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£.£.£.£.£. ... sleep ... .£.£.£.£..
£.£.£.£.£. --~~-- .£.£.£.£.£
£.£.£.£.£. .£.£.£.£..
£.£.£.£.£. sleep is the most important meal of the .£.£.£.£.£
£.£.£.£.£. day. sleep is saying goodbye for a .£.£.£.£..
£.£.£.£.£. while. if you can dream, you also get .£.£.£.£.£
£.£.£.£.£. to visit friends and other animals. .£.£.£.£..
£.£.£.£.£. .£.£.£.£.£
£.£.£.£.£. ..--.. .£.£.£.£..
£.£.£.£.£. .£.£.£.£.£
£.£.£.£.£. deeper than death is to be alive and .£.£.£.£..
£.£.£.£.£. asleep. it is death if it was temporary .£.£.£.£.£
£.£.£.£.£. and rejuvenating. .£.£.£.£..
£.£.£.£.£. .£.£.£.£.£
£.£.£.£.£. ..--.. .£.£.£.£..
£.£.£.£.£. .£.£.£.£.£
£.£.£.£.£. sleep is a black marble outside of .£.£.£.£..
£.£.£.£.£. which there is nothing. inside is all .£.£.£.£.£
£.£.£.£.£. the stars and in the middle a .£.£.£.£..
£.£.£.£.£. black lake. at the foot of this lake .£.£.£.£.£
£.£.£.£.£. stands an old friend. .£.£.£.£..
£.£.£.£.£. .£.£.£.£.£
£.£.£.£.£. ..--.. .£.£.£.£..
£.£.£.£.£. .£.£.£.£.£
£.£.£.£.£. when you sleep all sound is internal. .£.£.£.£..
£.£.£.£.£. when you sleep your brain shrinks. .£.£.£.£.£
£.£.£.£.£. .£.£.£.£..
£.£.£.£.£. ..--.. .£.£.£.£.£
£.£.£.£.£. .£.£.£.£..
£.£.£.£.£. if you wish to measure sleep, use these .£.£.£.£.£
£.£.£.£.£. four quantifiers:: grip, deepness, .£.£.£.£..
£.£.£.£.£. otherworldiness and revitalization. .£.£.£.£.£
£.£.£.£.£. .£.£.£.£..
£.£.£.£.£. grip goes from not being able to let go .£.£.£.£.£
£.£.£.£.£. all day (left) to not caring to .£.£.£.£..
£.£.£.£.£. remember (right). .£.£.£.£.£
£.£.£.£.£. .£.£.£.£..
£.£.£.£.£. deepness goes from being several .£.£.£.£.£
£.£.£.£.£. hundred meters down (left) to barely .£.£.£.£..
£.£.£.£.£. touching the surface (right). .£.£.£.£.£
£.£.£.£.£. .£.£.£.£..
£.£.£.£.£. otherworldliness goes from a single .£.£.£.£.£
£.£.£.£.£. coherent dreamscape (left), via normal .£.£.£.£..
£.£.£.£.£. dream amounts (middle) to no dreams .£.£.£.£.£
£.£.£.£.£. (right). .£.£.£.£..
£.£.£.£.£. .£.£.£.£.£
£.£.£.£.£. revitalization goes from a feeling of .£.£.£.£..
£.£.£.£.£. not having slept at all (left) to being .£.£.£.£.£
£.£.£.£.£. full of energy and maybe optimism .£.£.£.£..
£.£.£.£.£. (right). .£.£.£.£.£
£.£.£.£.£. .£.£.£.£..
£.£.£.£.£. -- .£.£.£.£.£
£.£.£.£.£. .£.£.£.£..
£.£.£.£.£. high otherworldliness and high grip is .£.£.£.£.£
£.£.£.£.£. a particularly effective combo. .£.£.£.£..
£.£.£.£.£. .£.£.£.£.£
£.£.£.£.£. ~~//~~ .£.£.£.£..
£.£.£.£.£. ... see also ... .£.£.£.£.£
£.£.£.£.£. --~~-- .£.£.£.£..
£.£.£.£.£. .£.£.£.£.£
£.£.£.£.£. sleep deities .£.£.£.£..
£.£.£.£.£. the blackbird .£.£.£.£.£
£.£.£.£.£. solipsism .£.£.£.£..
£.£.£.£.£. .£.£.£.£.£
£.£.£.£.£. ~~//~~ .£.£.£.£..
£.£.£.£.£. ... furthermore ... .£.£.£.£.£
£.£.£.£.£. --~~-- .£.£.£.£..
£.£.£.£.£. .£.£.£.£.£
£.£.£.£.£. this is still a place: here, in the .£.£.£.£..
£.£.£.£.£. silence, darkness and night - and .£.£.£.£.£
£.£.£.£.£. loneliness, holding a kind of dilution .£.£.£.£..
£.£.£.£.£. of reality, and suddenly it's not .£.£.£.£.£
£.£.£.£.£. important that i lie in my bed, the .£.£.£.£..
£.£.£.£.£. lack of presence brings the notion .£.£.£.£.£
£.£.£.£.£. that, if i do not choose sleep, i .£.£.£.£..
£.£.£.£.£. choose past, future, something with .£.£.£.£.£
£.£.£.£.£. more substance than the objects i .£.£.£.£..
£.£.£.£.£. surround myself with. .£.£.£.£.£
£.£.£.£.£. .£.£.£.£..
£.£.£.£.£. .£.£.£.£.£
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