¨,==*@&£££ £££&@*==,¨
¨¨¨¨=**@££ ££@**=¨¨¨¨
¨,==****@& &@****==,¨
¨,==*@&£## ##£&@*==,¨
¨¨¨¨,===@£ £@===,¨¨¨¨
¨,==*@## train dream ###&@*==,¨
¨¨¨¨¨,=@&£ ######¨¨¨¨,=,,¨¨##################### £&@=,¨¨¨¨¨
¨¨¨¨¨¨,=*& === &*=,¨¨¨¨¨¨
¨,==*@&£## = ##£&@*==,¨
¨¨¨¨=**@@& = &@@**=¨¨¨¨
¨,==*@&£## ##£&@*==,¨
¨¨¨¨¨¨,=@£ (situation) £@=,¨¨¨¨¨¨
¨,====*& #&&*====,¨
¨,==*@&£## you find yourself in a rift - a ##£&@*==,¨
¨,==*@&££# clearing, narrow but immeasurably long. #££&@*==,¨
¨¨¨¨,=**@& to your sides are walls made of trees, &@**=,¨¨¨¨
¨,==*@&£## thick and ready to swallow you. the sun ##£&@*==,¨
¨¨¨¨,==*&& is nowhere to be seen, but nontheless &&*==,¨¨¨¨
¨,==*@&£## it is very bright - the air feels light ##£&@*==,¨
¨,=*@&£### blue, almost white. ###£&@*=,¨
¨,==*@&£## ##£&@*==,¨
¨,==*@&£## along the span of the clearing lay two ##£&@*==,¨
,==*@&£### parallel silvery lines, dark hard ###£&@*==,
¨¨¨¨====*& metal. somehow you can see how heavy &*====¨¨¨¨
¨,===****& they are. &****===,¨
¨,==*@&£## ##£&@*==,¨
¨,====*@ they emit a high pitched whine... #&@*====,¨
¨¨,===*@ #&@*===,¨¨
¨¨¨¨,==*@& = &@*==,¨¨¨¨
¨,,==*@@ ¨¨*¨¨ #&@@*==,,¨
¨,==*@&£## = ##£&@*==,¨
¨,==*@&£## ##£&@*==,¨
¨¨¨¨==*@@& (situation) &@@*==¨¨¨¨
¨,==*@@@&& &&@@@*==,¨
¨,==*@&&&& youre at the train station, on a &&&&@*==,¨
¨,==*@&£## catwalk above the rails. your train is ##£&@*==,¨
¨,==*@&£## late, or you are late to the train. ##£&@*==,¨
¨,==*@&£## it's a summer afternoon and the station ##£&@*==,¨
¨,==****&£ is busy, full of relaxed confidence. £&****==,¨
¨¨,,===@£# #£@===,,¨¨
¨¨¨¨¨=*&&& you're in high spirits, although a bit &&&*=¨¨¨¨¨
¨,==*@&£## stressed about the time, while moving ##£&@*==,¨
¨¨¨¨¨,=**& up the stairs to your platform. the &**=,¨¨¨¨¨
¨¨,,===**& station is in several levels, all &**===,,¨¨
¨,==*@&£## placed within eachother by some ##£&@*==,¨
¨¨¨,,,=**& intelligent designer, and full of &**=,,,¨¨¨
¨¨¨¨,,=@ stairs, elevators, shortcuts, #&@=,,¨¨¨¨
¨,==*@&£## bazaars... you sight your train through ##£&@*==,¨
¨,==*@&&&& some glass windows. it's... not where &&&&@*==,¨
¨,==*@&£## it's supposed to be? ##£&@*==,¨
¨,==*@&£## ##£&@*==,¨
¨¨¨¨¨,=*@£ = £@*=,¨¨¨¨¨
¨,==*@&£## ,,@,, ##£&@*==,¨
¨,==*@£### = ###£@*==,¨
¨,=====*@& &@*=====,¨
¨,==*@&££# (situation) #££&@*==,¨
¨,==*@&£## ##£&@*==,¨
¨,==****&& you're finally entering the city. while &&****==,¨
¨¨,,,=*@&& it is indeed a very high speed train &&@*=,,,¨¨
¨¨,==*@@ you're traveling in, the journey has #&@@*==,¨¨
¨,==*@&£## been long. but it's about to end! ##£&@*==,¨
¨¨¨¨¨,=@ #&@=,¨¨¨¨¨
¨,==*@&££# society is growing denser around you, #££&@*==,¨
¨¨,,===@&& through the windows you see first small &&@===,,¨¨
¨,==*@## shacks, built of metal and stone, then ###&@*==,¨
¨¨¨¨¨=*&&& proper houses with mortar to keep them &&&*=¨¨¨¨¨
¨¨¨¨,,=*&& together... who in turn make way for &&*=,,¨¨¨¨
¨,==*@&£## the industrial buildings, the urban ##£&@*==,¨
¨¨¨¨¨=***& maze, protective walls, jungle &***=¨¨¨¨¨
¨¨¨,,=*&&& network... &&&*=,,¨¨¨
¨¨¨¨¨,,=*& &*=,,¨¨¨¨¨
¨¨¨¨¨===@& the tracks leave the ground, which is &@===¨¨¨¨¨
¨,===**&&£ needed for other purposes. you are £&&**===,¨
¨,===**@&& carried gently, curving upwards until &&@**===,¨
¨,==*&£### you're moving upward along the wall of ###£&*==,¨
¨¨¨¨,==*&& a building. it's made of slabby stone, &&*==,¨¨¨¨
¨¨,===*@&& with great glassless window holes &&@*===,¨¨
¨,==*@&£## looking out the way you came. it is ##£&@*==,¨
¨,==*@&£## pitch black inside. ##£&@*==,¨
¨,==*@&£## ##£&@*==,¨
¨,==*@&£## ##£&@*==,¨
¨,==*@&£## ##£&@*==,¨
¨,==*@&£## ##£&@*==,¨
¨¨¨¨¨===@£ £@===¨¨¨¨¨