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.-~:**§£## CLEARING, NARROW BUT IMMEASURABLY LONG. ##£§**:~-.
..-~:**§£# TO YOUR SIDES ARE WALLS MADE OF TREES, #£§**:~-..
.-~:**§£## THICK AND READY TO SWALLOW YOU. THE SUN ##£§**:~-.
..-~:**§£# IS NOWHERE TO BE SEEN, BUT NONTHELESS #£§**:~-..
.-~:**§£## IT IS VERY BRIGHT - THE AIR FEELS LIGHT ##£§**:~-.
..-~:**§£# BLUE, ALMOST WHITE. #£§**:~-..
.-~:**§£## ##£§**:~-.
..-~:**§£# ALONG THE SPAN OF THE CLEARING LAY TWO #£§**:~-..
.-~:**§£## PARALLEL SILVERY LINES, DARK HARD ##£§**:~-.
..-~:**§£# METAL. SOMEHOW YOU CAN SEE HOW HEAVY #£§**:~-..
.-~:**§£## THEY ARE. ##£§**:~-.
..-~:**§£# #£§**:~-..
.-~:**§£## THEY EMIT A HIGH PITCHED WHINE... ##£§**:~-.
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..-~:**§£# CATWALK ABOVE THE RAILS. YOUR TRAIN IS #£§**:~-..
.-~:**§£## LATE, OR YOU ARE LATE TO THE TRAIN. ##£§**:~-.
..-~:**§£# IT'S A SUMMER AFTERNOON AND THE STATION #£§**:~-..
.-~:**§£## IS BUSY, FULL OF RELAXED CONFIDENCE. ##£§**:~-.
..-~:**§£# #£§**:~-..
.-~:**§£## YOU'RE IN HIGH SPIRITS, ALTHOUGH A BIT ##£§**:~-.
..-~:**§£# STRESSED ABOUT THE TIME, WHILE MOVING #£§**:~-..
.-~:**§£## UP THE STAIRS TO YOUR PLATFORM. THE ##£§**:~-.
..-~:**§£# STATION IS IN SEVERAL LEVELS, ALL #£§**:~-..
.-~:**§£## PLACED WITHIN EACHOTHER BY SOME ##£§**:~-.
..-~:**§£# INTELLIGENT DESIGNER, AND FULL OF #£§**:~-..
.-~:**§£## STAIRS, ELEVATORS, SHORTCUTS, ##£§**:~-.
..-~:**§£# BAZAARS... YOU SIGHT YOUR TRAIN THROUGH #£§**:~-..
.-~:**§£## SOME GLASS WINDOWS. IT'S... NOT WHERE ##£§**:~-.
..-~:**§£# IT'S SUPPOSED TO BE? #£§**:~-..
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.-~:**§£## IT IS INDEED A VERY HIGH SPEED TRAIN ##£§**:~-.
..-~:**§£# YOU'RE TRAVELING IN, THE JOURNEY HAS #£§**:~-..
.-~:**§£## BEEN LONG. BUT IT'S ABOUT TO END! ##£§**:~-.
..-~:**§£# #£§**:~-..
.-~:**§£## SOCIETY IS GROWING DENSER AROUND YOU, ##£§**:~-.
..-~:**§£# THROUGH THE WINDOWS YOU SEE FIRST SMALL #£§**:~-..
.-~:**§£## SHACKS, BUILT OF METAL AND STONE, THEN ##£§**:~-.
..-~:**§£# PROPER HOUSES WITH MORTAR TO KEEP THEM #£§**:~-..
.-~:**§£## TOGETHER... WHO IN TURN MAKE WAY FOR ##£§**:~-.
..-~:**§£# THE INDUSTRIAL BUILDINGS, THE URBAN #£§**:~-..
.-~:**§£## MAZE, PROTECTIVE WALLS, JUNGLE ##£§**:~-.
..-~:**§£# NETWORK... #£§**:~-..
.-~:**§£## ##£§**:~-.
..-~:**§£# THE TRACKS LEAVE THE GROUND, WHICH IS #£§**:~-..
.-~:**§£## NEEDED FOR OTHER PURPOSES. YOU ARE ##£§**:~-.
..-~:**§£# CARRIED GENTLY, CURVING UPWARDS UNTIL #£§**:~-..
.-~:**§£## YOU'RE MOVING UPWARD ALONG THE WALL OF ##£§**:~-.
..-~:**§£# A BUILDING. IT'S MADE OF SLABBY STONE, #£§**:~-..
.-~:**§£## WITH GREAT GLASSLESS WINDOW HOLES ##£§**:~-.
..-~:**§£# LOOKING OUT THE WAY YOU CAME. IT IS #£§**:~-..
.-~:**§£## PITCH BLACK INSIDE. ##£§**:~-.
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