,,,,,,~^%£ £%^~,,,,,,
,,~*^%@£## ##£@%^*~,,
,,~*^%@£## ##£@%^*~,,
,,~*^%@£## ##£@%^*~,,
,,~*^%%@££ ££@%%^*~,,
,,,,,,,*%@ train dream @%*,,,,,,,
,,~*^%@£## ######,,,,,~,,,,##################### ##£@%^*~,,
,,~*^%£### *** ###£%^*~,,
,,,,,**^@# ~ #@^**,,,,,
,,~*^%%%%@ ~ @%%%%^*~,,
,,~*^%£### ###£%^*~,,
,,~*^%£### (situation) ###£%^*~,,
,,~*^%@£## ##£@%^*~,,
,,~*^%@£## you find yourself in a rift - a ##£@%^*~,,
,,~*^%@£## clearing, narrow but immeasurably long. ##£@%^*~,,
,,,,,~~^%@ to your sides are walls made of trees, @%^~~,,,,,
,,~*^%@£## thick and ready to swallow you. the sun ##£@%^*~,,
,,,~*^^^%£ is nowhere to be seen, but nontheless £%^^^*~,,,
,,~*^%@£## it is very bright - the air feels light ##£@%^*~,,
,,~*^%@££# blue, almost white. #££@%^*~,,
,,~*^@£### ###£@^*~,,
,,~*^%%%@@ along the span of the clearing lay two @@%%%^*~,,
,~*^%@£### parallel silvery lines, dark hard ###£@%^*~,
,,,~*^^%%@ metal. somehow you can see how heavy @%%^^*~,,,
,,~*^%%@£# they are. #£@%%^*~,,
,,~*^%@££# #££@%^*~,,
,,~*^%@£## they emit a high pitched whine... ##£@%^*~,,
,,~*^%@£## ##£@%^*~,,
,,~*^%@£## ~ ##£@%^*~,,
,,,,~*^%@@ ,,^,, @@%^*~,,,,
,,~^%@£### ~ ###£@%^~,,
,,~*^%@£## ##£@%^*~,,
,,,,~*^^^@ (situation) @^^^*~,,,,
,,,,~^^%%@ @%%^^~,,,,
,,~*^%@£££ youre at the train station, on a £££@%^*~,,
,,~*^%@£## catwalk above the rails. your train is ##£@%^*~,,
,,~*^%@@@@ late, or you are late to the train. @@@@%^*~,,
,,~*^%@£## it's a summer afternoon and the station ##£@%^*~,,
,,~*^%@£## is busy, full of relaxed confidence. ##£@%^*~,,
,,,,~~~^%£ £%^~~~,,,,
,,~*^%@£## you're in high spirits, although a bit ##£@%^*~,,
,,,,,,*%£# stressed about the time, while moving #£%*,,,,,,
,,,,~**%%£ up the stairs to your platform. the £%%**~,,,,
,,~*^%%%@# station is in several levels, all #@%%%^*~,,
,,~*^%@### placed within eachother by some ###@%^*~,,
,,~*^%@### intelligent designer, and full of ###@%^*~,,
,,,,,,*^@£ stairs, elevators, shortcuts, £@^*,,,,,,
,,~*^%%@££ bazaars... you sight your train through ££@%%^*~,,
,,~*^%@£## some glass windows. it's... not where ##£@%^*~,,
,,~*^%@£## it's supposed to be? ##£@%^*~,,
,,~***^%@# #@%^***~,,
,,~*^%@£## ~ ##£@%^*~,,
,,~*^%@£## ,,%,, ##£@%^*~,,
,,~*^%@£## ~ ##£@%^*~,,
,,,,,*^%%@ @%%^*,,,,,
,,,,,~^@@@ (situation) @@@^~,,,,,
,,~*^%@£## ##£@%^*~,,
,,~*^%@@@@ you're finally entering the city. while @@@@%^*~,,
,,~*^%@£## it is indeed a very high speed train ##£@%^*~,,
,,,,,,~^@# you're traveling in, the journey has #@^~,,,,,,
,,~*^%@££# been long. but it's about to end! #££@%^*~,,
,,~*^%@£## ##£@%^*~,,
,,~*^%@££# society is growing denser around you, #££@%^*~,,
,,~*^@£### through the windows you see first small ###£@^*~,,
,,,,,,**%£ shacks, built of metal and stone, then £%**,,,,,,
,,,,~^^@£# proper houses with mortar to keep them #£@^^~,,,,
,,~*^%@£## together... who in turn make way for ##£@%^*~,,
,,~*^%@### the industrial buildings, the urban ###@%^*~,,
,,~*^@£### maze, protective walls, jungle ###£@^*~,,
,,,,~~**^@ network... @^**~~,,,,
,,,,,,,*^@ @^*,,,,,,,
,,~*^%@£££ the tracks leave the ground, which is £££@%^*~,,
,,~*^%%@@# needed for other purposes. you are #@@%%^*~,,
,,,,,,,*^@ carried gently, curving upwards until @^*,,,,,,,
,,~*^%%@@# you're moving upward along the wall of #@@%%^*~,,
,,~***^^@@ a building. it's made of slabby stone, @@^^***~,,
,,~*^%@£## with great glassless window holes ##£@%^*~,,
,,,,,~^^%@ looking out the way you came. it is @%^^~,,,,,
,,~*^@£### pitch black inside. ###£@^*~,,
,,~*^%@£## ##£@%^*~,,
,,~*^%@££# #££@%^*~,,
,,~*^%@£## ##£@%^*~,,
,,~*^%@£## ##£@%^*~,,
,,~*^%%%@# #@%%%^*~,,