....»//%%¤ ¤%%//»....
.~»/§%¤£## ##£¤%§/»~.
.~»/§%¤£## ##£¤%§/»~.
....»»»/%¤ ¤%/»»»....
.~»/§%¤£££ £££¤%§/»~.
.~»/§%¤¤££ THE SKYSCRAPER THAT MOVES ££¤¤%§/»~.
.~/§%¤£### ###£¤%§/~.
.~»/§%¤£## TAINARON IS A BUILDING OWNED AND ##£¤%§/»~.
.~»/§%¤£## OPERATED BY AMATA TEXNOLOGIYASI PLACED ##£¤%§/»~.
.~»/§§%%¤¤ CLOSED TO THE HARBOR IN MALMÖ. IT'S ¤¤%%§§/»~.
.~»/§%¤£## ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ##£¤%§/»~.
......»§¤# UNKNOWN), DARK BLUE AND COMPLETELY #¤§»......
.....~/§%¤ RECTANGULAR. IT FEATURES NO SIGNS, ¤%§/~.....
.~»/§%¤£## LIGHTS, OR ORNAMENTS, APART FROM A ##£¤%§/»~.
...»/§§§¤# HELIPAD ON TOP. MOST FLOORS HAVE #¤§§§/»...
.~»/§%%%££ EXTERIOR WALLS COMPLETELY MADE OF GLASS. ££%%%§/»~.
.~»/§%¤£## ##£¤%§/»~.
....»§%¤¤£ IN LATE EVENINGS, SHROUDED BY MALMö'S £¤¤%§»....
.....»§%%¤ SIGNATURE FOG ROLLING IN FROM THE SEA, ¤%%§».....
.~»/§%¤£## THE BUILDING COMES TO LIFE: IT MOVES ON ##£¤%§/»~.
.~»/§%¤¤¤£ A THOUSAND ROBOTIC LEGS TO ANOTHER £¤¤¤%§/»~.
.~»/§%¤£## (SECRET) PART OF TOWN, OR PERHAPS OUT ##£¤%§/»~.
....~~»»§¤ TO SEA. THIS SIGNALS A NEW AND MORE ¤§»»~~....
....»»/§¤£ VISCIOUS PHASE OF THE TAINARON £¤§/»»....
.~»/§%¤£## ECOSYSTEM. ##£¤%§/»~.
...~»»»§¤# #¤§»»»~...
.~»/§%¤£## THE GUESTS ARRIVING DURING THE EARLY ##£¤%§/»~.
.~»/§%%%¤£ EVENING ARE TREATED TO FOOD AND DRINK, £¤%%%§/»~.
.~»/§%¤£## LIVE MUSIC, BEATUTIFUL VIEWS, AND A ##£¤%§/»~.
.~»/§%¤£## COMFORTABLE BUT MAZE-LIKE INTERIOR ##£¤%§/»~.
.~~~»§§¤¤¤ STRUCTURE (THE BUILDING FEATURES A ¤¤¤§§»~~~.
..~~~/§%%£ MULTITUDE OF STAIRWELLS AND ELEVATORS, £%%§/~~~..
.~»/§%¤£## PLACED SEEMINGLY AT RANDOM, NONE GOING ##£¤%§/»~.
...~»/§¤¤£ FURTHER THAN A FEW FLOORS). £¤¤§/»~...
.~»/§%¤¤¤# #¤¤¤%§/»~.
.~~~~~//%£ AS TIME GOES ON, THE LIGHTS SLOWLY DIM, £%//~~~~~.
...~~»/%¤# UNTIL THE AIR INSIDE HAS TAKEN ON THE #¤%/»~~...
.~»/§%¤£## SAME QUALITY AS THE SURROUNDING MIST: ##£¤%§/»~.
.~»/§%¤£## BLUE-GRAY, SPRINKLED WITH THE SMALL RED ##£¤%§/»~.
.~»/§%¤£## DOT'S BY DOOR LOCKS AND CONTROL PANELS. ##£¤%§/»~.
.~»/§%%%%¤ IF YOU WOULD LOOK THROUGH THE WINDOWS ¤%%%%§/»~.
.~»/§%£### YOU WOULD SEE THE MIST ROLLING BY, AND ###£%§/»~.
......~»§¤ PERHAPS THE OUTLINE OF SOME OTHER ¤§»~......
......~/%¤ BUILDING, FAR BELOW. ¤%/~......
..~~~»/§%¤ ¤%§/»~~~..
.~»/§%¤¤¤# DURING THE NIGHT, AFTER TAINARON HAS #¤¤¤%§/»~.
......~/%£ STARTED MOVING, THE LOWER FLOORS ARE £%/~......
..~»»§§§¤# SHUT OFF, PREVENTING ENTRY OR EXIT FOR #¤§§§»»~..
.....»/§%£ THE GUESTS. FOOD IS NO LONGER SERVED, £%§/».....
...~~~~/%£ BUT THE DRINKS BECOME MORE EXTRAVAGANT. £%/~~~~...
.~»/§%¤£## IT'S AT THIS POINT THAT THE SECOND SET ##£¤%§/»~.
.~»/§%%¤¤¤ OF GUEST ARRIVES, VIA HELICOPTER - ¤¤¤%%§/»~.
.....~~/%¤ AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ¤%/~~.....
....~»/%¤£ £¤%/»~....
...~»»»/%£ »»»»» £%/»»»~...
.~~»//%%¤¤ ¤¤%%//»~~.
..~~/§%%¤£ IN MY DREAM I AM INVITED AS A FRIEND OF £¤%%§/~~..
....»/§¤¤£ ONE OF THE SERVERS, AND THUS SAFE. WE £¤¤§/»....
.~»/§%¤£## SIT IN ONE OF THE LARGE WINDOWS, ##£¤%§/»~.
.~»/§%£### LOOKING THROUGH THE MIST FOR ANY ###£%§/»~.
.~»/§%¤£## LANDMARKS TO PIERCE THROUGH THE MIST. ##£¤%§/»~.
.....~»»§¤ SHE TELLS ME THAT APART FROM COMING AND ¤§»»~.....
.~»/§%¤£££ GOING FROM WORK, SHE'S NEVER SEEN THE £££¤%§/»~.
.~»/§%¤£## BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ##£¤%§/»~.
.~»/§%¤£## ##£¤%§/»~.
.~»/§%¤£## THE NEXT DAY I AM INVITED TO THE PUBLIC ##£¤%§/»~.
.~»»//§¤££ DEMONSTRATION OF THE EXOBUBBLE. ££¤§//»»~.
.....~»§§¤ ¤§§»~.....
.~»/§%¤£## ##£¤%§/»~.
.~»/§%¤£## ##£¤%§/»~.
.~»/§%¤£## ##£¤%§/»~.
~»/§%¤£### ###£¤%§/»~