,,=*%%¤@##                                          ##@¤%%*=,,
,,,,,=**%¤                                          ¤%**=,,,,,
,,=*%%¤£@#                                          #@£¤%%*=,,
,,,,,,==%¤                                          ¤%==,,,,,,
,,=*%%¤£@#                                          #@£¤%%*=,,
,,=*%%¤£@#         ,,,,%%@# VäXJö #@%%,,,,          #@£¤%%*=,,
,,=*%%¤£@#                                          #@£¤%%*=,,
,,,,=%%%¤£ THE APARTMENT  SMELLS  OF OLD COFFEE AND £¤%%%=,,,,
,,,=**%%££ SWEETENERS. I DON'T  KNOW  HOW  I LET IT ££%%**=,,,
,,,,,=*%¤£ GET  LIKE THIS.  IT'S  NOT  INTENTIONAL. £¤%*=,,,,,
,,,,,,*%%¤                                          ¤%%*,,,,,,
,,=*%%¤£££ I WEAR YELLOW  TINTED GLASSES. THE  ROOM £££¤%%*=,,
,,,=***%£@ CHANGES SHAPE A  LOT. RIGHT  NOW THERE'S @£%***=,,,
,,=**%%%%£ A  BLUE   SOFA   WITH  YELLOW  SEAMS.  I £%%%%**=,,
,,=*%%¤£££     EXPERIMENT WITH DIFFERENT COLORED    £££¤%%*=,,
,,,,****%£       LIGHTS. I'M LEARNING THINGS.       £%****,,,,
,,=*%%¤££@                                          @££¤%%*=,,
,,,,=***%¤ MY  THOUGHTS ARE REVOLVING  AROUND TIME, ¤%***=,,,,
,,,==%%¤¤¤ AND THE PERCEPTION OF  IT. CAN I MAKE IT ¤¤¤%%==,,,
,,=*%%¤£@# RIGID?  IF I  REALLY WANT TO, CAN I MAKE #@£¤%%*=,,
,,=*%%%¤£@ IT FEEL LIKE  THERE  IS  ENOUGH  OF  IT? @£¤%%%*=,,
,,=*%%¤£££     ALSO, AND MAYBE, ULTIMATELY, MORE    £££¤%%*=,,
,,,,,,=%¤£ IMPORTANT -  CAN  I MAKE IT FEEL LIKE IT £¤%=,,,,,,
,,=*%%¤¤¤£             DOESN'T MATTER?              £¤¤¤%%*=,,
,,,,,,,*%¤                                          ¤%*,,,,,,,
,,,=*%%%¤¤                                          ¤¤%%%*=,,,
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,,=*%%¤£@#                                          #@£¤%%*=,,