##@&&†/~:. .:~/†&&@##
##@&&†/~:. .:~/†&&@##
@&&&&†/~:. .:~/†&&&&@
@&&††/:... ...:/††&&@
&†///:.... ....:///†&
&††††//~:. train dream .:~//††††&
##@&&†/~:. ######....:~::..##################### .:~/†&&@##
@&&&&†/~:. /// .:~/†&&&&@
##@&&†/~:. ~ .:~/†&&@##
@&&††~~~:. ~ .:~~~††&&@
##@&&†/~:. .:~/†&&@##
@&&&/:.... (situation) ....:/&&&@
@@@&&†/~:. .:~/†&&@@@
###&&†/~:. you find yourself in a rift - a .:~/†&&###
##@&&†/~:. clearing, narrow but immeasurably long. .:~/†&&@##
#@&&†~.... to your sides are walls made of trees, ....~†&&@#
##@&&†/~:. thick and ready to swallow you. the sun .:~/†&&@##
##@&&†/~:. is nowhere to be seen, but nontheless .:~/†&&@##
#&&&&†/~:. it is very bright - the air feels light .:~/†&&&&#
#@&†††/~:. blue, almost white. .:~/†††&@#
##@&&†/~:. .:~/†&&@##
#@&&&†/~:. along the span of the clearing lay two .:~/†&&&@#
@&†//~~... parallel silvery lines, dark hard ...~~//†&@
##@&&†/~:. metal. somehow you can see how heavy .:~/†&&@##
@@&†~~~~:. they are. .:~~~~†&@@
#@@&&†/~:. .:~/†&&@@#
&†~....... they emit a high pitched whine... .......~†&
#@@&&†/~:. .:~/†&&@@#
##@&&†/~:. ~ .:~/†&&@##
&&/::..... ..†.. .....::/&&
&&///:.... ~ ....:///&&
###@&&†/~. .~/†&&@###
##@&&†/~:. (situation) .:~/†&&@##
##@&&†/~:. .:~/†&&@##
###@&&†/:. youre at the train station, on a .:/†&&@###
&&&†//:... catwalk above the rails. your train is ...://†&&&
&†//:..... late, or you are late to the train. .....://†&
##@&&†/~:. it's a summer afternoon and the station .:~/†&&@##
###@&†/~:. is busy, full of relaxed confidence. .:~/†&@###
@&††~~~~:. .:~~~~††&@
#&&&/:::.. you're in high spirits, although a bit ..:::/&&&#
&&&&†~.... stressed about the time, while moving ....~†&&&&
&&&&/~:... up the stairs to your platform. the ...:~/&&&&
&††/~..... station is in several levels, all .....~/††&
@@&&†/~::. placed within eachother by some .::~/†&&@@
##@&&†/~:. intelligent designer, and full of .:~/†&&@##
@&&/~~.... stairs, elevators, shortcuts, ....~~/&&@
@&†††~~... bazaars... you sight your train through ...~~†††&@
##@&&†/~:. some glass windows. it's... not where .:~/†&&@##
#@@&&†/~:. it's supposed to be? .:~/†&&@@#
##@&&†/~:. .:~/†&&@##
##@&&†/~:. ~ .:~/†&&@##
#&&//~.... ::&:: ....~//&&#
&††/~..... ~ .....~/††&
#@@&&†/~:. .:~/†&&@@#
@&&†~..... (situation) .....~†&&@
##@&&†/~:. .:~/†&&@##
###&&†/~:. you're finally entering the city. while .:~/†&&###
##@&&†/~:. it is indeed a very high speed train .:~/†&&@##
##@&&†/~:. you're traveling in, the journey has .:~/†&&@##
##@&&†/~:. been long. but it's about to end! .:~/†&&@##
###@&†/~:. .:~/†&@###
###&&†/~:. society is growing denser around you, .:~/†&&###
@&//~..... through the windows you see first small .....~//&@
##@&&†/~:. shacks, built of metal and stone, then .:~/†&&@##
#@@&&†/~:. proper houses with mortar to keep them .:~/†&&@@#
###@&†/~:. together... who in turn make way for .:~/†&@###
###&&†/~:. the industrial buildings, the urban .:~/†&&###
##@&&†/~:. maze, protective walls, jungle .:~/†&&@##
##@&&†/~:. network... .:~/†&&@##
##@&&†/~:. .:~/†&&@##
##@&&†/~:. the tracks leave the ground, which is .:~/†&&@##
##@&&†/~:. needed for other purposes. you are .:~/†&&@##
##@&&†/~:. carried gently, curving upwards until .:~/†&&@##
#&&//~.... you're moving upward along the wall of ....~//&&#
&&&&†~:... a building. it's made of slabby stone, ...:~†&&&&
##@&&†/~:. with great glassless window holes .:~/†&&@##
###@&†/~:. looking out the way you came. it is .:~/†&@###
##@&&†/~:. pitch black inside. .:~/†&&@##
##@&&†/~:. .:~/†&&@##
&&&&&†/~:. .:~/†&&&&&
##@&&†/~:. .:~/†&&@##
##@&&†/~:. .:~/†&&@##
##@&&†/~:. .:~/†&&@##