##@&$^;-~. .~-;^$&@##
##@&$^;-~. .~-;^$&@##
@@$$^^;-~. .~-;^^$$@@
@&&$^--... ...--^$&&@
@@&$^^;-~. .~-;^^$&@@
&&$^^;;-~. TRAIN DREAM .~-;;^^$&&
@@@&$^;-~. ######....~-~~..##################### .~-;^$&@@@
##@&$^;-~. ;;; .~-;^$&@##
##@&$^;-~. - .~-;^$&@##
##@&$^;-~. - .~-;^$&@##
##@&$^;-~. .~-;^$&@##
###@$^;-~. (SITUATION) .~-;^$@###
##@&$^;-~. .~-;^$&@##
##@&$^;-~. YOU FIND YOURSELF IN A RIFT - A .~-;^$&@##
##@&$^;-~. CLEARING, NARROW BUT IMMEASURABLY LONG. .~-;^$&@##
#&$;-~.... TO YOUR SIDES ARE WALLS MADE OF TREES, ....~-;$&#
&^^;-..... THICK AND READY TO SWALLOW YOU. THE SUN .....-;^^&
@$;~...... IS NOWHERE TO BE SEEN, BUT NONTHELESS ......~;$@
##@&$^;-~. IT IS VERY BRIGHT - THE AIR FEELS LIGHT .~-;^$&@##
###@&^;-~. BLUE, ALMOST WHITE. .~-;^&@###
#@@&$^;-~. .~-;^$&@@#
###@$^;-~. ALONG THE SPAN OF THE CLEARING LAY TWO .~-;^$@###
##@&$^;-~. PARALLEL SILVERY LINES, DARK HARD .~-;^$&@##
##@&$^;-~. METAL. SOMEHOW YOU CAN SEE HOW HEAVY .~-;^$&@##
##@&$^;-~. THEY ARE. .~-;^$&@##
@@@&$^;-~. .~-;^$&@@@
@$^;;~~... THEY EMIT A HIGH PITCHED WHINE... ...~~;;^$@
###@&$;-~. .~-;$&@###
@&&&$^;-~. - .~-;^$&&&@
&$^-~..... ..^.. .....~-^$&
&&^;;~.... - ....~;;^&&
##@&$^;-~. .~-;^$&@##
&&^^^^;-~. (SITUATION) .~-;^^^^&&
##@&$^;-~. .~-;^$&@##
##@&$^;-~. YOURE AT THE TRAIN STATION, ON A .~-;^$&@##
&&$^--~~.. CATWALK ABOVE THE RAILS. YOUR TRAIN IS ..~~--^$&&
###@$^;-~. LATE, OR YOU ARE LATE TO THE TRAIN. .~-;^$@###
&$;;;-~~.. IT'S A SUMMER AFTERNOON AND THE STATION ..~~-;;;$&
##@&$^;-~. IS BUSY, FULL OF RELAXED CONFIDENCE. .~-;^$&@##
&$$^^;-... ...-;^^$$&
##@&$^;-~. YOU'RE IN HIGH SPIRITS, ALTHOUGH A BIT .~-;^$&@##
##@&$^;-~. STRESSED ABOUT THE TIME, WHILE MOVING .~-;^$&@##
##@&$^;-~. UP THE STAIRS TO YOUR PLATFORM. THE .~-;^$&@##
&&&^--~... STATION IS IN SEVERAL LEVELS, ALL ...~--^&&&
##@&$^;-~. PLACED WITHIN EACHOTHER BY SOME .~-;^$&@##
#@@&$^;-~. INTELLIGENT DESIGNER, AND FULL OF .~-;^$&@@#
##@&$^;-~. STAIRS, ELEVATORS, SHORTCUTS, .~-;^$&@##
##@&$^;-~. BAZAARS... YOU SIGHT YOUR TRAIN THROUGH .~-;^$&@##
@$;~...... SOME GLASS WINDOWS. IT'S... NOT WHERE ......~;$@
##@&$^;-~. IT'S SUPPOSED TO BE? .~-;^$&@##
###@&$;-~. .~-;$&@###
###@&^;-~. - .~-;^&@###
&^-~~~.... ~~$~~ ....~~~-^&
#@&$^;~... - ...~;^$&@#
###@&^;-~. .~-;^&@###
##@&$^;-~. (SITUATION) .~-;^$&@##
@@@&$^;-~. .~-;^$&@@@
###@$^;-~. YOU'RE FINALLY ENTERING THE CITY. WHILE .~-;^$@###
###@$^;-~. IT IS INDEED A VERY HIGH SPEED TRAIN .~-;^$@###
##@&$^;-~. YOU'RE TRAVELING IN, THE JOURNEY HAS .~-;^$&@##
##@&$^;-~. BEEN LONG. BUT IT'S ABOUT TO END! .~-;^$&@##
##@&$^;-~. .~-;^$&@##
&&&^-~.... SOCIETY IS GROWING DENSER AROUND YOU, ....~-^&&&
###@$^;-~. THROUGH THE WINDOWS YOU SEE FIRST SMALL .~-;^$@###
##@&$^;-~. SHACKS, BUILT OF METAL AND STONE, THEN .~-;^$&@##
&$$;~..... PROPER HOUSES WITH MORTAR TO KEEP THEM .....~;$$&
&^;~~~~~~. TOGETHER... WHO IN TURN MAKE WAY FOR .~~~~~~;^&
&&^^-..... THE INDUSTRIAL BUILDINGS, THE URBAN .....-^^&&
##@&$^;-~. MAZE, PROTECTIVE WALLS, JUNGLE .~-;^$&@##
##@&$^;-~. NETWORK... .~-;^$&@##
##@&$^;-~. .~-;^$&@##
##@&$^;-~. THE TRACKS LEAVE THE GROUND, WHICH IS .~-;^$&@##
##@&$^;-~. NEEDED FOR OTHER PURPOSES. YOU ARE .~-;^$&@##
&$^^;;-... CARRIED GENTLY, CURVING UPWARDS UNTIL ...-;;^^$&
@@@&$^;-~. YOU'RE MOVING UPWARD ALONG THE WALL OF .~-;^$&@@@
@$^--~.... A BUILDING. IT'S MADE OF SLABBY STONE, ....~--^$@
@@$;-~~... WITH GREAT GLASSLESS WINDOW HOLES ...~~-;$@@
&&&$$^;-~. LOOKING OUT THE WAY YOU CAME. IT IS .~-;^$$&&&
#&^^--~... PITCH BLACK INSIDE. ...~--^^&#
&&&^;;-... ...-;;^&&&
##@&$^;-~. .~-;^$&@##
@@$$$^;-~. .~-;^$$$@@
##@&$^;-~. .~-;^$&@##
##@&$^;-~. .~-;^$&@##