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,.-\^£&@## ,,,,^^## växjö ##^^,,,, ##@&£^\-.,
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,.-\^&@### the apartment smells of old coffee and ###@&^\-.,
,.-\^£&&@@ sweeteners. i don't know how i let it @@&&£^\-.,
,,,,-\^&@@ get like this. it's not intentional. @@&^\-,,,,
,.-\^&@### ###@&^\-.,
,.-\\\^£&@ i wear yellow tinted glasses. the room @&£^\\\-.,
,.-\^£&&@@ changes shape a lot. right now there's @@&&£^\-.,
,,,.-^^&&@ a blue sofa with yellow seams. i @&&^^-.,,,
,.-\^£&@## experiment with different colored ##@&£^\-.,
,.-\^£## lights. i'm learning things. ###&£^\-.,
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,,,,,,-\£@ my thoughts are revolving around time, @£\-,,,,,,
,.-\^£&@## and the perception of it. can i make it ##@&£^\-.,
,.-\^£&@## rigid? if i really want to, can i make ##@&£^\-.,
,.-\^£&@## it feel like there is enough of it? ##@&£^\-.,
,.-\^£&@## also, and maybe, ultimately, more ##@&£^\-.,
,,..\\\^ important - can i make it feel like it #&^\\\..,,
,.-\£&@### doesn't matter? ###@&£\-.,
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