###@£@\»,¨ ¨,»\@£@###
##@£@§\»,¨ ¨,»\§@£@##
##@£@§\»,¨ ¨,»\§@£@##
###@£§\»,¨ ¨,»\§£@###
#@££@§\»,¨ ¨,»\§@££@#
##@£@§\»,¨ THE SKYSCRAPER THAT MOVES ¨,»\§@£@##
£@§\»¨¨¨¨¨ ¨¨¨¨¨»\§@£
£@@@§\,¨¨¨ TAINARON IS A BUILDING OWNED AND ¨¨¨,\§@@@£
#£@§»¨¨¨¨¨ OPERATED BY AMATA TEXNOLOGIYASI PLACED ¨¨¨¨¨»§@£#
@£§§\»»¨¨¨ CLOSED TO THE HARBOR IN MALMÖ. IT'S ¨¨¨»»\§§£@
##@£@§\»,¨ ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ¨,»\§@£@##
#@@£@§\»,¨ UNKNOWN), DARK BLUE AND COMPLETELY ¨,»\§@£@@#
#@£@\»»»,¨ RECTANGULAR. IT FEATURES NO SIGNS, ¨,»»»\@£@#
#£@\\,,¨¨¨ LIGHTS, OR ORNAMENTS, APART FROM A ¨¨¨,,\\@£#
@@@£@§\»,¨ HELIPAD ON TOP. MOST FLOORS HAVE ¨,»\§@£@@@
#@££@§\»,¨ EXTERIOR WALLS COMPLETELY MADE OF GLASS. ¨,»\§@££@#
@@@£@§\»,¨ ¨,»\§@£@@@
###@@§\»,¨ IN LATE EVENINGS, SHROUDED BY MALMö'S ¨,»\§@@###
##@£@§\»,¨ SIGNATURE FOG ROLLING IN FROM THE SEA, ¨,»\§@£@##
##@£@§\»,¨ THE BUILDING COMES TO LIFE: IT MOVES ON ¨,»\§@£@##
£§»¨¨¨¨¨¨¨ A THOUSAND ROBOTIC LEGS TO ANOTHER ¨¨¨¨¨¨¨»§£
££§\»,¨¨¨¨ (SECRET) PART OF TOWN, OR PERHAPS OUT ¨¨¨¨,»\§££
£@§\»¨¨¨¨¨ TO SEA. THIS SIGNALS A NEW AND MORE ¨¨¨¨¨»\§@£
@@££@§\»,¨ VISCIOUS PHASE OF THE TAINARON ¨,»\§@££@@
###£@§\»,¨ ECOSYSTEM. ¨,»\§@£###
@@££@§\»,¨ ¨,»\§@££@@
###£@§\»,¨ THE GUESTS ARRIVING DURING THE EARLY ¨,»\§@£###
#@@£@§\»,¨ EVENING ARE TREATED TO FOOD AND DRINK, ¨,»\§@£@@#
@@\,¨¨¨¨¨¨ LIVE MUSIC, BEATUTIFUL VIEWS, AND A ¨¨¨¨¨¨,\@@
##@£@§\»,¨ COMFORTABLE BUT MAZE-LIKE INTERIOR ¨,»\§@£@##
##@£@§\»,¨ STRUCTURE (THE BUILDING FEATURES A ¨,»\§@£@##
£@@§\\»»,¨ MULTITUDE OF STAIRWELLS AND ELEVATORS, ¨,»»\\§@@£
@@\\,,¨¨¨¨ PLACED SEEMINGLY AT RANDOM, NONE GOING ¨¨¨¨,,\\@@
@@@£@§\»,¨ FURTHER THAN A FEW FLOORS). ¨,»\§@£@@@
#£@§§§\»,¨ ¨,»\§§§@£#
##@£@§\»,¨ AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ¨,»\§@£@##
##@£@§\»,¨ UNTIL THE AIR INSIDE HAS TAKEN ON THE ¨,»\§@£@##
##@£@§\»,¨ SAME QUALITY AS THE SURROUNDING MIST: ¨,»\§@£@##
##@£@§\»,¨ BLUE-GRAY, SPRINKLED WITH THE SMALL RED ¨,»\§@£@##
@@@£@§\»,¨ DOT'S BY DOOR LOCKS AND CONTROL PANELS. ¨,»\§@£@@@
@£§»,¨¨¨¨¨ IF YOU WOULD LOOK THROUGH THE WINDOWS ¨¨¨¨¨,»§£@
@££§\»,¨¨¨ YOU WOULD SEE THE MIST ROLLING BY, AND ¨¨¨,»\§££@
£££§»,¨¨¨¨ PERHAPS THE OUTLINE OF SOME OTHER ¨¨¨¨,»§£££
###@£§\»,¨ BUILDING, FAR BELOW. ¨,»\§£@###
##@£@§\»,¨ ¨,»\§@£@##
@£@§»¨¨¨¨¨ DURING THE NIGHT, AFTER TAINARON HAS ¨¨¨¨¨»§@£@
##@£@§\»,¨ STARTED MOVING, THE LOWER FLOORS ARE ¨,»\§@£@##
##@£@§\»,¨ SHUT OFF, PREVENTING ENTRY OR EXIT FOR ¨,»\§@£@##
@£@§§\\»,¨ THE GUESTS. FOOD IS NO LONGER SERVED, ¨,»\\§§@£@
£@@@§»,¨¨¨ BUT THE DRINKS BECOME MORE EXTRAVAGANT. ¨¨¨,»§@@@£
#@££@§\»,¨ IT'S AT THIS POINT THAT THE SECOND SET ¨,»\§@££@#
#@£§\»,¨¨¨ OF GUEST ARRIVES, VIA HELICOPTER - ¨¨¨,»\§£@#
#£@\\\»,¨¨ AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ¨¨,»\\\@£#
##@£@§\»,¨ ¨,»\§@£@##
@@@§»,¨¨¨¨ »»»»» ¨¨¨¨,»§@@@
£§\\\\\»,¨ ¨,»\\\\\§£
@@§\\»»¨¨¨ IN MY DREAM I AM INVITED AS A FRIEND OF ¨¨¨»»\\§@@
@@§§\\»,,¨ ONE OF THE SERVERS, AND THUS SAFE. WE ¨,,»\\§§@@
##@£@§\»,¨ SIT IN ONE OF THE LARGE WINDOWS, ¨,»\§@£@##
##@£@§\»,¨ LOOKING THROUGH THE MIST FOR ANY ¨,»\§@£@##
##@£@§\»,¨ LANDMARKS TO PIERCE THROUGH THE MIST. ¨,»\§@£@##
££§§\,,¨¨¨ SHE TELLS ME THAT APART FROM COMING AND ¨¨¨,,\§§££
##@£@§\»,¨ GOING FROM WORK, SHE'S NEVER SEEN THE ¨,»\§@£@##
###£@§\»,¨ BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ¨,»\§@£###
£££@@§\»,¨ ¨,»\§@@£££
##@£@§\»,¨ THE NEXT DAY I AM INVITED TO THE PUBLIC ¨,»\§@£@##
##@£@§\»,¨ DEMONSTRATION OF THE EXOBUBBLE. ¨,»\§@£@##
##@£@§\»,¨ ¨,»\§@£@##
###@£@\»,¨ ¨,»\@£@###
##@£@§\»,¨ ¨,»\§@£@##
#££@@§\»,¨ ¨,»\§@@££#
###@£@§»,¨ ¨,»§@£@###