDEED A VERY HIGH SPEED TRAIN ###£*$;«^.
..^«;$*£## YOU'RE TRAVELING IN, THE JOURNEY HAS ##£*$;«^..
.^«;$*£### BEEN LONG. BUT IT'S ABOUT TO END! ###£*$;«^.
..^«;$*£## ##£*$;«^..
.^«;$*£### SOCIETY IS GROWING DENSER AROUND YOU, ###£*$;«^.
..^«;$*£## THROUGH THE WINDOWS YOU SEE FIRST SMALL ##£*$;«^..
.^«;$*£### SHACKS, BUILT OF METAL AND STONE, THEN ###£*$;«^.
..^«;$*£## PROPER HOUSES WITH MORTAR TO KEEP THEM ##£*$;«^..
.^«;$*£### TOGETHER... WHO IN TURN MAKE WAY FOR ###£*$;«^.
..^«;$*£## THE INDUSTRIAL BUILDINGS, THE URBAN ##£*$;«^..
.^«;$*£### MAZE, PROTECTIVE WALLS, JUNGLE ###£*$;«^.
..^«;$*£## NETWORK... ##£*$;«^..
.^«;$*£### ###£*$;«^.
..^«;$*£## THE TRACKS LEAVE THE GROUND, WHICH IS ##£*$;«^..
.^«;$*£### NEEDED FOR OTHER PURPOSES. YOU ARE ###£*$;«^.
..^«;$*£## CARRIED GENTLY, CURVING UPWARDS UNTIL ##£*$;«^..
.^«;$*£### YOU'RE MOVING UPWARD ALONG THE WALL OF ###£*$;«^.
..^«;$*£## A BUILDING. IT'S MADE OF SLABBY STONE, ##£*$;«^..
.^«;$*£### WITH GREAT GLASSLESS WINDOW HOLES ###£*$;«^.
..^«;$*£## LOOKING OUT THE WAY YOU CAME. IT IS ##£*$;«^..
.^«;$*£### PITCH BLACK INSIDE. ###£*$;«^.
..^«;$*£## ##£*$;«^..
.^«;$*£### ###£*$;«^.
..^«;$*£## ##£*$;«^..
.^«;$*£### ###£*$;«^.
..^«;$*£## ##£*$;«^..