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.^=/*$£###         ....**## växjö ##**....          ###£$*/=^.
....^/**$£                                          £$**/^....
.^=/*$£### the apartment smells of  old coffee  and ###£$*/=^.
....^==*$£ sweeteners. i don't  know  how i  let it £$*==^....
...^==/$$£ get  like  this.  it's not  intentional. £$$/==^...
.^=/*$£###                                          ###£$*/=^.
.^=/*$£### i wear  yellow tinted  glasses. the room ###£$*/=^.
...^=//$£# changes shape  a lot. right now  there's #£$//=^...
.^=/*$£### a  blue   sofa  with   yellow  seams.  i ###£$*/=^.
.^=/*$£###     experiment with different colored    ###£$*/=^.
.^=/*$£###       lights. i'm learning things.       ###£$*/=^.
....===*£#                                          #£*===....
.^=/*$££££ my thoughts  are revolving around  time, ££££$*/=^.
.^=/*$£### and the perception of it. can i make  it ###£$*/=^.
....^/*£## rigid? if i  really  want to, can i make ##£*/^....
......=/$£ it  feel  like  there  is enough  of it? £$/=......
....^=*£##    also, and maybe, ultimately, more     ##£*=^....
....=//$$# important  - can  i make it feel like it #$$//=....
.^=/***££#              doesn't matter?             #££***/=^.
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