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##£@*==.¨¨                                          ¨¨.==*@£##
###£@*==.¨                                          ¨.==*@£###
##£@*==.¨¨                                          ¨¨.==*@£##
###£@*==.¨                                          ¨.==*@£###
##£@*==.¨¨         ¨¨¨¨**## VäXJö ##**¨¨¨¨          ¨¨.==*@£##
###£@*==.¨                                          ¨.==*@£###
##£@*==.¨¨ THE  APARTMENT SMELLS  OF OLD COFFEE AND ¨¨.==*@£##
###£@*==.¨ SWEETENERS.  I  DON'T KNOW HOW I LET  IT ¨.==*@£###
##£@*==.¨¨ GET  LIKE  THIS. IT'S  NOT  INTENTIONAL. ¨¨.==*@£##
###£@*==.¨                                          ¨.==*@£###
##£@*==.¨¨ I WEAR YELLOW TINTED  GLASSES. THE  ROOM ¨¨.==*@£##
###£@*==.¨ CHANGES  SHAPE A  LOT. RIGHT NOW THERE'S ¨.==*@£###
##£@*==.¨¨ A   BLUE  SOFA   WITH  YELLOW  SEAMS.  I ¨¨.==*@£##
###£@*==.¨     EXPERIMENT WITH DIFFERENT COLORED    ¨.==*@£###
##£@*==.¨¨       LIGHTS. I'M LEARNING THINGS.       ¨¨.==*@£##
###£@*==.¨                                          ¨.==*@£###
##£@*==.¨¨ MY THOUGHTS  ARE REVOLVING  AROUND TIME, ¨¨.==*@£##
###£@*==.¨ AND THE PERCEPTION OF  IT. CAN I MAKE IT ¨.==*@£###
##£@*==.¨¨ RIGID? IF  I REALLY WANT TO, CAN I  MAKE ¨¨.==*@£##
###£@*==.¨ IT  FEEL  LIKE THERE IS  ENOUGH  OF  IT? ¨.==*@£###
##£@*==.¨¨    ALSO, AND MAYBE, ULTIMATELY, MORE     ¨¨.==*@£##
###£@*==.¨ IMPORTANT - CAN I MAKE  IT  FEEL LIKE IT ¨.==*@£###
##£@*==.¨¨              DOESN'T MATTER?             ¨¨.==*@£##
###£@*==.¨                                          ¨.==*@£###
##£@*==.¨¨                                          ¨¨.==*@£##
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##£@*==.¨¨                                          ¨¨.==*@£##
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