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,@,@,@,@,@ ,,,,††## växjö ##††,,,, @,@,@,@,@@
,@,@,@,@,@ @,@,@,@,,@
,@,@,@,@,@ the apartment smells of old coffee and @,@,@,@,@@
,@,@,@,@,@ sweeteners. i don't know how i let it @,@,@,@,,@
,@,@,@,@,@ get like this. it's not intentional. @,@,@,@,@@
,@,@,@,@,@ @,@,@,@,,@
,@,@,@,@,@ i wear yellow tinted glasses. the room @,@,@,@,@@
,@,@,@,@,@ changes shape a lot. right now there's @,@,@,@,,@
,@,@,@,@,@ a blue sofa with yellow seams. i @,@,@,@,@@
,@,@,@,@,@ experiment with different colored @,@,@,@,,@
,@,@,@,@,@ lights. i'm learning things. @,@,@,@,@@
,@,@,@,@,@ @,@,@,@,,@
,@,@,@,@,@ my thoughts are revolving around time, @,@,@,@,@@
,@,@,@,@,@ and the perception of it. can i make it @,@,@,@,,@
,@,@,@,@,@ rigid? if i really want to, can i make @,@,@,@,@@
,@,@,@,@,@ it feel like there is enough of it? @,@,@,@,,@
,@,@,@,@,@ also, and maybe, ultimately, more @,@,@,@,@@
,@,@,@,@,@ important - can i make it feel like it @,@,@,@,,@
,@,@,@,@,@ doesn't matter? @,@,@,@,@@
,@,@,@,@,@ @,@,@,@,,@
,@,@,@,@,@ @,@,@,@,@@
,@,@,@,@,@ @,@,@,@,,@
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