##@#%*/~^, ,^~/*%#@##
#@#%*/~^,, ,,^~/*%#@#
##@#%*/~^, ,^~/*%#@##
#@#%*/~^,, ,,^~/*%#@#
##@#%*/~^, ,^~/*%#@##
#@#%*/~^,, TRAIN DREAM ,,^~/*%#@#
##@#%*/~^, ######,,,,^~^^,,##################### ,^~/*%#@##
#@#%*/~^,, /// ,,^~/*%#@#
##@#%*/~^, ~ ,^~/*%#@##
#@#%*/~^,, ~ ,,^~/*%#@#
##@#%*/~^, ,^~/*%#@##
#@#%*/~^,, (SITUATION) ,,^~/*%#@#
##@#%*/~^, ,^~/*%#@##
#@#%*/~^,, YOU FIND YOURSELF IN A RIFT - A ,,^~/*%#@#
##@#%*/~^, CLEARING, NARROW BUT IMMEASURABLY LONG. ,^~/*%#@##
#@#%*/~^,, TO YOUR SIDES ARE WALLS MADE OF TREES, ,,^~/*%#@#
##@#%*/~^, THICK AND READY TO SWALLOW YOU. THE SUN ,^~/*%#@##
#@#%*/~^,, IS NOWHERE TO BE SEEN, BUT NONTHELESS ,,^~/*%#@#
##@#%*/~^, IT IS VERY BRIGHT - THE AIR FEELS LIGHT ,^~/*%#@##
#@#%*/~^,, BLUE, ALMOST WHITE. ,,^~/*%#@#
##@#%*/~^, ,^~/*%#@##
#@#%*/~^,, ALONG THE SPAN OF THE CLEARING LAY TWO ,,^~/*%#@#
##@#%*/~^, PARALLEL SILVERY LINES, DARK HARD ,^~/*%#@##
#@#%*/~^,, METAL. SOMEHOW YOU CAN SEE HOW HEAVY ,,^~/*%#@#
##@#%*/~^, THEY ARE. ,^~/*%#@##
#@#%*/~^,, ,,^~/*%#@#
##@#%*/~^, THEY EMIT A HIGH PITCHED WHINE... ,^~/*%#@##
#@#%*/~^,, ,,^~/*%#@#
##@#%*/~^, ~ ,^~/*%#@##
#@#%*/~^,, ,,*,, ,,^~/*%#@#
##@#%*/~^, ~ ,^~/*%#@##
#@#%*/~^,, ,,^~/*%#@#
##@#%*/~^, (SITUATION) ,^~/*%#@##
#@#%*/~^,, ,,^~/*%#@#
##@#%*/~^, YOURE AT THE TRAIN STATION, ON A ,^~/*%#@##
#@#%*/~^,, CATWALK ABOVE THE RAILS. YOUR TRAIN IS ,,^~/*%#@#
##@#%*/~^, LATE, OR YOU ARE LATE TO THE TRAIN. ,^~/*%#@##
#@#%*/~^,, IT'S A SUMMER AFTERNOON AND THE STATION ,,^~/*%#@#
##@#%*/~^, IS BUSY, FULL OF RELAXED CONFIDENCE. ,^~/*%#@##
#@#%*/~^,, ,,^~/*%#@#
##@#%*/~^, YOU'RE IN HIGH SPIRITS, ALTHOUGH A BIT ,^~/*%#@##
#@#%*/~^,, STRESSED ABOUT THE TIME, WHILE MOVING ,,^~/*%#@#
##@#%*/~^, UP THE STAIRS TO YOUR PLATFORM. THE ,^~/*%#@##
#@#%*/~^,, STATION IS IN SEVERAL LEVELS, ALL ,,^~/*%#@#
##@#%*/~^, PLACED WITHIN EACHOTHER BY SOME ,^~/*%#@##
#@#%*/~^,, INTELLIGENT DESIGNER, AND FULL OF ,,^~/*%#@#
##@#%*/~^, STAIRS, ELEVATORS, SHORTCUTS, ,^~/*%#@##
#@#%*/~^,, BAZAARS... YOU SIGHT YOUR TRAIN THROUGH ,,^~/*%#@#
##@#%*/~^, SOME GLASS WINDOWS. IT'S... NOT WHERE ,^~/*%#@##
#@#%*/~^,, IT'S SUPPOSED TO BE? ,,^~/*%#@#
##@#%*/~^, ,^~/*%#@##
#@#%*/~^,, ~ ,,^~/*%#@#
##@#%*/~^, ^^%^^ ,^~/*%#@##
#@#%*/~^,, ~ ,,^~/*%#@#
##@#%*/~^, ,^~/*%#@##
#@#%*/~^,, (SITUATION) ,,^~/*%#@#
##@#%*/~^, ,^~/*%#@##
#@#%*/~^,, YOU'RE FINALLY ENTERING THE CITY. WHILE ,,^~/*%#@#
##@#%*/~^, IT IS INDEED A VERY HIGH SPEED TRAIN ,^~/*%#@##
#@#%*/~^,, YOU'RE TRAVELING IN, THE JOURNEY HAS ,,^~/*%#@#
##@#%*/~^, BEEN LONG. BUT IT'S ABOUT TO END! ,^~/*%#@##
#@#%*/~^,, ,,^~/*%#@#
##@#%*/~^, SOCIETY IS GROWING DENSER AROUND YOU, ,^~/*%#@##
#@#%*/~^,, THROUGH THE WINDOWS YOU SEE FIRST SMALL ,,^~/*%#@#
##@#%*/~^, SHACKS, BUILT OF METAL AND STONE, THEN ,^~/*%#@##
#@#%*/~^,, PROPER HOUSES WITH MORTAR TO KEEP THEM ,,^~/*%#@#
##@#%*/~^, TOGETHER... WHO IN TURN MAKE WAY FOR ,^~/*%#@##
#@#%*/~^,, THE INDUSTRIAL BUILDINGS, THE URBAN ,,^~/*%#@#
##@#%*/~^, MAZE, PROTECTIVE WALLS, JUNGLE ,^~/*%#@##
#@#%*/~^,, NETWORK... ,,^~/*%#@#
##@#%*/~^, ,^~/*%#@##
#@#%*/~^,, THE TRACKS LEAVE THE GROUND, WHICH IS ,,^~/*%#@#
##@#%*/~^, NEEDED FOR OTHER PURPOSES. YOU ARE ,^~/*%#@##
#@#%*/~^,, CARRIED GENTLY, CURVING UPWARDS UNTIL ,,^~/*%#@#
##@#%*/~^, YOU'RE MOVING UPWARD ALONG THE WALL OF ,^~/*%#@##
#@#%*/~^,, A BUILDING. IT'S MADE OF SLABBY STONE, ,,^~/*%#@#
##@#%*/~^, WITH GREAT GLASSLESS WINDOW HOLES ,^~/*%#@##
#@#%*/~^,, LOOKING OUT THE WAY YOU CAME. IT IS ,,^~/*%#@#
##@#%*/~^, PITCH BLACK INSIDE. ,^~/*%#@##
#@#%*/~^,, ,,^~/*%#@#
##@#%*/~^, ,^~/*%#@##
#@#%*/~^,, ,,^~/*%#@#
##@#%*/~^, ,^~/*%#@##
#@#%*/~^,, ,,^~/*%#@#